Violin Concerto Nr. 1 - Free scores · Violin Concert Nr. 1 1st. movement "Contemplación del aire...
209
Miguel Bareilles Violin Concerto Nr. 1 a Lucía Luque I. Contemplación del aire y el fuego II. Contemplación del agua III. Contemplación de la tierra Berlin, Oktober 2012 Duration approx. 25 minutes Instrumentation: Woodwind: 3 flutes (including piccolo) 3 oboes (including C. A.) 3 clarinets (including bass clarinet) 3 bassoons (including double bassoon) Brass: 4 trumpets 3 horns 3 trombones (2 tenors, 1 bass) 1 tuba Percussion: Bass drum, snare drum, 3 tones, sus cymbal, tam tam, lemon shaker, bamboo wind chimes, triangle, mark tree (bar chimes), tambourine, crotal (agudo), wood blocks (4), gong (medio), sleigh bells, egg shaker, finger cymbal, tenor drum, cabasa. Timpani: 32”, 29”, 26” Glockenspiel, celesta, vibraphone and marimba Harp (1) Piano Strings: 12-10-8-6-4 Violin soloist “Mi dedicatoria es para Lucía Luque, la mejor violinista argentina de estos tiempos, quién -tantos años menor que yo- me enseñó que la mejor herramienta con la que puede contar un compositor no son los sonidos, sino la capacidad de trabajo”. Consideraciones previas: 1)- Si bien las denominadas “Técnicas extendidas” no abundan en la obra, es menester que los ejecutantes dominen ampliamente estos recursos. 2)- En un sentido estilístico, “Contemplación del aire y el fuego”, intenta una aproximación a las formas romántico-impresionistas de la música europea. Distintamente, “Contemplación del agua”, es una aproximación a la Neue Musik y a su problemática emotiva. En tanto “Contemplación de la tierra”, es decididamente una música latinoamericanista, que hurga -aunque secretamente- en las raíces de sus ritmos y sus diferentes sonoridades étnico-melódicas. 3)- El piano interviene solamente en el tercer movimiento.
Transcript of Violin Concerto Nr. 1 - Free scores · Violin Concert Nr. 1 1st. movement "Contemplación del aire...
Miguel Bareilles
Violin Concerto Nr. 1
a Lucía Luque
I. Contemplación del aire y el fuego
II. Contemplación del agua
III. Contemplación de la tierra
Berlin, Oktober 2012
Duration approx. 25 minutes
Instrumentation:
Woodwind:
3 flutes (including piccolo)
3 oboes (including C. A.)
3 clarinets (including bass clarinet)
3 bassoons (including double bassoon)
Brass:
4 trumpets
3 horns
3 trombones (2 tenors, 1 bass)
1 tuba
Percussion: Bass drum, snare drum, 3 tones, sus cymbal, tam tam, lemon shaker, bamboo wind chimes, triangle, mark tree
(bar chimes), tambourine, crotal (agudo), wood blocks (4), gong (medio), sleigh bells, egg shaker, finger cymbal, tenor
drum, cabasa.
Timpani: 32”, 29”, 26”
Glockenspiel, celesta, vibraphone and marimba
Harp (1)
Piano
Strings:
12-10-8-6-4
Violin soloist
“Mi dedicatoria es para Lucía Luque, la mejor violinista argentina de estos tiempos, quién -tantos años menor que yo- me enseñó
que la mejor herramienta con la que puede contar un compositor no son los sonidos, sino la capacidad de trabajo”.
Consideraciones previas:
1)- Si bien las denominadas “Técnicas extendidas” no abundan en la obra, es menester que los ejecutantes dominen ampliamente
estos recursos.
2)- En un sentido estilístico, “Contemplación del aire y el fuego”, intenta una aproximación a las formas romántico-impresionistas de
la música europea. Distintamente, “Contemplación del agua”, es una aproximación a la Neue Musik y a su problemática emotiva.
En tanto “Contemplación de la tierra”, es decididamente una música latinoamericanista, que hurga -aunque secretamente- en las
raíces de sus ritmos y sus diferentes sonoridades étnico-melódicas.
3)- El piano interviene solamente en el tercer movimiento.
Miguel Bareilles
q = 100
q = 100
Violin Concert Nr. 11st. movement
"Contemplación del aire y del fuego"
a Lucía Luque
Piccolo
Flute 1.2.
Oboe 1.2.
Cor Anglais
Clarinet 1.2.
Bass Clarinet
Bassoon 1.2.
Contrabassoon
Horn 1.2.
Horn 3.
Trumpets 1.2.
Trumpets 3.4.
Trombone 1.2.
Bass Trombone
Tuba
Percussion
Violin I
Violin II
Viola
Violoncello
Contrabass
SCORE IN C
mf
ff
mp
mf
sfff
mp
mf
sfff
mp mf
sfff
mp
mf
sfff
mp
mf
sfff
mp
mf
sfff
mf
sfff
mf
sfff
mf
sfff
mf
sfff
mf
sfff
mf
sfff
mf
sfff
mf
sfff
sus. cymbal mp
sfff
p
f
f
div.
ffp
súbito
sul pont.
p
f
f
div.
ffp
súbito
sul pont.
p
f div.
f
ffp sul pont.
súbito
p
f
f
sfff
f
sfff
5
Picc.
Fl. 1.2.
C. A.
Timp.
Glock.
Hp.
Vln. I
Vln. II
Vla.
mp
3
3
3
1.
mp
3 33
6
cantabile
mp
3 3
mp
3
3
MNLOMMLM
mfAb
10
sempre
p
sempre
p
sempre
p
7
Picc.
Fl. 1.2.
C. A.
Timp.
Perc.
Glock.
Hp.
Vln. I
Vln. II
Vla.
mp
3
3
3
1.
mp
3 33
6
mf
mf
mp
3 3
lemon shaker
pp
mp
mp
3
3
MNLOMMLM
mfAb
10
2
11
Picc.
Fl. 1.2.
C. A.
Cl. 1.2.
B. Cl.
Bsn.
Cbsn.
Hn. 1.2.
Hn. 3.
Tpt. 1.2.
Tpt. 3.4.
Tbn. 1.2.
Timp.
Perc.
Perc.
Glock.
Hp.
Vln. I
Vln. II
Vla.
mf
3 3
3
1.
mf
1.2.
mf
3 3 3
6
mf
f
1.2.
mf
mf
1.2.
mf
mf
mp
1.2.
mf
mp
mf
1.2. con sord.
mf
3.4. con sord.
mf
1.2.
mf
mf
3 3
snare drum
p
mark tree
p mf
gliss. tambourine p
f
mf
3
3
mf
Ab
10
MNLOMMLM
mp
to ord.
ord.
mf
mp
to ord.
ord.
mf
mp
to ord.
ord.
mf
3
16A
A
Picc.
Fl. 1.2.
Cl. 1.2.
B. Cl.
Bsn.
Cbsn.
Hn. 1.2.
Hn. 3.
Tpt. 1.2.
Tpt. 3.4.
Tbn. 1.2.
Perc.
Perc.
Hp.
Vln. S.
Vln. I
Vln. II
Vla.
Vc.
f
pp
f
f
f
f
f
f
f
f
f
f
f
f
f
f
f
f
f
f
f
f
f
p
p
MNMOMNMM
f
pp
p
mp
f
f
p
sempre p
f
f
p
sempre p
f
f
p
sempre p
div.
fp
sempre p
4
25q = 120
q = 120
Picc.
Fl. 1.2.
C. A.
Cl. 1.2.
B. Cl.
Bsn.
Hn. 1.2.
Hn. 3.
Perc.
Vln. S.
Vln. I
Vln. II
Vla.
Vc.
Cb.
accel. to
mf
mf
mp
mp
mf
f
mf
mf
mf
mf
mf
mf
mp
mp
sus.cymbal
p
mf
p
mf
accel. to
cresc.
f
f
24:20x
cresc.
mf
mf
5
32
Fl. 1.2.
Cl. 1.2.
B. Cl.
Bsn.
Hn. 1.2.
Hn. 3.
Tpt. 1.2.
Tpt. 3.4.
Tbn. 1.2.
B. Tbn.
Tba.
Timp.
Vln. S.
Vc.
Cb.
f f
f f
f
f
1.2. con sord.
mf
1.2. con sord.
mf
f
f
f
f
f
f
f
f
f
f
p
mf
p
f ff
f
24:20x24:20x 24:20x
mf
mf
mf
mf
6
35
Hn. 1.2.
Hn. 3.
Tpt. 1.2.
Tpt. 3.4.
Tbn. 1.2.
B. Tbn.
Tba.
Timp.
Vln. S.
Vc.
Cb.
f
f
ff
f
f
ff
mf
mf
ff
senza sord.
mf
mf
ff
f
f
ff
f
f
ff
f
f
ff
f
p
f mp
ff
ff
f
ff
f
ff
f
mf
16:12x 16:12x
f
f
ffp
f
f
ff
7
38
q = 100
q = 100
B
B
Fl. 1.2.
Cl. 1.2.
B. Cl.
Bsn.
Glock.
Vib.
Hp.
Vln. S.
Vln. I
Vln. II
Vla.
Vc.
stringendo to
mp
mp
pp
pp
pp
p
3
3
pp
MNLOLNMMmp
F§F§
10
f
stringendo to
mf
mf
mp
pp
div.
p
mp
pp
p
div.
pp
p
sempre p
p
8
45accel.
accel.
Picc.
Fl. 1.2.
Ob.
C. A.
Cl. 1.2.
B. Cl.
Bsn.
Perc.
Vib.
Vln. I
Vln. II
Vla.
Vc.
flute
p
p
1.
p
p
p
pp
p
p
mf
dim.
p
pp
p
mf
p
pp
p
mf
crotal
mp
p
pp
p
mp
pp
p
p
mf
dim.
p
div.
pp
p
p
mf
p
pp
p
p
mf
mf
9
53accel.
accel.
Picc.
Fl. 1.2.
Ob.
C. A.
Hn. 1.2.
Tpt. 1.2.
Tbn. 1.2.
Timp.
Perc.
Perc.
Glock.
Vln. I
Vln. II
Vla.
Vc.
Cb.
p
to picc. mf
a tempo
picc. mp
mf
p
mf
unis.
mp
mf
2.
p
1.2.
mf
mp
mf
p
f
mf
mf
1.
mp
mf
1.
mf
1.
mp
mf
p
mf
p
mf
sus. cymbal fieltro
pp
mp
raspar con talón
mf
pp
mp
tambourine
pp
mp
pp
mp
mf
mp
mf
a tempo
mp
mf
mp
mf
mp
mf
mp
non div. mf
mp
mf
div.
mf
mp
mf
mp
mf
10
60
Picc.
Fl. 1.2.
Ob.
C. A.
Bsn.
Hn. 1.2.
Hn. 3.
Tpt. 1.2.
Tbn. 1.2.
B. Tbn.
Tba.
Timp.
Perc.
Perc.
Hp.
Vln. S.
Vln. I
Vln. II
Vla.
Vc.
Cb.
mp
mf
sff
mp
mf
sff
mp
sfz
mp
sfz
sfz
2.
mp
1.2.
sfz
mp
sfz
1.
f sfz
5
2.
mp
1.2.
sfz
mp
sfz
sfz
p
mfgliss.
p
f
p
mf
p
f
p
crotal
mp
MMMOMMMM
f
mf
mf
f
mp
mf
sff
mp
mf
sff
mp
mf
sff
mp
mf
sff
mp
mf
sff
11
65
q = 50
q = 50
Hn. 1.2.
Hn. 3.
Tpt. 1.2.
Tpt. 3.4.
Tbn. 1.2.
B. Tbn.
Vib.
Vln. S.
Vln. I
Vln. II
Vla.
Vc.
Cb.
p
mp
mf
p
mp
mf
p
mp
mf
mf
mf
mf
soft mallets
p
mf
calmo
poco a poco accel to 70
f
f
ff
cresc.
pp
div.p
mp
mf
f
div.
p
p
mp
mf
f
pizz.
mp
non div.
arco
p
div.
mp
mf
f
mp
mf
f
pizz.
mp
12
q = 70
q = 70
73
Picc.
Fl. 1.2.
Ob.
Cl. 1.2.
B. Cl.
Hn. 1.2.
Hn. 3.
Tbn. 1.2.
B. Tbn.
Tba.
Timp.
Perc.
Perc.
Vib.
Vln. S.
Vla.
Vc.
Cb.
ppp
flute
pp
ppp
pp
mf
pp
pp
1. solo
mp
mp
f
f
f
mp
f
mp
sus cymbal
f mark tree
p
mp
gliss.
crotal agudo
p
mp
molto vib.
ff
molto vib.
sff
molto vib.
sff
mf
f
pizz.
pizz.mf pizz.
mp
div.
fp
fp
f
pizz. pizz.mf
pizz.mp
13
79
C
C
q = 80
q = 80
q = 160
q = 160
Hn. 1.2.
Vib.
Vln. S.
solo
f
súbito incluyendo la cuerda Re toda vez que sea posible
paulatinamente accel.
cresc. ff
lo más rápido posible
83q = 130
Vln. S.
détaché
9 9
87 Vln. S.
détaché
mf
f
9 9 9 96 6 6 3
92
q = 70
D q = (90-100)
Vln. S.
