SphärenLimoges Porzellan, Transparentglasur

62 x 90 x 82 cm2009

390,- €

Seevilla

Gabriele Hain1

Sphären, WRW 7/3Seto Porzellan, Farbkörper, Transparentglasur

124 x 142 x 142 cm2011

1.700,- €

Seevilla

Gabriele Hain2

PäonienSeto Porzellan, Farbkörper, Glasur

119 x 145 x 145 cm2014

4.400,- €

Seevilla

Gabriele Hain3

BlüteSeto Porzellan, Transparentglasur

35 x 80 x 80 cm2016

160,- €

Seevilla

Gabriele Hain4

PlisèeSeto Porzellan, Farbkörper, Transparentglasur

66 x 87 x 93 cm2018

180,- €

Seevilla

Gabriele Hain5

Schwebung grau/schwarzSeto Porzellan, Farbkörper, Transparentglasur

21 x 120 x 116 cm2017

1.040,- €

Seevilla

Gabriele Hain6

Schwebung schwarzSeto Porzellan, Farbkörper, Transparentglasur

27 x 120 x 113 cm2017

1.040,- €

Seevilla

Gabriele Hain7

CrapSeto Porzellan, Farbkörper, Transparentglasur

43 x 142 x 142 cm2012

300,- €

Seevilla

Gabriele Hain8

Schnittform, TajimiSeto Porzellan

44 x 140 x 145 cm2006

1.200,- €

Seevilla

Gabriele Hain9

AzaleéLimoges Porzellan, Transparentglasur

95 x 95 x 95 cm1998

3.900,- €

Galerie

Gabriele Hain10

Transform, Schale mit blauen PunktenLimoges Porzellan, Farbkörper, Transparentglasur

70 x 112 x 112 cm2003

660,- €

Galerie

Gabriele Hain11

Becher mit blauem PunktLimoges Porzellan, Farbkörper, Transparentglasur

100 x 77 x 77 cm2002

180,- €

Galerie

Gabriele Hain12

Stein ZylinderSeto Porzellan, Transparentglasur

102 x 115 x 115 cm2016

380,- €

Galerie

Gabriele Hain13

Stein JBSeto Porzellan, Transparentglasur

88 x 79 x 79 cm2016

110,- €

Galerie

Gabriele Hain14

Stein TBSeto Porzellan, Transparentglasur

60 x 69 x 69 cm201785,- €

Galerie

Gabriele Hain15

Morph SchaleSeto Porzellan, Farbkörper, Transparentglasur

38 x 116 x 116 cm2017

450,- €

Galerie

Gabriele Hain16

Morph BecherSeto Porzellan, Farbkörper, Transparentglasur

68 x 70 x 70 cm2006

240,- €

Galerie

Gabriele Hain17

Morph TBSeto Porzellan, Farbkörper, Transparentglasur

55 x 70 x 70 cm2017

240,- €

Galerie

Gabriele Hain18

Gabriele Hain1955 geboren in Aigen/OÖSeit 1991 Werkstatt und Schauraum mit dem Maler Alois Hain in Haslach a. d. Mühl, OÖ1975 bis 1980 Universität für künstlerische und industrielle Gestaltung, Linz 1980 bis 1981 postgraduate studies in Helsinki1981 bis 1985 artist-in-residence bei Bing & Grøndahl, Kopenhagen 1984 bis 1987 artist-in-residence bei Contemporary Porcelain, New York2001 4. Internationaler Porzellan-Workshop KAHLA kreativ, Kahla, Deutschland 2003 artist-in-residence in Seto, Japan2005 International Ceramic and Glass Art Festival Seto, Japan 2006 artist-in-residence in Tajimi, Japan2010 Porcelain – Another Way, Symposium Walbrzych, Polen2016 Heritage and Diversity, Hanyang University, Seoul, Republik Korea2018 Taoxichuan Spring Art Fair, Jingdezhen, China

Ausstellungen und Beteiligungen seit 2007 (Auswahl):2007 Transparenz und Masse, Museum Eckernförde Modern Ceramics from Central Europe, Museum of Modern Ceramic Art, Gifu 2008 Sakazuki, Kosmos on Your Palm, Ichinokura Sakazuki Art Museum, Tajimi Luce³ - Light³, AbOvo Gallery, Todi2010 Speed, Think Tank Edition 06, München, London, Bergen Sphären, VKB-Galerie, Gmunden (EA)2011 Porcelana inaczej 2010, Galeria Szkla i Ceramiki, WroclawInternational Ceramic and Glass Art in the 21st Century, Seto City Art Museum, Seto 2012 In Form gegossen, Galerie Handwerk, München Nikamo, Galerie Unart, Villach (EA)außen grau, Neues Museum in Nürnberg2013 Love Your Cylinder, Puls Contemporary Ceramics, Brüssel2014 15 Jahre Kunst Vonlanthen, ChurSchwarz/Weiss, Galerie für angewandte Kunst, München2015 La Lampe Ceramique, Musée de Carouge, Genf2016 Freunden sei Dank, Grassi Museum, Leipzig2017 Keramik aus Leidenschaft, NÖDOK, St. PöltenGlas Porzellan Ton Stein, Kunsttrafik, SteyrPorcelain Reflections, House of Porcelain with Blue Blood, Dubi

Gabriele HainPeter Assmann: SPEED KILLS – BUT WHAT?[…]In contrast my second artist’s contribution is presented completely differently. The porce-lain shapes by Gabriele Hain focus on materiality. They are so delicate they threaten to shatter with each breeze and in this fragility they naturally oppose any attempts at accele-ration – above all every type of rapid approach, appropriation, consumption or reception. The artist mostly creates vessels, which are so thin-walled that they can only be viewed or picked up with a great deal of caution, hence without speed.Her art is a matter-of-fact opposition to acceleration, against all that which I previously in-troduced as symptoms of the Speed Generation. Nevertheless or precisely because these objects have emerged in the Speed Generation the artist is anchored with her objects in a matter-of-fact functioning, global information network. Her audience appreciates her work around the entire globe and she is probably one of the few European artists consistently invited to Japan and her special conceptual designs are developed and presented before a broad, interested public in many symposiums and workshops. Above all her vessel sculp-tures stand for an all-encompassing concentration, for a contemplative attitude of immersi-on, a great quiet – a quiet that the artist herself strives to live and that she structures as a setting for the creative process of her art as a conscious counter movement to speed. It is completely clear that major quiet and concentration are needed to form these objects, not least of all to bear the frustration as again and again many of these designs flounder due to the sheerness of the porcelain materials and shatter in the kiln. What the finished object represents is a celebration of the material possibilities used with the most extreme concen-tration: a blatant call to proceed with caution, with due consideration, topause, to put on the brakes. Perhaps it should also be remarked that the artist’s vessels also stand for a globalised intertwining and cooperation between Eastern and Western art concepts and traditions. She uses traditional Japanese forms, but clearly and unequivocal-ly reacts against them. The same goes for a Western perspective.[…] from: think tank EDITION 06 Dr. Peter Assmann, Linz, Austria, Art Historian Director of the Palazzo Ducale, Mantua

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