1

GUCCICRUISE

2018 COLLECTIE

Digitaal Andreas 29-11-2017 Roos

2

Inhoudsopgave

Bepaaldeillusie/kleurcontrast 3

Kleurcombinatie 4

Strak/samenvoegenvanglitterenmat 5

Kleur/hoedekleurensamenvallen 6

Inspiratieopdecollectie: 7

3

Bepaaldeillusie/kleurcontrast Zoals je hier onder op de afbeelding kan zien, is er goed en slim nagedacht over het model van de jas, de kleur en de stof. De kleur die ze hebben gekozen plus de kleine details en het model, zorgt ervoor dat de jas, ik vind het moeilijk te beschrijven maar het springt echt naar voren, wat ik persoonlijk heel tof vind. Doordat ze kleuren zo uitgekozen hebben aangezien ze tegenover elkaar liggen lijkt het inderdaad echt zo dat het model een hanger is en de jas gewoon zo aanwezig is.

4

Kleurcombinatie Misschien is het al duidelijk, maar ik vind Gucci dus een van mijn favoriete designer merken, zoals je hieronder kun je gewoon eigenlijk een simpele pak zien, maar de kleur die ze kiezen, de stof erbij, het heuptasje en de schoenen maakt de outfit toch wel heel anders en heel mooi! Met de mooie koelere kleuren combinatie en toch een subtiele aanwezigheid van een perzik kleurige schoenen voegt dat toch wat toe en maakt het de outfit compleet hoe het is.

5

Strak/samenvoegenvanglitterenmatIkweetnietwathetis,maardiefurcoatkomtzostraknaarvoren(netalsbijderozejashierboven),endatheeftdenkiktemakenmetdatheteenzoandersisdandeglitteryitemsdiehetmodelhierdraagtwaardoorallesgewoonheelmooien‘individueel’naarvorenkomt,daarmeebedoelikdusdatjegewoonziet;oke,hetmodeldraagteenmooietwopieceoutfitmeteenmooiejaserbij.Onderscheidziejegoed.

6

Kleur/hoedekleurensamenvallenFirstthingsfirst,watisditiseenmooikledingstuk,hetoogvaltersnelopaangezienhetveellichtreflecteertdoordestofdiegebruikis,(silk).Jedenktmisschien,watisditeenmooiejurk,dachtikiniedergevalineersteinstantie,maarhetisinfeiteeigenlijkgewooneensoortjumpsuit,maardoordemooiekleurendiezomooiinelkaarlopenenhetmooiewerkdaterinisgestoken,enalleszomooiinelkaarflowt,lijkthetopeenjurk,vindikiniedergeval.

7

Inspiratieopdecollectie:

Alessandro Michele was quite honest: He wanted the Parthenon in Athens for his Gucci

Cruise show. That’s how high and free the ambitions of this brand soar these days. “At the

beginning, everything started in the Mediterranean, the Greek and Roman cultures,” he said.

“But we couldn’t have Athens, so I went to the next big step in civilization, the Renaissance,

so we came here to Florence, the fascinating metropolis of the past, the place which had the

power of big money. Like,” he smiled, “Napa Valley now.” (A slip of the tongue: Silicon, we

assume.)

The slight location glitch had been that the Athenian cradle of democracy has a permanent

preservation order which proved impermeable even to the blandishments of one of the

world’s mega fashion brands in search of an ultra-exclusive Resort destination. (PS:

Reasonably, how much further can these competitive Cruise trips go?) So there was Michele,

stuck with plan B: the Palatine gallery of the Palazzo Pitti in Florence. Hardly so shabby,

really, when he could have his audience walk through the Uffizi, past all the Botticellis,

Uccellos, and Piero della Francescas that matter, across the Ponte Vecchio via the secret

corridor built by the Medicis, and thus present his collection in front of the likes of Elton

John, David Furnish, Jared Leto, Beth Ditto, Kirsten Dunst, and Dakota Johnson.

The vestiges of the ancient Classical theme were apparent—gilded wreaths, tiaras implanted

with silver lyres—but then again, they were only a part of the extraordinary things Michele

does to frame and individualize his cast of characters. There were leopard-spot turbans, head

scarves, woolly bandeaux, nerdy tinted spectacles, glittery-framed sunglasses, piled-up

almost-medieval hairpieces. Pearls were woven into flowing tresses or, in one case, fashioned

into an all-over helmet with stuck-on beads encroaching onto the face.

8

Michele’s Italianate magpie eye for excess and extravagance roams unfettered across

centuries, taking everything from ’60s psychedelic print palazzo pantsuits to ’70s-accented

Renaissance revival gowns to substantial capes, windowpane checked tweed tailoring, and

sensible quilted outdoor coats. He knows how strong the following is for anything that’s

embroidered or sparkles. This season he had glittery GG logo-printed tights and socks, wolf-

head prints and patches, and slogans reading Guccy, Guccification, and Guccify Yourself.

There is playfulness and conscious self-parody going on now. What stops it from falling off

the edge into first-degree literalness is the underlying oddness: There’s something unsettling,

almost undead, about his strange breed of wan eyebrow-less girls and geeky boys. Take all

the assemblages apart, and there are stores-ful of separates and accessories to continue the

forward-rolling of this brand; tons for women and men, boys and girls to buy into. Perhaps

there are no great political depths going on here, but there was one subtext the audience didn’t

glean—because they were literally sitting on it. Michele had the lines of “A Song For

Bacchus,” a poem written in the 15th century by Lorenzo de’ Medici, embroidered onto the

stools upon which they were seated. “How beautiful our Youth is/That’s always flying by

us/Who’d be happy let him be so:/Nothing’s sure about tomorrow.” Carpe diem. That’s a

modern-enough sounding moral for most of us today.

9

BRONNENDitzijndeenigstebronnenwaarikmijninspiratieeninfovandaanhebgehaald;defoto’sdieikhebgevonden,devideowaarikmijninspiratieuithaalde,endeinspiratieopdezecollectie.http://www.elle.com/runway/g29944/gucci-cruise-2018/https://www.youtube.com/watch?v=aCl1Rv5JWsshttps://www.vogue.com/fashion-shows/resort-2018/gucci