Vln. I
Vln. II
Vla.
Vc.
f
mf
3 3 3
mp
mp
div.
mp
arco
div.
mp
14
101
Picc.
Fl. 1.2.
Cl. 1.2.
Hn. 1.2.
Vln. I
Vln. II
Vla.
Vc.
piccolo
mf
mp
mf
mp
1. solo
mf
mp
mf
1. solo
mf
mp
1.2.
mf
mf
mp
mf
mp
mf
mp
mp
106
E
E
Hp.
Vln. S.
Vln. I
Vln. II
Vla.
Vc.
mp f
gliss.
25
mp
con dolor
mp
mf
1. pult
pp
15
110
Hp.
Vln. S.
Vc.
3 3
3
mp
mp
3
mf
mp
116
Hp.
Vln. S.
Vc.
poco accell.
3 33 3 3
3
3 3
mf
3
poco accell.
3
poco a poco cresc.
16
121
F
F
q = (80-90)
q = (80-90)
Picc.
Fl. 1.2.
Cl. 1.2.
Bsn.
Cbsn.
Perc.
Hp.
Vln. S.
Vln. I
Vln. II
Vla.
Vc.
Cb.
cantabile
f
f
f
f
mf
f
sus. cymbal
ppp
sff
dim.
3 3 3
3 3
3
dim. mp
p
pp
molto vib.
sff
cantabile
div. ff
mf
div. ff
mf
div.
ff
mf
mp
p
pp
sff
ff
tutti mf
ff
arco
mf
17
129
Picc.
Fl. 1.2.
Ob.
Cl. 1.2.
Bsn.
Hn. 1.2.
Tpt. 1.2.
Tpt. 3.4.
Tbn. 1.2.
B. Tbn.
Tba.
Perc.
Perc.
Cel.
Vln. I
Vln. II
Vla.
Vc.
Cb.
f
3 3 3
3 3
f
cresc.
sfz
f
3 3 3
3 3
f
3 3 3 3
3
f
3
cresc.
f
mf
f
cresc.
sfz
f
f
cresc.
sfz
f
f
cresc.
sfz
mf f
cresc.
f
cresc.
f
cresc.
ff
snare drum
ppp
+ sus. cymbal
f
triangle
f
f
3 3 3 3 3
3 3 3 3
3
cresc.
f
ff
3 3 3 3
cresc.
f
ff
3 3 3 3
cresc.
f
cresc.
ff
3 3 3 3 3 3 3 3
cresc.
f
cresc.
ff
3 3
3 3
cresc.
f
cresc.
ff
18
133
Picc.
Fl. 1.2.
Ob.
Cl. 1.2.
Hn. 1.2.
Hn. 3.
Tpt. 1.2.
Tpt. 3.4.
Perc.
Cel.
Vln. S.
Vln. I
Vln. II
Vla.
Vc.
Cb.
f
6
mf
f
3 3 3
6 6
3 3 3
3
3 3
mf
mf
sfz
mf
mf
sfz
con sord.
f
6
con sord.
f
6
p
mp
33
3
3 3 3
f
f
6 6 6
6
6 6 6
6
3 3 3
3 3
3
f
mf
6
3
3
3
3
3
3
3
3
f f
mf
6
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
f
6
19
136
Fl. 1.2.
Ob.
Cl. 1.2.
Tpt. 1.2.
Tpt. 3.4.
Vln. S.
Vla.
Vc.
Cb.
1. solo
f
6
6
1. solo
f
6
1. solo
f
6
con sord.
mf
cresc.
senza sord. mf
cresc.
f
6 6
6 6
6 6
6 6
6 6
6
6
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
f
div
139
Ob.
Cl. 1.2.
Hn. 3.
Tpt. 1.2.
Tpt. 3.4.
Tbn. 1.2.
B. Tbn.
Tba.
Timp.
Vln. S.
Vla.
Vc.
Cb.
mf
gli
ss.
mf
gli
ss.
mf cresc. f
f
cresc.
f
f
cresc.
f
f
mf
f
f
3 3
mf
f
f
3 3
mf
p
f
f
glissado pero con arco bien marcado
6 6 6 6
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
20
141
Ob.
Cl. 1.2.
Hn. 1.2.
Hn. 3.
Tpt. 1.2.
Tpt. 3.4.
Tbn. 1.2.
B. Tbn.
Tba.
Timp.
Perc.
Vln. S.
Vln. I
Vln. II
Vla.
Vc.
Cb.
mp
mp
f
mf
mf
mf
mf
f
f
f
mf
f
f
mf
mf
mf
mf
p
p
sus. cymbal
f
non div.sul pont.
mf
mp
mp
non div.sul pont.
mf
mp
mp
sul pont.
mf
mp
mp
mf
21
145
Picc.
Fl. 1.2.
Cl. 1.2.
Bsn.
Cbsn.
Hn. 1.2.
Hn. 3.
Tpt. 1.2.
Tpt. 3.4.
Tbn. 1.2.
B. Tbn.
Tba.
Timp.
Perc.
Perc.
B. D.
Vln. S.
Vln. I
Vln. II
Vla.
Vc.
Cb.
f
ff
f
ff
f
ff
f
ff
f
ff
ff
ff
ff
ff
ff
ff
f
ff
f mf
f mf
ff
p
snare drum f
mf
f
mf
bass drum f
f ff
ff
ff
ff
ff
ff
ff
ff
tutti ff
ff
arco
ff
22
148
Fl. 1.2.
Cl. 1.2.
Bsn.
Cbsn.
Hn. 1.2.
Hn. 3.
Tpt. 1.2.
Tpt. 3.4.
Tbn. 1.2.
B. Tbn.
Tba.
Timp.
Perc.
B. D.
Vln. S.
Vc.
Cb.
sfz
sfz
sfz
sfz
sfz
sfz
sfz
sfz
sfz
sfz
sfz
f mf
f
mf
ff
fff glissado pero con arco bien marcado
sfz
sfz
23
G
G
149
Picc.
Fl. 1.2.
Cl. 1.2.
Timp.
Perc.
Mar.
Vln. S.
Vla.
f
f
1. solo
f
ff
mf
wood blocks (4)
f
f
fff
div.
mf
151
Fl. 1.2.
Cl. 1.2.
Hn. 1.2.
Hn. 3.
Tpt. 1.2.
Tpt. 3.4.
Tbn. 1.2.
B. Tbn.
Timp.
Perc.
Perc.
Mar.
Vla.
1. solo
f
p
f
p
f
p
f
p
f
p
f
p
f
p
f
p
f
f
mf f
mf
snare drum
mf
f
gong (medio)
mf sus. cymbal
f
f
24
153
Fl. 1.2.
Hn. 1.2.
Hn. 3.
Tpt. 1.2.
Tpt. 3.4.
Tbn. 1.2.
B. Tbn.
Tba.
Timp.
Perc.
Mar.
Vln. I
Vln. II
Vla.
Vc.
Cb.
p
f
mf
cresc.
p
f
mf
p
f
mf
cresc.
p
f
p
f
mf
cresc.
p
f
mf
cresc.
mf
f
p f
p
snare drum
p f
f
f
f
mff
f
f
mff
f
f
mf
f
f
mf
f
f
mf
25
156
Picc.
Fl. 1.2.
Ob.
Bsn.
Cbsn.
Hn. 1.2.
Hn. 3.
Tpt. 1.2.
Tbn. 1.2.
B. Tbn.
Tba.
Timp.
Glock.
Vib.
Hp.
Vln. I
Vln. II
Vla.
Vc.
Cb.
mf
f
to flute
mf
1.2. f
1. solo
mp
mf
sf
sf
sf
1. solo
mp
mf
cresc.
sf
sf
sf
sf
f
f
mp
f
mf
p
p
LLLOLMLL
div.
ff
gliss.
div.
ff
p
gliss.
f
mf
mp
f
f
26
162
Hn. 1.2.
Vib.
Hp.
Vln. S.
Vln. I
Vln. II
Vla.
Vc.
p
p
NNMOMNNN
A§
MLLOLNMM
66
66
mf
f tremendamente pasional
molto vib.
poco cresc.
mf
poco cresc.
mf
poco cresc.
mf
poco cresc.
mf
poco cresc.
166
Picc.
Fl. 1.2.
Cl. 1.2.
B. Cl.
Bsn.
Cbsn.
Hp.
Vln. S.
Vln. I
Vln. II
Vla.
Vc.
Cb.
flutemp
p
mp
p
mp
p
mp
p
p
p
LLLOLLMM
6
6
mp
p
p
3 5
sul pont.
mp
p
p
p
p
p
27
Miguel Bareilles
q = 70
q = 70
Violin Concert Nr. 12nd. movement
"Contemplación del agua"
a Lucía Luque
Flute 3.
Flutes 1.2.
Horns 1.2.3.
Trombones 1.2.
Bass Trombone
Timpani
Percussion
Violin I
Violin II
Viola
SCORE IN C
aeolian sound mf
mf
mf
mf
combinar sonidos aeolian y jet whistle
f
3 3 6
6
6
ppp
poco a poco cresc.
con sord.
con sord. con sord.
ppp
egg shaker
ppp
p
tiangle
ppp
p
sul pont.
ppp
poco a poco cresc.
poco a poco cresc.
sul pont.
ppp
poco a poco cresc.
poco a poco cresc.
sul pont.ppp
poco a poco cresc.
poco a poco cresc.
9A
A
Fl.
Fl.
Cl. 1.2.
Hns.
Tbn.
B. Tbn.
Timp.
Perc.
Vib.
Vln. S.
Vln. I
Vln. II
Vla.
f
f
1. solo
pp
1. cl.
mf
13
con sord.
pp
mf
mp senza sord.
p
cresc.
con sord.
pp
mf
mp
senza sord. p
cresc.
con sord.
pp
mf
mp
senza sord. p
cresc.
mp
crotal agudo
p 3 tones
p f
6
mf
3
3
mf
f
molto vib.
p
cresc.
mf
p
cresc.
mf
p
cresc.
6 v.
mf
18
Hns.
Tbn.
B. Tbn.
Timp.
Perc.
T.-t.
Vib.
Hp.
Vln. S.
Vln. I
Vln. II
Vla.
Vc.
sf
sf
sf
p
mf
sus. cymbal
p
f
superball
pp
mf
take bow
3
3
cresc.
mp
p
sf
sf
ord. div.
p
mp
sf
ord. div.
p
mp
sf
ord. div.
p
mp
sf
22B
B
Perc.
Vib.
Hp.
Vln. S.
Vln. I
Vln. II
Vla.
Vc.
mark tree
p mp
gliss.
motor off (bowed)2 arcos
p
poco cres.
pp
mf
misterioso 3
poco a poco cresc.
no vib.
3
33
p
mp
pp
p
mp
pp
p
mp
pp
p
2
31
Fl.
Ob.
Cl. 1.2.
Bsn.
Cbsn.
Hns.
Tbn.
B. Tbn.
Glock.
Vib.
Vln. S.
Vln. I
Vln. II
Vla.
1.2.
p
mp
mf
mp
mf
p
mp
mf
mp
mf
p
mp
mf
mp
mf
p
mp
mf
mp
mf
p
mp
mf
mp
mf
1.2.
p
mp
mf
mp
mf
mp
mf
mp
mf
p
take mallets
f
normal vib.
cresc.
f
poco decresc.
mf
mf
mf
3
38
C
C
Fl.
Ob.
Cl. 1.2.
Bsn.
Cbsn.
Hns.
Tbn.
B. Tbn.
Timp.
Perc.
T.-t.
Glock.
Vib.
Hp.
Vln. S.
1. fl.
fp
gliss.
p mf
p sus. cymbal (bowed)
mp
mf
dejar sonar take mallets
superball
ppp
mp
ppp
mp
yarn mallets
mp
mp
gliss
mf
cresc.
66
66
66
mf
cresc.
f
fp
3 6
44
Tpts.
Tbn.
Timp.
Perc.
Glock.
Vib.
Hp.
Vln. S.
1.2.
3.4.
sfz
mf
sfz
f
sfz
mf
sfz
f
p mf
p mf
sus. cymbal
p
f
take bow
snare drum
p
mf p
f
decresc.
dejar sonar
6 6 6
6
6
6 65
gliss.
sf
sfz
4
D
D
48
Fl.
Perc.
Vln. S.
Vln. I
Vln. II
picc.
pp
poco cresc.
mp
arco
ppp
sus. cymbal (bowed)
pp
p
ppp
o armónicos similares
pp
p
24 24 24
ppp
div.
pp
p
ppp
div.
pp
p
51q = 100
q = 100
Hns.
Tbn.
Perc.
Vib.
Vln. S.
Vln. I
Vln. II
Vla.
Vc.
Cb.
ppp
poco cresc.
pp
poco cresc.
p
ppp
poco cresc.
pp
poco cresc.
p
mp
dejar sonar
mp
mp
mf
poco a poco cresc.
sempre cresc.
3 3
3 3 3 3 33 3 3
mp
ppp
poco cresc.
pp
poco cresc.
p
mp
ppp
poco cresc.
pp
poco cresc.
p
ppp
div.
poco cresc.
pp
poco cresc.
p
ppp
poco cresc.
pp
poco cresc.
p
ppp
poco cresc.
pp
poco cresc.
p
5
63
Hns.
