MODERN BİR ÖRNEK - Pierre Chareau-Bernard Bijvoet, Maison ...
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MODERN BİR ÖRNEK - Pierre Chareau-Bernard Bijvoet, Maison de Verre, Paris, 1928-31
Transcript of MODERN BİR ÖRNEK - Pierre Chareau-Bernard Bijvoet, Maison ...
MODERN BİR ÖRNEK - Pierre Chareau-Bernard Bijvoet, Maison de Verre, Paris,
1928-31
MODERN BİR ÖRNEK - Willem Dudok, Town Hall, Hilversum, 1924-31
MODERN BİR ÖRNEK - Eileen Gray, E1027 Evi, Cap Martin, 1926-9
MODERN BİR ÖRNEK - Tel Aviv, Bauhaus yapıları, 1930’lar
Erken tarihli bir yarışma ve “modern olmayan”ın zaferi, Chicago Tribune Yarışması, 1922
Erken tarihli bir yarışma ve “modern olmayan”ın zaferi, Chicago Tribune Yarışması, 1922 Bernard Bijvoet - Johannes Duiker
1927’den alıntılarla yapılan International Style MOMA Sergisi’nde önemli yeri olan Weissenhofsiedlung, Stuttgart, 1927, Modernist bir konut adası sergisi, Deutsche Werkbund
Weissenhof Siedlung, Mies Van der Rohe Bloğu, 1927
1927’den alıntılarla yapılan International Style MOMA Sergisi’nde önemli yeri olan Weissenhofsiedlung, Stuttgart, 1927, Modernist bir konut adası sergisi, Deutsche Werkbund
Hans Scharoun
Le Corbusier
1927’den alıntılarla yapılan International Style MOMA Sergisi’nde önemli yeri olan Weissenhofsiedlung, Stuttgart, 1927, Modernist bir konut adası sergisi, Deutsche Werkbund
J.J.P.Oud
Le Corbusier
Weissenhofsiedlung’a yönelik alaycı bir Nazi eleştirisi
“Arab village”, a “Little Jerusalem” and a “city eyesore”
– that’s how the newspapers of the time reacted. The
white concrete cubes didn’t really fit into the self-
conscious Stuttgart of the Nazi period.
1927’den alıntılarla yapılan International Style MOMA Sergisi’nde önemli yeri olan Birleşmiş Milletler Binası yarışması 1927
Le Corbusier
Hannes Meyer
1927’den alıntılarla yapılan International Style MOMA Sergisi’nde önemli yeri olan Birleşmiş Milletler Binası yarışması 1927
Bernard Bijvoet - Johannes Duiker
Richard Neutra
Congrès Internationaux de l’Architecture Moderne (CIAM), 1928
La Sarraz, 1928
Congrès Internationaux de l’Architecture Moderne (CIAM), 1929, Frankfurt Posteri
Existenzminimum, Mimimum Space for Living!
Mies van der Rohe, Barcelona Pavilion, 1929, yeniden yapımı 1980ler
Mies van der Rohe, Barcelona Pavilion, 1929, yeniden yapımı 1980ler
Le Corbusier, Villa Savoye, Poissy, 1928-31
Le Corbusier, Villa Savoye, Poissy, 1928-31
Le Corbusier, Villa Savoye, Poissy, 1928-31
Le Corbusier, Villa Savoye, Poissy, 1928-31
Frank Lloyd Wrigt, Fallingwater House, Pennsylvania, 1934-37
Frank Lloyd Wrigt, Fallingwater House, Pennsylvania, 1934-37
Frank Lloyd Wrigt, Fallingwater House, Pennsylvania, 1934-37
Frank Lloyd Wrigt, Johnson Wax Yönetim Binası, Wisconsin, 1936-39
Frank Lloyd Wrigt, Johnson Wax Yönetim Binası, Wisconsin, 1936-39
Frank Lloyd Wrigt, Broadacre City, Kent Ütopyası, 1934-5
“Broadacre city is the country itself come alive as a
truly great city. ”
FLW
Le Corbusier, Cezayir için Plan Obus, 1933
The 1933 rendering of Plan Obus
for Algiers demonstrates Le
Corbusier’s superimposition of
modern forms: the long arching
roadway that includes housing-his
viaduct city-connecting central
Algiers to its suburbs and the
curvilinear complex of housing in
the heights that accesses the
waterfront business district via an
elevated highway bypassing the
Casbah.
Le Corbusier, Cité de Refuge, Paris, 1929-33
The core of Le Corbusier's design was the dormitory
slab with a sheer glass curtain wall. Critical to the
success of this south-facing glass wall was to have
been a technologically ambitious system of double
glazing and air conditioning ('respiration exacte'). These
were never built as intended, and the sheer skin of the
wall was lost to Le Corbusier's trademark brises
soleils later on in an attempt to prevent the inhabitants
from overheating.
Le Corbusier, Pavillon Suisse, Paris, 1930-31
Le Corbusier, Pavillon Suisse, Paris, 1930-31
