NewDocument1 · Naoya Wada dedicated this piece to the famous Japanese trumpet-player Kazuki...
Transcript of NewDocument1 · Naoya Wada dedicated this piece to the famous Japanese trumpet-player Kazuki...
NEDERLANDS 10W-60 is oorspronkelijk een motorolie dat volledig synthetisch is, een zeer lange levensduur heeft en vooral gebruikt wordt bij voertuigen die hoge prestaties moeten leveren. De componist legt daarmee een link naar snelheid en energie, twee belangrijke elementen die in deze drieledige compositie ook terug te vinden zijn. Naoya Wada droeg dit werk op aan de befaamde Japanse trompettist Kazuki Hayasaka. Hij verwerkte er boogie-, Gershwin-, en rock elementen in. ENGLISH 10W-60 is the name of an engine oil that is entirely synthetic, has a very long life and is used mainly in vehicles from which high performance is required. In this way the composer makes the link with speed and energy, two important elements that can also be found in this three-part composition. Naoya Wada dedicated this piece to the famous Japanese trumpet-player Kazuki Hayasaka, and incorporated elements of boogie, Gershwin and rock. FRANÇAIS A l’origine, 10W-60 est une huile de moteur entièrement synthétique, qui présente une très longue durée de vie et qui est surtout utilisée pour les véhicules appelés à fournir des prestations de haut niveau. Le compositeur établit ainsi un lien avec la vitesse et l’énergie, deux éléments majeurs que l’on retrouve également dans cette triple composition. Naoya Wada a dédié cette œuvre au célèbre trompettiste japonais Kazuki Hayasaka. Il y a intégré des éléments de boogie, de rock et de Gershwin. DEUTSCH 10W-60 ist der Name eines voll synthetischen Maschinenöls. Aufgrund seiner Langlebigkeit wird es hauptsächlich bei Hochleistungsmaschinen verwendet. Auf diese Weise verbindet der Komponist Geschwindigkeit mit Energie, zwei wichtige Elemente, die auch in den drei-Sätzen dieses Werkes eine Rolle spielen. Naoya Wada widmete dieses Werk dem berühmten japanischen Trompeter Kazuki Hayasaka, und integrierte Elemente aus dem Boogie, Gershwin und Rock.
FULL SCORE HARMONIE
10W-60 Naoya WADA
10W-60 Naoya WADA
BMP 0810.1.422
Opname op / Recording on / Enregistrement sur / Aufnahme auf / Incisione su :
CD “CATEDRALES” – Rundfunk Blasorchester Leipzig – WSR 045
Lengte / Duration / Durée / Dauer / Durata / Duraciòn: 9.08 Moeilijkheidsgraad / Difficulty / Degré de difficulté / Schwierigkeitsgrad / difficoltà / Grado de dificultad : 4
HARMONIE Full Score Piccolo C Flute 1 Extra partijen voor sommige landen / C Flute 2 Additional parts for several countries / Oboe Extra pour des pays étrangères / Bassoon Zusätzlich für das Ausland : Bb Clarinet 1 Bb Clarinet 2 Bb Clarinet 3 Eb Horn 1 Eb Alto Clarinet Eb Horn 2 Bb Bass Clarinet Bb Trombone 1 Bb Contrabass Clarinet (optional) Bb Trombone 2 Eb Alto Saxophone 1 Bb Trombone 3 Eb Alto Saxophone 2 Bb Baritone / Tenor Tuba / Euphonium Bb Tenor Saxophone Eb Basses Eb Baritone Saxophone Bb Basses Bb Bass Saxophone (optional) Bb Trompet / Cornet 1 Bb Trompet / Cornet 2 Bb Trompet / Cornet 3 French Horn 1 French Horn 2 C Trombone 1 C Trombone 2 C Trombone 3 C Baritone C Basses String Bass Electric Bass (opt. Bass Synth.) Guitar (Electric or Semi-acoustic) Piano Timpani Mallet - Percussion 1 Mallet - Percussion 2 (auxiliary percussion) Drum Set Percussion 3
Piccolo
C Flute 1-2
Oboe
Bassoon
B Clarinet 1
B Clarinet 2-3
E Alto Clarinet
B Bass Clarinet
E Alto Saxophone 1-2
B Tenor Saxophone
E Baritone Saxophone
B Bass Saxophone andB Contrabass Clarinet(optional)
B Trumpet 1
B Trumpet 2-3
F Horn 1-2
C Trombone 1
C Trombone 2-3
C Baritone
C Basses
String Bass
Electric Bass(opt. Bass Synth.)
