PORTFOLIOJose Alfonso Álamo Moreno

Estudiante de Arquitectura

EDUCACIÓN

2006/presente Escuela Técnica Superior de Arquitectura de Madrid (UPM)

2011-2012 École Nationale Superieure d’Architecture Paris-Malaquais (Erasmus)

2011-2012 Institut Français d’Urbanisme (Université Paris-Est Marne-la-Vallée) (Erasmus)

2004-2006 Bachillerato científico-técnico, I.E.S. Juan de Mairena, matrícula de honor

WORKSHOPS2012 “SlowMadNess”, Workshop de vídeo, APFC Juan Herreros, CentroCentro e Instituto

Iberoamericano de Finlandia, Madrid

2012 “Ceci n’est pas Paris”, Workshop de diseño g´rafico y editorial, Something Fantastic

Architects, Berlin

2011 “La ciudad posible”, Workshop de maquetas de hormigón, Cátedra Blanca, ETSAM y

Cemex, Madrid y Valencia

2010 “Analog Love”, Workshop de fotogafía analógica, Lomography & Pascale Caprile,

Madrid

EXPERIENCIA PROFESIONAL

ARQUITECTURA2012 Colaborador en “MagMad Office”

2012 Reforma del apartamento de “Blanchet de Puthod”, rue Jacob, París

2011 Proyecto y organización de la exposición “Dessine moi ta CIUP”, Institut Français

d’Urbanisme, Dedale & Cite Internationale Universitaire de Paris

2011 “Pabellón Armadillo”, proyectado y construído en Digital Knowledge, ENSPM, Paris

2010 Reforma del “Centro de estética Maylo”, Leganés, Madrid

2010 Finalista en el concurso “La ciudad posible”, Cátedra Blanca, Valencia

2009 Reforma de la “Autoescuela San Antonio”, Carabanchel, Madrid

2009 Finalista en el concurso“Urbanacción”, Madrid

DISEÑO GRÁFICO2013 “Círculo altoparlante”, proyecto de fotografía y gráfico para Juan Bordes, ETSAM

2012 “Música de ascensores”, proyecto de fotografía y gráfico para Juan Bordes, ETSAM

2012 Diseño de marca y papelería para “Natalia Burdallo Fotografía”

2012 Diseñador gráfico en “Publiciteca” (logotipos, sitios web, mailings y redes sociales)

2011 “Prótesis”, serie de dibujos, tinta, rotulador y papel

2011 Diseño de marca y papelería parar “Distribución Textil Pepe Álamo”

2011 Diseño de logotipo para “Akasa”

2010 Diseño y manufactura de carteras para tabaco de liar, “Rolled Tobacco”

2009 “Faces”, serie de dibujos, tinta, coloreado digital y papel fotográfico

EXPOSICIONES Y PUBLICACIONES2012 Exposición “SlowMadNess”, vídeo Snacktime, CentroCentro, Madril

2012 Colaborador en el libro “ENSBAM”, capítulo Aperos, Ruby Press, Berlin

2011 Exposición “Digital Knowledge”, École nationale Superieure d’Architecture Paris

Malaquais, Paris

2011 Exposición “Dessine moi ta CIUP”, Institut Français d’Urbanisme, Dedale y Cite

Internationale Universitaire de Paris, Paris

2010 Exposición “La ciudad posible”, Cátedra Blanca, Valencia

OTRAS ACTIVIDADES2007-2013 Encargado de logística y ventas en “Distribución Textil Pepe Álamo”, Madrid

2002-2012 Prfesor particular de inglés, Madrid

2012 Organización de los eventos ENSBAM en École Superieure d’Architecture

Paris Malaquais, Paris

2007-2008 Ayudante de almacén en “Editorial Anayal”, Getafe, Madrid

JOSE ALFONSO ÁLAMO MORENO

IDIOMAS

Español

Inglés

Francés

PROGRAMAS

Autocad

Rhinoceros

SketchUp

Photoshop

Illustrator

InDesign

Dreamweaver

Premiere

Sony Vegas

Office

Estudiante de arquitectura creativo, preciso y

multidisciplinar. Una persona acostumbrada a trabajar en

equipo, motivando al grupo, y efectivo trabajando bajo

presión. Entusiasta y comprometido ante nuevos retos, siempre tratando de aprender con una visión

abierta e ingeniosa.

DATOS PERSONALES

04/01/1988

53457672/Z

Tel/0034 665 28 80 24

josealfonsoalamo@gmail.com

Calle de la Alcarria nº 19 2ºA

28915 Leganés, Madrid, España

PROJECTS

Take a walk on the wild side //////// 2010 //////// Juan Carlos Sancho

Streetlights, essays and one tower //////// 2009 //////// Víctor Olmos

Tinglao //////// 2008 //////// Víctor Olmos

GRAPHIC & STATIONERY DESIGN

Graphic design for branding, websites, books and packs

PHOTOGRAPHY

INDEX

This museum, designed for a private client, configures a space for 12 selected pieces of art in relation with the human evolution. It is located in Lanzarote, an island that belongs to the Canary Islands in Spain. The museum appears as a cantilevered metallic horizontal fissure in the dark eroded cliff above the Atlantic Ocean.

