The Cyrus Cilinder 07
Transcript of The Cyrus Cilinder 07
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The British Museum lends
The Cyrus Cylinder
to the National Museum of Iran
The British Museum is lend--
ing the Cyrus Cylinder to the
National Museum of Iran for
an exhibition that will open
for four months in Tehran on12 September. Together with
two fragments of contempo--
rary cuneiform tablets, it will
be the centrepiece of an exhibi--
tion that celebrates a great mo--
ment in the history of the Mid--
dle East. The loan reciprocates
the generous loans made by the
National Museum of Iran to
the Forgotten Empire and Shah
Abbas exhibitions in 2005 and
2009 at the British Museum.
The Cylinder was foundduring a British Museum ex--
cavation at Babylon in Iraq in
1879, and has been in the Brit--
ish Museum since that time. It
was originally inscribed and
buried in the foundations of a
wall after Cyrus the Great, the
Persian Emperor, captured Ba--
bylon in 539 BC. The Cylinder
is written in Babylonian cunei--
form by a Babylonian scribe. It
records that aided by the god
Marduk Cyrus captured Baby--
lon without a struggle, restoredshrines dedicated to different
gods, and repatriated deported
peoples who had been brought
to Babylon. It was this decree
that allowed the Jews to return
to Jerusalem and rebuild The
Temple. Because of these en--
lightened acts, which were rare
in antiquity, the Cylinder has
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acquired a special resonance,
and is valued by people all
around the world as a symbol of
tolerance and respect for differ--
ent peoples and different faiths.These are the qualities for
which Cyrus is revered in the
Hebrew Bible. The two frag--
ments of tablet were also found
in nineteenth century British
Museum excavations in or near
Babylon. These fragments were
identied by experts at the Mu--
seum earlier this year as being
inscribed with parts of the sametext as the Cylinder but do not
belong to it. They show that the
text of the Cylinder was prob--
ably a proclamation that was
widely distributed across the
Persian Empire.
As Neil Macgregor, Direc--
tor of the British Museum has
said:You could almost say that
the Cyrus Cylinder is A His--
tory of the Middle East in one
object and it is a link to a past
which we all share and to a
key moment in history that
has shaped the world around
us. Objects are uniquely able
to speak across time and space
and this object must be shared
as widely as possible.
In recognition of the fact that
the Cyrus Cylinder is truly a
part of the worlds cultural her--
itage, the Trustees of the British
Museum are eager that as many
people as possible should have
an opportunity to see it, partic--
ularly in Iran where Cyrus the
Great is held in special rever--
ence. Although political rela--
tions between Iran and the UK
are at the moment difcult, theTrustees take the view that it is
all the more important to main--
tain the cultural links which
have been so carefully built
up over a period of years and
which could in themselves lead
to a better relationship based on
dialogue, tolerance and under--
standing. Colleagues in Irans
museums are part of a world-wide scholarly community
in which the British Museum
plays a
leading role.
Niall Fitzgerald, Chairman of
the British Museum, said:
The British Museum has a
long standing policy of lend--
ing its unparalleled collectionas widely as possible across
the world to benet the great--
est number of world publics.
This cultural exchange is a vi--
tal part of the Museum>s com--
mitment to being a Museum for
the world. The British Museum
has a positive and ongoing ex--
change of skills and objects
with colleagues at the Nation--
al Museum of Iran which has
played a key part in recent ex--
hibitions. The Trustees have
reafrmed their view that ex--
changes of this sort are an es--
sential part of the Museum>s
international role, allowing
valuable dialogues to develop
independently of political con--
siderations.
Baroness Helen Kennedy
QC, human rights lawyer andTrustee of the British Museum,
said:
The Cyrus Cylinder is an
ancient artefact of great sym--
bolism and it is absolutely right
that the British Museum fulls
its promise to loan it to the Mu--
seum in Tehran. This is part of
the reciprocity from which we
in Britain have also beneted.Art and culture can sustain re--
lationships between the people
of nations even when diploma--
cy is strained. To present this
particular temporary gift to the
people of Iran at this particular
time is an act of faith which
will have profound meaning
and value.
One of the chief tasks of ourgeneration is to build a global
community, where peoples of
differing ideologies can live to--
gether in respect and harmony,
said Karen Armstrong, author
and commentator on religious
affairs and a British Museum
Trustee. At a time of political
tension, it is essential to keep
as many doors of communica--
tion open as possible. We all
have much work to do to build
a peaceful world. This cultural
exchange may make a small
but timely contribution towards
the creation of better relations
between the West and Iran.
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