Tpts.
Tbn.
Vib.
Hp.
Vln. S.
Vln. I
Vln. II
Vla.
Vc.
Cb.
mp
mp
mp
mp
mf
cresc.
mf
sempre cresc.
3
mp
mp
mp
mp
mp
69
Fl.
Cl. 1.2.
Hns.
Tpts.
Tbn.
Glock.
Vib.
Hp.
Vln. S.
Vln. I
Vln. II
Vla.
Vc.
Cb.
mf
mf
6
6
sempre cresc.
poco a poco cresc.
mf
sempre cresc.
poco a poco cresc.
mf
sempre cresc.
sempre cresc.
mf
f
f
sempre cresc.
sempre cresc.
sempre cresc.
sempre cresc.
sempre cresc.
sempre cresc.
6
75
Ob.
Hns.
Tpts.
Tbn.
B. Tbn.
Tba.
Timp.
Perc.
Vln. S.
Vln. I
Vln. II
Vla.
Vc.
Cb.
mf
24
24
sempre cresc.
f
sempre cresc.
f
sempre cresc.
f
sempre cresc.
f
f
f
mp
f
mp
f
snare drum
mp
f
mp
f
ff
sempre cresc.
f
sempre cresc.
f
sempre cresc.
f
sempre cresc.
f
sempre cresc.
f
81
Hns.
Tpts.
Tbn.
B. Tbn.
Tba.
Timp.
Perc.
Vln. S.
Vln. I
Vln. II
Vla.
Vc.
Cb.
sf
sf
sf
mf
sf
sf
sf
sf
sf
sf
sf
sf
sf
sf
sf
sf
sf
sf
sf
sf
mp
f
mp
mf
mp
f
mp
mf
sfz
5 6 5 6 5 6
3 6 6
66 6
sf
sf
sf
sf
sf
7
87
Fl.
Ob.
Cl. 1.2.
B. Cl.
Bsn.
Cbsn.
Hns.
Tpts.
Tbn.
B. Tbn.
Tba.
Timp.
Perc.
Vln. S.
1. fl.
mp
t k t k t k...
24
mf
mf
mf
mf
mf
mf
mp
mp
mf
mf
mf
Cymbal placed upsidedown on Timpani
pp
violin bowmf
p
sleigh bells
p
sus. cymbal
p
pizz.
mf f
p
arco
f
8
92
Fl.
Ob.
Cl. 1.2.
B. Cl.
Bsn.
Cbsn.
Hns.
Tpts.
Tbn.
B. Tbn.
Tba.
Timp.
Perc.
Vln. S.
p
t k t k t k...
24
mp
p
mp
p
mp
p
mp
p
mp
p
mp
p
p
pp
p
pp
mp
p
mp
p
mp
p
p
p
egg shaker
p
p
mf
mp
9
q = 120
q = 120
Violin Concert Nr. 13rd. movement
"Contemplación de la tierra"
a Lucía Luque
Miguel Bareilles
Flute 3.
Clarinets1.2.3.
Bassoon1.2.
Trumpets1.2.3.4.
Percussion
Violin I.
Violin II.
Viola
1
SCORE IN C
9
pp
multiphonic
7
p
7
Oboe1.2.
1.2.
mp
non vib.
vib....................................
I. solo
p
multiphonicmf
I.
p
f
pp
1.2.3. non vib. p
mp
mp
con sord.(harmon-stem in)
1.2.
mp
sus. cymbal (bowed)
p
ppp
p
mp
wood block
mf p
sul tastonon vib.
to ord.
pp
p
ord.
pp
p
col legnonon vib.
pp
p
sul tastonon vib.
to ord.
pp
ord.
p
pp
p
Fl. 1. (P)
Fl. 2.
Fl. 3.
Ob.1.2.
C. A.
Cl.
B. Cl.
Bsn.1.2.
Tpts.1.2.3.4.
Timp.
Perc.
Glock.
Hp.
Vln. I.
Vln. II.
Vla.
Vc.
piccolo
mp
non vib.
p
16
vib.
mp
non vib.
p
vib.
mp
non vib. p
mf
7 f
mp fp
non vib.
to Ob.
p
I. Cl. to B. Cl.
mp
mp
senza sord.
p
pp
snare drum off
p
mp
MMMOMMMM
gliss.
(harm. gliss.)
mp
mp
mp
gradually increase
gliss.
cresc.
gliss. gliss.
sfz
p
cresc. ff
mp
arco ord. gradually increase
gliss.
cresc.
gliss. gliss.
sfz
p
cresc. ff
mp
gradually increase gliss.
cresc.
gliss. sfz
gliss.
p
cresc. ff
gradually increase
cresc.
gliss.
gliss.
sfz
gliss.
p
cresc. ff
2
A
A
Fl. 1. (P)
Fl. 2.
Fl. 3.
Cl.
B. Cl.
Hns.1. 2. 3.
Tpts.1.2.3.4.
Tbn.1. 2. 3.
Timp.
Perc.
Hp.
Pno.
Vln. S
Vln. I.
Vln. II.
Vla.
Vc.
mp
mf
gliss.
22
mp
mf
gliss.
mp
mf
gliss.
2. solo
mf
h
5
1.2.
mf
fp
f
1.2.
mf
1.2.
3.4.fp
f
fp
f
f
mf
mp
mf
mp
mp
p
sus. cymbal
f
mf
sus. cymbal
f
f
gliss.
f
r.h.
l.h.
r.h.l.h.
dejar sonar
ff
ff
f
ff
ord.
h
fff
sul pont.(div.)
p
mf
mp
ord.
h
fff
sul pont.(div.)
p
mf
mp
ord. (div.)
p
mf
mp
ord. (div.)
p
mf
mp
3
Cl.
B. Cl.
Hns.1. 2. 3.
Timp.
Pno.
Vln. S
Vln. I.
Vln. II.
Vla.
Vc.
mp
pp
ppp
28
5 5 5 5 5 5 5 5 5 5 5
ppp
pp
pp
p
mp
mp
pp
p
pp
grave
mp
mf
poco a poco cresc.
simil pedal
grave
mp
poco a poco cresc.
mf
p
p
p
pp moriendo
p
pp moriendo
B. Cl.
Tpts.1.2.3.4.
Tbn.1. 2. 3.
Timp.
Pno.
Vln. S
mf
f
sfz p
1.2.3.4.
p
ff
p
ff
pp
ff
mp
p
f
dejar sonar
fff
f
sfz
ff
leggiero
5 5 5 5 5 5 5 5
4
B. Cl.
Timp.
Pno.
Vln. S
pp
p
39
mp
mf
mp
mp
mf
f
poco a poco cresc.
simil pedal
dim.
mf
sul tasto
cresc.
sul pont.
f
3
3
B. Cl.
Tpts.1.2.3.4.
Tbn.1. 2. 3.
Tba.
Timp.
Pno.
Vln. S
Vc.
Db.
f
sfz p
1.2.3.4.
p
ff
p
ff
mf
p
pp
ff
mp
dejar sonar
ff
to ord.
ord.
ff
dim.
ord.
mf
f
gliss.
p
mf
p
5
BB. Cl.
Tba.
Timp.
Pno.
Vln. S
Vc.
Db.
to Cl.
p
pp
mp
pedal a piacere
decresc.
a tempo
mf misterioso
Pno.
Vln. S
accel. up q –144
cresc.
accel. up q –144
mf
cresc.
Pno.
Vln. S
sempre cresc.
sempre cresc.
molto accel.
6
q = 144
q = 144
CFl. 1.
(P)
Fl. 2.
Fl. 3.
Cl.
Bsn.1.2.
Cbsn.
Hns.1. 2. 3.
Perc.
Pno.
Vln. S
Vln. I.
Vln. II.
Vla.
Db.
piccolo
mf
56
mf
mf
1.2.3.
mp
mf
mp
mf
mf
1.2.3.
fp
Trianglemf
f
q – 144
f
f
grazioso
scratch effect (Tango)
bowing slightly behind the bridge
mp
ord.
mp
ord.
mf
pizz.
7
Cl.
Bsn.1.2.
Cbsn.
Hns.1. 2. 3.
Pno.
Vln. S
Vln. I.
Vln. II.
Vla.
Db.
mp
mf
mp
64
f
mf
Fl. 2.
Ob.1.2.
Cl.
Bsn.1.2.
Cbsn.
Pno.
Vln. S
Vln. I.
Vln. II.
Vla.
Vc.
Db.
mf
gliss
.
mf
1.2.
mf
f
ord.
mf
8
Fl. 1. (P)
Fl. 2.
Fl. 3.
Ob.1.2.
Cl.
Bsn.1.2.
Cbsn.
Glock.
Pno.
Vln. S
Vln. I.
Vln. II.
Vla.
Vc.
Db.
mf
piccolo 78
to flute
mf
non vib. vib. gliss.
mf
non vib. vib.
gliss.
non vib. vib.
gliss.
non vib.
1.2.3. vib.
gliss.
mf
mf
9
Cl.
Bsn.1.2.
Cbsn.
Tpts.1.2.3.4.
Tbn.1. 2. 3.
Pno.
Vln. S
Vln. I.
Vln. II.
Vla.
Vc.
Db.
83
mp
con sord.(harmon-stem in)1.2.
3.4.
mf
ff
mf
ff
senza sord.
con sord.(straight) 1.
2.3.
mf ff
senza sord.
detache
10
Fl. 1. (P)
Fl. 2.
Fl. 3.
Cl.
Bsn.1.2.
Cbsn.
Pno.
Vln. S
Vln. II.
Vla.
Vc.
Db.
flute
mf
mf
mf
1.2.
mf
f
f
11
Fl. 1. (P)
Fl. 2.
Fl. 3.
Cl.
Bsn.1.2.
Cbsn.
Pno.
Vln. S
Vln. II.
Vla.
Vc.
Db.
I. solo
f
6 6 6 6 6 6 6 6
f
f
f
mp f
26
mf
molto vib.
fp
gliss.
molto vib.
fp
gliss.
molto vib.
fp
12
Fl. 1.
(P)
Fl. 2.
Fl. 3.
Cl.
Bsn.1.2.
Cbsn.
Pno.
Vln. II.
Vla.
Vc.
Db.
flute
fp
f
gliss.
106
fp
f
gliss.
fp
f
gliss.
2.3.
mf
f
ppp
mf
f
dim.
dim.
mf
f
dim.
mf
mf
dim.
p
p
ff
con brío
f
dim.
Cluster
Cluster
mf
mf
f
ppp
mf
fp
f
ppp
mf
f
f
D
q = 120
q = 120
Bsn.1.2.
Cbsn.
Vln. I.
Vln. II.
Vla.
Vc.
pp
non vib. mp
tutti cantabile sul tasto (vib.)
pp
non div.
mp
p
ord.
mp
p
tutti cantabile ord. (vib.)
pp
mp
p
mp
p
sul pont. (vib.)
pp
mp
p
pp
ord. (vib.)
p
mp
mp
p
13
Fl. 1. (P)
Bsn.1.2.
Cbsn.
Hns.1. 2. 3.
Tpts.1.2.3.4.
Tbn.1. 2. 3.
Perc.
Glock.
Vln. I.
Vln. II.
Vla.
Vc.
flute
p
pp
mp
f
3
3 3
mp
f
3 3
3
3
mf
1.2.3.
sfz
3 3
mf
1.2.3.4.
sfz
33
1.2.3.
mf
sfz
3
3
finger cymbal
f
3
f
div.
sul pont.
fp
3
pp
pizz.
mf
f
3
33 3
pizz.
mp
3
3
14
Fl. 1. (P)
Fl. 3.
Ob.1.2.
Cl.
Bsn.1.2.
Hns.1. 2. 3.
Tpts.1.2.3.4.
Tbn.1. 2. 3.
Perc.
Glock.
Vln. I.
Vln. II.
Vc.
Db.
mf
f
129
mf
f
mp
non vib.
mf
p
vib.
mf
f
p
5
mp
f
1.2.3.
p
pp
f
f
gliss.
mf
mp
p
pp
div.
mf
ord. mp
sul tasto
sul pont.
f
mp
gliss.
arco
mp
p
pizz.
15
Bsn.1.2.
Pno.
Vln. S
Vln. I.
Vln. II.
Vla.
Vc.
137
pp
non vib. mp
mp
mp
3
3 3 3 3 3
3 3
sul tasto (vib.)
pp
non div.
mp
p
ord.
mp
ord. (vib.)
pp
mp
p
mp
pp
arco
mp
pp
mp
Bsn.1.2.
Perc.
Pno.
Vln. S
Vln. I.
Vln. II.
Vla.
Vc.
p
pp
triangle
mp
mf
pp
pp
pp
ppp
sul tasto
pp ppp
16
Pno.
Vln. S
Vla.
Vc.
mp
pp
mp
mp
pp
mp
Perc.
Pno.
Vln. S
Vln. I.
Vln. II.
triangle
mp
158
r.h.
r.h.
l.h.
l.h.
l.h.
l.h.
ppp
sul tasto
ord.
mp
ppp
sul tasto
ord.
mp
17
Perc.
Pno.
Vln. S
Vln. I.
