MODERN BİR ÖRNEK - Pierre Chareau-Bernard Bijvoet, Maison de Verre, Paris,

1928-31

MODERN BİR ÖRNEK - Willem Dudok, Town Hall, Hilversum, 1924-31

MODERN BİR ÖRNEK - Eileen Gray, E1027 Evi, Cap Martin, 1926-9

MODERN BİR ÖRNEK - Tel Aviv, Bauhaus yapıları, 1930’lar

Erken tarihli bir yarışma ve “modern olmayan”ın zaferi, Chicago Tribune Yarışması, 1922

Erken tarihli bir yarışma ve “modern olmayan”ın zaferi, Chicago Tribune Yarışması, 1922 Bernard Bijvoet - Johannes Duiker

1927’den alıntılarla yapılan International Style MOMA Sergisi’nde önemli yeri olan Weissenhofsiedlung, Stuttgart, 1927, Modernist bir konut adası sergisi, Deutsche Werkbund

Weissenhof Siedlung, Mies Van der Rohe Bloğu, 1927

1927’den alıntılarla yapılan International Style MOMA Sergisi’nde önemli yeri olan Weissenhofsiedlung, Stuttgart, 1927, Modernist bir konut adası sergisi, Deutsche Werkbund

Hans Scharoun

Le Corbusier

1927’den alıntılarla yapılan International Style MOMA Sergisi’nde önemli yeri olan Weissenhofsiedlung, Stuttgart, 1927, Modernist bir konut adası sergisi, Deutsche Werkbund

J.J.P.Oud

Le Corbusier

Weissenhofsiedlung’a yönelik alaycı bir Nazi eleştirisi

“Arab village”, a “Little Jerusalem” and a “city eyesore”

– that’s how the newspapers of the time reacted. The

white concrete cubes didn’t really fit into the self-

conscious Stuttgart of the Nazi period.

1927’den alıntılarla yapılan International Style MOMA Sergisi’nde önemli yeri olan Birleşmiş Milletler Binası yarışması 1927

Le Corbusier

Hannes Meyer

1927’den alıntılarla yapılan International Style MOMA Sergisi’nde önemli yeri olan Birleşmiş Milletler Binası yarışması 1927

Bernard Bijvoet - Johannes Duiker

Richard Neutra

Congrès Internationaux de l’Architecture Moderne (CIAM), 1928

La Sarraz, 1928

Congrès Internationaux de l’Architecture Moderne (CIAM), 1929, Frankfurt Posteri

Existenzminimum, Mimimum Space for Living!

Mies van der Rohe, Barcelona Pavilion, 1929, yeniden yapımı 1980ler

Mies van der Rohe, Barcelona Pavilion, 1929, yeniden yapımı 1980ler

Le Corbusier, Villa Savoye, Poissy, 1928-31

Le Corbusier, Villa Savoye, Poissy, 1928-31

Le Corbusier, Villa Savoye, Poissy, 1928-31

Le Corbusier, Villa Savoye, Poissy, 1928-31

Frank Lloyd Wrigt, Fallingwater House, Pennsylvania, 1934-37

Frank Lloyd Wrigt, Fallingwater House, Pennsylvania, 1934-37

Frank Lloyd Wrigt, Fallingwater House, Pennsylvania, 1934-37

Frank Lloyd Wrigt, Johnson Wax Yönetim Binası, Wisconsin, 1936-39

Frank Lloyd Wrigt, Johnson Wax Yönetim Binası, Wisconsin, 1936-39

Frank Lloyd Wrigt, Broadacre City, Kent Ütopyası, 1934-5

“Broadacre city is the country itself come alive as a

truly great city. ”

FLW

Le Corbusier, Cezayir için Plan Obus, 1933

The 1933 rendering of Plan Obus

for Algiers demonstrates Le

Corbusier’s superimposition of

modern forms: the long arching

roadway that includes housing-his

viaduct city-connecting central

Algiers to its suburbs and the

curvilinear complex of housing in

the heights that accesses the

waterfront business district via an

elevated highway bypassing the

Casbah.

Le Corbusier, Cité de Refuge, Paris, 1929-33

The core of Le Corbusier's design was the dormitory

slab with a sheer glass curtain wall. Critical to the

success of this south-facing glass wall was to have

been a technologically ambitious system of double

glazing and air conditioning ('respiration exacte'). These

were never built as intended, and the sheer skin of the

wall was lost to Le Corbusier's trademark brises

soleils later on in an attempt to prevent the inhabitants

from overheating.

Le Corbusier, Pavillon Suisse, Paris, 1930-31

Le Corbusier, Pavillon Suisse, Paris, 1930-31