processfolio2012

PROCESSFOLIO++ ILLUSIE/

ERROR

PROCESSFOLIO++ ILLUSIE

Willekeurige inspiratie

4inspiratie

Vorm en Emotie

12onderzoek Kleur en Emotie

16onderzoek

Videomapping24

inspiratie

inspiratieLightpainting

30i

PROCESSFOLIO++ ILLUSIE

constructivisme

35inspiratie

De Stijl

42inspiratie

Shape of a song

48onderzoek

muziek + vorm

50inspiratie

Hedendaagste vormgeving

54Metric 72

Simon PageAtelier Olschinsky

Andreas Nicolas FischerChristoph KlemmAndy Huntington

James ClarEva Schindling

Jul et MatAndrew Nip & Andrew

SpitzCandas Sisman

Experimentele Typografie

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Logo Expo

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inspiratie

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WILLEKEURIGE++ INSPIRATIE

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insp

irat

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SELECTIE METINSPIRATIE ++

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inspiratie

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insp

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inspiratie

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inspiratie

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the emotion of shape

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THE EMOTION OF SHAPE

Pavlova, M., Sokolov, A.A., & Sokolov, A. (2005). Perceived dynamics of static images enables emotional attribution. Perception, 34, 1107-1116.

Assigning emotions to shapes is nothing new. In experiments as early as the 1940s, individuals have been found to consistently apply the same emotions to shapes in schematic cartoons: “angry” triangles and “loving” circles. But only one study had attempted to see if people consistently assigned emotions to static shapes based on the appearance of dynamic forces.In that study, participants viewing two slashes ( / / ) tended to see the slash leaning towards the other as “bossy,” while the one leaning away was “submissive.” In 2005, Irena Pavlova, Arseny Sokolov, and Alexander Sokolov made the first study of emotions and dynamics in single shapes: they showed participants triangles,

ovals, and lines in a variety of orientations, and asked them to rate the figures for the emotions they conveyed.The triangle balanced on its point (Number 1 in the above figure) or lying on its side was viewed as the most stable, and similarly, the oval balanced on either its end or its side was seen as stable as well. Instability correlated significantly in these figures with perceived suffering and fear. For the triangle, the oval, and the line, there was a significant negative correlation between joy and the degree of rotation from vertical: the more vertical, the more joyous the figure appeared. This correlation held for anger as well, but only in the case of the oval and the line.Pavlova and her colleagues

argue that the implied imbalance in the pictures of static objects is what leads individuals to attribute emotion to them. They note as well that neural imaging of patients with Asperger Syndrome shows that the parieto-frontal circuits in these individuals are activated differently compared to normal individuals. Since one symptom of Asperger Syndrome is an inability to detect emotional states of others, the team suggests that there is a direct link between perception of the physical orientation of an object and perception of emotional states.This finding has implications for the field of art as well. If certain shapes are indeed associated with emotions, then this may partially explain the appeal

of abstract art. Rather than being a seemingly random collection of shapes, abstract art may evoke common emotions in many viewers.

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the

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of s

hape

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the emotion of shape

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the

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hape

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color and moodchanging

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The most emotionally intense color, red stimulates a faster heartbeat and breathing. It is also the color of love. Red clothing gets noticed and makes the wearer appear heavier. Since it is an extreme color, red clothing might not help people in negotiations or confrontations. Red cars are popular targets for thieves. In decorating, red is usually used as an accent. Decorators say that red furniture should be perfect since it will attract attention.The most romantic color, pink, is more tranquilizing. Sports teams sometimes paint the locker rooms used by opposing teams bright pink so their opponents will lose energy.

COLOR AND MOODCHANGING. A THEORY OR?

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colo

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Currently the most popular decorating color, green symbolizes nature. It is the easiest color on the eye and can improve vision. It is a calming, refreshing color. People waiting to appear on TV sit in “green rooms” to relax. Hospitals often use green because it relaxes patients. Brides in the Middle Ages wore green to symbolize fertility. Dark green is masculine, conservative, and implies wealth. However, seamstresses often refuse to use green thread on the eve of a fashion show for fear it will bring bad luck.

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The color of the sky and the ocean, blue is one of the most popular colors. It causes the opposite reaction as red. Peaceful, tranquil blue causes the body to produce calming chemicals, so it is often used in bedrooms. Blue can also be cold and depressing. Fashion consultants recommend wearing blue to job interviews because it symbolizes loyalty. People are more productive in blue rooms. Studies show weightlifters are able to handle heavier weights in blue gyms.

