Year programme Oude Muziek 2010/2011

festival oudemuziekutrecht

seizoenoudemuziek

year programme 2010/2011

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1 Festival Centre Pandhof, Domplein Festival box office Aula Academiegebouw Domkerk Domtoren2 Doopsgezinde Kerk, Oudegracht 2703 Fundatie van Renswoude, Agnietenstraat 54 Geertekerk, Geertekerkhof 235 Jacobikerk, St.-Jacobsstraat 1716 Kunstuitleen Utrecht, Maliebaan 427 Lutherse Kerk, Hamburgerstraat 98 Catharijneconvent, Lange Nieuwstraat 389 Museum van Speelklok tot Pierement, Steenweg 610 Ottone, Kromme Nieuwegracht 6211 Oudaen, Oudegracht 9912 Pieterskerk, Pieterskerkhof 3

13 Rasa, Pauwstraat 13a14 St. Augustinuskerk, Oudegracht 6915 Stadsschouwburg, Lucasbolwerk 2416 Sonnenborgh, Zonnenburg 217 Theater Kikker, Ganzenmarkt 1418 Universiteitsmuseum, Lange Nieuwstraat 10619 Utrechts Archief, Hamburgerstraat 2820 Utrechts Centrum voor de Kunsten, Domplein 421 Vredenburg Leeuwenbergh, Servaasbolwerk 1a22 Wijnkelder, Oudegracht 111-113 werf23 Winkel van Sinkel, Oudegracht 15824 Zuylenspiegel, Zuilenstraat 5

GVU-busses 19, 26, 28, 39 to Vredenburg Leidsche Rijn, J.C. Verthorenpad 100

Festival venues

festival oudemuziekutrecht

seizoenoudemuziek

year programme 2010/2011

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over 100 concerts

Festival Oude Muziek Utrechtover 100 concerts

Season Oude Muziek 10/11

October 2010 through May 2011 u p.96

1 Festival Venues

5 Introduction

10 Artists in residence

14 Friday 27 August

20 Saturday 28 August

28 Sunday 29 August

36 Monday 30 August

42 Tuesday 31 August

48 Wednesday 1 September

54 Thursday 2 September

60 Friday 3 September

68 Saturday 4 September

76 Sunday 5 September

82 Early Music Exhibition

83 Free Fringe concerts

84 Fabulous Fringe

86 Carillon

88 Symposium French Baroque Gesture

27 August - 5 September 2010 u p.7

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over 100 concerts

Season Oude Muziek 10/11

October 2010 through May 2011 u p.96

96 Introduction

98 Gesualdo Consort Amsterdam

99 Marc Mauillon & Pierre Hamon

100 Ausonia

101 Osmosis

102 Xenia Meijer & Michael Leopold

104 Bachdag

105 Le Chant des Balles

106 Il suonar parlante

107 Trio Luscinia

108 The Queen’s Consort

109 Coolen & Co

110 Aurélien Delage

112 Capilla Flamenca

113 Trio Hantaï

114 Per Flauto

115 Collegium Vocale Gent

116 Les Voix humaines

118 Les Musiciens de Saint-Julien

119 Gustav Leonhardt

120 Scorpio Collectief

121 Castles Series

124 Season Venues

136 Friends have benefits

138 Tickets Festival and Season

143 Colofon

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Welcome to Utrecht!

Judging from the quality and the enthusiasm of France’s young musicians, one would have to agree that the adventure of early music has only just begun.

As the world’s largest early music festival, Utrecht holds the ambition and the responsibility to be the premier stage for research and creativity in our field. The case for French repertoire – still under-valued or even unknown outside its native country – and its many talented performers is one that Utrecht takes on with pride.

From 27 August to 5 September, through over 100 concerts and events, the city of Utrecht will become a French enclave. At the heart of our pro-gramme: the grandeur and the intimacy of French Baroque music, for all to enjoy.

Xavier Vandammedirector

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Bienvenue à Utrecht!

Au vu des qualités et de l’ enthousiasme des jeunes baro-queux français, il semblerait presque que l’aventure de la musique ancienne vient juste de démarrer.

En tant que plus grand festival de musique ancienne, Utrecht a l’ambition et la responsabilité d’être le premier plateau pour montrer les recherches et la créativité du secteur. La défense du répertoire français – qui reste sous-estimé voire méconnu en dehors de la France – et de ses nombreux talents est, dès lors, une aventure que nous menons avec grand plaisir.

Du 27 août au 5 septembre, avec plus de 100 concerts et événements, la ville d’Utrecht devient une enclave française. Au coeur de nos activités: la grandeur et la mélancolie du répertoire baroque français; pour le plus grand bonheur de tous.

Xavier Vandammedirecteur

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Louis’ daily rhythm

‘Holding an almanac and a watch, one could tell ex-actly what the King was doing, even at a distance of three hundred miles,’ according to Saint-Simon. From the early morning until well into the night, the palace of Versailles was buzzing around its centre: the Sun King. Every day, he moved from room to room, traced by an excited throng of courtiers. In this Festival, mirroring Louis’ daily routine, every moment has its own character.

11.00 Le Conseil – Learn and discussLectures, demonstrations and a debate

13.00 Les Tendres Sentimens – Poetry Lots of Couperin, including three Hemsch recitals

15.00 Les Petits Riens – Chamber music The smallest forms: solos, duos and trios

17.00 Le Salon – Among friends Grand chamber music with some vocale surprises

20.00 Les Divertissements – Grandeur Operas, grands motets and orchestral works

22.30 Les Ténèbres – ReflectionLamentations with an inward-looking feel

24.00 Le Coucher – Intimacy Lute and harpsichord recitals before bed

festival oudemuziek

27 aug | 05 sep 10Utrecht

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Skip Sempé, harpsichordartist in residence

Clearly outspoken and radically original: Skip Sempé acquired a unique position within the world of early music. Unafraid to question everything, he has found a broad group of admirers. This comes as no surprise, since his ensemble Capriccio Stravagante has always been able to re-juvenate like a phoenix, operating like ‘a 17th-century atelier, where painters and instrument builders are both in control of the reigns’. During the Festival he will perform in four concerts, including the opening concert with Capriccio Strava-gante – Les 24 Violons, a reincarnation of the eminently virtuoso orchestra of Louis XIV, dominated by the rich colouring of some peculiarly French string instru-ments: dessus, hautes-contres, tailles, quites and basses de violon.