Vln. II.
Bar Chimes
p
gliss.
pp
sul tasto
pp
pp
mp
ord.
sul tasto
pp
pp
mp
ord.
E
Pno.
Vln. S
Vln. I.
Vln. II.
moriendo
ppp
moriendo
ppp
ff
ad libitum
mf
6
pp
ppp
pp
ppp
Vln. S ff
mf
accel.
6
Vln. S
ff
mf
ff
mf
f
6
6 6 6
Vln. S ff
mf
ff
mf
20 6 6
Vln. S accel.
ff
mf
6
18
Vln. S ff
mf
f
6 6 6 20
Timp.
Vln. S
pp
ff
mf
ff
mf
ff
mf
sempre cresc.
6 66 6
F q. (88 - 92)
q. (88 - 92)
Timp.
Perc.
Pno.
Vln. S
Vln. I.
Vln. II.
Vla.
Vc.
f
finger cymbal
f
sus. cymbal (soft wool)
p
f
tenor drum
ff
f
mf
fff
mf
6 6
mf
mf
div.
mf
pizz.
mp
cresc.
pizz.
mp
cresc.
19
Ob.1.2.
Cl.
Hns.1. 2. 3.
Perc.
Pno.
Vln. S
Vln. I.
Vln. II.
Vla.
Vc.
194
1.2.
mf
vib.
mf
mp
1.2.
1.2.3.
f
sleigh bells
mf
f
mf
f
f
div.
mf
pizz.
arco
f
div.
mf
mf
div.
20
Ob.1.2.
Cl.
Hns.1. 2. 3.
Tbn.1. 2. 3.
Perc.
Pno.
Vln. S
Vln. I.
Vln. II.
Vla.
Vc.
200
mf
mf
1.2.
mp
1.3. trem.
2. ord.
f
mf
gliss.
sleigh bells
mf
wood block
f
mf
f
mf
f
mf
f
pizz.
mp
cresc.
arco
mf
pizz.
mp
cresc.
mf
21
Fl. 1. (P)
Fl. 2.
Fl. 3.
Ob.1.2.
Hns.1. 2. 3.
Tpts.1.2.3.4.
Tbn.1. 2. 3.
Perc.
Pno.
Vln. S
Vln. I.
Vln. II.
flute
210
mf
mf
mf
206
1.2.3.mf f
1.2.3.mf f
1.2.
mf sfz
1.2.
p3.4.
sfz p
mf
mf
r.h.
r.h.
mf
poco a poco cresc.
detache
mf f
detache
mf
non div.
f
arco detache
mf f
detache
mf f
22
Fl. 1. (P)
Fl. 2.
Fl. 3.
Hns.1. 2. 3.
Tpts.1.2.3.4.
Tbn.1. 2. 3.
Perc.
Cel.
Pno.
Vln. S
Vln. I.
Vln. II.
Vla.
Vc.
Db.
mf
mf
mf
sfz
1.2.
p ff
1.
2.3.
mf
cresc.
f
gliss. 1.2.
3.4.
f
gliss.
sus. cymbal
mf
cresc.
r.h.
r.h.
cresc.
mf
(harm. gliss.)
detache
mff
detache
f mf
detache
mf f
detache
fmf
mp
pizz. (div.)
arco
mf
ord.
arco
mf
ord.
cresc.
23
Hns.1. 2. 3.
Tpts.1.2.3.4.
Timp.
Perc.
Cel.
Pno.
Vln. S
Vln. I.
Vln. II.
Vla.
Vc.
Db.
cresc.
218
f
gliss.
cresc.
1.2.
3.4.
f
gliss.
p
f
p
mp
f
f
mf
f
detache
f
1.2. pult
mf(harm. gliss.)
cresc.
mf
mf
24
Fl. 3.
Cl.
Bsn.1.2.
Cbsn.
Hns.1. 2. 3.
Tpts.1.2.3.4.
Timp.
Perc.
Cel.
Pno.
Vln. S
Vln. I.
Vla.
Vc.
Db.
222
multiphonic 9
mp
mf
mp
mf
dim.
mp
dim.
mf
dim.
mp
dim.
mf
1.2.
dim.
dim.
3.4.
dim.
1.2.
mf
1.2.3.
dim.
dim.
dim.
f
dim.
dim.
mp
dim.
mp
sus. cymbal (bowed)
mf
tutti
mp
mp
p
p
25
rall.
rall.
Fl. 3.
Cl.
Bsn.1.2.
Cbsn.
Hns.1. 2. 3.
Tpts.1.2.3.4.
Timp.
Perc.
Cel.
Pno.
Vln. I.
Vla.
Vc.
Db.
231
9
mp
mf
decresc.
decresc.
decresc.
decresc.
3.4.
decresc.
p
sus. cymbal (bowed)
mp
mf
decresc.
decresc.
decresc.
decresc.
decresc.
26
q. (72)
q. (72)
GFl. 1.
(P)
Fl. 2.
Fl. 3.
Ob.1.2.
Cl.
Bsn.1.2.
Cbsn.
Hns.1. 2. 3.
Tpts.1.2.3.4.
Tbn.1. 2. 3.
Timp.
Perc.
Glock.
Cel.
Pno.
Vln. I.
Vln. II.
Vla.
Vc.
Db.
flute
242
p
non vib. normal vib.
mp
p
non vib.
non vib.
p
mp
normal vib. p
non vib.
non vib.
p
normal vib.
mp
p
non vib.
non vib.
p
mp
normal vib. p
non vib.
p
non vib.
p
normal vib. p
non vib.
p
p
mp
p
p
mp
p
1.2.
p
mp
p
1.2.
p
p
1.2.
mp
pp
ppp
sus. cymbal (bowed)mp
mf
pp
p
pp
p
pp
div.
pp
mp
p
pizz.
pp
non div.
p
27
Fl. 1. (P)
Fl. 2.
Fl. 3.
Ob.1.2.
Cl.
Bsn.1.2.
Cbsn.
Hns.1. 2. 3.
Tpts.1.2.3.4.
Tbn.1. 2. 3.
Timp.
Glock.
Cel.
Pno.
Vln. S
Vln. I.
Vln. II.
Vla.
Vc.
Db.
normal vib.
mp
250
mp
to picc.
normal vib.
mp
mp
normal vib.
mp
mp
normal vib.
mp
mp
mp
normal vib.
mp
sfz
mf
mp
mf
mf
mp
mf
mf
mf
sfz p
mp
mf
sfz p
mf
mf
sfz p
pp
fp
cresc.
cresc.
f
cresc.
cresc.
f
mp
cresc.
cresc.
f
mf
mf
mp
sfz
mp
arco
mp
sfz
pizz.
mp
cresc.
mp
sfz
sfz
28
Fl. 1. (P)
Fl. 2.
Ob.1.2.
Cl.
B. Cl.
Bsn.1.2.
Cbsn.
Hns.1. 2. 3.
Tpts.1.2.3.4.
Tbn.1. 2. 3.
Timp.
Perc.
Hp.
Vln. S
Vln. I.
Vln. II.
Vc.
Db.
256
piccolo
3
fp
fp
fp
f
pp
sus. cymbal (bowed)
mp
mf
MMLOMNNM
f
6 6 6 6 6 6
gliss.
gliss.
29
Fl. 2.
Fl. 3.
Cl.
B. Cl.
Bsn.1.2.
Cbsn.
Hns.1. 2. 3.
Tbn.1. 2. 3.
Timp.
Perc.
Glock.
Cel.
Hp.
Pno.
Vln. I.
Vla.
Vc.
non vib.
262
pp
mp
vib. non vib.
p
non vib.
pp
mp
vib. non vib.
p
pp p
mp
mp
mp
mp
cresc.
pp
mp
pp
mp
mf
pp
mp
pp
mp
p
mp
div.
non vib.
p
mp
p
sul pont.
pp
mp
p
sul pont.
pp
mp
p
30
Fl. 2.
Fl. 3.
Ob.1.2.
Bsn.1.2.
Cbsn.
Hns.1. 2. 3.
Tpts.1.2.3.4.
Tbn.1. 2. 3.
Timp.
Glock.
Cel.
Pno.
Vln. S
Vln. I.
Vla.
Vc.
vib.
mf
mp
normal vib. 272
mf
mf
mp
normal vib. mf
mp
mf
mf
mf
1.2.3.
mf
sfz p
1.2.3.
1.2.
1.2.3.
mf
sfz p
1.2.
pp
mp
pp
mp
f ppp
p
mf
cresc.
mf
cresc.
f
mf
cresc.
f
f
mp
(harm. gliss.)
fp
fp
ff
mp
mf
cresc.
f
ff
mp
mf
cresc.
f
ff
31
e = 160
e = 160
H
Bsn.1.2.
Cbsn.
Hns.1. 2. 3.
Tpts.1.2.3.4.
Tbn.1. 2. 3.
Tba.
Timp.
Perc.
Glock.
Vln. I.
Vln. II.
Vla.
Vc.
Db.
280
f
f
mp
rfz
fp
fp
pp
mp
1.2.3.4.
rfz
3.4.
1.2.
fp
fp
pp
mp
rfz
fp
fp
f
mp
rfz
f
mf
sus. cymbal
p
fp
mp
Low Tom
rfz
mf
mf
ord.
mf
sempre cresc.
mf
ord.
sempre cresc.
pp
sul pont.
to ord.
mf
mf
ord.
sempre cresc.
spic. div.
f
f
spic.
32
Fl. 1. (P)
Fl. 2.
Fl. 3.
Ob.1.2.
Cl.
Bsn.1.2.
Cbsn.
Hns.1. 2. 3.
Tpts.1.2.3.4.
Tbn.1. 2. 3.
Tba.
Timp.
Perc.
Glock.
Hp.
Vln. I.
Vln. II.
Vla.
Vc.
Db.
290
piccolo
gliss.
f
gliss.
f
f
gliss.
f
1.2.3.
f
1.2.3.
fp
fp
f
fp
fp
f
fp
fp
f
take cabasa
cabasa
mf
mfMNMOMNMM
gliss.
gliss.
sempre cresc.
sempre cresc.
ff
pizz.
f
sempre cresc.
sempre cresc.
ff
pizz.
f
sempre cresc.
sempre cresc.
ff
sempre cresc.
sempre cresc.
sempre cresc.
sempre cresc.
33
Fl. 1. (P)
Fl. 2.
Fl. 3.
Ob.1.2.
Cl.
Bsn.1.2.
Cbsn.
Hns.1. 2. 3.
Tpts.1.2.3.4.
Tbn.1. 2. 3.
Tba.
Timp.
Perc.
Glock.
Hp.
Vln. I.
Vln. II.
Vc.
Db.
300
gliss.
gliss.
gliss.
gliss.
rfz
rfz
1.2.3.
fp
fp
fp
1.2.3.
fp
1.2.
fp
gliss.
fp
f
f
mf
MNMOMNMM
mf
MNMOMNMM
gliss.
gliss
.
glis
s.
rfz
rfz
34
IBsn.1.2.
Cbsn.
Hns.1. 2. 3.
Tpts.1.2.3.4.
Tbn.1. 2. 3.
Tba.
Timp.
Perc.
Glock.
Vla.
Vc.
Db.
cresc.
312
f
cresc.
f
fp
fp
fp
fp
fp
f
mf
3.4.
1.2.
f
1. Tpt. to Picc.
1.2.3.
f
f
f
f
mf
sus. cymbal
p
f
mf
f
mf
Low Tom
f
mf
f
spicato cresc.
cresc.
f
cresc.
f
35
Bsn.1.2.
Cbsn.
Tba.
Timp.
Perc.
Glock.
Pno.
Vln. S
Vln. I.
Vln. II.
Vla.
Vc.
Db.
322
f
f
mf
f
f
f
f
pizz.
f
non div.
pizz.
non div.
sfz p
sul pont.
ff
sfz p
sul pont.
ff
f
f
f
f
36
Ob.1.2.
Cl.
Bsn.1.2.
Cbsn.
Hns.1. 2. 3.
Tpts.1.2.3.4.
Tbn.1. 2. 3.
Tba.
Timp.
Perc.
Glock.
Pno.
Vln. S
Vln. I.
Vc.
Db.
sfz
f
330
sfz
f
f
piccolo trumpet (harmon)
sfz p
f
to Trpt.
f
1.2.
1.2.
f
f
f
f
pizz.
non div.
f
f
f
f
37
Bsn.1.2.
Cbsn.
Hns.1. 2. 3.
Tpts.1.2.3.4.
Tbn.1. 2. 3.
Tba.
Timp.
Perc.
Glock.
Pno.
Vln. S
Vln. I.
Vc.
Db.
338
1.2.3.
sfz p
1.2.
sfz p
3.4.
sfz p
f
f
cresc.
f
mf
f
pizz.
f
non div.
f
f
38
Fl. 1. (P)
Fl. 2.
Cl.
Bsn.1.2.
Cbsn.
Tbn.1. 2. 3.
Tba.
Timp.
Perc.
Glock.
Pno.
Vln. S
Vla.
Vc.
Db.
gliss.
piccolo
344
gliss
.
f
rfz
cresc.
rfz
cresc.
rfz
1.2.3.
cresc.
ff
mf
cresc.
ff
f
cresc.
cresc.
ff
rfz
arco ord.
cresc.
rfz
cresc.
rfz
cresc.
