展覽：homepage.ntu.edu.tw/~artcy//info/10/artsinfo-20140411.doc · Web view2014/04/11 · tel...

展覽：

藝術/文化/史

ArtsInfo

04/11/2014

1. 感謝Clarissa von Spee, 陳昱全、林莉娜、Kevin McLoughlin, Mei Mei Rado, Cherry NK Wong, Ling-en Lu, 張華芝、板倉聖哲、黃蘭茵所提供的資訊。部分訊息轉貼自Nixi Cura維護之Arts of China Consortium網站。

2. 目前原則上固定於每周五寄發，包括展覽、演講、會議議程與徵文、網路資源、徵人啟事等訊息，歡迎大家多多貢獻資訊。

3. 若有與中台藝術史或文化史相關的研究、演講、展覽、或會議之訊息，不論來自何地，都歡迎提供，我會將之轉給大家。雖然未必能與會，分散於天涯海角的我們卻可對各地情況有所瞭解。

4. 最新訊息以紅色標示，內容包括中(Big5)、英、日文(IME)碼。

5. 本期更新：展覽、演講、研討會。

6. 如有其他同好對此電子報有興趣，請告知電子郵件地址，我將加入寄送名單中。若不願收到，也請告知，以方便作業。

展覽：

■ 台灣

1. 國立故宮博物院

2. 國立歷史博物館

3. 國立台灣史前文化博物館

4. 中央研究院歷史語言研究所歷史文物陳列館

■ 亞洲

1. 香港藝術館

2. 香港中文大學文物館

3. 澳門藝術博物館

4. 中國故宮博物院

5. 北京首都博物館

6. 中國國家博物館

7. 浙江博物館

8. 蘇州博物館

9. 上海博物館

10. 廣東省博物館

11. 廣州藝術博物院

12. 遼寧省博物館

13. 吉林省博物館

14. 東京国立博物館

15. 台東区立書道博物館

16. 京都國立博物館

17. 大和文華館

18. 奈良國立博物館

19. 九州國立博物館

20. 大阪市立美術館

21. MOA美術館

22. 福岡亞洲美術館

23. 韓國國立博物館

■ 歐美

1. Freer Gallery of Art

2. The Metropolitan Museum of Art

3. Asian Art Museum of San Francisco

4. Nelson-Atkins Museum of Art

5. Asian Art Museum, National Museums in Berlin

6. Smart Museum of Art

7. British Museum

8. British Library

9. Royal Ontario Museum

台灣

1. 國立故宮博物院：

1）通嚏輕揚—鼻煙壺文化特展

展期：2012/07/25 ~

陳列室：303

http://www.npm.gov.tw/exh101/snuff_bottles/

2）定州花瓷－院藏定窯系白瓷特展

展期：2013/11/30~2014/09/30（2014年5月將作局部更換展件）

陳列室：展覽區一　203

http://theme.npm.edu.tw/exh102/dingzhou/index.html

3）近代書畫名品展

展期：2014/01/27~2014/04/25

陳列室：展覽區一　105,107

4）明四大家特展－文徵明

展期：2014/04/03~2014/06/30

陳列室：展覽區一　202,204,206,208,210,212

本院所藏明四大家沈周（1427－1509）、文徵明（1470－1559）、唐寅（1470－1524）、仇英（約1494－1552）作品質量均美，特別於今年度推出四大家系列特展，繼第一季沈周展之後，第二季展出文徵明書畫。　　

此次展覽分書法和繪畫兩部分。書法以「書法發展」和「書法入畫」二單元，說明其書風變化與其書法對繪畫的影響。繪畫以「繪畫發展」、「仿古風貌」「一稿多本」和「花鳥人物」四單元，呈現其山水畫不同階段多樣的風格特色，並展出量少質精的花鳥、人物畫作品。

2. 國立歷史博物館

漢馬奔騰－館藏畫像磚拓本展

展期：2014/01/17～2014/05/04

地點：四樓長廊

3. 中央研究院歷史語言研究所歷史文物陳列館

1）康熙遺詔特別展

展期：~2014.04.30

地點：內閣大庫檔案區（203室）

http://www.ihp.sinica.edu.tw/~museum/tw/doc_detail.php?doc_id=356

2）重慶到臺北──董作賓甲骨研究展

　展期：2014年4月2日起

展區：二樓特展區(207室)及一樓甲骨區

http://www.ihp.sinica.edu.tw/~museum/tw/exhibition.php

1942年12月25日，第三次全國美展在重慶舉行。主辦單位原本要求歷史語言研究所，以殷墟出土美術品參展，但因種種原因，史語所傅斯年所長幾番思量後，決定「只以殷墟出土之各期甲骨文字十餘項，詳具說明，由董作賓先生親自送會展覽。」這次展覽，董作賓選了殷墟出土的甲骨五十件，重點放在「從盤庚到帝辛，五個時期的甲骨文字」。

為了紀念董作賓先生的甲骨研究，我們將這五十件甲骨在臺北「移地」展覽，以最大的程度再現當年展品的原貌。除了重現第三次全國美展的五十件甲骨，另外，也標示出近五十年來這些甲骨新綴合的成果。如甲骨有新綴合，將原拓用黑色表示，而加綴部分，則刷淡拓片，以示區別。這個「董作賓甲骨研究展」是具有學術價值，足以看出董先生當時對甲骨分期、斷代的看法，可謂是甲骨文研究方法的重大創獲與突破。

3）「與佛有約──佛教造像題記中的祈願與實踐」佛教拓片特展

展期：103年5月3日起

展區：二樓豐碑拓片區（205室）

http://www.ihp.sinica.edu.tw/~museum/tw/exhibition.php

「與佛有約」拓片特展選自傅斯年圖書館收藏石刻佛教拓片的精品。拓片內容主要是修行者或信徒為發願造像、建塔廟供養佛，寫下的題記，通稱為發願文。「與佛有約」主題展呈現佛教文化中特有的修行者與佛陀之間密切互動的關係。修行者虔誠地供養佛陀，並藉此祈請佛陀慈悲，護持眾生現世平安，走上菩提之道。代表啟動此互相感應關係的發願文刻在造像座上、摩崖、或刻在石碑上，不但公諸於世有如契約，更代表發願者以精進的菩提心，與佛立下彼此永恆的誓約，從此學佛，長相伴隨。

「與佛有約」三十六件展品共分六大主題，說明發願文的多元面向：莊嚴、崇因樹果、現世利益、修行實踐、佛法復興與往生淨土。拓片時間涵蓋南北朝到晚唐，五世紀到九世紀，地域遼闊，其中頗多活潑生動的圖像與歷代多變的書風。

4）「鳴沙遺珍──傅斯年圖書館藏敦煌遺書」特展

展期：103年5月3日(六)至8月30日(六)　

展區：二樓珍藏圖書區（202室）

http://www.ihp.sinica.edu.tw/~museum/tw/exhibition.php?class_exhibion=160

歷史語言研究所在廣州成立之初(1928)曾設「敦煌材料研究班」，本所傅斯年圖書館藏有51件四至十一世紀的敦煌文獻，內容主要是佛經寫卷。

今年五月初，歷史文物陳列館精選具有代表性的文書，推出「鳴沙遺珍──傅斯年圖書館藏敦煌遺書」特展。展件跨東晉、南北朝、隋、唐、吐蕃統治、歸義軍統治等各時期寫卷，可一覽書體在歷史長河中的變遷軌跡，不啻敦煌歷史文化縮影；佛教經、律、論俱足，其中《圓明論》歷代經錄佛藏未收，九卷散見英、法、俄、日，可補他卷不足；《四分律》可與上海圖書館及天津博物館所藏的《四分律》綴接；《大般涅槃經》、《隨求即得大自在陀羅尼神咒》為異本，可校經文的異同；還有儒家《周易正義》「賁卦」殘卷，為稀見珍本。

