SP 472, Week 3, 2011

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    Mise en Scne French for placing

    on stage

    Taxi Driver

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    Mise en Scne Staging of the action

    Physical setting &

    dcor How these elements

    are framed

    How these elements

    are photographed

    Manhattan

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    Mise en Scne Frame dimensions

    Aspect Ratio

    1:33:1 (Pre-1950s &TV)

    1:85:1 (standard)

    2:35:1 (widescreen)

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    Mise en Scne

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    Mise en Scne Dominant

    Where is our eyeattracted first?

    Bend It Like Beckham

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    Mise en Scne

    Silence of the Lambs

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    Mise en Scne Subsidiary contrasts

    What are the main

    eye-stops after

    taking in the

    dominant?

    The BlackSwan

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    Mise en Scne

    Deuce Bigelow: European Gigolo

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    Mise en Scne Lighting key

    High key?

    Low key?

    High contrast?

    Some combination of

    these?

    The Philadelphia Story

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    Mise en Scne

    The Grifters

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    Mise en Scne

    The 40 Year-Old Virgin

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    Mise en Scne Shot and camera

    proxemics

    What type ofshot?

    How far away is

    the camera from

    the action?

    Silence of the Lambs

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    Mise en Scne

    Manhattan

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    Mise en Scne

    The Hurt Locker

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    Mise en Scne

    Austin Powers

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    Mise en Scne Angle

    Are we (and the camera)

    looking up or down on

    the subject? Or is the camera neutral

    (eye level)?

    Red Eye

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    Mise en Scne

    Red Eye

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    Mise en Scne

    KillBill

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    Mise en Scne

    The Last Picture Show& The BlindSide

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    Mise en Scne

    Silence of the Lambs & Ondine

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    Mise en Scne Color values

    American Beauty

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    KillBill

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    Mise en Scne

    Raging

    Bull, The Last Picture

    Show

    &M

    anhattan

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    Mise en Scne Density

    How much visual

    information is packed into

    the image? Is the texture stark,

    moderate, or highly

    detailed?

    The Scarlet Empress

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    Mise en Scne Density

    How much visual

    information is packed into

    the image? Is the texture stark,

    moderate, or highly

    detailed?

    The Good, the Bad & the Ugly

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    Mise en Scne

    The Kings Speech

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    Mise en Scne

    The Scarlet Empress

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    Mise en Scne

    The Godfather

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    Mise en Scne

    From Here to Eternity

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    Hud

    Mise en Scne Composition

    How is the two-

    dimensional space

    segmented andorganized?

    What is the underlying

    design?

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    Mise en Scne

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    Mise en Scne Composition

    The Rule of Thirds

    From painters of the

    Renaissance (14th

    century)

    Interest should be at

    the interersecting lines

    as our eyes do not go

    to the center of a

    photograph

    Botticellis Venus & Mars &

    Up in the Air

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    Mise en Scne

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    Mise en Scne

    The Godfather

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    Mise en Scne

    The Departed

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    Mise en Scne

    Hot Tub Time Machine

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    Mise en Scne

    The BlackSwan

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    Training Day

    Mise en Scne

    Form

    Open or closed?

    Does the imagesuggest a window

    that arbitrarily

    isolates a fragment

    of the scene?

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    Mise en Scneor a proscenium

    arch, in which the

    visual elements are

    carefully arrangedand held in

    balance?

    The Departed

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    Mise en ScneDoes the composition

    suggest action or

    confinement?

    Beauty vs truth

    Traffic

    M

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    Mise en Scne

    Silence of the Lambs

    Framing

    Tight or loose?

    Do the charactershave no room to

    move around, or

    can they move

    freely without

    impediments

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    Mise en Scne

    Silence of the Lambs

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    Mise en Scne

    Midnight

    Cow

    boy

    Depth

    On how many

    planes is the imagecomposed?

    Does the

    background or

    foreground comment

    in any way on the

    mid-ground?

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    Mise en Scne

    The Grifters

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    Mise en Scne

    Citizen Kane

    Character placement

    What part of the

    framed space do thecharacters occupy?

    Center? Top?

    Bottom? Edges?

    Why?

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    Mise en Scne

    Double Indemnity

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    Mise en Scne

    .

    The Graduate

    Staging positions

    Which way do thecharacters look vis-

    -vis the camera?

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    Mise en Scne

    The 400Blows

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    Mise en Scne

    Double Indemnity

    Character proxemics

    How much space isthere between

    characters?

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    Mise en Scne

    The Last Picture Show

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    Mise en Scne

    Broken Flowers

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    Mise en Scne

    The WeddingCrashers

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    Mise en Scne

    Notes on a Scandal

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    Mise en Scne

    The Manchurian

    Candidate

    Directed by John

    Frankenheimer Starring Lawrence

    Harvey, Frank Sinatra,

    Angela Lansbury, Janet

    Leigh

    1962 Dir. Of Photography

    Lionel Lindon

    Production Design

    Richard Sylbert

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    Mise en Scne

    John Frankenheimer,1930-2002 Started in live television

    Way ahead of his time -more appreciated now

    The Paranoia Trilogy Seven Days in May

    The Manchurian Candidate

    Seconds

    Birdman ofAlcatraz

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    Mise en Scne

    Red Scare & The Cold War Americans feared communist attack

    Russia feared American attack & theAmerican's atomic bomb

    Russias anti-capitalism Russias problematic actions in the

    Soviet zone of Germany

    America refused to share nuclearsecrets

    Russia expanded west into EasternEurope + broken election promises

    Russias need for a secure westernborder

    Russias aim of spreading worldcommunism

    Resulted in Communist witch huntslead by Sen. Joseph McCarthy

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    Mise en Scne

    Set at the height of anti-Communisthysteria and McCarthyism (see GoodNight & Good Luck) whenbrainwashing was a real concern

    Anticipated Americans fascinationwith conspiracy theories

    Failed at the box office

    Banned in Iron Curtain countriesuntil 1993

    Rumored to have been pulled fromdistribution as a result of theKennedy assassination, the film wasactually involved in a legal disputeregarding Sinatras share of theprofits

    Re-released in 1988