39
JFl. 1.
(P)
Fl. 2.
Fl. 3.
Ob.1.2.
Cl.
Bsn.1.2.
Cbsn.
Tbn.1. 2. 3.
Tba.
Timp.
Perc.
Glock.
Pno.
Vln. S
Vln. I.
Vln. II.
Vla.
Vc.
Db.
348
f
f
f
gliss.
f
ff
ff
1.2.
3.
ff
ff
f
sempre cresc.
p
f
ff
f
f
f
f
ff
ff
40
Fl. 1. (P)
Fl. 2.
Fl. 3.
Ob.1.2.
Cl.
Bsn.1.2.
Cbsn.
Tbn.1. 2. 3.
Tba.
Timp.
Perc.
Glock.
Pno.
Vln. S
Vln. I.
Vln. II.
Vla.
Vc.
Db.
f
f
f
f
cresc.
sempre cresc.
f
detache
fff
cresc.
sempre cresc.
cresc.
sempre cresc.
cresc.
sempre cresc.
41
Fl. 1. (P)
Fl. 2.
Fl. 3.
Ob.1.2.
Cl.
Bsn.1.2.
Cbsn.
Tbn.1. 2. 3.
Tba.
Timp.
Perc.
Glock.
Pno.
Vln. S
Vln. I.
Vln. II.
Vla.
Vc.
Db.
356
f
f
f
f
f
f
f
f
sempre cresc.
cresc.
sempre cresc.
sempre cresc.
ff
f
ff
f
fff
fff
sempre cresc.
sempre cresc.
sempre cresc.
sempre cresc.
sempre cresc.
42
Fl. 1. (P)
Fl. 2.
Fl. 3.
Ob.1.2.
Cl.
Bsn.1.2.
Cbsn.
Tbn.1. 2. 3.
Tba.
Timp.
Perc.
Glock.
Pno.
Vln. S
Vln. I.
Vln. II.
Vla.
Vc.
Db.
gliss.
364
gliss.
gliss.
gliss.
1. Cl. to B. Cl.
gliss
.
ff
ff
ff
gli
ss.
ff
detache
sfz
sfz
sfz
ff
ff
43
Fl. 1.
(P)
Fl. 2.
Fl. 3.
Ob.1.2.
Cl.
B. Cl.
Bsn.1.2.
Cbsn.
Hns.1. 2. 3.
Tpts.1.2.3.4.
Tbn.1. 2. 3.
Tba.
Timp.
Perc.
Glock.
Hp.
Pno.
Vln. S
Vln. I.
Vln. II.
Vla.
Vc.
Db.
piccolo
sfz
fff
sfz
gliss.
fff
sfz
gliss.
fff
sfz
gliss.
fff
sfz
gliss
.
fff
fff
f
cresc.
fff
fff
sfz
fff
sfz
fff
sfz
fff
sfz
fff
sfz
fff
sus. cymbal
f
fff
Low Tom
sfz
fff
f
MMMOMMMM
cresc.
gliss.
gliss.
gliss. gliss.
gliss.
ff
gliss.
fff
fff
fff
sfz
div.
fff
sfz div.
fff
sfz
fff
sfz
fff
sfz
fff
44
Miguel Bareilles
q = 100
Violin solista Violin Concert Nr. 11st. movement
"Contemplación del aire y del fuego"
a Lucía Luque
1 A
p
mp
26 q = 120
mf
accel. to
cresc.
f
31
f
24:20x
24:20x
33
f ff
f
24:20x 24:20x
35
ff
f
ff
f
16:12x 16:12x
37
ff
f
mf
f
stringendo to
mf
39
q = 100
B
mf
61
mf
f
65 q = 50
mf
calmo
poco a poco accel to 70
f
f
71
q = 70
ff
cresc.
ff
molto vib.
molto vib.
sff
75 C q = 80
sff
molto vib.
mf
solo
súbito
incluyendo la cuerda Re toda vez que sea posible
f
paulatinamente accel.
81
q = 160
cresc. ff
lo más rápido posible
83q = 130
9 9
86
détaché
détaché
9 9
89
mf
f
9 96 6 6 3 3 3
94 q = 70
D q = (90-100)
f
mf
3
Violin solista
106
E
mp
f
gliss.
25harp
mp
con dolor
110
mf
mf
3
119 F q = (80-90)
poco accell.
3
dim. mp
p
pp
molto vib.
sff
134
f
f
6 6 6
6
6 6 6
6
136
f
6 6
6 6
6 6
6 6
138
6 6
6
6
139
6 6 6 6
140
glissado pero con arco bien marcado
141
f
Violin solista
144
f ff
148G
fff glissado pero con arco bien marcado fff
157
horn mp
mf
f tremendamente pasional
molto vib.
165
poco cresc.
mp
3
168
p
p
5
Violin solista
Miguel Bareilles
Violin solista
q = 70
1
Violin Concert Nr. 12nd. movement
"Contemplación del agua"
a Lucía Luque
A
3 tones
p f
6
mf
17 B
mark tree
p
mp
gliss.
f
molto vib.
sf
mf
misterioso
27
3
poco a poco cresc.
no vib.
f
normal vib.
3
3 3
33
cresc.
f
37 poco decresc.
3 6
C
41
mf
cresc.
f
fp
gliss.
sf
sfz
D
48
ppp
o armónicos similares
pp
24 24
50 q = 100
p mp
mf
24 3 3
3
54
poco a poco cresc.
sempre cresc.
3 3 3 33 3
61
sempre cresc.
3 3
68
sempre cresc.
74
ff
79
5 6 5 6
83ad libitum
sfz
5 6
3 6 6
66 6
87
pizz.
mf f
p
arco
f
92
mf
mp
Violin solista
Violin solista
q = 120
1
Violin Concert Nr. 13rd. movement
"Contemplación de la tierra"
a Lucía Luque
Miguel Bareilles
A
f
20
ff
27
mp
grave
poco a poco cresc.
mf
f
sfz
33
ff
leggiero
5 5 5 5 5 5 5 5
35
dim.
mf
sul tasto
cresc.
40
sul pont.
f
to ord.
ord.
3
3
42
ff dim.
decresc.
B44
mf
a tempo
misterioso
46
cresc.
accel. up q –144
48
sempre cresc.
50 molto accel.
f
q = 144
53 C
grazioso
63
f
mf
71
f
79
mf
86
detache
91 f
f
95
mp f
26
Violin solista
97
D q = 120109
133
mp
3
3 3 3
140
3 3
3 3
148
mf
156
164E
moriendo
ppp
ff
ad libitum
mf
6
170
ff
mf
accel.
6
173
ff
mf
ff
mf
66
175
f
6 6
20
Violin solista
177
ff
mf
ff
mf
6 6
179
accel.
181
ff
mf
ff
mf
66
183
f
6 6 20
185
ff
mf
ff
mf
6 6
187 ff
mf
sempre cresc.
fff
6 6 6 6
F q. (88 - 92)190
mf
f
195
mf
f
Violin solista
206
mf
poco a poco cresc.
212
mf
(harm. gliss.)
217
detache
f
220
q. (72)238G
mf
256
f
6 6 6 6 6 6
259
f
H e = 160280
I
320
f
f
Violin solista
328
f
335
f
340
344
ff
347
J
detache
352
fff
fff
357
fff
362
ff
detache
367
gliss.
fff
Violin solista
q = 100
Miguel Bareilles
Piccolo and 3. Fl. Violin Concert Nr. 11st. movement
"Contemplación del aire y del fuego"
a Lucía Luque
mf
ff
mp
3
3
3
9
mp
mf
3
3
3
3 3
3
17A q = 120
f
pp
accel. to mf
30 B q = 100 accel.
to flute
flute
p
52
p
to picc. mf
picc. mp
mf
mp
61 q = 50
q = 70
mf
sff
flute
ppp
77
C q = 80 q = 160 q = 130
q = 70
D q = (90-100)
pp
to picc.
103 E F q = (80-90)
picc. mf
mp
cantabile
f
127
f
3 3 3
3 3
135
f
f
ff
6
Miguel Bareillesq = 70
Piccolo and 3. Fl.
Violin Concert Nr. 12nd. movement
"Contemplación del agua"
a Lucía Luque
Flute
aeolian sound mf
mf
mf
3 3 6
7
mf
combinar sonidos aeolian y jet whistle
f
6
6
9A
f
f
to picc.
B26
C D
picc.
pp
poco cresc.
50 q = 100
mp
Piccolo and 3. Fl.
Miguel Bareilles
q = 1201
Violin Concert Nr. 13rd. movement
"Contemplación de la tierra"
a Lucía Luque
A
picc.
mp
non vib.
p
vib.
mp
20 B q = 144
mf
gliss.
mf
C55
mf
78 to flute flute
mf
95
fp
f
gliss.
104
D q = 120
mf
f
133 EF
q. (88 - 92)
210
mf
mf
231 q. (72) G
p
non vib. normal vib.
mp
p
non vib. normal vib.
mp
mp
252 to picc.
piccolo
3
H
e = 160280
glis
s.
f
300I
gliss.
343J
gliss.
f
f
355
f
f
363
gliss.
sfz
fff
Piccolo and 3. Fl.
q = 100
Miguel Bareilles
Flute 1.2. Violin Concert Nr. 11st. movement
"Contemplación del aire y del fuego"
a Lucía Luque
1
mp
mf
sfff
1. fl.
mp
3 33
6
7
1. fl.
mp
1.
3 33
6
12
mf
1.2.
mf
f
f
3 3 3
6
18 A q = 120
mf
37
q = 100
B
stringendo to
mp
p
53
p
mf
unis.
mp
mf
60 q = 50
q = 70
mp
mf
sff
76 C q = 80 q = 160
q = 130
ppp
pp
q = 7095
D q = (90-100)
E
mf
mp
F q = (80-90)126
f
f
cresc.
sfz
f
3 3 3
3 3
133
mf
f
1. fl.
f
3 3 3
6 6
6
6
145G
f
ff
sfz
f
151
f
152
156
1.2.
mf
f
162
mp
p
Flute 1.2.
Miguel Bareilles
Flutes 1.2.
q = 701
Violin Concert Nr. 12nd. movement
"Contemplación del agua"
a Lucía Luque
ppp
poco a poco cresc.
1. fl.
pp
10 A B
1.2.
p
mp
34 C
D
mf
mp
mf
1. fl.
fp
gliss.
q = 10052
70
mf
88
1. fl.
mp
t k t k t k...
24
93
p
t k t k t k...
24
Miguel Bareilles
Flutes 1.2.
q = 1201
Violin Concert Nr. 13rd. movement
"Contemplación de la tierra"
a Lucía Luque
mp
non vib.
p
vib.
9
pp
multiphonic
7
p
mp
non vib. p
mf
7
f
18A B
mp
mf
gliss.
mp
mf
gliss.
q = 14453
C
mf
mf mf
non vib.
vib. gliss.
mf
mf
non vib. vib. gliss.
79
mf
mf
97
fp
f
gliss.
fp
f
gliss.
106
D q = 120
mf
f
133 E
F q. (88 - 92)
210
mf
mf
mf
mf
multiphonic
224 q. (72)
non vib.
mp
9
mf
mp
9
mf
non vib.
Flutes 1.2.
G242
p
mp
normal vib.
p
non vib.
normal vib.
mp
mp
p
mp
normal vib.
p
non vib. normal vib.
mp
mp
254
non vib.
pp
mp
vib. non vib.
p
vib.
mf
non vib.
pp
mp
vib.
non vib.
p
mf
269
H e = 160
mp
normal vib.
mf
normal vib.
mp
mf
295I
gliss
.
f
gliss.
f
gliss.
Flutes 1.2.
343
J
gliss.
f
f
f
355
f
f
f
f
363
gliss.
sfz
gliss.
fff
gliss.
sfz
gliss.
fff
Flutes 1.2.
q = 100
Miguel Bareilles
Oboe 1.2.Violin Concert Nr. 1
1st. movement
"Contemplación del aire y del fuego"
a Lucía Luque
1 A q = 120
mp
mf
sfff
37 q = 100 B
1. ob.
p
2. ob.
p
55 1.2.
mf
mp
mf
mp
sfz
q = 5066
q = 70
mf
C q = 8080q = 160 q = 130
q = 70
D q = (90-100)
E109
F q = (80-90)
131
f
1. ob.
f
3 3 3 3
3 3 3 36
139G
mf
gli
ss.
mp
157
1. ob.
mp
mf
Miguel Bareilles
Oboes 1.2.
q = 70
Violin Concert Nr. 12nd. movement
"Contemplación del agua"
a Lucía Luque
A B
p
mp
34 C D
mf
mp
mf
q = 10052
75
mf
24
24
89
mf
mp
p
Violin Concert Nr. 13rd. movement
q – 120
Miguel Bareilles
a Lucía Luque
Oboe 1.2.3 (Cor anglais)
1
1.2.
mp
non vib.
vib....................................
10
3. Cor anglais mp fp
non vib.
to Ob.
A19 B
C
54q – 144
mf
non vib.
77 vib.
gliss.
95
D q – 120109
mp
non vib.
mf
p
vib.