亞洲

1. 香港藝術館

1）畫遊記 ─ 虛白齋藏畫選

展期：2013.8.30 –

陳列室：虛白齋藏中國書畫館 (二樓)

2）存念 — 萬青屴珍藏師友饋贈書畫印展覽

展期：2013.12.13 – 2014.4.24

陳列室：中國書畫展覽廳 (四樓)

著名現代中國美術史學者及書畫家萬青屴教授，珍藏多位20世紀中國書畫名家的作品，包括書畫、印章、親筆往來信札等。

3）南京瑰寶 ─ 南京博物院 / 南京市博物館紫砂茶具精選

展期：2014.3.26 – 7.10

陳列室：茶具文物館 (地下)

南京博物院以收藏古代宜興茶具聞名於世，是次展覽所展出的藏品精選自南京博物院藏明、清代到現代的紫砂茶具，當中更包括標年最早的明代太監吳經墓出土紫砂茶壺──南京市博物館藏明嘉靖年間的柿蒂紋提樑壺。這把紫砂壺是我國目前出土最早的一件有紀年可考的紫砂器，為我們提供不可多得的實物資料。

是次展覽除展示明、清的珍品外，亦包括20世紀的製壺名家作品，包括有王寅春、裴石民、顧景舟、朱可心、蔣蓉等。

4）長青館藏明清瓷、玉、角、竹、畫琺瑯

日期：2014.5.3 – 9.28

地點：中國文物展覽廳 (1) (三樓)

http://www.lcsd.gov.hk/CE/Museum/Arts/zh_TW/web/ma/exhibition.html#04

2. 香港中文大學文物館

1）殊「塗」同歸：香港中文大學與英國牛津大學所藏高劍父、呂壽琨作品

展期：2013年12月7日-2014年5月15日

地點：香港中文大學文物館(西翼)展廳I

得香港中文大學金禧慶典贊助，中大文物館與牛津大學阿什莫林藝術與考古博物館攜手組織本次關於兩位二十世紀中國著名藝術家的展覽。展品選自兩所大學收藏中共五十件高劍父和呂壽琨的代表作品，以求表現兩種將中國畫「現代化」的不同取向。高氏融會西方繪畫技巧和呂氏借鑒抽象表現主義代表了由二十世紀初至中葉，兩個世代的中國水墨畫家致力的兩種道路。展覽圖錄將探討兩所大學如何成為高、呂作品的收藏重鎮以及兩位畫家研究中新的啟發。

2）北山汲古──中國書法

地點：香港中文大學文物館(東翼)展廳II 、III及IV

展覽日期：2014年4月12日-2014年10月

http://www.cuhk.edu.hk/ics/amm/index_c.htm

是次展覽分兩期展出由唐至清各朝書蹟一百項，包括寫經、詩文、尺牘、對聯、書論、文稿等，亦有罕見的忠臣血書與文人借券，當中有皇帝御書，有倪瓚、祝允明、文徵明、董其昌、黃道周、傅山、張瑞圖、何紹基等歷代名家手筆，亦有具地區特色的廣東書法，如陳獻章、鄺露、蘇仁山等的作品，品類豐富，風格紛陳，足以展現中國書法的藝術魅力與文化意涵。

3. 中國故宮博物院

1）孫瀛洲捐獻文物精品展

展期：2013年09月12日-2014年05月12日

陳列室：景仁宫

http://www.dpm.org.cn/shtml/400/@/121057.html

2）色彩絢麗——故宮博物院鈞窯瓷器展

展期：2013年09月20日-2014年07月31日

陳列室：延禧宮古陶瓷研究中心展廳

3）清宮藏雕刻版畫展

展期：2014年04月30日-2014年06月29日

陳列室：武英殿配殿

4. 北京首都博物館

贛水流韻輝耀千載──江西古代文物精品展

展覽時間：2014年2月25日—5月25日

開館時間：9:00—17:00

展覽地點：首都博物館方廳三層

http://www.capitalmuseum.org.cn/zlxx/content/2014-02/18/content_59892_3.htm

本展覽薈萃了從江西各地博物館藏品中精選的百餘件珍品，包括青銅器、陶瓷器、玉石器、金銀器、絲織品和書畫作品等。

一青銅王國

二天下瓷都

三文韻流芳

　　　　

5. 中國國家博物館

東亞之華——陶瓷名品展

http://www.chnmuseum.cn/tabid/237/Default.aspx?ExhibitionLanguageID=393

時間：即將開展地點：中國國家博物館

本展由日本東京國立博物館、韓國國立中央博物館和中國國家博物館首次聯合主辦，為“中日韓國家博物館館長會議”框架下專案。本展將與第八屆“中日韓國家博物館館長會議”同期舉辦，以紀念該會議召開，並向觀眾介紹三國陶瓷名品的概貌。觀眾可以在本次展覽中同時觀賞到日本桃山陶器、中國唐三彩、韓國高麗青瓷等世界上獲得極高評價的、具有各國特色的陶瓷器。同時，展覽也將聚焦於各館陶瓷器藏品的特徵。

6. 浙江博物館

守望千年：唐宋元書畫珍品特展——“草聖”張旭領銜36件（組）唐宋元國寶珍品4月來杭

展期：2014-04-18 - 2014-05-18

展覽地點：浙江省博物館武林館區

http://www.zhejiangmuseum.com/showexhibition.do?status=detail&id=113

　　4月18日起，杭州西湖文化廣場浙博武林館區，浙江省博物館、遼寧省博物館與錢江晚報將共同推出《守望千年：唐宋元書畫珍品特展》。與張旭狂草一起展出的，還有宋徽宗《草書千字文卷》、宋高宗《草書洛神賦卷》、宋李成《茂林遠岫圖卷》、宋徐禹功《雪中梅竹圖卷》、元王蒙《太白山圖卷》、元趙孟頫《飲馬圖卷》等總共36件（組）唐宋元國寶級珍品。2011年赴臺灣合璧展出轟動一時的浙博鎮館之寶黃公望《富春山居圖剩山圖卷》也將現身。因古書畫之彌足珍貴，展期僅為31天，至5月18日閉幕。

5. 蘇州博物館

1）蘇州博物館明清書畫典藏展之二十一

http://www.szmuseum.com/default.php?mod=article&do=detail&tid=4949

展覽時間：2014年3月1日—2014年6月27日

展覽地點：蘇州博物館二樓書畫展廳

2）古韻茶香——茶具與茶文化主題特展

展覽時間：2014年3月4日—2014年4月25日

展覽地點：蘇州博物館特展廳

http://www.szmuseum.com/default.php?mod=article&do=detail&tid=4950

　　

6. 廣東省博物館

歷史的釉光——中國•清代醴陵釉下五彩瓷珍品展

展場：三樓畫廳

展期：2014-3-28至 2014-6-29

http://www.gdmuseum.com/exhibit3_detail.php?picid=6711&LibID=41&gid=1&title=%E5%B1%95%E8%A7%88%E9%A2%84%E5%91%8A

7. 廣州藝術博物院

1）廣州藝術博物院藏嶺南畫僧作品展

展出時間：2013年4月28日至 2014年12月31日

展覽場館：二樓高劍父藝術館

2）風雨行間——廣州藝術博物院藏明末清初書法展

展出時間： 2013年8月13日至 2014年6月26日

展覽場館：三樓陳樹人藝術館

3）嶺南畫派世紀經典作品展（第六回）

展出時間： 2013年8月16日至 2014年8月26日

展覽場館: 一樓嶺南館

4）以畫會友──國畫研究會成員合作畫展

展期： 2014年2月23日至 2014年6月30日

展場: 二樓黎雄才藝術館

8. 吉林省博物館

《異趣同輝——館藏清代外銷藝術精品展》

http://www.jlmuseum.org/image_info.asp?cid=1&id=250

　　本次展覽是五年來廣東省博物館館藏清代外銷藝術品徵集最新成果的集中亮相，展出了外銷藝術精品124件/套。

　　