Guitar(Electric or Semi-acoustic)
Mallet - Percussion 1
Mallet - Percussion 2Auxiliary Percussion
Timpani
Drum Set
Percussion 3
Piano
Swing Rock
Tune: F, B, C, E
Bs.Sax. - upper notes, Cb.Cl. - lower notes throught
both
both
3
3
3
3
3
both
both
Xylo. (wooden mallets)
Tambourine
Marimba (hard mallets)
arco
H.H.
3
3
3
3
3
B6
C.C.
3
both
both
3
3
3
3
3
E7 Edim
both
both
B6/F G 15 F15
Fill
both
3
5
*Cue Electric Bass
pizz.
3
3
3
3
3
10W-60 Naoya WADARespectfully dedicated to Kazuki Hayasaka, Great Trumpet player
Full Score Harmonie
© Copyright 2009 by BERIATO Music B.V.B.A. - www.beriato.comMontforstraat 1, B - 2550 Kontich - Tel. : +32(0)3/888.49.89 - Fax : +32(0)3/888.62.16All Rights Reserved. Int. Copyright Secured
BMP 0810.1.422
Picc.
Fl. 1-2
Ob.
Bsn.
B Cl. 1
B Cl. 2-3
Al. Cl.
Bs. Cl.
A. Sx. 1-2
T. Sx.
B. Sx.
Bs. Sx.Cb. Cl.
B Trp. 1
B Trp. 2-3
Hn. 1-2
Trb. 1
Trb. 2-3
C Bar.
C Bass.
St. Bs.
El. Bs.(opt. Bs. Synth.)
Gtr.
Mall. - Perc. 1
Mallet - Perc. 2Aux. Perc.
Timp.
D. S.
Perc. 3
Piano
7
B6
3
3
3
3
3
B6
A6B6
2
Picc.
Fl. 1-2
Ob.
Bsn.
B Cl. 1
B Cl. 2-3
Al. Cl.
Bs. Cl.
A. Sx. 1-2
T. Sx.
B. Sx.
Bs. Sx.Cb. Cl.
B Trp. 1
B Trp. 2-3
Hn. 1-2
Trb. 1
Trb. 2-3
C Bar.
C Bass.
St. Bs.
El. Bs.(opt. Bs. Synth.)
Gtr.
Mall. - Perc. 1
Mallet - Perc. 2Aux. Perc.
Timp.
D. S.
Perc. 3
Piano
15
both
both
Fill
both
arco
G15 F15
play
opt. add 8va
Tambourine
17
pizz.
3
3
3
3
3
3
3
3
B6
3
3
3
3
3
3
3
3
3
Picc.
Fl. 1-2
Ob.
Bsn.
B Cl. 1
B Cl. 2-3
Al. Cl.
Bs. Cl.
A. Sx. 1-2
T. Sx.
B. Sx.
Bs. Sx.Cb. Cl.
B Trp. 1
B Trp. 2-3
Hn. 1-2
Trb. 1
Trb. 2-3
C Bar.
C Bass.
St. Bs.
El. Bs.(opt. Bs. Synth.)
Gtr.
Mall. - Perc. 1
Mallet - Perc. 2Aux. Perc.
Timp.
D. S.
Perc. 3
Piano
23
B6
A6 B6
Fill
solo
29
arco
3
B6
Fill
3 3
4
Picc.
Fl. 1-2
Ob.
Bsn.
B Cl. 1
B Cl. 2-3
Al. Cl.
Bs. Cl.
