Post on 25-Oct-2019
SphärenLimoges Porzellan, Transparentglasur
62 x 90 x 82 cm2009
390,- €
Seevilla
Gabriele Hain1
Sphären, WRW 7/3Seto Porzellan, Farbkörper, Transparentglasur
124 x 142 x 142 cm2011
1.700,- €
Seevilla
Gabriele Hain2
PäonienSeto Porzellan, Farbkörper, Glasur
119 x 145 x 145 cm2014
4.400,- €
Seevilla
Gabriele Hain3
BlüteSeto Porzellan, Transparentglasur
35 x 80 x 80 cm2016
160,- €
Seevilla
Gabriele Hain4
PlisèeSeto Porzellan, Farbkörper, Transparentglasur
66 x 87 x 93 cm2018
180,- €
Seevilla
Gabriele Hain5
Schwebung grau/schwarzSeto Porzellan, Farbkörper, Transparentglasur
21 x 120 x 116 cm2017
1.040,- €
Seevilla
Gabriele Hain6
Schwebung schwarzSeto Porzellan, Farbkörper, Transparentglasur
27 x 120 x 113 cm2017
1.040,- €
Seevilla
Gabriele Hain7
CrapSeto Porzellan, Farbkörper, Transparentglasur
43 x 142 x 142 cm2012
300,- €
Seevilla
Gabriele Hain8
Schnittform, TajimiSeto Porzellan
44 x 140 x 145 cm2006
1.200,- €
Seevilla
Gabriele Hain9
AzaleéLimoges Porzellan, Transparentglasur
95 x 95 x 95 cm1998
3.900,- €
Galerie
Gabriele Hain10
Transform, Schale mit blauen PunktenLimoges Porzellan, Farbkörper, Transparentglasur
70 x 112 x 112 cm2003
660,- €
Galerie
Gabriele Hain11
Becher mit blauem PunktLimoges Porzellan, Farbkörper, Transparentglasur
100 x 77 x 77 cm2002
180,- €
Galerie
Gabriele Hain12
Stein ZylinderSeto Porzellan, Transparentglasur
102 x 115 x 115 cm2016
380,- €
Galerie
Gabriele Hain13
Stein JBSeto Porzellan, Transparentglasur
88 x 79 x 79 cm2016
110,- €
Galerie
Gabriele Hain14
Stein TBSeto Porzellan, Transparentglasur
60 x 69 x 69 cm201785,- €
Galerie
Gabriele Hain15
Morph SchaleSeto Porzellan, Farbkörper, Transparentglasur
38 x 116 x 116 cm2017
450,- €
Galerie
Gabriele Hain16
Morph BecherSeto Porzellan, Farbkörper, Transparentglasur
68 x 70 x 70 cm2006
240,- €
Galerie
Gabriele Hain17
Morph TBSeto Porzellan, Farbkörper, Transparentglasur
55 x 70 x 70 cm2017
240,- €
Galerie
Gabriele Hain18
Gabriele Hain1955 geboren in Aigen/OÖSeit 1991 Werkstatt und Schauraum mit dem Maler Alois Hain in Haslach a. d. Mühl, OÖ1975 bis 1980 Universität für künstlerische und industrielle Gestaltung, Linz 1980 bis 1981 postgraduate studies in Helsinki1981 bis 1985 artist-in-residence bei Bing & Grøndahl, Kopenhagen 1984 bis 1987 artist-in-residence bei Contemporary Porcelain, New York2001 4. Internationaler Porzellan-Workshop KAHLA kreativ, Kahla, Deutschland 2003 artist-in-residence in Seto, Japan2005 International Ceramic and Glass Art Festival Seto, Japan 2006 artist-in-residence in Tajimi, Japan2010 Porcelain – Another Way, Symposium Walbrzych, Polen2016 Heritage and Diversity, Hanyang University, Seoul, Republik Korea2018 Taoxichuan Spring Art Fair, Jingdezhen, China
Ausstellungen und Beteiligungen seit 2007 (Auswahl):2007 Transparenz und Masse, Museum Eckernförde Modern Ceramics from Central Europe, Museum of Modern Ceramic Art, Gifu 2008 Sakazuki, Kosmos on Your Palm, Ichinokura Sakazuki Art Museum, Tajimi Luce³ - Light³, AbOvo Gallery, Todi2010 Speed, Think Tank Edition 06, München, London, Bergen Sphären, VKB-Galerie, Gmunden (EA)2011 Porcelana inaczej 2010, Galeria Szkla i Ceramiki, WroclawInternational Ceramic and Glass Art in the 21st Century, Seto City Art Museum, Seto 2012 In Form gegossen, Galerie Handwerk, München Nikamo, Galerie Unart, Villach (EA)außen grau, Neues Museum in Nürnberg2013 Love Your Cylinder, Puls Contemporary Ceramics, Brüssel2014 15 Jahre Kunst Vonlanthen, ChurSchwarz/Weiss, Galerie für angewandte Kunst, München2015 La Lampe Ceramique, Musée de Carouge, Genf2016 Freunden sei Dank, Grassi Museum, Leipzig2017 Keramik aus Leidenschaft, NÖDOK, St. PöltenGlas Porzellan Ton Stein, Kunsttrafik, SteyrPorcelain Reflections, House of Porcelain with Blue Blood, Dubi
Gabriele HainPeter Assmann: SPEED KILLS – BUT WHAT?[…]In contrast my second artist’s contribution is presented completely differently. The porce-lain shapes by Gabriele Hain focus on materiality. They are so delicate they threaten to shatter with each breeze and in this fragility they naturally oppose any attempts at accele-ration – above all every type of rapid approach, appropriation, consumption or reception. The artist mostly creates vessels, which are so thin-walled that they can only be viewed or picked up with a great deal of caution, hence without speed.Her art is a matter-of-fact opposition to acceleration, against all that which I previously in-troduced as symptoms of the Speed Generation. Nevertheless or precisely because these objects have emerged in the Speed Generation the artist is anchored with her objects in a matter-of-fact functioning, global information network. Her audience appreciates her work around the entire globe and she is probably one of the few European artists consistently invited to Japan and her special conceptual designs are developed and presented before a broad, interested public in many symposiums and workshops. Above all her vessel sculp-tures stand for an all-encompassing concentration, for a contemplative attitude of immersi-on, a great quiet – a quiet that the artist herself strives to live and that she structures as a setting for the creative process of her art as a conscious counter movement to speed. It is completely clear that major quiet and concentration are needed to form these objects, not least of all to bear the frustration as again and again many of these designs flounder due to the sheerness of the porcelain materials and shatter in the kiln. What the finished object represents is a celebration of the material possibilities used with the most extreme concen-tration: a blatant call to proceed with caution, with due consideration, topause, to put on the brakes. Perhaps it should also be remarked that the artist’s vessels also stand for a globalised intertwining and cooperation between Eastern and Western art concepts and traditions. She uses traditional Japanese forms, but clearly and unequivocal-ly reacts against them. The same goes for a Western perspective.[…] from: think tank EDITION 06 Dr. Peter Assmann, Linz, Austria, Art Historian Director of the Palazzo Ducale, Mantua
Lindenhof GalerieStiftgasse 29872 Millstatt am MillstätterseeTel.: +43 (0)664 97 70 100Mail: office@lindenhof-galerie.at