fri 27 aug, 20.00 The birth of the French orchestra

sun 29 aug, 17.00 Pastiches à la française

wed 1 sep, 17.00 Pour la Chambre

fri 3 sep, 13.00 Toward the Revolution and back

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Philippe Pierlot, viola da gamba artist in residence

Philippe Pierlot’s versatility is stunning: not only is he an exceptional performer, he is also a tireless researcher and ad-vocate of unknown repertoire. Often, this leads to some exciting sidesteps, as during the 2009 Festival when he re-vealed himself to be an inventive player of the baryton, a mysterious gamba-like instrument with extra, hidden strings. If it hadn’t been for Haydn’s works for the baryton, he confessed, he would never had taken the trouble to learn this fiend-ishly difficult instrument. As a gambist, also, the hidden qualities of music bring out the best in him. Pierlot plays three concerts: a solo recital highlighting for-gotten masters like Buisson, Machy and Hotman, and two with his own Ricercar Consort playing Couperin’s Pièces de violes and his evocative Apothéoses for Lully and Corelli.

sun 29 aug, 15.00 Buisson, Machy, Sainte-Colombe, Hacquart

mon 30 aug, 17.00 Couperin: Pièces de violes

mon 31 aug, 15.00 Couperin: Apothéoses

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Eugénie Warnier, soprano

artist in residence

She was a shining star in Rameau’s Hippolyte et Aricie with the Nationale Reis-opera, led by Jed Wentz last season: Aricie was one of her first great opera roles and garnered critical acclaim. French soprano Eugénie Warnier possesses everything to please: an amazing voice, plus a keen musical mind. Embraced by the powers that be in early music, but equally at home amongst her own generation, the avant-garde of French Baroque musicians. Learn-ing from experience and expertise, she is one of the voices of the new sound coming from France.

mon 30 aug, 15.00 Airs de cour

tue 31 aug, 17.00 The French cantata

thu 2 sep, 22.30 Leçons de ténèbres: Couperin, Fiumara

fri 3 sep, 22.30 Leçons de ténèbres: Charpentier, Tarenskeen

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Hemsch harpsichord 1751 instrument in residence

Original, antique harpsichords are for the better part silent. This year, the Festival welcomes the 18th-century Hemsch harpsichord as a guest of honour. Con-naisseurs appreciate ‘the Hemsch’ as one of the premier French instruments – it has a personality, a unique voice, a soul. According to myth, this would even be the instrument that Jean-Philippe Rameau played. Paris-based Jean-Henry Hemsch supplied the instruments for Le Riche de la Pouplinière, the maecenas who took in Rameau and his family. The glorious instrument will be played in six recitals, always with François Couperin as point of reference. Conservator Anthony Sidey will give an introduction, while young profes-sionals will be able to take lessons with the best teacher in the world: an original, 250-year old keyboard instrument, in the best of health.

mon 30 aug, 11.00 Summer school / Sidey & Haas

mon 30 aug, 13.00 Aurélien Delage

mon 30 aug, 15.00 Workshop Hemsch

mon 30 aug, 24.00 Laurent Stewart

tue 31 aug, 13.00 Lars Ulrik Mortensen

tue 31 aug, 24.00 Frédérick Haas

wed 1 sep, 13.00 Paola Erdas

wed 1 sep, 24.00 Blandine Verlet

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Carillon concert / Arie Abbenes u p.86Domtoren, best spot: Pandhof and on a screen in Vredenburg Leidsche Rijn

Capriccio Stravagante - Les 24 ViolonsOpening concertVredenburg Leidsche Rijn

Opening of Festival Centre Pandhofwith recorder quartet Seldom Sene Pandhof

Franco Pavan / Music of angelsAula, entrance Pandhof

fri 27 aug

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fri 27 aug

20.00 Vredenburg Leidsche Rijn

concert no. 1

a € 30 / € 25 / € 10 b € 27 / € 25 / € 10

artist in residence u p.10

friends’ concert

no interval

Capriccio Stravagante – Les 24 Violons with Skip Sempé m.m.v. Judith van Wanroij, Benjamin Alunni, Alain BuetThe birth of the French orchestra

Recently, the instruments of the 24 Violons du Roy have been reconstructed. The famed string players of Lully’s orchestra – dessus, hautes-contres, tailles, quintes and basses de violon – offer a completely new sound to Louis XIV’s favourite music. This concert will offer opera fragments, orchestral and ballet music by Lully, Muffat, Marais and others.

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fri 27 aug

22.00 Pandhof

free admission

fri 27 aug

24.00 Aula, entrance Pandhof

concert no. 2

€ 10 / € 10 / € 5

Franco PavanluteMusic of angels: the French lute

Contemplation and reflection are the keys to our mid-night series of quiet lute and harpsichord repertoires. Franco Pavan, member of Accordone and other groups, will open with early lute music by Gaultier, Gallot and Mouton, whose Paris lute books have re-cently been recovered in Prague. Thus follow after the exuberance of the Baroque feast: intimacy.

Opening of Festival Centre Pandhofwith recorder quartet Seldom Sene

Fancy a cup of coffee or a glass of wine during the Festival? Looking for the perfect spot to enjoy a car-illon concert, a film, concert registration or outdoor fringe concerts? The Pandhof, the cloisters next to the Dom church, if the heart of the Festival Oude Muziek. Open daily from 10.00-24.00, with a special program outlined on page 18.

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The Pandhof – the new Festival Centre

Fancy a cup of coffee or a glass of wine during the Festival? Looking for the perfect spot to enjoy a carillon concert, a film, concert registration or outdoor fringe concerts? The Pandhof between the Dom church and the Academiegebouw is the place to be. For the duration of the Festival, this cloisters will open every day from 10.00 to 24.00 for a full schedule of activi-ties, most of them free. Catering will be provided by Oud Lon-don. Here, you’ll also find the Festival box office, open every day from 10.00 to 18.00 (28 August: until 17.00), as well as the cd shop – and maybe you’ll bump into one of the hundreds of Festival musicians. Bienvenue!