The building shows how the content could modify the continent. Projec-ting from the stone as a continuous ribbon, each room looks different from the others, giving the image of an up and down staggered cons-truction. The whole building is embraced by a flat platform that gives unity and works as the return path. The entire museum facade is covered of brushed aluminum plates. The majority of this aluminum plates are smooth, although some of them have perforations in order to light the interior. The façade never touches the stone of the surroundings; there is always a thin continuous hole between the nature and the construction. The metallic structural beams are inserted into the cliff to facilitate supporting the cantilevers.

The entrance of the museum seems like an artificial cave, with the natu-ral dark stone of the cliff and the brushed aluminum also in the interior. The separation between the building and the stone allows natural light to enter and guides the visitor trough the exhibition. There is a unique space for each piece of art, separated one from the other by steps or ramps. Each room fits with the piece in terms of dimensions, lighting and observation. The perforated brushed aluminum plates allows light to per-meate the pieces, and show also the shadows of visitors returning along the exterior platform, becoming another piece of art about the human movement. The exhibition path ends where the return platform stars. The light platform has some spaces to have a rest above the Atlantic Ocean and to see what happens in the interior. The museum, with the 12 selec-ted pieces and the two paths, gives the opportunity to the visitor to think in a wild atmosphere about the evolution of humans and art.

TAKE A WALK ON THE WILD SIDE Museum of human evolution

Lanzarote, Spain, 2010

This museum, designed for a private client, configures a space for 12 selected pieces of art in relation with the human evolution. It is located in Lanzarote, an island that belongs to the Canary Islands in Spain. The museum appears as a cantilevered metallic horizontal fissure in the dark eroded cliff above the Atlantic Ocean.

The building shows how the content could modify the continent. Projec-ting from the stone as a continuous ribbon, each room looks different from the others, giving the image of an up and down staggered cons-truction. The whole building is embraced by a flat platform that gives unity and works as the return path. The entire museum facade is covered of brushed aluminum plates. The majority of this aluminum plates are smooth, although some of them have perforations in order to light the interior. The façade never touches the stone of the surroundings; there is always a thin continuous hole between the nature and the construction. The metallic structural beams are inserted into the cliff to facilitate supporting the cantilevers.

The entrance of the museum seems like an artificial cave, with the natu-ral dark stone of the cliff and the brushed aluminum also in the interior. The separation between the building and the stone allows natural light to enter and guides the visitor trough the exhibition. There is a unique space for each piece of art, separated one from the other by steps or ramps. Each room fits with the piece in terms of dimensions, lighting and observation. The perforated brushed aluminum plates allows light to per-meate the pieces, and show also the shadows of visitors returning along the exterior platform, becoming another piece of art about the human movement. The exhibition path ends where the return platform stars. The light platform has some spaces to have a rest above the Atlantic Ocean and to see what happens in the interior. The museum, with the 12 selec-ted pieces and the two paths, gives the opportunity to the visitor to think in a wild atmosphere about the evolution of humans and art.

TAKE A WALK ON THE WILD SIDE Museum of human evolution

Lanzarote, Spain, 2010

/////////////TAKE A WALK ONTHE WILD SIDE////////////////////////////Museum of human evolution///////////////////////////////////////////////////////////////////////////////////////////////Lanzarote, Spain, 2010

floor plan

section

images strategy structure general shape

situation

Bregenz is located on the shore of Lake Constanza and it is considered the city of music in Europe. The teacher’s brief was to develop a music school in this musical atmosphere. The tower appears on the pier like a lighthouse in order to attract users and visitors. Creating a new network around the city, it stands 87 metres high and becomes a strong symbol of the region. The tower is situated at the end of the wharf, creating a linear public space access. It is generated by 19 stacked rounded-edges boxes with different dimensions. An irregular ovoid extruded line covers the whole building, defining the exterior façade and shaping the slender image of the tower. The translucent metallic lattice envelope creates high verticals voids between the boxes and this covering. The voids become in-and-out garden areas of access to each box. Boxes are translucent or opaque depending on the function they house. While the classrooms and the cafeteria are white translucent glazed spaces, the auditorium and the anechoic rooms are black metallic blind places in order to preserve acoustic constraints. Other uses like the rehearsal rooms are dispersed around the city in form of little metallic boxes in the street with one leds façade. The independent rooms expand the Music School and inform the population what is happening at the tower using the leds wall.