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COLOR AND MOODCHANGING. A THEORY OR?Cheerful sunny yellow is an attention getter. While it is considered an optimistic color, people lose their tempers more often in yellow rooms, and babies will cry more. It is the most difficult color for the eye to take in, so it can be overpowering if overused. Yellow enhances concentration, hence its use for legal pads. It also speeds metabolism.

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colo

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videomapping

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++MAPPING

VIDEO++MAPPING

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vide

omap

ping

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++MAPPING

VIDEO++MAPPING

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videomapping

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Video Projection Mapping is an exciting new projection technique that can turn almost any surface into a dynamic video display. Specialized software is used to warp and mask the projected image to make it fit perfectly on irregularly shaped screens. When done right, the end result is a dynamic projection installation that transcends ordinary video projection.

VIDEO++MAPPING

++MAPPING

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vide

omap

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VIDEO++MAPPING

++MAPPINGA-cero XV Aniversario. 3D Mapping

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videomapping

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VIDEO++MAPPING++MAPPING

vj constructiv augmented sculpture

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vide

omap

ping

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VIDEO++MAPPING++MAPPING

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lightpainting

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LIGHT ++ PAINTING

BEWEGING ++ KLEUR

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LIGHT ++ PAINTING

BEWEGING ++ KLEUR

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lightpainting

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Light painting, also known as light drawing or light graffiti is a photographic technique in which exposures are made usually at night or in a darkened room by moving a hand-held light source or by moving the camera. In many cases the light source itself does not have to appear in the image. The term light painting also encompasses images lit from outside the frame with hand-held light sources.

LIGHT ++ PAINTING

all works can be found on lightgraff.org

BEWEGING ++ KLEUR

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light

pain

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LIGHT ++ PAINTING

BEWEGING ++ KLEUR

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constructivisme

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CONSTRUCTIVISME

1919+

VORM ++ KLEUR

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cons

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CONSTRUCTIVISME

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constructivisme

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Constructivism was an artistic and architectural philosophy that originated in Russia beginning in 1919, which was a rejection of the idea of autonomous art. The movement was in favour of art as a practice for social purposes. Constructivism had a great effect on modern art movements of the 20th century, influencing major trends such as Bauhaus and the De Stijl movement. Its influence was pervasive, with major impacts upon architecture, graphic and industrial design, theatre, film, dance, fashion and to some extent music.

CONSTRUCTIVISMEKazimir Malevitsj - black squareKazimir Malevitsj - red and black squareKazimir Melevitsj - red square

1919+ VORM ++ KLEUR

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CONSTRUCTIVISME

VORM ++ KLEUR

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constructivisme

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CONSTRUCTIVISME

1919+ VORM ++ KLEUR

Lyubov Popova - no titleLyubov Popova - no titleLyubov Popova - no title

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cons

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CONSTRUCTIVISME

VORM ++ KLEUR

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constructivisme

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CONSTRUCTIVISME

1919+

VORM ++ KLEUR

Alexander Vesnin - compositionAlexander Vesnin - compositionAlexander Vesnin - composition

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cons

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CONSTRUCTIVISME

1919+

VORM ++ KLEUR

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de stijl

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DE STIJL

1917+

VORM ++ KLEUR

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de s

tijl

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DE STIJL

VORM ++ KLEUR

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de stijl

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Proponents of De Stijl sought to express a new utopian ideal of spiritual harmony and order. They advocated pure abstraction and universality by a reduction to the essentials of form and colour; they simplified visual compositions to the vertical and horizontal directions, and used only primary colors along with black and white.

DE STIJL

1917+

VORM ++ KLEURTheo van Doesburg and architect Cornelis Van Eesteren, drawingTheo van Doesburg Composition IXTheo van Doesburg Composition XIII

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de s

tijl

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DE STIJL

1917+

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de stijl

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DE STIJL

Piet Mondriaan Victory boogie woogiePiet Mondriaan Broadway boogie woogie

VORM ++ KLEUR

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de s

tijl

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DE STIJLVORM ++ KLEUR

1917+

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shape of a song

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The diagrams in The Shape of Song display musical form as a sequence of translucent arches. Each arch connects two repeated, identical passages of a composition. By using repeated passages as signposts, the diagram illustrates the deep structure of the composition.For example, the picture on the right was built from the first line of a very simple piece: Mary Had a Little Lamb. Each arch connects two identical passages. To clarify the connection between the visualization and the song, in this diagram the score is displayed beneath the arches.This diagram visualizes the refrain from the folk song Clementine. As you would expect, the refrain consists of multiple repetitions of the same passage--and that is exactly what the diagram shows. The score isn’t shown in this diagram since the notes would be too small to read.More complex compositions create more intricate diagrams. The diagram above represents one of the Goldberg Variations. It shows that the piece divides into two main parts, each made of a long passage played twice--or what a musician would call an “AABB” structure.The diagram, however, provides much more detailed information than the simple “AABB” notation. For instance, you can see that the A and B passages are loosely related, as shown by the bundle of thin arcs connecting the two halves of the piece.