Programme

fri 27 aug 19.00 Carillon concert by Arie Abbenes 22.00 opening party Pandhof as Festival centre with recorder quintet Seldom Sene 24.00 Franco Pavan (Aula, see p.17)sat 27 aug 11.00 Carillon concert by Arie Abbenes 12.00 bell ringing by Utrechts Klokkenluiders Gilde 14.00 fringe concert 15.00 city walk € 7,50 / € 5 / € 5; duration 1h30 15.30 wine tasting € 15 NB closed 17.00 to 18.00 20.00 concert registration 24.00 Thomas Dunford (Aula, see p.26)sun 29 aug 9.45 demonstration bell ringing (Domtoren, see p.86) 11.30 children’s workshop Belle en het Beest € 10 (see p.31) 13.00 Bob van Asperen (Aula, see p.30) 15.00 city walk € 7,50 / € 5 / € 5; duration 1h30 15.30 cheese tasting € 15 20.00 concert registration 24.00 Israel Golani (Aula, see p.34)

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mon 30 aug 11.30 Carillon concert by Rien Donkersloot 14.00 fringe concert 15.00 film screening Marie Antoinette, 128 min. 20.00 concert registrationtue 31 aug 11.30 Carillon concert by Arie Abbenes and Saskia Coolen 14.00 fringe concert 15.00 film screening Count of Monte Cristo, 131 min. 19.30 AVRO/NPS Festival journal 20.00 concert registrationwed 1 sep 11.30 Carillon concert by Malgosia Fiebig 14.00 fringe concert 15.00 film screening Le roi danse, 120 min. 20.00 concert registrationthu 2 sep 11.30 Carillon concert by Koen Cosaert 14.00 fringe concert 15.00 film screening Tous les matins du Monde, 115 min. 19.30 AVRO/NPS Festival journal 20.00 concert registrationfri 3 sep 11.30 Carillon concert by Arie Abbenes 14.00 fringe concert 15.00 film screening tbc 17.00 concert registration 20.00 concert registration 24.00 Fred Jacobs (Aula, see p.65)sat 4 sep 11.00 Carillon concert by Arie Abbenes 14.00 fringe concert 15.00 city walk € 7,50 / € 5 / € 5; duration 1h30 15.30 cheese tasting € 15 19.00 AVRO/NPS Festival journal 20.00 concert registration 24.00 Eugène Ferré (Aula, see p.74)sun 5 sep 9.45 demonstration bell ringing (Domtoren, see p.86) 14.00 fringe concert 15.00 city walk € 7,50 / € 5 / € 5; duration 1h30 15.00 concert registration 15.30 wine tasting € 15 18.00 Pandhof closed

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sat 27 augSymp. French Baroque Gesture u p.88Theater Kikker

Sharon Weller / Lecture Baroque GestureTheater Kikker

Fringe u p.83various venues

Carillon concert / Arie Abbenes u p.86Domtoren, best spot: Pandhof

Bell Ringing concert and walk u p.86Church Towers, City centre

Ludmila Tschakalova / The Couperin dynastyLutherse Kerk


La Risonanza / Le goût italienGeertekerk

Fringe & Fabulous Fringe u p.83various venues

A. Delage & L. Stewart, harpsichord duoLutherse Kerk

Pantomime / Pièces de clavecin en concertsPieterskerk

Festivaljournaal / AVRO-Radio4 u p.24Jacobikerk

Le Parnasse français / Grands motetsJacobikerk

Il Gardellino / Couperin: Petits motetsPieterskerk

Thomas Dunford / Le Manuscrit de SaizenayAula, entrance Pandhof

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Ludmila TschakalovaharpsichordThe Couperin dynasty

The thirteen harpsichord recitals will all feature François Couperin as the Festival’s composer in residence. The Flemish-British Ludmila Tschakalova will have the first say with a musical portrait of the Couperin family, featuring music by uncle Louis and grand-nephew Armand-Louis.

sat 27 aug

13.00 Lutherse Kerk

concert no. 4

a € 15 / € 14 / € 10b € 13 / € 12 / € 10

sat 27 aug

11.00 Theater Kikker

concert no. 3

€ 5

symposium u p.88

Sharon Weller Symposium French Baroque Gesture Introductory lecture

Kicking off the three-day symposium on gesture in Baroque opera, director and voice teacher Sharon Weller of Basel’s Schola Cantorum will give an over-view of the main sources for this sign language. The audience can experience for themselves how gesture affects the body.

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Aurélien Delage & Laurent StewartharpsichordMusic for two harpsichords

Louis XIV’s court composer d’Anglebert transcribed Lully’s popular opera music for harpsichord. Aurélien Delage and Laurent Stewart continue this tradition and present some arrangements of their own, next to original repertoire for this beloved combination, by le Roux, Couperin and Rameau.

La Risonanza with Fabio Bonizzoni

Roberta Invernizzi, soprano Le goût italien

Lully is considered to be the founder of French Baroque opera, but before he gained that status, he wrote vocal intermezzi for his ballets still in the warm-blooded Italian aria tradition. Virile music, juxtaposed by Fabio Bonizzoni with Italian-inspired works by French composer André Campra, taken from his L’Europe galante.

sat 27 aug

17.00 Lutherse Kerk

concert no. 6

a € 15 / € 14 / € 10b € 13 / € 12 / € 10

sat 27 aug

15.00 Geertekerk

concert no. 5

a € 18 / € 17 / € 10b € 16 / € 15 / € 10

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AVRO & NPS Festival BulletinNearly every day, AVRO & NPS present a live broad-cast Festival Bulletin on Radio4 before the evening concert, featuring interviews with musicians and the latest Festival news. The audience is welcome to sit in on the broadcast, presented by Maartje Stokkers and Mark Brouwers.