9. 東京国立博物館

1）唐から奈良、奈良から地方へ・奈良時代

展期：2013年7月9日（火）～ 2014年6月29日（日）

陳列室：平成館考古展示室

http://www.tnm.jp/modules/r_exhibition/index.php?controller=item&id=3823

唐文化を模倣した白鳳・天平文化の一端を唐三彩・奈良三彩と火葬墓出土品・鎮壇具で紹介し、仏教文化の展開を各地の国分寺瓦を中心に展示します。

2）平安貴族と律令国家・平安時代

展期： 2013年7月9日（火）～ 2014年6月29日（日）



平安時代の貴族に愛好された中国の青磁・白磁・黄釉陶・三彩と、それを模倣した日本の緑釉・灰釉の各種を鴻臚館跡・平安京跡・胆沢城跡出土品を中心に展示します。

3）武家文化の台頭・平安末～室町時代

展期：2013年7月9日（火）～ 2014年6月29日（日）



武家社会で珍重された中国の陶磁器とそれらを写した瀬戸の製品、そして庶民層に広がった常滑・渥美系と須恵器系陶磁器を展示します。

4）武家文化の成熟・安土桃山～江戸時代

展期： 2013年7月9日（火）～ 2014年6月29日（日）



東京大学構内・旧加賀藩前田家江戸屋敷出土の中国・日本･朝鮮・ヨーロッパの陶磁器を伝世品と対比して並べ、大名文化の粋を紹介します。

5）中国　墳墓の世界

展期：2014年1月15日（火）～ 2014年5月11日（月）

陳列室：東洋館 5室


　　6）清時代の工芸

展期：2014年3月4日（火）～ 2014年5月25日（日）

地點：東洋館9室


清時代にはさまざまな材質・技法の工芸品が作られました。それらはいずれも精緻な技巧と清雅な作風に特色です。清時代に作られた各種の工芸品の中から、象牙、犀角、ガラス、竹、玉器を展示します。

7）中国の染織遼時代の染織

展期：2014年3月11日（火）～ 2014年6月8日（日）

地點：東洋館 5室


近年、中国からの新しい出土品によって関心が高まりつつある遼時代の染織を紹介します。その特色ある織物の組織や刺繍の技法、文様構成などを通して、中国染織史における遼時代の染織をお楽しみください。

8）中国の漆工

展期：2014年3月11日（火）～ 2014年5月25日（日）

地點：東洋館 9室 http://www.tnm.jp/modules/r_exhibition/index.php?controller=item&id=3608

9）中国の絵画　文人たちの肖像

展期： 2014年4月1日（火）～ 2014年5月11日（日）

地點：東洋館 8室http://www.tnm.jp/modules/r_exhibition/index.php?controller=item&id=3981

文人の肖像を中心に展示します。中国絵画の鑑賞者であり、制作者でもあった文人たちは、自分たちのあるべき理想を肖像画のなかに表現していきました。伝説的な北宋の雅会である「西園雅集」を起点に、それにならった歴代文人たちの雅会の情景や、釣魚や隠逸などといった文人たちがあこがれた自己イメージを、俗を離れた清雅な造形のなかから展示します。

10）中国の仏像

展期：2014年4月8日（火）～ 2015年4月5日（日）



インドから西域を通って中国に仏教が伝わったのは漢時代ですが、定着し、国家的な造営が行なわれたのは南北朝時代以降になります。その後、唐時代まで造形的に魅力のある仏像作品が生み続けられました。この部屋では中国彫刻の最盛期である南北朝時代から唐時代の仏像（石造彫刻、金銅仏など）を中心に展示します。なお、檀像の名品、多武峰伝来の十一面観音菩薩立像も展示します。

11）中国の石刻画芸術

展期：2014年4月8日（火）～ 2015年4月12日（日）



後漢時代（1～2世紀）の中国山東省や河南省南部等では墓の上に祠（ほこら）を、地下には棺などを置く部屋である墓室を石で作りました。祠や墓室の壁、柱、梁などの表面には、先祖を祭るために当時の世界観、故事、生活の様子などを彫刻して飾りました。画像石と呼ばれるこれらの石刻画芸術は中国の様々な地域で流行しましたが、ここではとくに画題が豊富で優品の多い山東省の作品を一堂に集めて展示します。

12）中国文人の書斎

展期：2014年4月8日（火）～ 2014年6月8日（日）



魏晋から唐時代までの貴族文化に代わって、宋時代からは知識階級である文人が学問芸術を担うようになります。明時代以降、文人の文化は富裕な商人層にも浸透し、筆墨硯紙はもとより、書画を清玩する空間そのものにも、洗練された趣味が求められました。宋時代以降の文化は、文人や学者の書斎を中心としてはぐくまれてきたといえます。ここでは、文人の書斎を飾る書画や文房諸具を紹介します。

13）中国の書跡漢時代の書

展期：2014年4月8日（火）～ 2014年6月8日（日）



現在の西安を都とした前漢（前206～後8）と、洛陽を都とした後漢（25～220）の前後410年にわたる時期には、書が芸術として意識され、素朴な書風がやがて漢隷と呼ばれる美しい隷書（八分）として完成しました。前漢の文字資料は少ないが、後漢も桓帝（146～167）・霊帝（168～189）の頃からは、多くの名碑がつくられるようになります。ここでは漢時代に盛行した隷書の変遷を紹介します。

14）台北國立故宮博物院－神品至宝－

展期：2014年6月24日（火）～ 2014年9月15日（月）

地點：平成館特別展示室

http://www.tnm.jp/modules/rblog/index.php/1/category/54/

わが国では古くから中国の文化に親しみ、積極的にその摂取につとめてきました。後に形成されたわが国独自の文化を理解するためにも、我々はまず中国の文化を深く理解する必要があります。

台北故宮博物院では、中国歴代にわたる優れた文化財を多数収蔵しており、同院の文化財を抜きにしては、中国の悠久の文化を理解することにはなりません。

本展は、台北故宮博物院が収蔵するひときわ優れた中国の文化財から、特に代表的な作品を厳選し、中国文化の特質や素晴らしさを広くご観覧いただこうとするものです。

10. 台東区立書道博物館

不折コレクション「美しい隷書―中国と日本―」

展期：4月4日（金）～7月13日（日）

http://www.taitocity.net/taito/shodou/shodou_news/shodou_news20140404.html

本展では、漢時代の石碑の拓本を中心に、敦煌・トルファンの文書に見る肉筆の隷書、中国や日本の書家たちによる隷書作品を、当館の収蔵品より紹介いたします。

また、東京国立博物館東洋館８室においても、４月８日（火）～６月８日（日）まで、特集陳列「漢時代の書」を開催しています。２館で繰り広げられる隷書の世界を存分にお楽しみください。

11. 京都國立博物館

南山城の古寺巡礼

展期：平成26年4月22日（火）～6月15日（日）

http://www.kyohaku.go.jp/jp/pdf/20140422_minami.pdf

南山城はいまの京都府南部、木津川の流域にあたります。奈良と京都の間であるこの地域には古い寺院が点在しており、奈良時代以来の信仰の姿を今に伝えています。今回の展覧会ではそれらの寺院に伝来し、博物館の文化財調査を通じて明らかにされた仏像・工芸品・書跡・絵画など、静かな山里で守り伝えられてきた仏教美術の名品の数々をご紹介します。

12. 大和文華館

1）酒井抱一　―江戸情緒の精華―

展期：2014年11/21（金）～12/25（木）

http://www.kintetsu.jp/yamato/exhibition/index.html

茶湯文化は日本美術に大きな影響を与えています。茶湯では、目利き、すなわち、美しさを見抜く力が重んじられます。茶人たちは新しい美意識をもって、大胆な織部焼から、可憐な「おしどり香合」にいたるまで、自らの茶風にふさわしい美術作品を茶席に取り入れてきました。この展観では、茶人たちの書状をはじめ、茶湯と関わりの深い作品を、絵画、書蹟、陶磁、漆工にわたって展示します。