SHAPE OF

A SONG

Arc Diagrams: Visualizing Structure in StringsMartin WattenbergIBM Research

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shap

e of

a s

ong

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SHAPE OF

A SONG

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muziek en vorm

MUZIEK + VORM

Ljósið (previously known as Let Yourself Feel) from Esteban Diácono on Vimeo.

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muz

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VORM + GELUID

MUZIEK + VORM

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muziek en vorm

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VORM + GELUID

140 dB from Tadas Svilainis on Vimeo.

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VORM + GELUID

MUZIEK + VORM

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metric 72

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++INSPIRATIE

VORM ++ KLEUR

ACTUAL THREATGeometry of space 1-2-3

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met

ric

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METRIC 72

++INSPIRATIE

VORM ++ KLEUR afbeeldingen en info op www.metric72.com

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simon page

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Broken tilesalbum art

++INSPIRATIE

VORM ++ KLEUR

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sim

on p

age

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SIMON PAGE

afbeeldingen en info op simoncpage.co.uk

++INSPIRATIE

VORM ++ KLEUR

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atelier olschinsky

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Cities IV / Deconstructed

ATELIER OLSCHINSKY

VORM ++ KLEUR

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atel

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chin

sky

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ATELIER OLSCHINSKY

++INSPIRATIE VORM ++ KLEUR

afbeeldingen en info op www.olschinsky.at

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Andreas N

icolas Fischer

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PL IVPL IIIPL I

ANDREAS NICOLAS FISCHER

++INSPIRATIE

VORM ++ KLEUR

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And

reas

Nic

olas

Fis

cher

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ANDREAS NICOLAS FISCHERVORM ++ KLEUR

afbeeldingen en info op http://anf.nu/

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Christoph K

lemm

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CHRISTOPH KLEMM

++INSPIRATIE

VORM ++ KLEUR

Orproject

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Chr

isto

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lem

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CHRISTOPH KLEMM

++INSPIRATIE

VORM ++ KLEUR

afbeeldingen en info op http://www.klemmt.com

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Andy H

untington

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VORM ++ KLEUR

Cylinder

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And

y H

untin

gton

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afbeeldingen en info op http://andyhuntington.co.uk

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James C

lar

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++INSPIRATIE

VORM ++ KLEUR

Rolex Tower Order Chaos Order

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Jam

es C

lar

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JAMES CLAR

VORM ++ KLEUR

afbeeldingen en info op http://www.jamesclar.com/

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Eva S

chindling

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EVA SCHINDLING++INSPIRATIE

VORM ++ KLEUR

Liquid Sound Collision

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Eva

Sch

indl

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EVA SCHINDLING++INSPIRATIE

VORM ++ KLEURafbeeldingen en info op http://www.evsc.net/

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Jul et Mat

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Metronomy - on the motorway

JUL & MAT

++INSPIRATIE

VORM ++ KLEUR

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Jul e

t M

at

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JUL & MAT

++INSPIRATIE

VORM ++ KLEUR

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Andrew

Nip &

Andrew

Spitz

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Paper Note

ANDREW NIP & ANDREW SPITZ

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VORM ++ KLEUR

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rew

Nip

& A

ndre

w S

pitz

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ANDREW NIP & ANDREW SPITZ

VORM ++ KLEUR

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Candas S

isman

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Flux

CANDAS SISMAN

++INSPIRATIEVORM ++ KLEUR

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Can

das

Sis

man

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CANDAS SISMAN

++INSPIRATIEVORM ++ KLEUR

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experimentele typografie

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TAAL IS ++ GELUID BEELD ++

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expe

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rafie

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TAAL IS ++ GELUID BEELD ++

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logo expo

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BELGISCHE ++LOGO TENTOONSTELLING

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BELGISCHE ++LOGO TENTOONSTELLING

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processfolio2012

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Transcript of processfolio2012