A. Sx. 1-2
T. Sx.
B. Sx.
Bs. Sx.Cb. Cl.
B Trp. 1
B Trp. 2-3
Hn. 1-2
Trb. 1
Trb. 2-3
C Bar.
C Bass.
St. Bs.
El. Bs.(opt. Bs. Synth.)
Gtr.
Mall. - Perc. 1
Mallet - Perc. 2Aux. Perc.
Timp.
D. S.
Perc. 3
Piano
solo
31
end solo
3
B6
Fill
solo
all
3
*Cue Eb Bar. Sax solo - freely
3
E9
Fill
3 3 3
3 3 3
Bass Sax. solo
3
*Cue Bb Bass. Sax solo
3
*Cue Bb Bass. Sax solo
3
B6
Fill
play
Cb. Cl.
both
both
play
Fill
3
3
3
3
all
F 7
3
Fill
3
3
3
3
3
E9
3
5
Picc.
Fl. 1-2
Ob.
Bsn.
B Cl. 1
B Cl. 2-3
Al. Cl.
Bs. Cl.
A. Sx. 1-2
T. Sx.
B. Sx.
Bs. Sx.Cb. Cl.
B Trp. 1
B Trp. 2-3
Hn. 1-2
Trb. 1
Trb. 2-3
C Bar.
C Bass.
St. Bs.
El. Bs.(opt. Bs. Synth.)
Gtr.
Mall. - Perc. 1
Mallet - Perc. 2Aux. Perc.
Timp.
D. S.
Perc. 3
Piano
all
solo
all
39
*Cue Electric Bass Guitar
3
*Cue Electric Bass Guitar (Bass Sax only)
3
*Cue Electric Bass Guitar solo
3
3
B6
flz.
flz.
flz.
flz.
flz.
flz.
flz.
flz.
flz.
Fill
play all
play
play
F Gm/CF 7
3
Featuring Soloist
Featuring Soloist
Featuring Soloist
Featuring Soloist
Featuring Soloist
Featuring Soloist
Featuring Soloist
Vibes (hard mallets)
41
Featuring Soloist
Featuring Soloist
Featuring Soloist
Featuring Soloist
B6
B6
B6
B6
3
G6
if solo, play only last time
C6
G6
3C6
3C6
if solo, play only last time
F6
Featuring Soloist
if solo, play only last time B6
Featuring Soloist
if solo, play only last time B6
Featuring Soloist
if solo, play only last time B6
*Cue Electric Bass
pizz.
B6
3 3
3 3
3 3
E7
E7
E7
E7
C 7
F 7
C 7
F 7
F 7
B7
E7
E7
E7
E7
6
Picc.
Fl. 1-2
Ob.
Bsn.
B Cl. 1
B Cl. 2-3
Al. Cl.
Bs. Cl.
A. Sx. 1-2
T. Sx.
B. Sx.
Bs. Sx.Cb. Cl.
B Trp. 1
B Trp. 2-3
Hn. 1-2
Trb. 1
Trb. 2-3
C Bar.
C Bass.
St. Bs.
El. Bs.(opt. Bs. Synth.)
Gtr.
Mall. - Perc. 1
Mallet - Perc. 2Aux. Perc.
Timp.
D. S.
Perc. 3
Piano
47
B6
B6
B6
B6
G6
3C6
G6
C6
C6
3F6
3B6
3B6
3B6
B6
3 3
3 3
3 3
3 3
3 3
F 7
F 7
F 7
F 7
D 7
G 7
D 7
G 7
G 7
C 7
F 7
F 7
F 7
F 7
E7
E7
E7
E7
C 7
F 7
C 7
F 7
F 7
B7
E7
E7
E7
E7
Repeat As Needed
B6
B6
B6
B6
3
G6
G6
3C6
3C6
B6
Last Time
B6
B6
B6
B6
3
G6
3C6
3C6
3
3
3
3
B6
play
Fill
arco
play all
play all
play all
play all
play all
play all
F 7
7
Picc.
Fl. 1-2
Ob.
Bsn.
