The Cyrus Cilinder 07

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    The British Museum lends

    The Cyrus Cylinder

    to the National Museum of Iran

    The British Museum is lend--

    ing the Cyrus Cylinder to the

    National Museum of Iran for

    an exhibition that will open

    for four months in Tehran on12 September. Together with

    two fragments of contempo--

    rary cuneiform tablets, it will

    be the centrepiece of an exhibi--

    tion that celebrates a great mo--

    ment in the history of the Mid--

    dle East. The loan reciprocates

    the generous loans made by the

    National Museum of Iran to

    the Forgotten Empire and Shah

    Abbas exhibitions in 2005 and

    2009 at the British Museum.

    The Cylinder was foundduring a British Museum ex--

    cavation at Babylon in Iraq in

    1879, and has been in the Brit--

    ish Museum since that time. It

    was originally inscribed and

    buried in the foundations of a

    wall after Cyrus the Great, the

    Persian Emperor, captured Ba--

    bylon in 539 BC. The Cylinder

    is written in Babylonian cunei--

    form by a Babylonian scribe. It

    records that aided by the god

    Marduk Cyrus captured Baby--

    lon without a struggle, restoredshrines dedicated to different

    gods, and repatriated deported

    peoples who had been brought

    to Babylon. It was this decree

    that allowed the Jews to return

    to Jerusalem and rebuild The

    Temple. Because of these en--

    lightened acts, which were rare

    in antiquity, the Cylinder has

    Irano-British Quarterly Magazine No.36Report18

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    acquired a special resonance,

    and is valued by people all

    around the world as a symbol of

    tolerance and respect for differ--

    ent peoples and different faiths.These are the qualities for

    which Cyrus is revered in the

    Hebrew Bible. The two frag--

    ments of tablet were also found

    in nineteenth century British

    Museum excavations in or near

    Babylon. These fragments were

    identied by experts at the Mu--

    seum earlier this year as being

    inscribed with parts of the sametext as the Cylinder but do not

    belong to it. They show that the

    text of the Cylinder was prob--

    ably a proclamation that was

    widely distributed across the

    Persian Empire.

    As Neil Macgregor, Direc--

    tor of the British Museum has

    said:You could almost say that

    the Cyrus Cylinder is A His--

    tory of the Middle East in one

    object and it is a link to a past

    which we all share and to a

    key moment in history that

    has shaped the world around

    us. Objects are uniquely able

    to speak across time and space

    and this object must be shared

    as widely as possible.

    In recognition of the fact that

    the Cyrus Cylinder is truly a

    part of the worlds cultural her--

    itage, the Trustees of the British

    Museum are eager that as many

    people as possible should have

    an opportunity to see it, partic--

    ularly in Iran where Cyrus the

    Great is held in special rever--

    ence. Although political rela--

    tions between Iran and the UK

    are at the moment difcult, theTrustees take the view that it is

    all the more important to main--

    tain the cultural links which

    have been so carefully built

    up over a period of years and

    which could in themselves lead

    to a better relationship based on

    dialogue, tolerance and under--

    standing. Colleagues in Irans

    museums are part of a world-wide scholarly community

    in which the British Museum

    plays a

    leading role.

    Niall Fitzgerald, Chairman of

    the British Museum, said:

    The British Museum has a

    long standing policy of lend--

    ing its unparalleled collectionas widely as possible across

    the world to benet the great--

    est number of world publics.

    This cultural exchange is a vi--

    tal part of the Museum>s com--

    mitment to being a Museum for

    the world. The British Museum

    has a positive and ongoing ex--

    change of skills and objects

    with colleagues at the Nation--

    al Museum of Iran which has

    played a key part in recent ex--

    hibitions. The Trustees have

    reafrmed their view that ex--

    changes of this sort are an es--

    sential part of the Museum>s

    international role, allowing

    valuable dialogues to develop

    independently of political con--

    siderations.

    Baroness Helen Kennedy

    QC, human rights lawyer andTrustee of the British Museum,

    said:

    The Cyrus Cylinder is an

    ancient artefact of great sym--

    bolism and it is absolutely right

    that the British Museum fulls

    its promise to loan it to the Mu--

    seum in Tehran. This is part of

    the reciprocity from which we

    in Britain have also beneted.Art and culture can sustain re--

    lationships between the people

    of nations even when diploma--

    cy is strained. To present this

    particular temporary gift to the

    people of Iran at this particular

    time is an act of faith which

    will have profound meaning

    and value.

    One of the chief tasks of ourgeneration is to build a global

    community, where peoples of

    differing ideologies can live to--

    gether in respect and harmony,

    said Karen Armstrong, author

    and commentator on religious

    affairs and a British Museum

    Trustee. At a time of political

    tension, it is essential to keep

    as many doors of communica--

    tion open as possible. We all

    have much work to do to build

    a peaceful world. This cultural

    exchange may make a small

    but timely contribution towards

    the creation of better relations

    between the West and Iran.

    Irano-British Quarterly Magazine No.36 Report 19