2）連続・反復の美―文様に込められた想い―

展期：2014年7/4（金）～8/17（日）

http://www.kintetsu.jp/yamato/exhibition/index.html

様々な文様には、唐草文や屈輪文のように連続することで成り立つものが多くあります。連続する文様・反復された文様は安定感やリズミカルな美しさを伴い、その背景には繁栄への願いや繰り返す行為による信仰心の表現などが潜んでいます。東洋の工芸品を中心に、文様から造形の美しさと、そこに込められた想いを探ります。

13. 奈良國立博物館

武家のみやこ　鎌倉の仏像－迫真とエキゾチシズム－

展期：平成26年4月5日(土)～平成26年6月1日(日)

展場：奈良国立博物館　東新館・西新館

http://www.narahaku.go.jp/exhibition/2014toku/kamakura/kamakura_index.html

14. 九州國立博物館

1）華麗なる宮廷文化──近衛家の国宝京都・陽明文庫展展期：平成26年4月15日（火）〜6月8日（日）

展示場所：未定

http://www.kyuhaku.jp/exhibition/exhibition_s35.html

2）館蔵近世絵画名品展

展示期間：

後期「外国との文化交流」平成26年4月8日（火）〜5月18日（日）

展示場所：文化交流展示室　関連第11室

http://www.kyuhaku.jp/exhibition/exhibition_pre114.html

3）クリーブランド美術館展 - 名画でたどる日本の美 -

展期：平成26年7月8日（火）〜8月31日（日）

http://www.kyuhaku.jp/exhibition/exhibition_s36.html

全米屈指の規模と質を誇るクリーブランド美術館の日本美術コレクションより、平安から明治に至る、選りすぐりの名品と、西洋美術等を含めた総数51件をご紹介します。

本展は、仏画や肖像画などの神や人の姿、自然の移ろいを鋭敏な感覚でとらえた花鳥画、名所や胸中の理想の風景をあらわす山水画、そして『伊勢物語』など古くから親しまれてきた物語の世界を描いた絵画の4つのテーマで構成されます。クリーブランド美術館が誇る超一級の日本美術をご紹介します。

15. 大阪市立美術館

工芸　かたちと文様

展期：2014年9月2日（火）～10月13日（月・祝）

http://www.osaka-art-museum.jp/def_evt/%E5%B7%A5%E8%8A%B8%E3%80%80%E3%81%8B%E3%81%9F%E3%81%A1%E3%81%A8%E6%96%87%E6%A7%98/原始から19世紀中頃までの中国と日本の金工品・陶磁器・漆工品を展示します。双方の地域の工芸作品における器形や装飾など、影響関係の強弱をはじめ、相互の相違と関連性をお楽しみください。

16. MOA美術館

江戸の華　琳派展

http://www.moaart.or.jp/exhibition/%E6%B1%9F%E6%88%B8%E3%81%AE%E8%8F%AF%E3%80%80%E7%90%B3%E6%B4%BE%E5%B1%95/

展期：2014年04月11日（金）～05月07日（水）

生活を彩り、現代にも生きる光琳デザインの華　　

　　琳派は、狩野派や土佐派のような家系を中心としたものではなく、作風に対する共感等により、それぞれの作家に継承されました。

江戸初期の本阿弥光悦や俵屋宗達によって萌芽し、元禄頃、尾形光琳・乾山へと継承され、その100年程後、文化・文政期に光琳に傾倒した酒井抱一が、その芸術の再興を志しました。

　自然や文学に取材した琳派の装飾美は、絵画のみならず、陶器、漆工品、着物などにも表現され、江戸時代における上層階級の生活を彩りました。本展では、今なお私達の生活の中に生きつづける江戸期における装飾芸術の華、琳派の魅力に迫ります。

17. 韓國國立博物館

1) Chinese Buddhist Steles

Location: Asian Art Section

Date: 12-10-2013 ~ 04-27-2014

http://www.museum.go.kr/program/show/showDetailEng.jsp?menuID=002002002&searchSelect=A.SHOWKOR&showCategory1Con=SC1&showCategory2Con=SC1_1&pageSize=10&langCodeCon=LC2&showID=7185&currentPage=1

2) Asian Religious Icons through Western Eyes

Location: Asian Art Section

Date: 02-25-2014 ~ 05-25-2014

http://www.museum.go.kr/program/show/showDetailEng.jsp?menuID=002002002&searchSelect=A.SHOWKOR&showCategory1Con=SC1&showCategory2Con=SC1_1&pageSize=10&langCodeCon=LC2&showID=7184&currentPage=1

Europeans first came to Asia in the 16th century for missionary work, trade, or colonial pursuits. They traveled to India, China, and other parts of Asia, leaving behind travel accounts and reports of missionary activity, some of which offer details of the writers' first impressions of Asia. While these records shed light on what was unknown and unfamiliar, they also reveal the Europeans' long-held view and prejudices. This exhibition shows how Asian religious icons were seen through Western eyes and offer an interpretation of their implications.

3) A New Collection of Asian Art

Location: Thematic Exhibition Gallery in the Medieval and Early Modern History Section, 1F

Date: 2014-03-25~2014-06-22

http://www.museum.go.kr/program/show/showDetailEng.jsp?menuID=002002001002&back=showIndexlisteng2&searchSelect=A.SHOWKOR&showCategory1Con=SC1&showCategory2Con=SC1_1&showCategory3Con=SC1_1_3&pageSize=10&langCodeCon=LC2&showID=9821

Relocated to Yongsan, Seoul in 2005, the Asian Art Department of the National Museum of Korea currently runs six exhibition sections including the India, Southeast Asia, Central Asia, China and Japan sections, and a section dedicated exclusively to the cultural heritages salvaged from the seawaters off Sinhan. At its latest theme-based exhibition, the museum will display recently collected artifacts that have not yet been presented to the public.

4) Landscapes: Seeking the Ideal Land

　 Location: Special Exhibition Gallery

Date: 2014-07-29~2014-09-28

http://www.museum.go.kr/program/show/showDetailEng.jsp?menuID=002002001&searchSelect=A.SHOWKOR&showCategory1Con=SC1&showCategory2Con=SC1_1&showCategory3Con=SC1_1_3&pageSize=10&langCodeCon=LC2&showID=9775

For the first time ever in Korea, this exhibition will compare and appreciate traditional landscapes paintings of East Asia. The main purpose of this exhibition is to present various interpretations of the ideal life style depicted within East Asian painting.

5) Blue and White Porcelain of the Joseon Dynasty

Location: Special Exhibition Gallery

Date2014-09-30~2014-11-16


Throughout the Joseon Dynasty, blue-and-white porcelain was cherished not only for its splendid elegance and beauty, but also for its embodiment of the Confucian ideals revered by both royalty and the literati. This exhibition presents diverse examples of blue-and-white porcelain vessels from throughout the Joseon Dynasty, exploring the history and development of this superlative ceramic form.

　　6) A History of Asian Collection during the Japanese Colonial Period

LocationSpecial Exhibition Gallery

Date2014-10-28~2015-01-11


During the Japanese Colonial Period (1910-1945), the Japanese Government General actively sought to gather cultural artifacts and works from throughout Asia, in the context of imperialist expansion. Many of these items were used to build the early Asian art collection of the National Museum of Korea, which is the focus of this exhibition.