The metallic exterior façade is so slight that it is supported by a minimal steel structure, helped by some approaches to the steel framed boxes and the heavy core of elevators. The elevators give access to each level and also to the open-air penthouse, offering a 360º view of Bregenz and Lake Constanza. The Music School Tower and the network in the city configure a dynamic and interactive way of learning and enjoying music.

STREETLIGHTS, ESSAYS AND ONE TOWER Music School Tower

Bregenz, Austria, 2009

STREETLIGHTS, ESSAYS AND ONE TOWER//////////////////////////////////////Music school tower///////////////////////////////////////////////////////////////////////////////////////////////Bregenz, Austria, 2009

floor plans schemas

flash streetlights

sound streetlights

essays boxes

music network city plan

tower location

Lake Constanza music network

tower tests

main idea

This temporary building is located in a sailboats pier, surrounded by water on three sides. Committed by Ms. Rohner, a well-known business woman in Austria, the stage is also escorted by two little buildings, her office and her personal nightclub. The challenge in this project was to develop a representative detachable structure that could be assembled each summer and stored during the rest of the year.

Heralding the annual jazz festival, the stage is accessible by walking and by boat through the two opened sides. The building’s general shape gives the image of a bright ethereal portico. The exposed structure is composed of six 21 metres steel tube towers, linked three o three. The roof and the two lake sides are clad in continuous white and blue textile strips which lie on floats in the water. More than 60 textile bands, situated at different heights, move with the air and swing with the water.

The scenario is the same in the interior, while the jazz concert is taking place, the building accompanies the music with its soft movement. Because of the jazz improvisation, there are no established seats for the public. The towers bases are prepared to store random chairs that could be picked by guests and positioned as the artist wants. The lighting system bathes the concert space with a dim light, although it makes the building visible and attractive from kilometres away.

TINGLAO Stage for an annual jazz festival

Fusach, Austria, 2008

////////////////////////////////////////////////TINGLAO/////////////////////////Stage for an annual jazz festival///////////////////////////////////////////////////////////////////////////////////////////////Fusach, Austria, 2008

west elevation

main structure

cross section

main bands

intermediate bands

top view

structure elevation

strategy

Une initiative des Beaux Arts/Malaquaispour promovoir la meilleur école du monde.

CETTE FOIS: ARCHITECTES QUI FONT DES LIVRES!16:00hWorkshop d’edition de posters “hand made” avec “Le 304”.

17:30hConference/colloque des architectes “Something Fantastic” sur l’edition des livres.

18:30h

Presentation du “ENSBAManifesto”, le livre de l’ENSBAM, avec “La 304”, “Something Fantastic” et Andreas Ruby, et tous ce que artistes et architectes pouvons faire ENSEMBLE!

ENS

COMME TOUJOURS, ENTRÉE LIBRE, VENEZ ET PROFITEZ VOTRE NOUVELLE ÉCOLE!

APÉROSENSBAM! ARTISTES ET ARCHITECTES! ON PLACE LES TABLES DANS LA COUR DE MOURIER! RDV LE VENDREDI 19 OCTOBRE DES 16:00H!

APÉROSENSBAM!

///////////GRAPHIC & STATIONERY DESIGN /Graphic design for branding, webs, books and packs///////////////////////////////////////////////////////////////////////////Spain, France and Germany, 2011-2013

book in colaboration with Andreas Ruby

F O T O G R A F Í A

F O T O G R A F Í A

NATALIA BURDALLO RODRÍGUEZ/FOTÓGRAFA/T.646980849/

NATALIA.BURDALLO@GMAIL.COMFACEBOOK NATALIA BURDALLO FOTOGRAFÍA

FOTO-GRA-FÍAS

ARTE-FACTO

ME-MO-RIA

MÚSICA DE ASCENSORES

REPRESENTACIÓN IMPRESA Y FOTOGRAFÍA DE ARQUITECTURAPROFESOR _ JUAN BORDES

JOSE ALFONSO ÁLAMO MORENO 6 0 0 5

INSTRUCCIONESFOTO-GRA-FÍAS

ARTE-FACTO

ME-MO-RIA

circuloaltoparlante.wordpress.com

Packaging for the project “Musica de Ascensores”

Natalia Burdallo Photography logo and card

Logo for “Akasa”,construction enterprise

Jose Alfonso Álamo Moreno’s logo as freelance designer

Branding for “Distribución textil Pepe Álamo”

//ANALOG PHOTOGRAPHY & SNAPSHOTS///////////////Experimental analog photography works///////////////////////////////////////////////////////////////////////////Spain, France and Germany, 2011-2013

#onírica 31

#onírica 3

#onírica 14

#fuksas vs fuksas

#nouvel vs hadid

#desayuno vs prisa #car park Saint-Michel

#pies para qué os quiero

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