B Cl. 1
B Cl. 2-3
Al. Cl.
Bs. Cl.
A. Sx. 1-2
T. Sx.
B. Sx.
Bs. Sx.Cb. Cl.
B Trp. 1
B Trp. 2-3
Hn. 1-2
Trb. 1
Trb. 2-3
C Bar.
C Bass.
St. Bs.
El. Bs.(opt. Bs. Synth.)
Gtr.
Mall. - Perc. 1
Mallet - Perc. 2Aux. Perc.
Timp.
D. S.
Perc. 3
Piano
55
*Cue Electric Bass Guitar
pizz.
3
3
3
3
3
B6
3
3
3
3
3
B6
A6 B6
8
Picc.
Fl. 1-2
Ob.
Bsn.
B Cl. 1
B Cl. 2-3
Al. Cl.
Bs. Cl.
A. Sx. 1-2
T. Sx.
B. Sx.
Bs. Sx.Cb. Cl.
B Trp. 1
B Trp. 2-3
Hn. 1-2
Trb. 1
Trb. 2-3
C Bar.
C Bass.
St. Bs.
El. Bs.(opt. Bs. Synth.)
Gtr.
Mall. - Perc. 1
Mallet - Perc. 2Aux. Perc.
Timp.
D. S.
Perc. 3
Piano
63
both
both
Fill
both
arco
G15F15
play
Tambourine
opt. add 8va
67
pizz.
3
3
3
3
3
3
3
3
B6
9
Picc.
Fl. 1-2
Ob.
Bsn.
B Cl. 1
B Cl. 2-3
Al. Cl.
Bs. Cl.
A. Sx. 1-2
T. Sx.
B. Sx.
Bs. Sx.Cb. Cl.
B Trp. 1
B Trp. 2-3
Hn. 1-2
Trb. 1
Trb. 2-3
C Bar.
C Bass.
St. Bs.
El. Bs.(opt. Bs. Synth.)
Gtr.
Mall. - Perc. 1
Mallet - Perc. 2Aux. Perc.
Timp.
D. S.
Perc. 3
Piano
71
3
3
3
3
3
3
3
3
B6
A6 B6
poco a poco cresc. ...
both
Glockenspiel
10
Picc.
Fl. 1-2
Ob.
Bsn.
B Cl. 1
B Cl. 2-3
Al. Cl.
Bs. Cl.
A. Sx. 1-2
T. Sx.
B. Sx.
Bs. Sx.Cb. Cl.
B Trp. 1
B Trp. 2-3
Hn. 1-2
Trb. 1
Trb. 2-3
C Bar.
C Bass.
St. Bs.
El. Bs.(opt. Bs. Synth.)
Gtr.
Mall. - Perc. 1
Mallet - Perc. 2Aux. Perc.
Timp.
D. S.
Perc. 3
Piano
79
Fill
3 3
Chimes (opt. Vibes add 8va)
arco
B
3 3
B7/D
3 3
E
3 3
Baug/E
3 3
solo - freely
3
*Cue Eb Bar. Sax solo - freely
3
F sus4
11
Picc.
Fl. 1-2
Ob.
Bsn.
B Cl. 1
B Cl. 2-3
Al. Cl.
Bs. Cl.
A. Sx. 1-2
T. Sx.
B. Sx.
Bs. Sx.Cb. Cl.
B Trp. 1
B Trp. 2-3
Hn. 1-2
Trb. 1
Trb. 2-3
C Bar.
C Bass.
St. Bs.
El. Bs.(opt. Bs. Synth.)
Gtr.
Mall. - Perc. 1
Mallet - Perc. 2Aux. Perc.
Timp.
D. S.
Perc. 3
Piano
Fill
87
B
9
Slow Blues
div. - legato
legato
legato
89
F to A
*Cue Bassoon - div. - legato
*Cue String Bass - one player
solo
*Cue solo - Bb Cl. 1
3 3
3 3
3
3
12
Picc.
Fl. 1-2
Ob.
Bsn.