歐美

1. Freer Gallery of Art

1）Promise of Paradise: Early Chinese Buddhist Sculpture

Opens December 1, 2012- Indefinitely

2）WOMEN IN CHINESE PAINTING

November 9, 2013–April 27, 2014

3）CHIGUSA AND THE ART OF TEA

February 22–July 27, 2014

Arthur M. Sackler Gallery

4）Chigusa and the Art of Tea

February 22, 2014 – July 27, 2014

Museum: Sackler Gallery

Location: Sublevel 1

Japanese collectors in the 16th century used the compact tea room as the setting for interacting with objects. Looking closely at form and surface, they singled out exceptional works and gave them personal names. These named objects could develop a reputation and a history as they were displayed and used in tea gatherings. This exhibition shows how one Chinese storage jar was transformed into a vessel worthy of display, adornment, and contemplation. Diaries of tea events reveal what the writers admired about Chigusa (tea-leaf storage jar), which appears alongside other cherished objects -- Chinese calligraphy, Chinese and Korean tea bowls, Japanese stoneware jars, and wooden vessels -- used during this formative era of Japanese tea culture.

5）Jars

March 15, 2014 – July 27, 2014

Museum: Sackler Gallery

Location: Sublevel 3

http://www.si.edu/Exhibitions/Details/Jars-5214

The utilitarian storage jar is one of the most useful ceramics to have emerged from ancient Chinese kilns. Its basic structure—a compact container with four lugs on the shoulder, suitable for packing, shipping, and storage—was imitated throughout East and Southeast Asia. A complement to the exhibition Chigusa and the Art of Tea (on view through July 27, 2014), this display of 10 jars include the prototypical Chinese version, as well as variations from Japan, Vietnam, Thailand, and Burma.

6）Chinese Ceramics for Tea in Japan

March 8–September 14, 2014

Freer Gallery of Art, gallery 6a

http://asia.si.edu/exhibitions/current/chinese-ceramics-for-tea.asp

Acquired by Charles Lang Freer, these Chinese bowls, small jars, and other ceramics were used as tea utensils in sixteenth-century Japan as part of chanoyu,or the “art of tea.” Highlighting Chinese tea objects with long histories of use and admiration in Japan, Chinese Ceramics for Tea in Japan complements the Sackler’s exhibition Chigusa and the Art of Tea, on view February 22–July 27, 2014.

2. The Metropolitan Museum of Art

1）Small Delights: Chinese Snuff Bottles

July 19, 2013–June 15, 2014

Location: Gallery 207

http://www.metmuseum.org/exhibitions/listings/2013/chinese-snuff-bottles

2）Colors of the Universe : Chinese Hardstone Carvings

December 11, 2013–July 6, 2014

Location: Gallery 221

http://www.metmuseum.org/exhibitions/listings/2013/chinese-carving

3）Out of Character: Decoding Chinese Calligraphy—Selections from the Collection of Akiko Yamazaki and Jerry Yang

April 29–August 17, 2014

Galleries 210–216

http://www.metmuseum.org/exhibitions/listings/2014/out-of-character

This exhibition will feature more than forty outstanding examples of calligraphy from the collection of Jerry Yang and his wife, Akiko Yamazaki, created by leading artists of the Yuan (1271–1368), Ming (1368–1644), and Qing (1644–1911) dynasties. The selection of artworks and their interpretation in the galleries are intended to speak to beginners and specialists alike, using calligraphy of the highest quality to introduce key concepts of format, script type, and style. Some of the most notable works are a standard script transcription of a Buddhist sutra by Zhao Mengfu (1254–1322); a clerical script transcription of The Thousand-Character Classic in an eighty-five-leaf album by Wen Peng (1498–1573); a powerful cursive writing by Xiong Tingbi (1569–1625), a Ming general charged with defending the Great Wall; a selection of works by Dong Qichang (1555–1636), the preeminent calligrapher, painter, and art theorist of the late Ming dynasty; and an important group of nineteenth-century pieces by masters of the "Epigraphic School," who based their calligraphy on the archaic scripts found on bronze vessels and monumental stone steles.

3. Asian Art Museum of San Francisco

The Carved Brush showcases 24 artworks by acclaimed Chinese artist Qi Baishi.

October 29, 2013 —July 13, 2014

http://www.asianart.org/exhibitions_index/carved-brush

4. Nelson-Atkins Museum of Art

Living with the Spirits: Decorating Homes in Traditional China

January 31, 2014–July 20, 2014

Gallery 222

http://www.nelson-atkins.org/art/exhibitions/living-with-spirits.cfm

During festivals and seasonal occasions in China, family members select brightly colored prints to display on their doors, windows, walls and furniture. These prints, called New Year pictures (nianhua), heighten the cheerful holiday feeling.

More than decoration, they represent cultural and spiritual values. They depict positive images of deities that protect the family, emblems of good fortune and theatrical scenes. The installation in the gallery re-creates the decoration of a traditional Chinese home.

Laurence Sickman, the former curator and director who started the world-renowned collection of Chinese art at the Nelson-Atkins, acquired this collection of popular prints. While living and studying in China from 1930 to 1935, he decorated his own home with the colorful prints.

5. Asian Art Museum, National Museums in Berlin

Collection of East Asian Art in the Museum für Asiatische Kunst

http://www.smb.museum/en/exhibitions/detail.html?tx_smb_pi1%5BexhibitionUid%5D=27&cHash=a8ada49c1599c10a16533dd3f187140f

6. Smart Museum of Art

　 Performing Images: Opera in Chinese Visual Culture

February 13 – June 15, 2014

http://smartmuseum.uchicago.edu/exhibitions/inspired-by-the-opera-contemporary-chinese-photography-and-video/

During the Ming (1368–1644) and Qing (1644–1911) dynasties, Chinese passion for opera and theater permeated the visual and material world of everyday life. Opera lay at the heart of Chinese social life, from the village to the court, and the spectacle of theater was enjoyed not only on the stage—in costumes, props, and face painting—but also across the full spectrum of Chinese visual culture, from scroll paintings to popular prints.

One of the first major exhibitions of its kind in the West, Performing Images focuses on the vibrant imagery, rather than ethnographic artifacts, of Chinese opera. The exhibition examines the extent to which operatic characters and stories were represented in pictorial and decorative motifs in a wide array of media including ceramics, illustrated books, painted fans, prints, photographs, scroll paintings, and textiles. Featuring nearly eighty remarkable objects on loan from major museum collections, the exhibition and its catalogue reveal how Chinese visual and performing traditions were aesthetically, ritually, and commercially intertwined.

7. British Museum

1）Ming: 50 years that changed China

18 September 2014 – 4 January 2015

The Sainsbury Exhibitions Gallery

https://www.britishmuseum.org/about_us/news_and_press/press_releases/2014/ming.aspx

· Loans will be coming from 10 Chinese institutions and 21 international lenders

· Features new research and discoveries

2）Gems of Chinese painting: a voyage along the Yangzi River

3 April – 31 August 2014

Free

Room 91 /Open late Fridays

http://www.britishmuseum.org/whats_on/exhibitions/gems_of_chinese_painting.aspx

Discover the beauty and culture of south-east China in this selection of paintings dating from the 6th to the 19th centuries. The display includes the famous Admonitions Scroll (from 5 June) and examples of rare ceramics from the region.

The Yangzi River runs through an area of south-east China known as Jiangnan (literally 'south of the river') that has been one of the country’s most prosperous and culturally productive regions. The paintings and ceramics in the exhibition reflect the diverse life of its inhabitants, such as the elegant literati scholars and wealthy merchants, as well as fishermen and farmers. Landscape paintings from along the Yangzi River show lush, fertile fields and rolling hills and highlight the region’s famous gardens. Paintings and ceramics from Jiangnan have shaped in great part our image of traditional China.

Jiangnan is also a region where some of the finest examples of the Chinese concept of the three arts – poetry, calligraphy and painting – were produced. It is the home of China’s patriarchs of calligraphy and painting, including Gu Kaizhi (c. 344–406).