PantomimeRameau: Pièces de clavecin en concerts

While Rameau considered his five Pièces de clavecin en concerts (1741) perfectly suitable for harpsichord solo, he clearly introduced a new chamber music genre. Pantomime is the coming together of violin, viola da gamba and harpsichord in equal measure. The path to the classical piano trio was opened.

sat 27 aug

19.00 Jacobikerk

free admission

also on:mon 30 aug 19.30-20.00 tue 31 aug 19.30-20.00wed 1 sep 19.30-20.00thu 2 sep 19.30-20.00fri 3 sep 19.30-20.00sat 4 sep 19.00-20.00

sat 27 aug

17.00 Pieterskerk

concert no. 7

a € 18 / € 17 / € 10b € 16 / € 15 / € 10

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Le Parnasse français with Louis Castelain Grands motets

Influenced by Lully, the grand motet grew to repre-sent a musical manifestation of Louis XIV’s grandeur. Court composer Lalande, maître de chapelle Campra and the genius Desmarest built on the allure of Versailles. Le Parnasse français never fails to advocate recently rediscovered repertoire, in the concert Cam-pra’s Magnificat.

sat 27 aug

20.00 Jacobikerk

concert no. 8

a € 30 / € 28 / € 10b € 27 / € 25 / € 10

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Thomas DunfordtheorboLe Manuscrit de Saizenay

Nobleman and amateur musician Vaudry de Saize-nay collected late 17th-century lute music into an invaluable manuscript, since it contains more often than not unique copies of French works for lute and theorbo. Young French lute player Thomas Dunford chose music by de Visée and Marais.

Il Gardellino with Jan de WinneCéline Scheen, soprano, Alain Buet, bassCouperin: Petits motets

Perhaps surprisingly, we have no knowledge of any grand motet by Couperin. Apparently, just as in his instrumental music, he stuck to smaller forms like the petit motet. He also took on even smaller gems: versets du motet or selected lines of chant, reworked into pearls of beauty for some of the most exquisite singers of his day.

sat 27 aug


concert no. 10

€ 10 / € 10 / € 5

sat 27 aug

22.30 Pieterskerk

concert no. 9

a € 18 / € 17 / € 10b € 16 / € 15 / € 10

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François Couperin 1668-1733composer in residence

Who else except François Couperin could be called com-poser in residence of a Festival on French Baroque music, especially given the amount of space reserved for keyboard music. As a member of a Parisian family of organ players, he not only inherited obvious musical qualities but excellent contacts as well. It didn’t take long for his exceptional talent to be recognized and for his career to take off. He took up a post as organ player at the Chapelle du Roy and would stay at court his whole life, as a harpsichordist and a composer, even after Louis XIV’s death in 1715.As far as we know, François Couperin never wrote large-scale orchestral works, let alone opera. His strength was in smaller forms, which he improved upon with his own imagi-nation. His keyboard oevre spans four books and 27 ordres, suites after a fashion where the dance movement gradually gave way to character pieces: often sharply defined inter-pretations of noted personalities and events. Couperin’s instrumental music stands out for his perfect fusion of the Italian and French styles. Finally, in his sacred music, he al-most challenges the grand tradition of Versailles by chosing a more minimalist approach. With his breathtaking subtlety, Couperin won universal acclaim.

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Symp. French Baroque Gesture u p.88Theater Kikker

Jed Wentz / DemonstrationTheater Kikker


Childrens’ workshop / Belle en het BeestPandhof / Stadsschouwburg

Bob van Asperen / Couperin & his teachersAula, entrance Pandhof


Philippe Pierlot / Buisson, Machy etc.Doopsgezinde Kerk

La Belle et la Bête / Childrens’ matineeStadsschouwburg


Capriccio Stravagante / PastichesGeertekerk

Ensemble À deux violes esgalesVredenburg Leeuwenbergh

Festivaljournaal / AVRO-Radio4 u p.24Stadsschouwburg

La Belle et la Bête / Le Shlemil Théâtre Stadsschouwburg

Il suonar parlante / Tombeaux Pieterskerk

Israel Golani / Louis’ favorite instrumentAula, entrance Pandhof

sun 29 aug

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Bob van Asperenharpsichord, organ Couperin & his teachers

Jacques-Denis Thomelin, organist at Louis XIV’s Chapelle Royale, had a profound influence on his pupil and successor François Couperin. While for long it had been agreed that no work of his hand had sur-vived the ages, Bob van Asperen proves the contrary and can now place Thomelin among his musical peers, Louis Couperin and Du Mont.

sun 29 aug


concert no. 12

€ 15 / € 14 / € 10

sun 29 aug

11.00 Theater Kikker

concert no. 11

€ 5

symposium u p.88

Jed Wentzwith Andreanne Paquin, soprano & Musica ad RhenumSymposium French Baroque GestureDemonstration

Baroque gesture, a theatrical sign language to support the vocal part, is a neatly specific as well as an often over-looked feature of the French tragédie en musique. Traverso player and conductor Jed Wentz presents his research in this field later this year, and put together a demonstration for the Festival with soprano Andreanne Paquin to show the remarkable effect of coming music with gesture.

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La Belle et la Bête Childrens’ matinee Le Shlemil Théâtre, Ensemble Contrastewith Frank Groothofdirectors: Cécile Roussat en Julien Lubek

see 20.00

Children’s workshop Belle en het Beestwith Frank Groothof - in Dutchand St. Alle hoeken van de kamermuziek

Performer Frank Groothof, some musicians and a mime invite children to join the story of Beauty and the Beast in preparation for the matinée. All forms of expression will be employed.

11.30 start in the Pandhof, Domplein 13.00 lunch in the Music School, close by14.30 presentation in the Stadsschouwburg (foyer) 15.00 children’s matinée La Belle et la Bête

sun 29 aug

15.00 Stadsschouwburg

concert no. 14

a € 18 / € 17 / € 5b € 16 / € 15 / € 5

until 18 years € 5

no interval

sun 29 aug

11.30 Pandhof

concert no. 13

children aged 6-12:€ 5 incl. lunch; excl. matinee 15.00

adult: workshop free admission; lunch € 5excl.childrens’ matinee 15.00

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Capriccio Stravagante with Skip SempéJudith van Wanroij, soprano, Benjamin Alunni, baritonePastiches à la française

A pastiche is a show put together with highlights of several operas by different composers. Capric-cio Stravagante and two top-class soloists invite the listener to a feast for the ears, a Baroque emotional rollercoaster with arias and overtures by Leclair, de la Barre, Couperin, Marais and Matho.