133 E F q. (88 - 92)
194
1.2.
mf
vib.
Oboe 1.2.3
mf
204
q. (72)238G
p
non vib.
mp
normal vib.
p
non vib.
normal vib.
mp
mp
254
mp
mp
mf
273 H q - 144
1.2.
3. gl
iss.
f
298I
326
sfz
f
346J
f
f
f
359
f
sfz
gliss.
fff
q = 100
Miguel Bareilles
Cor Anglais
Violin Concert Nr. 11st. movement
"Contemplación del aire y del fuego"
a Lucía Luque
1 mp
mf
sfff
cantabile
mf
10A
mf
mf
f
mp
mp
27q = 120
q = 100 B
mf
f
47
p
p
f
57 q = 50
mf
mf
mp
sfz
69
q = 70
C q = 80 q = 160
q = 13085 q = 70
D q = (90-100)
E109
F q = (80-90)G
156
q = 100
Miguel Bareilles
Clarinet 1.2. Violin Concert Nr. 11st. movement
"Contemplación del aire y del fuego"
a Lucía Luque
1
mp
mf
sfff
15A
1.2.
mf
f
f
q = 12029 mf
mf
q = 10041 Baccel.
mp
pp
p
pp
p
48
p
mf
dim.
65 q = 50
q = 70
pp
79
C q = 80 q = 160 q = 130
q = 70
D q = (90-100)
101 1. cl.
mf
mp
mf
E109
F q = (80-90)126
f
f
3 3
3 3
136
1. cl.
f
mf
gliss.
mp
f
6
146 G
ff
sfz
1. cl.
f
150
157
164
mp
p
Clarinet 1.2.
Miguel Bareilles
Clarinets 1.2 in Bb
q = 70
Violin Concert Nr. 12nd. movement
"Contemplación del agua"
a Lucía Luque
A
1. cl.
mf
13
19
B
p
1.2.
mp
mf
mp
36 C D
mf
q = 10052
72
mf
6
6
89
mf
mp
p
Clarinets 1.2.
q = 1201
Violin Concert Nr. 13rd. movement
"Contemplación de la tierra"
a Lucía Luque
Miguel Bareilles
I. cl.
p
multiphonic
mf
I.
p
f
1.2 non vib.
pp
p
mp
11A
p
2. cl.
mf
h
5
24
mp
pp
ppp
5 5 5 5 5 5 5 5 5 5 5
28B
q = 144
C
54
1.2
mp
mf
mp
mp
mf
mp
71
mf
1.2
non vib.
vib.
gliss.
80 83
mp
1.
2.mf
95
I. solo
f 2.
mf
6 6 6 6 6 6 6 6
101 D q = 120
f
ppp
124
mf
f
p
5
133E
F q. (88 - 92)
195
mf
mf
222
rall.
mp
decresc.
235 q. (72)G
p
p
non vib.
normal vib.
p
non vib.
248
normal vib.
mp
sfz
261 H e = 160
pp p
296
f
303I
gliss.
326
sfz
f
Clarinets 1.2
344J
f
f
351
cresc.
sempre cresc.
cresc.
361
sfz gl
iss.
fff
Clarinets 1.2
Miguel Bareilles
q = 100
Bass Clarinet Violin Concert Nr. 11st. movement
"Contemplación del aire y del fuego"
a Lucía Luque
1
mp
mf
sfff
15 A
mf
f
f
q = 12029 q = 100
mf
mf
B43 accel.
pp
p
pp
p
mf
50 q = 50
q = 70
77
C q = 80 q = 160 q = 130
pp
q = 70
95 D q = (90-100)
E
F q = (80-90)126G
160
mp
p
Miguel Bareilles
Bass Clarinet
q = 701
Violin Concert Nr. 12nd. movement
"Contemplación del agua"
a Lucía Luque
A
19
B
40
C Dq = 100
89
mf
mp
p
q = 120
Clarinet 3. (bass Cl.)
1
Violin Concert Nr. 13rd. movement
"Contemplación de la tierra"
a Lucía Luque
Miguel Bareilles
clarinet
pp
non vib. p
mp
p
to B. Cl.
17 A
mp
ppp
pp
pp
p
30
mp
mf
f
sfz p
pp
38B
p
39
mp
mf
f
sfz p
to Cl.
52
q = 144
C
mp
mf
mp
mp
mf
mp
63
cl.
non vib.
vib.
gliss. mp
87 2.3.
mf
f
ppp
105
D q = 120
126
cl.
mf
f
p
to B. Cl.
5
133E
F q. (88 - 92)
231 q. (72) G
258 B. cl.
fp
to Cl.
He = 160280
Cl.
f
to B. Cl.
304I J
B. cl.
fff
Clarinet 3. (B. Cl.)
q = 100
Miguel Bareilles
Trumpets 1.2. in Bb Violin Concert Nr. 11st. movement
"Contemplación del aire y del fuego"
a Lucía Luque
1
1.2.
mf
sfff
14 A
1.2. con sord.
mf
f
f
q = 12029 q = 100
mf
mf
mf
mf
ff
senza sord.
B43
1.
mf
1.
f
5
61 q = 50
sfz
p
mp
mf
1.2.
q = 7073 C q = 80 q = 160 q = 130
q = 70
D q = (90-100)99
E
F q = (80-90)126
1.2.
f
f
cresc.
sfz
con sord.
f
mf
cresc.
6
139 G
cresc.
f
f
mf
ff
sfz
152 p
f
p
f
mf
cresc.
sf
159
Miguel Bareilles
q = 70
Trumpets 1.2. in Bb
1
Violin Concert Nr. 12nd. movement
"Contemplación del agua"
a Lucía Luque
A
B
40
C D
sfz
mf
sfz
f
q = 10052
1.2
mp
poco a poco cresc.
mf
sempre cresc.
75
sempre cresc.
f
sf
sf
sf
89
mp
p
pp
q – 120
Trumpets 1.2 in Bb
Miguel Bareilles
Violin Concert Nr. 13rd. movement
"Contemplación de la tierra"
a Lucía Luque
con sord.(harmon-stem in)
1.2.
mp
mp
senza sord.
12
A
fp
f
32
p
ff
p
ff
42B
q – 144
C82 con sord.(harmon-stem in)
mf
ff
mf
ff
senza sord.
95
D q – 120
109
mf
sfz
f
3
3
133E
F q. (88 - 92)
208
1.2.mf sfz p
f
gliss.
216
1.2.
cresc.
f
gliss.
mf
1.2 dim.
dim.
228 rall. q. (72)
dim.
decresc.
p
239G
p
mp
mf
sfz p
256
275 1.2.
pp
mp
1.2.3.4.
rfz
H q - 144
280
1.2.
fp
fp
fp
fp
294I
f
fp
mf
f
1. Tpt. to Picc.
313
Piccolo trumpet
sfz p
327
f
to Trpt.
f
1.2.
sfz p
336J
367 1.2.
sfz
fff
Trumpets 1.22
q = 100
Miguel Bareilles
Trumpets 3.4. in Bb Violin Concert Nr. 11st. movement
"Contemplación del aire y del fuego"
a Lucía Luque
1 3.4.
mf
sfff
14 A
3.4. con sord.
mf
f
f
q = 12029
f
f
mf
mf
ff
38 q = 100 B
q = 5066
q = 70
mf
79
C q = 80 q = 160 q = 130
q = 70
D q = (90-100)
108 E F q = (80-90)
130
f
f
cresc.
sfz
f
senza sord. 6
138
mf
cresc.
f
f
mf
147 G ff
sfz
p
f
p
f
157
Miguel Bareilles
Trumpets 3.4. in Bb
q = 70
1
Violin Concert Nr. 12nd. movement
"Contemplación del agua"
a Lucía Luque
A
B
C
41D q = 100
mp
poco a poco cresc.
mf
73
sempre cresc.
sempre cresc.
f
sf
sf
sf
sf
84
mp
p
pp
Violin Concert Nr. 13rd. movement
"Contemplación de la tierra"
a Lucía Luque
q – 120
Trumpets 3.4 in Bb
Miguel Bareilles
1
12A
3.4
fp
f
32
p
ff
p
ff
42B
q – 144
C82 con sord.(harmon-stem in)
mf
ff
mf
ff
senza sord.
95
D q – 120
109
mf
sfz
f
33
133E
F q. (88 - 92)
208
3.4.
sfz p
f
gliss.
cresc.
f
gliss.
222
mf
3. dim.
dim.
dim.
decresc.
231 rall. q. (72)
p
G242
278 mp
3.4
rfz
H q - 144
280
fp
fp
fp
fp
294
f
3.
fp
3.4.
311I
f
3.4.
sfz p
336J
367 3.4.
sfz
fff
Trumpets 3.4.
q = 100
Miguel Bareilles
Violin Concert Nr. 11st. movement
"Contemplación del aire y del fuego"
a Lucía Luque
Horn in F 1.2.
1
mf
sfff
14 A
mp
1.2.
mf
f
f
q = 12028 mp
f
f
f
f
37 q = 100 B
ff
58 q = 50
mp
1. mf
2.
mp
1.2.
sfz
p
69
q = 70
mp
mf
1.
mp
79
C q = 80 q = 160 q = 130
q = 70
D q = (90-100)
101 mf
1.
mp
1.2.
mf
E109
F q = (80-90)
129
mf
f
cresc.
sfz
134
mf
mf
sfz
f
mf
144G
ff
sfz
151 p
f
p
f
p
f
mf
cresc.
sf
159
1.
mp
mf
Horn 1.2.
Miguel Bareilles
Horns 1.2
q = 701
Violin Concert Nr. 12nd. movement
"Contemplación del agua"
a Lucía Luque
A con sord.
pp
mf
mp
senza sord. p
cresc.
sf
20 B
1.2.
p
mp
mf
mp
mf
40
C D q = 100
ppp
poco cresc.
pp
poco cresc.
59
p
mp
sempre cresc.
71
sempre cresc.
f
sf
sf
83
sf
mf
mf
91
mp
p
q = 120
Horns in F 1.2.3 Violin Concert Nr. 13rd. movement
"Contemplación de la tierra"
a Lucía Luque
1
Miguel Bareilles
A
1.
2.
fp
f
1.2.
mf
24 B mp
pp
52
q = 144
C
1.2.3.
fp
63
102
D q = 120
125
mf
1.2.3.
sfz
f
1.2.3.
p
pp
3
3
133E
F q. (88 - 92)
mp
1.2.
1.2.3.
f
1.2.
mp
204
1.3. trem.
2. ord.
f
1.2.3.
mf f
mf f
212
sfz
1.2.
ff
1.2.3.
mf
cresc.
cresc.
f
gliss.
222 rall.
mf
1.2.
dim.
dim.
3.4.
dim.
1.2.
decresc.
232 q. (72)
3.4.
p
G242
1.2.
p
mp
mf
mf
sfz p
257
mp
1.2.3.
mf
sfz p
273 H e = 160
1.2.3.
mp
rfz
fp
fp
285
fp
fp
f
296I
1.2.3.
fp
fp
fp
fp
fp
fp
fp
fp
f
313
f
1.2.3.
sfz p
336J
368
sfz
fff
Horns in F 1.2.3
Miguel Bareilles
q = 100
Horn in F 3. Violin Concert Nr. 11st. movement
"Contemplación del aire y del fuego"
a Lucía Luque
1
mf
sfff
14A
mp
mf
f
f
28 q = 120 mp
f
f
f
f
37 q = 100 B
ff
60 q = 50
mp
sfz
p
mp
72 q = 70 C q = 80 q = 160
mf
mp
q = 13085 q = 70
D q = (90-100)
E109 F q = (80-90)
134
mf
mf
sfz
mf cresc.
f
f
mf
147 G ff
sfz
p
f
p
f
p
f
mf
cresc.
157
sf
Miguel Bareilles
Horns 3.
q = 701
Violin Concert Nr. 12nd. movement
"Contemplación del agua"
a Lucía Luque
A con sord.
pp
mf
mp
senza sord. p
cresc.
sf
20 B
C D
q = 10052
ppp
poco cresc.
pp
poco cresc.
p
mp
65
sempre cresc.
77
sempre cresc.
f
sf
sf
sf
mf
88
mf
mp
p
Violin Concert Nr. 11st. movement
"Contemplación del aire y del fuego"
a Lucía Luque
q = 100
Miguel Bareilles
Trombone 1.2.
1 1.2.
mf
sfff
15 A mf
f
f
q = 12033
q = 100 B
f
f
f
f
ff
47 1.
mp
mf
2.
mp
1.2.
sfz
63 q = 50
q = 70
mf
f
79 C q = 80 q = 160 q = 130
q = 70
D q = (90-100)
108 E F q = (80-90)
129 mf f
cresc.
mf
f
f
3 3
141G
f
f
f
mf
ff
sfz
p
f
153 p
f
mf
cresc.
sf
159
Miguel Bareilles
Trombones 1.2.
q = 70
1
Violin Concert Nr. 12nd. movement
"Contemplación del agua"
a Lucía Luque
A
con sord.
pp
mf
mp
senza sord.
p
cresc.
18
B
sf
mp
mf
C41
D q = 100
sfz
mf
sfz
f
ppp
poco cresc.