B Cl. 1
B Cl. 2-3
Al. Cl.
Bs. Cl.
A. Sx. 1-2
T. Sx.
B. Sx.
Bs. Sx.Cb. Cl.
B Trp. 1
B Trp. 2-3
Hn. 1-2
Trb. 1
Trb. 2-3
C Bar.
C Bass.
St. Bs.
El. Bs.(opt. Bs. Synth.)
Gtr.
Mall. - Perc. 1
Mallet - Perc. 2Aux. Perc.
Timp.
D. S.
Perc. 3
Piano
all
94
play
solo with Clar.
cup mute
3 3
3 3
R.C.
both - 3rd opt. 8va bassa
play
Fill
loco
Susp. Cymb.
3 3
3
3
3 3
3 3
3 3
3 33
13
Picc.
Fl. 1-2
Ob.
Bsn.
B Cl. 1
B Cl. 2-3
Al. Cl.
Bs. Cl.
A. Sx. 1-2
T. Sx.
B. Sx.
Bs. Sx.Cb. Cl.
B Trp. 1
B Trp. 2-3
Hn. 1-2
Trb. 1
Trb. 2-3
C Bar.
C Bass.
St. Bs.
El. Bs.(opt. Bs. Synth.)
Gtr.
Mall. - Perc. 1
Mallet - Perc. 2Aux. Perc.
Timp.
D. S.
Perc. 3
Piano
both
marc.
marc.
play both
Xylo. (wooden mallets)
Tambourine
101
pizz.
3
3
3
3
3
3
3
3
3
3
3
*Cue Elec. Bass, String Bass
3 3
3
3
3 3
A7
3 3
3
3 3 3 3
3 3
3 3
3 3
3 3
3 3
3 3
3 3
3 3
3
3
3 3
3
3
3
3
3 3
3 3
3 3
3 3 3 3
allopen
Marimba (hard mallets)
w/ wooden sticks
3
3
3
3
E
3
Fill
3
3
3
3
3 3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3 3
A7
3 3
3
3 3
3 3
3 3
3 3
3 3
3 3
3 3
3 3
3 3
3 3
3
3
3
3
3 3
3 3
3 3
arco
F7(-9) B7
14
Picc.
Fl. 1-2
Ob.
Bsn.
B Cl. 1
B Cl. 2-3
Al. Cl.
Bs. Cl.
A. Sx. 1-2
T. Sx.
B. Sx.
Bs. Sx.Cb. Cl.
B Trp. 1
B Trp. 2-3
Hn. 1-2
Trb. 1
Trb. 2-3
C Bar.
C Bass.
St. Bs.
El. Bs.(opt. Bs. Synth.)
Gtr.
Mall. - Perc. 1
Mallet - Perc. 2Aux. Perc.
Timp.
D. S.
Perc. 3
Piano
Fill
both
both
play
Tam-tam (Gong)
both
poco allargando
both
w/ normal sticks
108
3 3 3
3 3 3
3 3 3
3 3 3
3 3 3
3 3 3
3 3 3
3 3 3
3 3 3
3 3 3
3 3 3
3 3
3
3 3 3
109
a tempo
E7
3 3 3 3
3 3
3 3
3 3
3 3
3 3
3 3
3 3
3 3
3 3
3 3
3 3
A7
3 3
3 3
3 3 3 3
3
3
3
3
3
3
3
3
3
3
3
E7
3
3
3 3 3 3
15
Picc.
Fl. 1-2
Ob.
Bsn.
B Cl. 1
B Cl. 2-3
Al. Cl.
Bs. Cl.
A. Sx. 1-2
T. Sx.
B. Sx.
Bs. Sx.Cb. Cl.
B Trp. 1
B Trp. 2-3
Hn. 1-2
Trb. 1
Trb. 2-3
C Bar.
C Bass.
St. Bs.
El. Bs.(opt. Bs. Synth.)
Gtr.
Mall. - Perc. 1
Mallet - Perc. 2Aux. Perc.
Timp.