Philippe Pierlotviola da gamba soloBuisson, Machy, Sainte-Colombe, Hacquart etc.

For a long time, the viola da gamba was France’s favorite string instrument. Still, much of its repertoire has not been rediscovered. Philippe Pierlot, research-er, advocate and performer of this music put together individual movements to make new suites for this tasteful program.

sun 29 aug

17.00 Geertekerk

concert no. 16

a € 18 / € 17 / € 10b € 16 / € 15 / € 10


sun 29 aug

15.00 Doopsgezinde Kerk

concert no. 15

€ 18 / € 17 / € 10


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sun 29 aug

20.00 Stadsschouwburg

concert no. 18

a € 25 / € 23 / € 10 b € 22 / € 20 / € 10

no interval

La Belle et la Bête Le Shlemil Théâtre, Ensemble Contrastewith Frank Groothof directors: Cécile Roussat en Julien Lubek

Enchanting, poetic and funny, that’s the core of this show based on Grétry’s comédie-ballet from 1771, Zémire et Azor ou la Belle et la Bête. Choreographer Cécile Roussat (Le Bourgeois gentilhomme, Festival 2004) together with dancer and mime Julien Lubek created the perfect marriage between music, dance, mime and acrobatics.

Ensemble À deux violes esgalesMusic for two violas da gamba

Two violas da gamba was a favorite combination, and the specialty of Monsieur de Sainte-Colombe, who left a manuscript with 67 pieces for gamba duo. It also inspired Dubuisson, Hotman and Marais, who in turn get the two players of À deux violes esgales go-ing, who will bring their son Thomas Dunford to play the theorbo.

sun 29 aug

17.00 Vredenburg Leeuwenbergh

concert no. 17

€ 18 / € 17 / € 10

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Israel GolaniguitarLouis’ favorite instrument

During the early 17th century, the French considered the guitar to be a lowly instrument. That is, until Louis XIV picks it up at age five and unleashes a new courtly vogue. This programme shows both sides of the guitar: country dances and courtly suites, as well as anonymous arrangements of opera fragments by Rameau and Lully.

Il suonar parlante with Vittorio GhielmiTombeaux

None other than Virgil taught us: descending into In-ferno is easy, escaping it is sheer impossible. Il suonar parlante touches on the deepest layers of melancholy in their performance of a number of Tombeaux, a favorite musical monument to say goodbye to a loved one, dead or not.

sun 29 aug


concert no. 20

€ 10 / € 10 / € 5

sun 29 aug

22.30 Pieterskerk

concert no. 19

a € 18 / € 17 / € 10b € 16 / € 15 / € 10

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Leçons de ténèbres

The best music is melancholy music – nowhere else is this as clear as in the genre of the Leçons de ténèbres. The basis for these compositions are nine excerpts from the Lam-entations of the prophet Jeremiah, bemoaning the fall of Jerusalem, the destruction of the temple and the exodus of the Jews. Traditionally, these texts were sung in plainchant in the monasteries in preparation for Easter, but starting in the 15th century composers begun creating a polyphonic repertoire. Without doubt, their most beautiful incarnations were written in 17th- and 18th-century France, where they became the elaborate Leçons de ténèbres as breathtakingly envisioned by the best composers. And once the services featuring these Leçons were moved from after midnight to the afternoon, they became the society events of month. Each Ténèbres concert will feature a short newly-written composition by Daan Manneke, Bart Visman, Anthony Fiumara, Boudewijn Tarenskeen and Max Knigge.

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Symp. French Baroque Gesture u p.88Theater Kikker

Summer school / The Hemsch harpsichord Lutherse Kerk


Carillon concert / Rien Donkersloot u p.86Domtoren, best spot: Pandhof

Aurélien Delage / Couperin & d’AgincourtLutherse Kerk


Workshop / Hemsch harpsichordLutherse Kerk

E. Warnier, J. Léonard, A. di PasqualeVredenburg Leeuwenbergh


Ricercar Consort / Couperin: Pièces de violes Geertekerk

Festivaljournaal / AVRO-Radio4 u p.24Vredenburg Leidsche Rijn

Le Concert Spirituel / Le carnaval de VeniseVredenburg Leidsche Rijn

Laurent Stewart / Couperin & MarchandLutherse Kerk

mon 30 aug

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Aurélien DelageHemsch harpsichord Couperin & d’Agincourt

In the course of the 18th century, the Baroque suite and its stylized dance movement lost power to multi-movement character pieces portraying personalities or traits. François Couperin was one of the first to introduce this new way of instrumental writing, inspir-ing many of his contemporaries.

mon 30 aug

13.00 Lutherse Kerk

concert no. 22

a € 15 / € 14 / € 10b € 13 / € 12 / € 10

mon 30 aug

11.00 Lutherse Kerk

concert no. 21

€ 5

Anthony Sidey & Frédérick HaasSummer SchoolThe Hemsch harpsichord

The Hemsch harpsichord is a unique guest for no less than six recitals during the Festival. But where did this instrument come from, what makes it special, and most of all: who was this Jean-Henry Hemsch? These and other questions will be fully answered by builder Anthony Sidey and performer Frédérick Haas, who will give some sound examples.

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Workshop Hemsch harpsichordtutor: Frédérick Haas

It’s getting harder and harder for musicians to experi-ence playing a historic harpsichord, and sheer impos-sible for students. Meanwhile, such an encounter can kick off a life of inspiration. The Festival offers young professionals the chance to meet the Hemsch up close in an afternoon that’s open to the public.

Eugénie Warnier, sopranoJulien Léonard, viola gambaArnaud De Pasquale, harpsichordAirs de cour

The introduction of the air de cour coincided with the development of cultured life at court. These songs, tastefully but modestly accompanied, highlight their poetry and invite subtle ornamentation, a practice in which young French soprano Eugénie Warnier is well-versed.

mon 30 aug

15.00-18.00 Lutherse Kerk

concert no. 24

€ 5

mon 30 aug


concert no. 23

€ 18 / € 17 / € 10


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Laurent StewartHemsch harpsichord Couperin & Marchand

Remarkable parallels can be found between the music of near-contemporaries François Couperin and Louis Marchand. But while they enjoyed equal notoriety in their lifetimes, Marchand’s fame has faded since. Laurent Stewart once again unites both masters in a poetic tribute.

