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Jonathan Goldman's"Healing So{J/?ds"

Sound & Heat Therrnography

Much of my research, work and training involves the use of the human voice for healingand transformation. In particular, I focus upon vowelsounds and the power of theircorresponding vocal harmonics to effect these changes. Vocal harmonics have beenutilized by many sacred and spiritual practitioners since ancient times, including TibetanMonks and Mongolian Shaman. I've now introduced a simplifled method of makingthese vocal harmonics for Westerners-easy to create and receive the therapeuticbenefits. Information about vocal harmonics is found in my book HEALING SOUNDS.These following photographs are described in the chapter "Harmonics and Healing".This is the first time they have been made available to the public.

These four photographs are heat thermography photographs of me creating vocalharmonics. Dr. Elizabeth Philips who was conducting tests on the effects of music tocreate relaxation took them. They were taken at the lst International New Age MusicConference in Los Angeles in February, 1989 where I was a speaker. Heatthermography measures changes in skin temperature-when a subject is relaxed, theirskin temperature is raised. There seems to be a major relationship between changes inskin temperature and shifts in the organs behind or below the skin-with regard tothese photographs, it would indicate changes in the brain. This change in skintemperature could also indicate changes in the energetics of the chakra associated withan area. These photos may show how self created sound was able to influence the browor ajna chakra.

Dr. Philips took some photographs of me creating vocal harmonics. She did not developthese photos until months later. Then, she excitedly called me, explaining that she hadnever seen such rapid changes in skin temperature, Dr. Philips consulted a neurologistwith the heat thermography photographs. He was somewhat baffled by the rapidchanges in skin temperature and wanted to know if I had been doing any visualizationswhile making these sounds. I said that no, I hadn? but I had been consciouslyprojecting the harmonics to specific portions of my brain. Dr. Philips asked if I thoughtthere was a possible for treatment of headaches using this technique. I replied that Ithought this would just be the tip of the iceberg.

It is my belief that self-created sounds such as vocal harmonics can trigger differentchemicals such as melatonin in the brain. Dr. Ranjie Singh of Canada read HEALINGSOUNDS and decided to research this. He showed in POWERFUL SELF HEALINGTECHNIQUES that the hormone melatonin is produced through self-created harmonicssounds. It is also my belief that it is possible for vocal harmonics to create new neuralsynaptic connections in the brain. I believe there are extraordinary healing possibilitieswith the use of vocal harmonics as a means of stimulating different portions of thebrain. This may be very important with regard to head injury and stroke patients,These photos may also show how the brow chakra can be activated using sacred sound.

-

slide #1: This first heat thermooraohv ohotoqraoh shows me

before I began to make sounds.predominance of red.

Please note the color. There is a

Slide #2: This next photo was taken as I began to create vocalharmonics. Notice the immediate changes in the color-especiallyaround the forehead--you'll see the color blue immediatelybecome visible here.

Slide #3: This next photograph was taken as I continued makingvocal harmonics. t\otice continued changes in the color of theforehead-there is still more blue color.

Slide #4: This last photograph was taken at the conclusion of mycreating vocal harmonics. Here you'll see not only continuedchanges in the forehead, but also in the sinus cavity and aroundthe cheek area.

Note that the entire process of making sound probably took about one minute. Theseheat thermography photographs were taken during that time.

If you look at all these photographs together again in succession, watch the progressionof colors and you1l notice some powerful changes occurring through self createdsounds.

Dr. Jeffrey Thompson, Founder/Director, Center for Neuroacoustic Research (website:neuroacoustic.com) was at this session and recalls his experiences:

I remember the thermography experience well. A friend of mine had a booth at the lstInternational New Age Music Conference in which she had a heat thermography unit setup with a color TV monitor to show people their heat reading from their face. She wastaking Polaroid's of the before and after readings. You had a booth as well close by andCame over to try it yourself. Once you sat down you decided to try a brow chakratoning to open this chakra. This was the flrst experience I had ever had of a scientificmeasuring device recording a real-time event of awakening a chakra with sound. Thiswas certainly a defining moment for whatever skeptical parts may have still been in mymind in those days. This is all worthy of further research and documentation.

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Jonathan Goldman's"Healing Sounds"

Messages from Water

These slides are the work of Japanese researcher Mr. Masaru Emoto, from his book"Messages from Water." Mr. Emoto's work provides factual evidence that humanvibrational energy, thoughts, words, ideas and sound affect the molecular structure ofwater.

In my book Healing Sounds, I first presented the formula "FREQUENCY + INTENT =HEALING". Mr. Emoto's research truly demonstrates the reality of this formula. Rememtthat water comprises over 70olo of a mature human body and covers the same amount (our planet. Water is the very source of all life. The fact that the molecular structure of tlwater can be affected by our consciousness, our intent and our sounds is extremelyimportant and may have great implications for future of personal and the planetaryharmony and healing.

Mr. Emoto has been visually documenting these molecular changes in water by means chis photographic techniques. He freezes droplets of water than then examines them unca dark field microscope that has photographic capabilities. His work clearly demonstratethe diversity of the molecular structure of water and the effect of the environment uponthe structure of the water.

Slide #1: This slide show the beautifullyformed geometric designs of Sanbu-ichiYusui Spring water,As you can see, pure water creates lovely,looks like mud.