55
pp
poco cresc.
p
mp
68
sempre cresc.
sempre cresc.
f
81
sf
sf
sf
mf
92
mp
p
Trombones 1.2
q = 120
Violin Concert Nr. 13rd. movement
"Contemplación de la tierra"
a Lucía Luque
1
Miguel Bareilles
A
fp
f
31 B
p
ff
p
ff
52
q = 144
C
84
con sord.(straight)
mf ff
senza sord.
103
D q = 120
125
mf
sfz
f
gliss.
mf
mp
p
pp
3
3
133E
F q. (88 - 92)
205
mf
gliss.
sfz p
f
gliss.
214 q. (72)
G242
p
1.2.
mp
mf
mf
sfz p
257
mp
mf
sfz p
274
H e = 160
pp
mp
rfz
fp
fp
287
fp
fp
f
303I
fp
gliss.
f
f
313
331
f
sfz p
f
rfz
1.2.3.
341J
cresc.
ff
349
358
gliss
.
364
sfz
fff
Trombones 1.2
Miguel Bareilles
q = 100
Bass Trombone Violin Concert Nr. 11st. movement
"Contemplación del aire y del fuego"
a Lucía Luque
1 mf
sfff
A q = 12021 f
f
f
f
37 q = 100 B
ff
60 q = 50
mp
sfz
72 q = 70
C q = 80
mf
f
q = 16082 q = 130
q = 70
D q = (90-100)
108 E F q = (80-90)
130f
cresc.
mf
f
f
f
f
3 3
145 G
ff
sfz
p
f
p
f
mf
cresc.
157
sf
Miguel Bareilles
Bass Trombone
q = 70
1
Violin Concert Nr. 12nd. movement
"Contemplación del agua"
a Lucía Luque
A
con sord.
pp
mf
mp
senza sord.
p
cresc.
sf
19
B
mp
mf
39
C D q = 100
80
f
sf
sf
sf
mf
92
mp
p
Bass trombon
q = 120
Violin Concert Nr. 13rd. movement
"Contemplación de la tierra"
a Lucía Luque
1
Miguel Bareilles
A
fp
f
31 B
p
ff
p
ff
52
q = 144
C84
con sord.(straight)
mf ff
senza sord.
103
D q = 120
125
mf
sfz
f
gliss.
mf
mp
p
pp
3
3
133E
F q. (88 - 92)
205
mf
gliss.
sfz p
f
gliss.
214 q. (72)
G242
p
1.2.
mp
mf
mf
sfz p
257
mp
mf
sfz p
274
H e = 160
fp
fp
fp
289
fp
f
303I
f
f
313
331
f
rfz
344J
cresc.
ff
353
361
sfz
fff
Bass trombon
Miguel Bareilles
q = 100
Tuba Violin Concert Nr. 11st. movement
"Contemplación del aire y del fuego"
a Lucía Luque
1
mf
sfff
A q = 12021
f
f
f
f
37 q = 100 B
ff
61
q = 50
q = 70
sfz
f
74
C q = 80 q = 160 q = 130
q = 7095
D q = (90-100)
E
F q = (80-90)126
f
cresc.
ff
mf
141G
mf
sfz
155
mf
f
160
Miguel Bareilles
Tuba
q = 70
Violin Concert Nr. 12nd. movement
"Contemplación del agua"
a Lucía Luque
A
B
40
C D q = 100
80
f
sf
sf
sf
mf
92
mp
p
Tuba
q = 120
Violin Concert Nr. 13rd. movement
"Contemplación de la tierra"
a Lucía Luque
1
Miguel Bareilles
A19
42 B
q = 144
mf
p
C54
102
D q = 120
133E
F q. (88 - 92)
q. (72)238
G
H e = 160
f
283
292
299
Miguel Bareilles
q = 100
Percussion Violin Concert Nr. 11st. movement
"Contemplación del aire y del fuego"
a Lucía Luque
1 Percussion
mp
sus. cymbal
sfff
lemon shaker
pp
mp
10
Perc. 1
Perc. 2
p
snare drum
f
p
mark tree
mf
gliss.
p
tambourine
f
p
17A q = 120
Perc. 1
Perc. 2
p
p
sus.cymbal
mf
p
30
q = 100 B accel.
Perc. 1
49
accel.
Perc. 1
Perc. 2
dim.
crotal (agudo)
mp
(fieltro)
a tempo
sus. cymbal
pp
mp
raspar con talón
mf
pp
tambourine
mp
59
q = 50
Perc. 1
Perc. 2
pp
mp
mf
p
f
p
pp
mp
crotal
mp
70
q = 70
Perc. 1
Perc. 2
mp
sus cymbal
f
mark tree
p mp
gliss.
crotal agudo
p
79
C q = 80 q = 160 q = 130
q = 70
D q = (90-100)
Perc. 1
108
E
Perc. 1
ppp
sus. cymbal
sff
F q = (80-90)126
Perc. 1
Perc. 2
snare drum
ppp
+ sus. cymbal
f
triangle
f
p
144 GPerc. 1
Perc. 2
B. D.
p
sus. cymbal
ff
wood blocks (4)
f
p
snare drum
f
mf
f
mf
f
mf
bass drum
f
ff
151
Perc. 1
Perc. 2
mf
snare drum
f
gong (medio)
mf
sus. cymbal
f
p
snare drum
f
157
Perc. 1
Percussion
Miguel Bareilles
Percussion 1.2
q = 701
Violin Concert Nr. 12nd. movement
"Contemplación del agua"
a Lucía Luque
Percussion
egg shaker
ppp
p
crotal agudo
p
3 tones
p f
6
ppp
tiangle
p
A11
Perc.
T.-t.
sus. cymbal
p
f
superball
pp
mf
24B
Perc.
p
mark tree
mp
gliss.
40
C
Perc.
T.-t.
p
sus. cymbal (bowed)
mp
mf
dejar sonartake mallets
sus. cymbal
p
f
p
snare drum
mf
p
f
superball
ppp
mp
ppp
47D
q = 100Perc.
take bow
ppp
arco
sus. cymbal (bowed)
pp
p
mp
dejar sonar
76
Perc.
mp
snare drum
f
79
Perc. mp
f
mp
f
mp
mf
89
Perc.
p
sleigh bells
egg shaker
p
sus. cymbal
p
94
Perc.
p
Percussion
q = 120
Percussion
1
Violin Concert Nr. 13rd. movement
"Contemplación de la tierra"
a Lucía Luque
Miguel Bareilles
Percussion
sus. cymbal (bowed)
p
ppp
p
mp
9
Perc.
pp
mf
wood block
p
snare drum (off)
p
A
19
Perc.
f
sus. cymbal
mf
sus. cymbal
f
B44
q = 144
CPerc.
mf
Triangle
f
56
Perc.
102
D q = 120
Perc.
122
Perc.
finger cymbal
f
3
133
Perc.
mp
triangle
157E
Perc.
triangle
mp
Bar Chimes
p
gliss.
188
F q. (88 - 92)
Perc.
finger cymbal
f
sus. cymbal (soft wool)
p
f
mf
sleigh bells
tenor drum
ff
201
Perc.
sleigh bells
mf
mf
wood block
211
Perc.
mp
sus. cymbal
f
224
Perc. mp
sus. cymbal (bowed)
mf
mp
sus. cymbal (bowed)
mf
q. (72)
240G
Perc. mp
sus. cymbal (bowed)
mf
mp
sus. cymbal (bowed)
259
Perc. mf
Percussion
277
H e = 160
Perc.
sus. cymbal
p
fp
mp
3 Tones
mf
simil pero no idéntico
286
Perc.
take cabasa
294
Perc.
cabasa
mf
303I
Perc.
f
sus. cymbal
p
f
mf
f
f
315
Perc.
f
mf
323
Perc.
331
Perc.
Percussion
338
Perc.
cresc.
p
cresc.
J348
Perc.
f
f
ff
356
Perc.
ff
f
ff
f
361
Perc.
ff
ff
368
Perc.
sus. cymbal
f
fff
sfz
fff
Percussion
Miguel Bareilles
q = 100
Glockenspiel-Marimba-Vibraphone-Celesta
1
Violin Concert Nr. 11st. movement
"Contemplación del aire y del fuego"
a Lucía Luque
Glock.
mp
mp
3
3
3
3
9 A
Glock.
mf
3
3
q = 12029
q = 100 B
Glock.
Vib.
p
3
3
pp
45 accel. accel.
Glock.
Vib.
p
pp
p
mp
57
q = 50
q = 70
Glock.
Vib.
mf
a tempo
soft mallets
p
77
C q = 80 q = 160 q = 130
q = 70
D
q = (90-100)
Vib. mp
108E F q = (80-90)
Cel.
3
3
132
Cel.
f
mp
3 3 3 3 3
3
3
3 3 3
3 3 3 3
G149 Mar.
f
f
f
157
Glock.
Vib.
f
mf
p
161
Glock.
Vib.
p
Glock.-Mar.-Vib.-Cel.
Miguel Bareilles
Glockenspiel and Vibraphone
q = 701
Violin Concert Nr. 12nd. movement
"Contemplación del agua"
a Lucía Luque
A
Vibraphone motor off
mf
3
3
18 B
Vib. take bow
motor off (bowed)2 arcos
p
3
3
29
Glock.
Vib.
p
poco cres.
take mallets
40
C
Glock.
Vib.
mp
yarn malletsmp
mp
44D q = 100
Glock.
Vib.
q = 120
Glockenspiel-Celesta Violin Concert Nr. 13rd. movement
"Contemplación de la tierra"
a Lucía Luque
1
Miguel Bareilles
Glockenspiel
mp
17 A BGlock.
52
q = 144
C
Glock. mf
76 Glock.
95 Glock.
D q = 120109
Glock.
f
133 E
q. (88 - 92)
F
Glock.
214
Cel.
mf
cresc.
218
Cel.
f
mf
224
Cel.
decresc.
231
rall.
Cel.
q. (72)238G
Glock.
Cel.
pp
pp
Glock-Cel
245
Glock.
Cel.
p
cresc.
cresc.
251
Glock.
Cel.
cresc.
f
cresc.
f
262
Glock.
Cel.
pp
mp
pp
mp
268
Glock.
Cel.
mf
cresc.
mf
cresc.
f
Glock-Cel
H e = 160
280
Glock. mf
289
Glock.
298
Glock.
303
Glock.
I312
Glock. mf
mf
321
Glock.
330
Glock. mf
337
Glock.
Glock-Cel
Miguel Bareilles
q = 100
Harp
Violin Concert Nr. 11st. movement
"Contemplación del aire y del fuego"
a Lucía Luque
1
mf
Ab
mfAb
10 10
MNLOMMLM
11
mf
Ab
MNMOMNMM
pp
10
f
A21 q = 120
q = 100 B
MMLOLNMMB§
mp
Bb F§
10
47
q = 50
MMMOMMMM
f
mf
70 q = 70
C q = 80 q = 160 q = 130
q = 7095
D q = (90-100)
mpLMMOLMMM
f
gliss.
25
107
E109
MMLOLMML
Gb
Db
Cb
mp
mp
mp
114
E§F#G#A#D#
B§
A§C#
C§
F§
D§
3 3
33 3 3 3 3 3
3
3 3
118
poco accell.
G§
121F q = (80-90)
dim.
3 3 3
3 3
3
145G
pNLLOLMLN
E§
162
p
C# B§
G# F#
A§
MLLOLNMM
66
mf
165
LLLOLLMM
66
66
Harp
Miguel Bareilles
Harp
q = 701
Violin Concert Nr. 12nd. movement
"Contemplación del agua"
a Lucía Luque
A
20
MMLOLNMM
cresc.
mp
p
22B
pp
40
C
MMLOLMML
gliss
cresc.
66
66
66
mf
44
6 6 6
6
6
6 65
45
decresc.
dejar sonar
Harp
q = 120
Violin Concert Nr. 13rd. movement
"Contemplación de la tierra"
a Lucía Luque
1
Miguel Bareilles
18A
MMMOMMMM
gliss.
f
gliss.
f
21 B
q = 14453
C
102
D q = 120
133E
F q. (88 - 92)
231
rall.
q. (72) G
258
mfMMLOMNNM
262
H e = 160280
mf
MNMOMNMM
gliss.
gliss.
297
mf
MNMOMNMM
mf
MNMOMNMM
gliss.
gliss
.
gliss
.
I312
J
368
f
MMMOMMMMcresc.
gliss.
gliss.
gliss. gliss.
gliss.
ff
gliss.
fff
Harp
Piano
q = 120
Violin Concert Nr. 13rd. movement
"Contemplación de la tierra"
a Lucía Luque
Miguel Bareilles A
NOTA: el piano solamente interviene en este movimiento
r.h.
l.h.
r.h.l.h.
dejar sonar
ff
ff
grave
mp
mf
f
dejar sonar mp
poco a poco cresc.
simil pedal
fff
mf
f
poco a poco cresc.
simil pedal
ff
dejar sonar
B
accel. up q –144
mp
pedal a piacere
cresc.
mf
q – 144
sempre cresc.
f
q = 100
Miguel Bareilles
Violin I Violin Concert Nr. 11st. movement
"Contemplación del aire y del fuego"
a Lucía Luque
1 p
f
f
div.
ffp
sul pont.
súbito
sempre
p
9
mp
to ord.
ord.
mf
f
17A
f
p
sempre p
26 q = 120
q = 100
mp
B43
accel.
pp
div.
p
pp
p
p
mf
dim.