D. S.
Perc. 3
Piano
112
3
3
3
3
3
3
A7
3 3 3 3
E7
3 3 3 3
3 3
3 3
3 3
3 3
3 3
3 3
3 3
3 3
3 3
3 3
3 3
A7
3 3
3 3
3 3 3 3
Fill
3 3
3 3
3 3
3 3
3 3
3 3
3 3D7
3 3
3 33 3
Fill
3
3
3
3
3
3
3G7 F 7 B7
3
3
3 33 3
16
Picc.
Fl. 1-2
Ob.
Bsn.
B Cl. 1
B Cl. 2-3
Al. Cl.
Bs. Cl.
A. Sx. 1-2
T. Sx.
B. Sx.
Bs. Sx.Cb. Cl.
B Trp. 1
B Trp. 2-3
Hn. 1-2
Trb. 1
Trb. 2-3
C Bar.
C Bass.
St. Bs.
El. Bs.(opt. Bs. Synth.)
Gtr.
Mall. - Perc. 1
Mallet - Perc. 2Aux. Perc.
Timp.
D. S.
Perc. 3
Piano
legato
legato
legato
R.C.
117
*Cue String Bass - one player
solo (play only if Piano is not available)
solo
one player
each one player
Cb. Cl. only
3 3
3 3
3 3
3
3
3
Glockenspiel
Vibes (motor on)
17
Picc.
Fl. 1-2
Ob.
Bsn.
B Cl. 1
B Cl. 2-3
Al. Cl.
Bs. Cl.
A. Sx. 1-2
T. Sx.
B. Sx.
Bs. Sx.Cb. Cl.
B Trp. 1
B Trp. 2-3
Hn. 1-2
Trb. 1
Trb. 2-3
C Bar.
C Bass.
St. Bs.
El. Bs.(opt. Bs. Synth.)
Gtr.
Mall. - Perc. 1
Mallet - Perc. 2Aux. Perc.
Timp.
D. S.
Perc. 3
Piano
123
(fade out)
3 3
3 3
3 3
3 3
3 3
A to F
(motor off)
solo
*Cue C Bar. solo
18
Picc.
Fl. 1-2
Ob.
Bsn.
B Cl. 1
B Cl. 2-3
Al. Cl.
Bs. Cl.
A. Sx. 1-2
T. Sx.
B. Sx.
Bs. Sx.Cb. Cl.
B Trp. 1
B Trp. 2-3
Hn. 1-2
Trb. 1
Trb. 2-3
C Bar.
C Bass.
St. Bs.
El. Bs.(opt. Bs. Synth.)
Gtr.
Mall. - Perc. 1
Mallet - Perc. 2Aux. Perc.
Timp.
D. S.
Perc. 3
Piano
solo
130
*Cue Oboe solo
solo
*Cue Bassoon solo
solowah -wah
wah -wahone player
each one playerwah -wah
each one player
wah -wahone player
each one playerwah -wah
play - one player (opt. 8va bassa)
play
+ Bs. Sx.
Funky and Driving !
all - both
open
all
allopen
all - div. - loco
Marimba
Susp. Cymb.
136
Slapping
F 7
19
Picc.
Fl. 1-2
Ob.
Bsn.
B Cl. 1
B Cl. 2-3
Al. Cl.
Bs. Cl.
A. Sx. 1-2
T. Sx.
B. Sx.
Bs. Sx.Cb. Cl.
B Trp. 1
B Trp. 2-3
Hn. 1-2
Trb. 1
Trb. 2-3
C Bar.
C Bass.
St. Bs.
El. Bs.(opt. Bs. Synth.)
Gtr.
Mall. - Perc. 1
Mallet - Perc. 2Aux. Perc.
Timp.
D. S.
Perc. 3
Piano
all
open
137
both
all - div. open
Glockenspiel
Fill
E7 F 7 E7/F
solo
El. Bass Gtr. solo (with Bar., Bass Saxes & Basses)
solo
pizz.
140
*Cue Electric Bass Guitar
*Cue Electric Bass Guitar (Bass Sax only)
B
both
both
Tambourine
20