Water Molecule Slides

Slide #2: This is contaminated waterfrom the Yodo River in Japan.

hexagonal geometric forms. Polluted water

Mr. Emoto decided to see what effects music had upon the structure of water. Heplaced distilled water between two speakers for several hours while playing music andthen photographed the crystals that formed after the water was frozen. The results ofthe effects of these two very different types of music speak for themselves.

f,,}iilSlide #3: This is the effect of Bach's "Air Slide #4: This is thefor the G String" Metal Music

.ffieffects of He

words affected the formation of untreatecpaper and then taping them on glass

Mr. Emoto decided to see how thoughts anddistilled water crystals by typing words ontobottles overnight.

Sllde #5: These are effects of the words"Love and Appreciation"

Slide #6: These are the effects of "Youmake me sick. I will kill youl"

These last pictures are perhaps most impressive. They indicate the great potential ofsound coupled with intention to create great shifts and changes for this planet-particularly with regard to assisting pollution.

trSllde #7: Thiswater from the

is very polluted and toxicFujiwara Dam in lapan.

Slide #8: fihis is the same water fromthe Fujiwara Dam, after Buddhist monkshad offered a prayer over it. Through themonks chanting they were able to purifythe water. Prayer-sound coupled withintention seems to have the ability ofrestoring water to its natural, harmoniousgeometric symmetry.

These photographs that we have just seen show proof that not only does sound have thability of effecting and changing physical structure, but that, with regard to the moleculistructure of water, that our intent with our sounds is extremely important. This may hargreat implications for the future of both personal and planetary harmony and healing. T,order "Messages from Water" please go to: www.sacredspaces.org

To11 Free: (800\ 246-9764 Fax: {303) 443-6023P.O. Box 2240 Boulder, CO 80306Copyright O 1998-2002 Spir i t Music

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Andy Fabian, a professor atthe Institute of Astronomy ineambricige, expia!ns whatthe X-ray imagery revealsabout the black hole and itssound.

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A chart of data from the Chandra X-Ray Observatory shows subtle ripplesin the hot gas surrounding a supermassive black hole. The white spot atthe center of the image represents the blaze of rnatter falling into theunseen black hole.

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wASHINGToN, Sept. 9 - Big black holes sing bass.One particularly monstrous black hole hasprobably been humming B-flat for billions ofyears, but at a pitch no human could hear, letalone sing, astronomers said Tuesday.

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human speech," said Andrew Fabian of the Institute ofAstronomy at Cambridge, Engiand. But the pitch of thesound is about 57 octaves below the middle C at themiddle of a standard piano keyboard.

This is far. far deeper than humans can hear. theresearchers said, and they believe it is the deepest noteerrer defecfer l in fhe rrnirrerse

The sound is emanating from the Perseus Cluster, a- i^-+ ^ l - , - - ^ f -^ l^-- :^^ n<n *: l l :^ . . l : -L+ . ,^^*^ f -^*gr4r l t u lur t rP ul gal4 l ( ;s LJv l l l r l i lu l r r rH,rr ] -ygarS l lu l i l

Earth. A light-year is about 6 trillion miles (10 trillionkilometers), the distance light travels in a year.

Fabian and his colleagues used NASA's orbitingChandra X-Ray Observatory to investigate X-rayscoming from the cluster's heart. Researchers presumedthat a supermassive black hole, with perhaps 2.5 billiontimes the mass of our sun, lay there, and the activitynrnrrnd fhe nenfer hnlcferer l fh ic acsrrrnnf inn

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their centers. Black holes have not been directlyobserved, because their gravitational pull is so strongthat nothing, not even light, can escape it.

So researchers have concentrated on what happensaround the edges of black holes, just before the matteris pulled in. When scientists trained the Chandraobservatory onthe center ofPerseus lastyear, they saw

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Black hole sings the deepest B-flat

concentric ripples in the cosmic gas that fills the spacebetween the galaxies in the cluster.

"We're dealing with enormous scales here," Fabiansaid in a teiephone inierview. (fThe size oithese rippiesis 30,000 light-years."

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Fabian said the ripples were caused by the rhythmicsqueezing and heating of the cosmic gas by the intensegravitational pressure of the jumble of galaxies packedtogether in the cluster. As the black hole pulls materialin, he said, it also creates jets of material shooting outabove and below it, and it is these powerful jets thatcreate the pressure that creates the sound waves.

To scientists, he said, pressure ripples equate to- - - - - - l - - - - - - : - n- ,suuilu wavcs. rf,ycalculating how far fflaek hole bonanzaapart the rippies \.vere,

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Fabian said the lheylq packed with power-^r i^- ^f - : - - : - - L l^^ l -tIULluil ur surBrrrB_ul4u$ . our galaxy's black holeholes might well be . Mysteries of the Universeextrapolate<i to other , Space Gailerygalaxies, but notnecessarily to the Milkyway.

Chandra has looked at X-ray emissions from theMilhv Way's center, and astronomers believe there is ablack hole there, but because it is a young,rambunctious galaxy with lots of activity at its heart,this may interfere with any note our black hole mightsing, Fabian said.

@ 2003 Ret$ers Limireci. Aii rights reserved.

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