The famous Admonitions Scroll, traditionally attributed to Gu Kaizhi, is an early example for the combination of the three arts. It is one of the most important Chinese paintings to survive anywhere in the world. Due to its fragility and for conservation reasons, it is rarely shown and will now be on display in the exhibition between 5 June and 16 July. After this you will be able to see a digital version of the scroll on an interactive touchscreen.

8. British Library

Exhibition: ‘The Diamond Sutra and Early Printing’March 2014 – August 2015Sir John Ritblat Gallery The Dunhuang Diamond Sutra, the world’s earliest, dated, complete printed book, will be on display at the British Library for the first time since a programme of long-term conservation was completed. It will be shown alongside other examples of early printing in Asia.

9. Royal Ontario Museum

Explore The Forbidden City

http://www.rom.on.ca/en/forbidden-city

For over 500 years, the gates of the world's largest imperial palace were closed to all but the emperor, his family and servants. This stunning new exhibition invites you to cross the threshold to see over 200 national treasures from Beijing's Palace Museum – some travelling outside China for the first time. Compelling characters, engaging stories, and family adventure frame these extraordinary objects as you journey from the gates of the outer court, through the inner court and into the emperor's private spaces, revealing the everyday lives of all those who paid a price to live inside The Forbidden City…

演講：

1. 栄西と茶の歴史

※此講座需報名，詳情請見：http://www.tnm.jp/modules/r_event/index.php?controller=dtl&cid=1&id=7052

日程：2014年4月12日（土）13:30 ～ 15:00

会場：東京國立博物館平成館-大講堂

講師：千宗屋（武者小路千家家元後嗣）

2. 大同北魏平城遺址

※此講座需報名，詳情請見：

http://www.shanghaimuseum.net/education/show/show#

時間：2014-04-12 週六 14:00-16:00

地點：上海博物館觀眾活動中心

主講人：山西省考古研究所張慶捷

3. 禮與禮器

講者：北京大學教授、博士生導師張辛先生

時間：2014年4月12日（週六）下午2:00－4:00

地點：中國國家博物館學術報告廳

http://www.chnmuseum.cn/tabid/389/InfoID/98439/frtid/295/Default.aspx

4. 陶寺遺址



時間：2014-04-13 周日 14:00-16:00


主講人：中國社會科學院考古研究所何駑

5. 清代皇家文房清供

時間: 2014年4月13日9:30-11:30

地點：北京故宮學院教學樓408階梯教室

主講人: 張榮（故宮圖書館館長）

6. Qing (1644-1911) Documentary Paintings Revisited: The “Rise And Fall” Of Officials’ Career Imagery (Huanji Tu)

Ya-Chen Ma ,Professor, Institute of History, National Tsing Hua University, Taiwan

The sheer amount of so-called “documentary paintings” that employ Sino-Western pictorial techniques in Qing (1644-1911) court art is a puzzling phenomenon. While in recent years scholars begin to contextualize the production of some cases, few have speculations of such paintings as a whole. This presentation revisits this issue by tracing the history of a unique kind of paintings, officials’ career imagery (huanji tu), which does not appear in Chinese traditional accounts of paintings but can be found in many scholar-officials’ anthologies. I will first outline its popularity in and beyond Ming officials’ circle, Hung Taiji’s (1592-1643) unorthodox invention in early Qing, the Kangxi emperor’s (r. 1654-1722) selective appropriation, to the Qianlong emperor’s (r. 1736-1796) transformation, as well as its decline among High Qing officials and its revival in late Qing. I will then turn to discuss how the history of huanji tu contributes to a new understanding of documentary paintings as the Manchu construction of cultural hegemony.

Friday, April 18, 2014 | 11:30 am — 1:00 pm

Cummings Art Building, Room 103

7. 漢魏洛陽城



時間：2014-04-19 週六 14:00-16:00


主講人：中國社會科學院考古研究所錢國祥

8. 「華麗なる宮廷文化　近衞家の国宝」

日時：平成26年4月19日（土）13時30分〜15時00分

会場：九州国立博物館1階ミュージアムホール

講師：名和修氏（公益財団法人陽明文庫文庫長）

9. 建仁寺ゆかりの美術


http://www.tnm.jp/modules/r_event/index.php?controller=dtl&cid=1&id=7053

日程：2014年4月19日（土）13:30 ～ 15:00

会場：東京國立博物館平成館-大講堂

講師：田沢裕賀(絵画・彫刻室長)

10. 「武家のみやこ　鎌倉の仏像　－迫真とエキゾチシズム－」公開講座

会場：奈良國立博物館講堂

時程：

4月19日（土）

13：30 ～ 15：00「中世律宗の鎌倉進出と善派仏師」

講者：山口　隆介（当館学芸部研究員）

5月10日（土）

13：30 ～ 15：00「鎌倉の仏像に見るエキゾチシズム」

講者：清水　眞澄氏（三井記念美術館長）

5月31日（土）

13：30 ～ 15：00「鎌倉地方で花開いた肖像彫刻」

講者：内藤　浩之（鎌倉国宝館副館長補佐）

11. 「明四大家特展—文徵明」專題演講

1. 時間：103/4/23(三)14:00-16:00

講者：童文娥國立故宮博物院書畫處助理研究員

講題：衡山寄勝—文徵明的藝術發展與意涵

2. 時間：103/5/10(六)14:00-16:00

講者：吳誦芬國立故宮博物院書畫處助理研究員

講題：謹嚴到底—文徵明的書法

12. 鼎盛中華——中國鼎文化

時間：2014-04-26 週六 10:00-12:00

地點：上海博物館學術報告廳

主講人：河南博物院副院長田凱



13. 近衞家の国宝展の魅力に迫る

会場：九州国立博物館1階ミュージアムホール

日時：

4月26日（土）

13：30 ～ 14：20　「近衞家の曙光－藤原道長の登場－」講師　酒井芳司（九州国立博物館主任研究員）

14：30 ～ 15：20　「信尹と家凞－近衞家が生んだ桃山・江戸の文化人－」講師　荒木和憲（九州国立博物館主任研究員）

5月10日（土）

13：30 ～ 14：20　「近衞家の成立－藤原道長以後－」講師　渡部史之（九州国立博物館アソシエイトフェロー）

14：30 ～ 15：20　「陽明文庫の書の魅力」講師　丸山猶計（九州国立博物館主任研究員）

14. 西域絲路上的城市

時間：2014-04-27 周日 14:00-16:00

地點：觀眾活動中心

主講人：中國人民大學國學院西域歷史語言研究所李肖



15. Chinese Landscapes: Explorations In Literature, Poetry, Film, And The Visual Arts

Symposium

Historically the most prominent painting tradition in China, landscape has often evolved in tandem with the social and political changes experienced by Chinese artists. In conjunction with the Within and Without: Transformations in Chinese Landscapes exhibition at the Cantor Arts Center, this symposium will use the landscape tradition in the visual arts as a springboard to discuss larger, interdisciplinary issues surrounding Chinese art, literature, history, economy, and culture during the last one thousand years, with an emphasis on the modern and contemporary periods. Leading artists and scholars in various fields will deliver their presentations.

Thursday, May 01, 2014 | 9:00 am — 3:00 pm

Clark Center, Seminar Room S360

Stanford University

16. Chinese Landscapes: Explorations in Literature, Poetry, Film, and the Visual Arts

9 AM – 3 PM, Thursday, May 1, 2014

9 AM – 4:30 PM, Friday, May 2, 2014

Clark Center, Seminar Room S360

Stanford University

Historically the most prominent painting tradition in China, landscape has often evolved in tandem with the social and political changes experienced by Chinese artists. In conjunction with the Within and Without: Transformations in Chinese Landscapes exhibition at the Cantor Arts Center, this symposium will use the landscape tradition in the visual arts as a springboard to discuss larger, interdisciplinary issues surrounding Chinese art, literature, history, and culture during the last one thousand years, with an emphasis on the modern and contemporary periods. Leading artists and scholars in various fields will deliver their presentations.

