C U R I C U L U M V I T A E :

M I L E S G R E E N B E R G

www.milesgreenberg.com Paris, France

New York, NY, USA T: [ca] +1 514 531 3329

miles@milesgreenberg.com S E L E C T E D W O R K S / E X H I B I T I O N S :

2015 Chandelier (solo performance) Studio Untitled, Montreal (CA)

2015 Sleep Tight (duo exhibition) Galerie C.O.A, Montreal (CA)

2015 Per Grazia Ricevuta (public performance) Fondazione Pistoletto, Biella (IT)

2015 You Without (solo performance) Glass Door Gallery, Montreal (CA)

2016 Habeas Corpus (curator / two solo Mainline Gallery, Montreal (CA) performances)

2016 Case Study 01 (solo perf.) Manifesta 11, Zürich (CH)

2016 Strange Fruit (solo performance) One Undone, Montreal (CA)

2017 Bosch: Parts of His Body (w. Valentin Tszin) Alte Münze, Berlin (DE)

2017 Shanghai & Gomorrah (installation) Red Gate Gallery, Beijing (CN)

2017 ANCHORESS (performance) Club de Bâle, Art Basel, Basel (CH)

2017 Chandelier II: Hunting Lodge & The Watermill Center (USA) Chandelier III: Plantation (solo performances)

2017 Hands: Giving & Taking Away The Watermill Center (USA) (performance & installation)

2018 Funny (performance) Cotton Club Pigalle, Paris (FR)

2018 Be Alright (performance & installation) Villa Wenkenhof, Art Basel, Basel (CH)

2018 Saying Grace (w. Nile Harris & Robert Wilson) The Watermill Center (USA) 2018 Saying Grace (video work, group show) Galerie Geste, Paris, France 2018~ Nègraissance (Opera) WORKSHOP (Paris, FR) • Preface, I, II & III 2019 ALPHAVILLE NOIR (solo exhibition/residency) Palais de Tokyo (Paris, FR)

2019 Eine Romanze (performance, festival) Palais de Tokyo (Paris, FR)

2019 HÆMOTHERAPY I (solo exhibition) Reena Spauling’s Gallery, NYC (USA)

2020 PNEUMOTHERAPY II (solo exhibition) Galerie Perrotin New York, NYC (USA)

2020 OYSTERKNIFE (solo exhibition) Marina Abramović Institute, (ONLINE)

E D U C A T I O N / R E S I D E N C I E S :

§ St.George’s School of Montreal (class of 2015): AP Studio Art (Advanced Placement College Board program)

Achieved a score of 5/5 with honours in 3D Design profile

§ École en Parfumerie Clarisse Monereau (class of 2015)

§ Unidee, Fondazione Pistoletto, Italy (2015) Performance workshop/residency led by Omer Krieger

§ Body Resonance, Canada (2016)

Butoh dance/performance workshop led by Yumiko Yoshioka

§ Laboratoire d’enseignement du movement, École Jacques Lecoq (Paris, France, 2016-2017) Workshop in movement and spatial relativity; architecture and the body

§ Red Gate Residency, Beijing, China (2017)

§ The Watermill Center, Water Mill, NY, USA (2017 & 2018)

§ Cleaning the House, Greece (2018) Abramović method workshop led by Marina Abramović

§ La Manutention – Palais de Tokyo, Paris, France (2019) Inaugural in-situ resident of Palais de Tokyo’s performance art residency, La Manutention

W O R K I N G L A N G U A G E S :

o English (fluent) o French (fluent) o Italian (advanced) o Mandarin Chinese (advanced) o German (intermediate) o Russian (basic) o Spanish (basic)

B I O :

\

Miles Greenberg (b. 1997 in Montreal, Canada) is a performance artist and researcher of corporal movement based between New York and Paris. His practice centres around a romanticized exploration of the Black body in space through durational performance, sculptural forms and gestures. His work consists of large-scale sensorially-immersive environments which revolve around the physical body. At age seventeen, Greenberg left formal education and threw himself into a four-year independent research project studying movement and architecture as they relate to the Black body. This spanned a number of solo artistic/research including Ecole Jacques Lecoq and Musée du Palais de Tokyo in Paris, Red Gate Gallery Beijing and Long Island’s Watermill Center. He has a largely self-acquired background in linguistics, perfumery, butoh and physical theatre, and has studied under the direction of various mentors such as Edouard Lock, Robert Wilson and Marina Abramović. Greenberg’s form is the result of rigorous methodology which resides at the threshold of performance and sculpture. The work follows self-contained, non-linear systems of logic which are best understood in relation to one another.