Ricercar Consort with Philippe PierlotCouperin: Pièces de violes

François Couperin had many different sides, as evidenced by the Ricercar Consort. They will play two French suites for viola da gamba and continuo, and also two sets of keyboard pieces inventively (re)arranged by Pierlot himself. One is an idyllic depiction of fauns and spirits, the other a touching reflection of seduction and unrequited love.

mon 30 aug

24.00 Lutherse Kerk

concert no. 27

€ 10 / € 10 / € 5

mon 30 aug

17.00 Geertekerk

concert no. 25

a € 18 / € 17 / € 10b € 16 / € 15 / € 10


41

Le Concert Spirituel with Hervé NiquetSoloists: Edwin Crossley-Mercer, Isabelle Druet, Anders Dahlin, Judith van Wanroij etc.Campra: Le carnaval de Venise (1699)

As the maître de musique of Notre-Dame, André Cam-pra shouldn’t have had the time to compose opera, but he did. This twisted comedy of love has a caleido-scopic effect in third act, where the players perform the story of Orpheus. Le Concert Spiritual will play this Campra with their usual gusto.

mon 30 aug


concert no. 26

a € 30 / € 28 / € 10b € 27 / € 25 / € 10

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Summer school / Leçons de ténèbres Utrechts Centrum voor de Kunsten


Arie Abbenes, Saskia Coolen u p.86Domtoren, best spot: Pandhof

Lars Ulrik Mortensen / Couperin & DuphlyLutherse Kerk


Ricercar Consort / ApothéosesVredenburg Leeuwenbergh


La Simphonie du Marais / The French cantataGeertekerk

Festivaljournaal / AVRO-Radio4 u p.24Pandhof

Les Arts Florissants / Pour la Chapelle Domkerk, entrance Pandhof

Il suonar parlante / Ténèbres: Aubery, KniggePieterskerk

Frédérick Haas / Couperin, d’Anglebert & RameauLutherse Kerk

tue 31 aug

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tue 31 aug

13.00 Lutherse Kerk

concert no. 29

a € 15 / € 14 / € 10b € 13 / € 12 / € 10

Lars Ulrik MortensenHemsch harpsichord Couperin & Duphly

Lars Ulrik Mortensen, one of the pioneering harpsi-chordists of our time, combines music by François Couperin with the favorite of the Paris salons, Jacques Duphly, who wrote four sets of keyboard music. In his early works, Duphly harks to Couperin’s charac-ter pieces, but later on he reveals the trend towards Haydn and Mozart.

Discussion with Henk HeuvelmansSummer school / Leçons de ténèbres

Tuesday through Saturday, the late-night concerts will feature the famed genre of the Leçon de ténèbres, a gorgeous repertoire for the days leading up to Easter. Every concert also features a newly-composed work for Lent. Henk Heuvelmans of Muziek Centrum Nederland leads their five composers in a discussion of the repertoire, its interpretation and meaning.

tue 31 aug

11.00 Utrechts Centrum voor de Kunsten

concert no. 28

€ 5

in dutch

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tue 31 aug

17.00 Geertekerk

concert no. 31

a € 18 / € 17 / € 10b € 16 / € 15 / € 10


tue 31 aug


concert no. 30

€ 18 / € 17 / € 10


La Simphonie du Marais with Hugo Reyne, traverso and oboeEugénie Warnier, soprano The French cantata

The French were convinced of the impossibility of singing in their own language, and it took an Italian to prove them wrong: Lully gave France a voice with elegant simplicity. This concert gives an overview of the vocal developments from Lully to Rameau, via Campra, featuring our artist in residence accompa-nied by La Simphonie du Marais in chamber form.

Ricercar Consort with Philippe PierlotCouperin: Apothéoses

The Baroque tombeau was the musical equivalent of a monument, written for illustrious colleagues as in the case of Rebel for Lully. Couperin took a differ-ent route and remembered Corelli and Lully in an apothéose: their glorious ascent to Parnassus. Ricer-car Consort will play this concert with six musicians.

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tue 31 aug

20.00 Domkerk, entrance Pandhof

concert no. 32

a € 30 / € 28 / € 10b € 27 / € 25 / € 10

Les Arts Florissants with Paul AgnewPour la Chapelle

Paul Agnew, known for his stunning performances of French repertoire, has recently taken on a new role leading the famed ensemble that was at the start of the rediscovery of France’s musical heritage. Under his guidance, male voices and continuo will sing most beautiful music for Lent by Marc-Antoine Charpentier and Henry Du Mont.

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tue 31 aug

24.00 Lutherse Kerk

concert no. 34

€ 10 / € 10 / € 5

tue 31 aug

22.30 Pieterskerk

concert no. 33

a € 18 / € 17 / € 10b € 16 / € 15 / € 10

Frédérick HaasHemsch harpsichord Couperin, d’Anglebert & Rameau

Playing his own harpsichord, Frédérick Haas recorded a selection of François Couperin’s keyboard music. This concerts confronts these works with music by d’Anglebert, who studied with Louis Couperin, and Rameau, France’s last great Baroque composer.

Il suonar parlante with Vittorio GhielmiLeçons de ténèbres: Aubery, Knigge

Leçons de ténèbres, meditations for Lent, came in all shapes and sizes and gained instant popularity. Math-ieu Aubery composed his 1728 Leçons for three voices and a small ensemble for Marie-Anne von Neuburg, the widow of Charles II. Our Ténèbres-series puts a Baroque composition together with a newly-written short piece, today by Max Knigge.