17. 現實情懷與語言結構──略談高劍父的三件作品及其問題

※此講座需報名，詳情請見：https://docs.google.com/forms/d/1kwx40Br8N2E_Mk-V6nraPcUxySs6eKfkjJvYsacGtBY/viewform　

　　講者：李偉銘（廣州美術學院研究員）

　　時間：2014.05.03 (六) 下午 2 時 30 分至 4 時

地點：香港中文大學中國文化研究所L1講室

18. 「長青館藏明清瓷、玉、角、竹、畫琺瑯」配套活動

香港藝術館演講廳（地庫）

1) 講題：美的盛宴 ─ 細味長青館的收藏故事（粵語）

講者：鄧民亮先生（香港藝術館館長（中國文物））

時間：2014.5.3 (星期六)2:30 – 4:30pm

2) 講題：昌南遺韻 ─ 漫談長青館藏明清官窰瓷器（粵語）

講者：林業強教授（香港中文大學中國文化研究所名譽研究員）

時間：2014.6.7 (星期六)2:30 – 4:30pm

19. Friday Focus—Reading and Looking: The Pleasures of Chinese Calligraphy

http://www.metmuseum.org/events/programs/lectures-and-panels/free-lectures/friday-focus-reading-and-looking-the-pleasures-of-chinese-calligraphy?eid=A001_%7b5A0019FC-43BE-49D8-B28E-7386F116FF3A%7d_20140226160133

Friday, May 9, 4:00–5:00 p.m.

Robert E. Harrist, Jr., Jane and Leopold Swergold Professor of Chinese Art History, Columbia University

Bonnie J. Sacerdote Lecture Hall, Uris Center for Education Show location on map

Join leading curators, art historians, and other specialists for lectures related to the Museum's exhibitions and collections.

Presented in conjunction with the exhibition Out of Character: Decoding Chinese Calligraphy—Selections from the Collection of Akiko Yamazaki and Jerry Yang.

23. Explore The Forbidden City lecture series

http://www.rom.on.ca/en/forbidden-city/events

Explore The Forbidden City lecture series will present multiple perspectives and deeper exploration of themes from the exhibition, from China and all around the world, both historical and contemporary.

MAY 20

Imperial Costumes and Projections of Desire

Dr Angela Sheng, formerly of the Royal Ontario Museum and a key historical consultant on the film,The Last Emperor, will highlight both the symbolism behind the garments, as well as how she used the ROM’s collections to create the fantastic costumes in The Last Emperor.

Register for this lecture only

JUNE 17

Nature All Around Us

Join a team of experts, from a Biologist to an expert in ancient Chinese paintings, as we piece together the historical flora and fauna of dynastic China. Experts include Senior ROM Curator Bob Murphy and the Louise Hawley Stone Chair for East Asian Art, Dr Wen-chien Cheng.

Register for this lecture only

20. Civil War and the Chinese GardenThursday, June 05, 20144:15 pm – 5:30 pmTobie Meyer-Foung - Professor, History Department, Johns Hopkins University

The Chinese garden now symbolizes timeless national, cultural, and aesthetic values. But as real property in the past, gardens inevitably were subject to the vicissitudes of their times. This talk focuses on gardens and the Taiping Civil War (1851-1863). During the war, many gardens were reduced to tile shards and ash. Surviving gardens functioned as objects of longing and nostalgia, sites of refuge (physical and emotional), or a means to display status under the new regime. In the post-war period, gardens served as status symbols, places to commemorate loss or celebrate restoration, and venues for renewed sociability. In her talk, Professor Meyer-Fong will explore the multiple meanings associated with gardens, the Taiping Heavenly Kingdom, and the Qing regime--in the past--and today.

TBA, Please check back for updates.

研討會：

1. Society of Architectural Historians 67th Annual Meeting

Austin, TX

9-13 April 2014

[from SAH, 3/15/14; papers relating to China and Japan listed below]

Architecture Re-performed: The Politics of Reconstruction

- Zhuge Jing (South East University, Nanjing), "What Is Reconstructed: A Pagoda or the Memory of a City?"

- Alice Tseng (Boston University), "Refracted Copies of the Imperial Audience Hall in East Asia"

New Reflections on Colonialism and Globalization

- Yingchun Li (University of Hong Kong), "Planning the Divided Suburbs in Shanghai, 1927–1937"

New Research: Classical through Baroque

- Bébio Amaro (University of Tokyo), "The Evolution of Christian Structures in Nagasaki, 1569–1620"

Architectural Histories of Maritime Asia

- Sujin Eom (University of California, Berkeley), "Chinatown Urbanism: Architecture, Migrancy, and Modernity in Asia"

- Matthew Mullane (Princeton University), "The World through a Roof: The Observational Hut in Nineteenth-Century Japan"

Other Postmodernisms: Alternative Genealogies of the Recent Past

- Max Hirsh (ETH Zurich), "GDR Deluxe: Postmodern Exchanges between East Germany and Japan"

Gardens and Visual Representation: West–East, 1400–1800

- Shuishan Yu (Northeastern University), "Zhuozheng-yuan: A Picturesque Garden or a Tourable Painting?"

- Stephen Whiteman (CASVA, National Gallery of Art), "Portrait, Map, Plan: Leng Mei’s View of the Rehe Traveling Palace"

2.Chinese Opera in Visual and Material Culture

http://lucian.uchicago.edu/blogs/chinaopera2014/paper-abstracts/

April 12, 10am–5pm

Session II

Logan Center for the Arts, 915 East 60th Street, Performance Penthouse

Panel 4 10:00-11:30

Panel 5 1:00-2:30

Concluding roundtable discussion 3:00-4:30

April 12, 7:30pm-10pm

A Night at the Peking Opera

Logan Center for the Arts, 915 East 60th Street, Performance Hall

April 13, 2pm

Ling Ke Salon Recital of Chinese Opera

Logan Center for the Arts, 915 East 60th Street, Performance Penthouse

3. Association of Art Historians 2014 Conference

Royal College of Art

London, UK

10-12 April 2014

[from AAH, 3/16/14; papers relating to China and Japan listed below]

Keynotes:

- Mieke Bal (independent theorist, art writer, critic), "Anachronism for the Sake of History: The Performative Look," Thursday 10 April

- Grayson Perry (artist), "Chinese Whispers," RGS on Friday 11 April

Art History and Ecology

- Majella Munro (Tate Research Centre), "Can Art History Save the Planet? Discourses of Protest, Collaboration and Citizenship in Japanese Artistic Practices Post- Fukushima"

Censorship: Silencing the Artwork

- Louise Boyd (University of Glasgow), "Sex, Art, and Museums: On the Changing Institutional Censorship of Shunga"

- Alexey Ulko (British Council, Uzbekistan), "Post-Soviet and Post-colonial Forms of Art Censorship in Central Asia"

Colour Me Queer

- Jenny Lin (University of Oregon), "Non-Spaces of Cultural Collision: Queering Identity in Art in Global China"

Material Translations

- Luisa E Mengoni (Victoria and Albert Museum), "From Fields to Market Stalls: Material Translations of Ceramic Shards"

- Michelle H. Wang (University of California, Berkeley), "Woven Translations: Characters in Textiles from the Eastern Han Dynasty"

New World Systems? Reassessing the Transnational Traffic of Art

- Alice Ming Wai Jim (Concordia University), "Asian/Americas: Contemporary Art and the Hemispheric Transnational Diaspora"

- Jean Hui Ng (School of the Art Institute of Chicago), "The Art of Curation: Soft Power Dynamics and the Singapore Biennale 2013"

Performance as Critical Resistance: Curating Performance in Museums and Art Institutions Today

- Patricia Koening (Oxford University), "Rethinking Liveness in Beijing East Village: Performance and Its Photographic Documentation"