50accel.
p
mp
57 q = 50
mf
a tempo
mp
mf
mp
mf
sff
pp
68 q = 70
div.
p
mp
mf
f
C q = 8080
q = 160 q = 130
q = 70
D q = (90-100)
mp
101 mf
mp
E109
q = (80-90)
F
div.
ff
128
mf
cresc.
f
ff
3 3 3 3
3 3 3
134
non div.
sul pont.
mf
mp
mp
div. (ord)
ff
ff
G149
f
f
mff
div.
157
ff
mf
poco cresc.
165
sul pont.
mp
p
Violin I
Miguel Bareilles
q = 70
Violin I Violin Concert Nr. 12nd. movement
"Contemplación del agua"
a Lucía Luque
A
sul pont. (div.)
ppp
poco a poco cresc.
poco a poco cresc.
p
cresc.
14
mf
sf
ord. div.
p
mp
p
mp
24B
pp
mf
C
41D q = 100
ppp
div.
pp
p
mp
ppp
poco cresc.
pp
58
poco cresc.
p
mp
71
sempre cresc.
sempre cresc.
f
sf
84
q – 120
Violin I.
Miguel Bareilles
Violin Concert Nr. 13rd. movement
"Contemplación de la tierra"
a Lucía Luque
sul tastonon vib.
to ord.
pp
p
ord.
pp
p
11
(harm. gliss.)
mp
mp
mp
gradually increase
gliss.
cresc.
gliss. gliss.
sfz
p
cresc. ff
A19
ord.
h
fff
sul pont.(div.)
p
mf
mp
p
34B
q – 144
scratch effect (Tango)
bowing slightly behind the bridge
54
C
65
79
97
D
q – 120
tutti cantabile
pp
sul tasto (vib.)
110
non div.
mp
p
ord.
mp
p
121
div.
mf
ord. mp
133
sul tasto (vib.)
pp
non div.
mp
p
ord.
mp
144
pp
ppp
sul tasto
ord.
mp
sul tasto
pp
162 E
pp
mp
ord.
pp
ppp
F q. (88 - 92)
190
mf
f
div.
198
mf
f
206
detache
mf f detache
mf
non div.
f
detache
mff
213
detache
f mf
1.2. pult
mf(harm. gliss.)
220
tutti
mp
decresc.
231 q. (72)
G
div.
pp
mp
245
p
mf
mp
251
sfz
Violin I.
262
div. non vib.
p
mp
p
mp
(harm. gliss.)
fp
fp
ff
H q - 144
280
ord.
mf
sempre cresc.
sempre cresc.
289
sempre cresc.
ff
pizz.
f
298
I312
pizz.
f
non div.
pizz.
non div.
pizz.
non div.
328
pizz.
f
non div.
J348
f
cresc.
sempre cresc.
357
sempre cresc.
364 sfz
div.
sfz
gliss.
fff
Violin I.
Miguel Bareilles
q = 100
Violin II Violin Concert Nr. 11st. movement
"Contemplación del aire y del fuego"
a Lucía Luque
1 p
f
f
div.
sul pont.
ffp
súbito
sempre
p
9
mp
to ord.
ord.
mf
f
17A
f
p
sempre p
26 q = 120
q = 100
mp
B43
accel.
pp
p div.
pp
p
p
49
mf
p
mp
55accel.
a tempo
mf
mp
mf
mp
mf
62 q = 50
sff
div.
p
p
mp
mf
72 q = 70
C q = 80 q = 160 q = 130
f
q = 7095
D q = (90-100)
mp
div.
mf
mp
104 E
q = (80-90)
125F
div. ff
mf
cresc.
f
132
ff
non div.sul pont.
mf
mp
mp
3 3 3 3 3 3
3
145 G
ff
ff
f
154 f
mff
div.
ff
p
159
gliss.
mf
164
poco cresc.
p
Violin II
Miguel Bareilles
q = 70
Violin II
1
Violin Concert Nr. 12nd. movement
"Contemplación del agua"
a Lucía Luque
A
ppp
sul pont.
poco a poco cresc.
poco a poco cresc.
p
13
cresc.
mf
sf
ord. div.
p
mp
p
23B
mp
pp
mf
C
41D q = 100
ppp
div.
pp
p
mp
ppp
poco cresc.
pp
poco cresc.
59
p
mp
sempre cresc.
72
sempre cresc.
f
sf
84
Violin II.
Miguel Bareilles
q – 1201
Violin Concert Nr. 13rd. movement
"Contemplación de la tierra"
a Lucía Luque
col legnonon vib.
pp
p
mp
arco ord.
13A
gradually increase
gliss.
cresc.
gliss.
gliss.
sfz
p
cresc. ff
20
ord.
h
fff
sul pont.(div.)
p
mf
mp
p
27B
52
q – 144
C
mp
ord.
64
78
92
mf
molto vib.
fp
gliss.
mf
101 f
ppp
Dq – 120
109
ord. (vib.)
tutti cantabile
pp
mp
p
mp
p
119
div.
sul pont.
fp
3
126
sul tasto
sul pont.
f
mp
gliss.
133
ord. (vib.)
pp
mp
p
mp
143
pp
ppp
sul tasto
158
ord.
mp
sul tasto
pp
pp
mp
ord.
pp
ppp
E169
F
q. (88 - 92)190
mf
div.
mf
pizz.
198
mf
f
206
arco detache
mf f detache
mf f
detache
mf
212
f
detache
fmf
mp
pizz. (div.)
cresc.
mf
Violin II.
219
q. (72)238
G
pizz.
pp
non div.
p
247
mp
arco
mp
sfz
258 H q - 144
mf
ord.
sempre cresc.
sempre cresc.
289
sempre cresc.
ff
pizz.
f
301
I312
sfz p
sul pont.
ff
324J
f
350
cresc.
sempre cresc.
sempre cresc.
sempre cresc.
362
sfz
sfz
div.
gliss.
fff
Violin II.
Miguel Bareilles
q = 100
Viola Violin Concert Nr. 11st. movement
"Contemplación del aire y del fuego"
a Lucía Luque
1 p
f div.
f
sul pont.
ffp
súbito
sempre
p
9
mp
to ord.
ord.
mf
f
f
18A
p
sempre p
27 q = 120
q = 100 B
pp
div.
p
45accel.
pp
p
p
mf
dim. mp
55accel.
non div. mf
a tempo
mp
mf
mp
mf
sff
q = 50
66 q = 70
non div.pizz.
mp
arco
p
div.
mp
mf
f
f
pizz.
74 C q = 80 q = 160 q = 130
pizz.mf pizz.
mp
91
q = 70
D q = (90-100)
arco
mp
div.
mf
mp
103
E109
F q = (80-90)126
div.
ff
mf
cresc.
f
cresc.
3 3 3 3 3 3 3 3
132
ff
f
mf
6
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
137
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
141 G
sul pont.
mf
mp
mp
ff
ord.
ff
mf
div.
152 f
f
mf
f
160 div.
mf
mp
mf
poco cresc.
166
mp
p
Viola
Miguel Bareilles
q = 70
Viola
1
Violin Concert Nr. 12nd. movement
"Contemplación del agua"
a Lucía Luque
A
sul pont.
ppp
poco a poco cresc.
poco a poco cresc.
p
13
cresc.
6 v.
mf
sf
tuttiord. div.
p
mp
p
23B
mp
pp
mf
C41
D q = 100
ppp
div.
poco cresc.
pp
poco cresc.
p
62
mp
sempre cresc.
73
sempre cresc.
f
sf
84
q – 120
Viola
Miguel Bareilles
1
Violin Concert Nr. 13rd. movement
"Contemplación de la tierra"
a Lucía Luque
sul tastonon vib.
to ord.
pp
ord.
p
pp
p
11
mp
gradually increase
gliss.
cresc.
gliss.
sfz
gliss.
p
cresc. ff
A19
ord. (div.)
p
mf
mp
p
pp moriendo
29B
52
q – 144
C
mp
ord.
65
79
93
molto vib.
fp
gliss. mf
fp
f
ppp
104
q – 120
sul pont. (vib.)
pp
mp
p
118
pp
pizz.
mf
f
3
33 3
126
133
pp
arco
mp
145
pp
ppp
sul tasto
mp
pp
mp
157E
F q. (88 - 92)
190
mf
pizz.
mp
cresc.
arco
f
div.
196
mf
pizz.
mp
cresc.
202
arco
mf
214
218
mp
decresc.
232 q. (72)
G250
pizz.
mp
cresc.
258
arco sul pont.
pp
mp
p
268
mp
mf
cresc.
f
ff
Viola
276
H -q 144
pp
sul pont.
to ord.
mf
mf
ord.
sempre cresc.
286
sempre cresc.
sempre cresc.
295
ff
f
spicato cresc.
311I
sfz p
sul pont.
ff
324
rfz
ord.
cresc.
345J
f
cresc.
sempre cresc.
354
sempre cresc.
sempre cresc.
362 sfz
sfz
fff
Viola
q = 100
Miguel Bareilles
Violoncello Violin Concert Nr. 11st. movement
"Contemplación del aire y del fuego"
a Lucía Luque
1
p
f
div.
f
sfff
16A
div.
fp
sempre p
25 q = 120
cresc.
mf
mf
34
q = 100
mf
f
f
ffp
sempre p
p
B43
accel. accel.
mf
dim.
div.
mf
a tempo
mp
mf
60
q = 50
mp
mf
sff
mp
mf
72 q = 70
f
div.
fp
fp
79C q = 80 q = 160 q = 130
q = 70
D q = (90-100)
100
mf
1. pult
mp
mp
107
E
pp
mp
116
poco a poco cresc.
mp
p
pp
sff
F q = (80-90)126
ff
tutti
mf
cresc.
f
cresc.
ff
3 3
3 3
133
f f
mf
6
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
137
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
141G
ff
ff
sfz
156
Violoncello
Miguel Bareilles
q = 70
Violoncello
1
Violin Concert Nr. 12nd. movement
"Contemplación del agua"
a Lucía Luque
A
sf
22B
p
C41
D q = 100
ppp
poco cresc.
pp
poco cresc.
p
63
mp
sempre cresc.
74
sempre cresc.
f
sf
84
q – 120
Violoncello
Miguel Bareilles
Violin Concert Nr. 13rd. movement
"Contemplación de la tierra"
a Lucía Luque
1
gradually increase
cresc.
gliss.
gliss.
gliss.
17A
sfz
p
cresc. ff
ord. (div.)
p
mf
mp
p
pp moriendo
28
ord.
mf
f
gliss.
p
B44
q – 144
C70
ord.
mf
84
molto vib.
fp
mf
98
f
Dq – 120
109
pp
ord. (vib.)
p
mp
mp
p
119
125
mp
pizz.
3
arco
mp
p
3
133
pp
mp
143
pp ppp
mp
153
pp
mp
E169
189
F q. (88 - 92)
pizz.
mp
cresc.
mf
div.
199
pizz.
mp
cresc.
mf
arco
mf
ord.
215
mf
p
225
rall.
decresc.
233
q. (72)238G
250
mp
sfz
sul pont.
pp
263
mp
p
mp
270
mf
cresc.
f
ff
Violoncello
H q - 144
280
f
spic. div.
sempre cresc.
289
sempre cresc.
298
rfz
307I
cresc.
f
316
f
f
325
f
f
334
f
rfz
343J
cresc.
ff
352
361
ff
368
sfz
fff
Violoncello
Miguel Bareilles
q = 100
Contrabass Violin Concert Nr. 11st. movement
"Contemplación del aire y del fuego"
a Lucía Luque
1
f
sfff
A21 q = 120
mf
mf
mf
f
f
37 q = 100 Baccel.
ff
dim.
mp
mf
mp
61
q = 50
q = 70
mf
sff
pizz.
mp
f
pizz.
mf
75
C q = 80 q = 160 q = 130
mp
90
q = 70
D q = (90-100)
E
F q = (80-90)126
ff
arco
mf
cresc.
f
cresc.
ff
f
6
134
f
div
141G
mf
ff
ff
sfz
Miguel Bareilles
Contrabass
q = 701
Violin Concert Nr. 12nd. movement
"Contemplación del agua"
a Lucía Luque
A
20B
C41
D q = 100
ppp
poco cresc.
pp
poco cresc.
p
63
mp
sempre cresc.
74
sempre cresc.
f
sf
84
q – 120
Contrabass
Miguel Bareilles
Violin Concert Nr. 13rd. movement
"Contemplación de la tierra"
a Lucía Luque
1 A
42 B
q – 144
C
mf
p
mf
pizz.
57
71
85
f
98
D106
q – 120
pizz.
133E
F q. (88 - 92)
214
mf
arco ord.
cresc.
p
227 rall.
decresc.
237 q. (72) G
div.
254
sfz
Hq - 144
280
div.
f
spic.
sempre cresc.
289
sempre cresc.
298
rfz
cresc.
309I
f
319
f
f
328
f
f
f
337J
rfz
cresc.
ff
349
358
ff
365
sfz
fff
Contrabass