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Summer school / French Baroque interiorsUtrechts Centrum voor de Kunsten


Carillon concert / Malgosia Fiebig u p.86Domtoren, best spot: Pandhof

Paola Erdas / The invention of the style luthéLutherse Kerk


Wieland Kuijken c.s. / Pièces à 2 et 3 violesVredenburg Leeuwenbergh


J. Cheatham, J. Léonard, S. Sempé, J. MartinGeertekerk


Holland Baroque Society / Rousseau vs. Rameau Vredenburg Leidsche Rijn

Ensemble Pierre Robert / Ténèbres: CharpentierPieterskerk

Blandine Verlet / Couperin & Jacquet de la Guerre Lutherse Kerk

wed 1 sep

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Paola ErdasHemsch harpsichord The invention of the style luthé

The lute was France’s premier instrument during the 17th century, so it shouldn’t surprise that early harpsichord music copied traits of that style. Paola Erdas plays François Couperin as well as arrangements of lute works by Perrine and Gaulthier, and music by Couperin’s direct precursors d’Anglebert and uncle Louis.

wed 1 sep

13.00 Lutherse Kerk

concert no. 36

a € 15 / € 14 / € 10b € 13 / € 12 / € 10

wed 1 sep


concert no. 35

€ 5

in dutch

Clémentine DiepenSummer schoolFrench Baroque interiors (in Dutch)

The architectural system behind French Baroque interiors can also be found in the music of the period. Art historian Clémentine Diepen shows the differ-ences between the bold style of Louis XIV, sensuality and galantery of Louis XV and the neo-classical taste of Louis XVI, reflected in their respective music.

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Josh Cheatham, gamba, Julien Martin, recorderJulien Léonard, gamba, Skip Sempé, harpsichordPour la Chambre

Chamber music was the Baroque’s laboratory – composers jumped to the chance of experimenting with their most radical ideas. Playing with virtuosity, expression, sonority and ornamentation, composers like Marais, Hotteterre and Philidor performed their own music to perfection.

Wieland Kuijken, Mieneke van der Velden, Ricardo Rodríguez Miranda, gamba, Glen Wilson, harpsichordPièces à 2 et 3 violes

Some questions have the easiest answers. What could be better than two violas da gamba? Why, three of course, according to many in 17th-century France. Marais and Forquery wrote their most beautiful pages for this exciting coming together, here incarnated by Wieland Kuijken and two of his most successful students.

wed 1 sep

17.00 Geertekerk

concert no. 38

a € 18 / € 17 / € 10b € 16 / € 15 / € 10


wed 1 sep


concert no. 37

€ 18 / € 17 / € 10

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Holland Baroque Society led by Alexis Kossenko, traverso; soloists: Sabine Devieilhe, Anders Dahlin, Alain Buet; Johan Leysen, actorRousseau versus Rameau

Thinker and second-rate composer Rousseau unleashed with his pro-Italian sentiments a storm of protest against the venerable Rameau. Holland Ba-roque Society takes up the defense of the composers with a host of instrumental and vocal exhibits taken from Rameau’s impressive oeuvre. A battle of giants, revealing the deep rift between the Baroque and the dawning Romantic era.

wed 1 sep


concert no. 39

a € 25 / € 23 / € 10b € 22 / € 20 / € 10

no interval

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Blandine VerletHemsch harpsichord Couperin & Jacquet de la Guerre

Elisabeth Jacquet de la Guerre, one of the 17th century’s premier lady performers, wrote cantatas, chamber music and even an opera, but also keyboard music. Blandine Verlet, grande dame of the French harpsichord, confesses to a special relationship with the protégée of Madame de Montespan, Louis XIV’s mistress.

Ensemble Pierre Robertwith Frédéric Desenclos

Marcel Beekman, haute-contre

Leçons de ténèbres: Charpentier, Visman

Charpentier wrote no less than 54 Leçons de ténè-bres for ensembles of varying sizes, always finding the most poignant expression for the tragic texts. His lamentations for haute-contre solo must have touched the hearts of all in attendance in the church lusciously draped with black velvet.

wed 1 sep

24.00 Lutherse Kerk

concert no. 41

€ 10 / € 10 / € 5

wed 1 sep

22.30 Pieterskerk

concert no. 40

a € 18 / € 17 / € 10b € 16 / € 15 / € 10

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Summer school / Couperin’s titles explainedUtrechts Centrum voor de Kunsten


Carillon concert / Koen Cosaert u p.86Domtoren, best spot: Pandhof

M. Borgstede / Couperin, Barrière & BalbastreLutherse Kerk


Ens. Pierre Robert / Couperin: Petits motetsPieterskerk


Les Talens Lyriques / Couperin: Les NationsGeertekerk


Les Pages & les Chantres du CMBV / CampraDomkerk, entrance Pandhof

Le Parlement de Musique / Ténèbres: CouperinPieterskerk

Pierre Hantaï / Couperin & BachLutherse Kerk

thu 2 sep

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thu 2 sep

13.00 Lutherse Kerk

concert no. 43

a € 15 / € 14 / € 10b € 13 / € 12 / € 10

Michael BorgstedeharpsichordCouperin, Barrière & Balbastre

Michael Borgstede presents three generations of key-board composers: François Couperin, court composer to Louis XIV; Jean Barrière, on of France’s first cellists under the wing of Louis XV; and Claude-Bénigne Balbastre, teacher to Marie-Antoinette, organist at Notre-Dame and famous for his wide-ranging improvisations.

thu 2 sep


concert no. 42

€ 5

Jane ClarkSummer school Couperin’s titles explained

In The mirror of human life. Reflections on François Couperin’s ‘Pièces de Clavecin’, Jane Clark dug deeper into the background of Couperin’s often mysteriously titled keyboard pieces. She found that the seemingly innocent and humorous musical portraits are often only a thin mask for stinging sarcasm and criticism of society.

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thu 2 sep

17.00 Geertekerk

concert no. 45

a € 18 / € 17 / € 10b € 16 / € 15 / € 10

thu 2 sep

15.00 Pieterskerk

concert no. 44

a € 18 / € 17 / € 10b € 16 / € 15 / € 10

Les Talens Lyriques with Christophe RoussetCouperin: Les Nations

With Les Nations, Couperin tried to reconcile various national styles, since he would have nothing to do with one of the French’s most characteristic traits: cultural xenophobia. His four sonades et suites de sim-phonies en trio (1726) advocate equality between the French, Spanish, German and Italian style.

Ensemble Pierre Robertwith Frédéric DesenclosCouperin: Petits motets

The smaller the better: while composers living away from court at Versailles usually lacked funds to compose large-scale grands motets, court composer Couperin seems to have chosen to keep himself to the precious petit motet. In the genre, he took the op-portunity to experiment, making it ever so popular.