Screen Time / Screen Space – Cinema and/as Gallery Art

- Julian Ross (University of Leeds), "From Performance to Installation: Yamanaka Nobuo's River Series (1971-2)"

Sea Currents: The 19th-century Ocean World

- George Schwartz (Boston University), "'In Memory of Our Famous Cruise': Japanese Souvenir Textiles for American Sailors in the Context of Imperial Exchange"

- Tricia Cusack (independent scholar), "'Direct from the Tea Gardens to the Teapot': Britannia Takes Tea"

4. 國立臺灣師範大學藝術史研究所2014學生研討會議程

時間：2014年4月12日星期六上午10:30至下午5:00

地點：師大藝術史研究所406教室（青田街5巷6號4樓）

http://ntnuarthisstudent.blogspot.tw/

本研討會將由本所東、西方藝術史組主修的學生發表他們近期研究成果，並邀請在藝術、歷史相關領域研讀的國內碩、博士生擔任論文評論人

時間

流程

10:30-10:40

開幕致詞：曾曬淑教授

發表人

題目

評論人

10:40-11:25

吳馥安

師大藝術史研究所碩士生

辛蒂雪曼〈歷史肖象〉及森村泰昌〈藝術史〉中的時光機器及時間之解構

呂學卿

台北市立美術館新聞聯絡人

11:30-12:15

盧履彥


德國奧克斯堡Neuer Bau（1614）中的義大利文藝復興建築風格概念

吳怡慧

輔大歷史研究所碩士生

12:15-14:00

午餐（與會來賓自理）

14:00-14:45

闕宇彤


《青樓韻語》的圖文關係和出版策略

鄭婷婷

師大藝術史研究所碩士

14:50-15:35

張筠


王原祁《西湖十景圖》的圖像傳統試析

黃心怡


15:35-16:10

茶點

16:10-16:55

王明玉


由《墨妙珠林》集冊看乾隆初期對漢文化傳統的整理

邱士華

國立故宮博物院書畫處助理研究員

16:55-17:00

閉幕致詞：曾曬淑教授

5. Scholars' Day: Chinese Paintings from Japanese CollectionsLACMA, Brown AuditoriumWednesday, May 28 | 9:30 am–5 pmFree, reservations required | Participation is limitedThe Los Angeles County Museum of Art (LACMA) invites you to Scholars’ Day, held in conjunction with the exhibition Chinese Paintings from Japanese Collections. This program brings together curators, academics, collectors, and graduate students to examine themes in the exhibition when it is closed to the public. The day features five lectures exploring the history of collecting Chinese paintings in Japan from the Kamakura through early Shōwa periods presented by the following speakers:

· Stephen LITTLE, Curator and Head of the Chinese and Korean Art Department, LACMA

· Christina Yu YU, Assistant Curator of Chinese Art, LACMA

· Yoshiaki SHUMIZU, Professor Emeritus, Japanese Art, Princeton University and 2014 Guest Scholar, Getty Research Institute

· Masaaki ITAKURA, Associate Professor, Institute for Advanced Study of Asia, University of Tokyo

· Maromitsu TSUKAMOTO, Curator of Chinese Art, Tokyo National MuseumThe lectures will take place in the morning and early afternoon and will be followed by a private viewing of the exhibition in the late afternoon. We hope this day will be informative, provocative, and a forum for potential new study.Participation is limited; please RSVP below by May 7.

6. 9th Young Scholars Symposium of Buddhist Studies

Chinese University of Hong Kong

25-28 July 2014

[from H-NET, 2/12/14]

Ever since 2006, The Center for the Study of Humanistic Buddhism has organized Young Scholars Symposium of Buddhist Studies at the Chinese University of Hong Kong. This year, the centre and the Academy of Chinese Buddhism will co-organize [the] 2014 9th Young Scholars Symposium of Buddhist Studies and International Conference on the Studies of Chinese Buddhism. We take this opportunity to invite you to come to the Chinese University of Hong Kong to present your research and articulate your views on the study of Chinese Buddhism. The theme of this year's event is Chinese Buddhism in various aspects such as history and philosophy through different approaches such as sociology and hermeneutics. It will provide a unique platform for scholars as well as postgraduate students to expand their research and exchange their views on the study of Chinese Buddhism, hopefully establishing close relationship of scholars from the East and the West.

Opening ceremony is scheduled to be held in the afternoon of 25 July, three panels will be held simultaneously on the whole day of 25 July and 26 July. Participants may leave Hong Kong on 28 July, 2014.

All scholars including Ph. D candidates in Chinese Buddhism studies are welcome.

How to Apply:

1. Applicants should download the relevant application form for registration.

2. Full paper should be about 8000 words in Chinese or 5000 in English, including the title, author, abstract, key words, main text, footnotes and references.

3. Please e-mail your registration form and full paper to [email protected].

Important Dates and Deadlines:

Deadline for all registration: 15 March, 2014

I For Scholars: Date of notification of acceptance: on or before 30 March, 2014

Deadline for paper submission: on or before 30 June, 2014

II. For Ph.D. Candidates: Deadline for paper submission: on or before 15 June, 2014

Date of notification of acceptance: 30 June, 2014

Registration:

1. Registration fee: free of charge.

2. The organizers may provide a package of HKD 3500 (maximum) for invited participants to subsidize their accommodation and transportation fees. The organizer has the right to decide the exact amount of subsidy to each participant, and it will be clearly stated in the invitation letter.

3. Invited participants should book hotels themselves with the subsidy offered; the organizers only recommend some close by hotels for reference. (All invited scholars' information will be provided at the end of March)

4. luncheons and tea breaks will be served during the event.

Centre for the Study of Humanistic Buddhism

Rm 221, 2/F

Leung Kau Kui Building

The Chinese University of Hong Kong

Shatin, Hong Kong

tel +(852) 3943-6707

fax +(852) 3943-4132

e-mail [email protected]

7."Zheng He's Maritime Voyages (1405-1433) and China's Relations with the Indian Ocean" World from Antiquity conference University of Victoria Victoria, BC 22-24 August 2014

[from H-ASIA, 6/23/13]

Eighty-seven years before Christopher Columbus's first transatlantic voyage, another of the world's greatest navigators, the Chinese admiral Zheng He (Cheng Ho), launched the first of the seven voyages he would lead across the Indian Ocean between 1405 and 1433. This international conference on August 22-24 at the University of Victoria, focuses both on Zheng He's epic voyages in the early fifteenth century, and on China's millennia of relations with the Indian Ocean world (extending from East Africa and the Middle East through South and Southeast Asia to the Far East).

Conference themes will include ecological diversity and interconnections, transportation over land and sea, the migration of plants, animals and people, the exchange of goods and gifts, contacts through diplomacy and warfare, the spread of religions and technologies, as well as other forms of interactions between China and the Indian Ocean world from ancient to modern times, especially around Zheng He's era. The conference's working languages will be English and Chinese, and papers can be written and presented in either language. The Centre for Asia-Pacific Initiatives (CAPI) at the University of Victoria is hosting the conference.

The deadline for submission of abstracts (maximum 300 words) and personal contact information is February 15, 2014. The deadline for submission of papers in English or Chinese (max. 10,000 words in MS Word) is July 31, 2014. The early registration fee is CAN$100 (CAN$50 for students), payable by May 15, 2014. (The registration fee will be waived for a student presenter of an accepted paper). The late registration fee (after May 15, 2014) is CAN$150 (CAN$100 for students).

Participants are expected to pay for their own travel and lodgings. We can provide information on travel and lodging in Victoria and have a preferred conference rate with the Inn at Laurel Point.

This conference reflects active participation by the University of Victoria in the international Major Collaborative Research Initiatives program, “The Indian Ocean World: The Making of the First Global Economy in the Context of Human-Environment Interaction.”

Please send abstracts and contact information (name, title, institution, e-mail address, postal address, and phone number) to [email protected]. For more information see http://www.capi.uvic.ca/events.

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