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thu 2 sep


concert no. 46

a € 30 / € 28 / € 10b € 27 / € 25 / € 10

no interval

Les Pages & les Chantres du CMBV Orchestre des Musiques Anciennes et à Venirwith Olivier SchneebeliSoloists: Robert Getchell, Jean-François Novelli, Marc LabonnetteCampra: In convertendo, Requiem

The 20 children and 17 adult singers of Les Pages & les Chantres du Centre de Musique Baroque de Versailles reflect the forces employed by Louis XIV’s royal chapel. Led by Olivier Schneebeli they will perform one of the grand highlights of the French Baroque: Campra’s Requiem.

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thu 2 sep

24.00 Lutherse Kerk

concert no. 48

€ 10 / € 10 / € 5

thu 2 sep

22.30 Pieterskerk

concert no. 47

a € 18 / € 17 / € 10b € 16 / € 15 / € 10


Pierre HantaïharpsichordCouperin & Bach

Bach held his French colleague Couperin in high esteem, and while they never met, at least Bach knew Couperin’s music well. Pierre Hantaï unveils paral-lels between the two musical giants, ranging from the educational qualities (Couperin’s L’Art de toucher le clavecin) to absolute master pieces (Bach’s Fourth English suite).

Le Parlement de Musiquewith Martin Gester Soloists: Eugénie Warnier, Elodie FonnardLeçons de ténèbres: Couperin, Fiumara

The Leçons de ténèbres became standard church rep-ertoire during Holy Week. Couperin only left us three of those leçons, every single one a marvel of orna-mented vocal art for one or two women’s voices plus continuo. All of French high society thronged to these musical services to be beguiled by candlelight.

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Workshop Baroque dance / Les pas à danser Utrechts Centrum voor de Kunsten



Skip Sempé / Toward the Revolution and backLutherse Kerk

Early Music Exhibition u p.82Museum van Speelklok tot Pierement


Musica ad Rhenum / Musique de chambreVredenburg Leeuwenbergh


Les Pages & les Chantres du CMBV / BouzignacDomkerk, entrance Pandhof


Les Nouveaux Caractères / RameauVredenburg Leidsche Rijn

La Sfera Armoniosa / Ténèbres: CharpentierPieterskerk

Fred Jacobs / Pour le coucher du Roi Aula, entrance Pandhof

fri 3 sep

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Skip SempéharpsichordToward the Revolution and back

Artist in residence Skip Sempé will use his two harpsi-chord to travel through the French keyboard reper-toire, starting with Louis Marchand around 1700. We follow him to François Couperin, his grand-nephew Armand-Louis and to Balbastre, only to bounce back at 1789 toward le Roux and Forqueray.

fri 3 sep

13.00 Lutherse Kerk

concert no. 50

a € 15 / € 14 / € 10b € 13 / € 12 / € 10


fri 3 sep


concert no. 49

€ 5

in dutch

Dorothée Wortelboer Workshop Baroque dance Les pas à danser (in Dutch)

Allemande, bourrée, menuet: classical dance forms you could probably hum in your sleep. But do you know the steps? Dorothée Wortelboer explains the backgrounds of French court dances and takes you through some of the basic moves. There is a second class at 13.00h.

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Les Pages, les Chantres &les Symphonistes du CMBV with Olivier SchneebeliBouzignac: Motetten

The end of the 16th century was crucial for French music. Italy inspired a cultural revolution, after the demise of polyphony. Moulinié, Formé and others took to experimenting, but it was Bouzignac why created a truly new, spectacular new way of treating the motet.

Musica ad Rhenum with Jed Wentz, traverso

Maarten Koningsberger, baritone

Couperin, Lambert & Campra

Dutch baritone Maarten Koningsberger was one of the stars in Rameau’s Hippolyte et Aricie alongside Eugénie Warnier last year, in a production led by Jed Wentz. This concert the two men will devote to the French song, starting with lyrical airs de cour by Michel Lambert, to the elaborate and refined Baroque canta-tas of André Campra..

fri 3 sep


concert no. 52

a € 18 / € 17 / € 10b € 16 / € 15 / € 10

fri 3 sep


concert no. 51

€ 18 / € 17 / € 10

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Les Nouveaux Caractèreswith Sébastien d’HérinSoloists: Karine Deshayes, Jean Sébastien Bou, Caroline Mutel, Mathias Vidal Rameau: Les surprises de l’Amour (1748, excerpts)

This joyous opéra-ballet was commisioned by Mad-ame de Pompadour, Louis XV’s mistress, who herself took on one of the roles. The libretto is a tangle of confusion, but Cupid always save the day. Les Nouveaux Caractères is an excellent example of the new generation of French musicians, performing this rarely heard music with vigour.

fri 3 sep


concert no. 53

a € 25 / € 23 / € 10b € 22 / € 20 / € 10

no interval

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Fred Jacobstheorbo Pour le coucher du Roi

After Louis Couperin’s death in 1661, Nicolas Hotman took over as Louis XIV’s personal musician. His Pièces de théorbe are among the first great works for the instrument in France. Enthusiasm grew through the works of Robert de Visée, who successfully arranged music by Couperin and Lully. In this concert, Fred Jacobs plays a reconstructed théorbe français.

La Sfera Armoniosa with Mike FentrossSoloists: Keren Motseri & Eugénie WarnierLeçons de ténèbres: Charpentier, Tarenskeen

Charpentier’s three gripping Leçons de ténèbres for Good Friday were written for one and two women’s voices. La Sfera Armoniosa recreates the liturgy sur-rounding the music, extinguishing the fifteen candles one by one and performing the final leçon in darkness.

fri 3 sep


concert no. 55

€ 10 / € 10 / € 5

fri 3 sep

22.30 Pieterskerk

concert no. 54

a € 18 / € 17 / € 10b € 16 / € 15 / € 10


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Local and international partners Deciding on the Pandhof as the new Festival centre, the Festival Oude Muziek Utrecht chose a heart right in the city centre. The garden, surrounded by the Dom, Academiege-bouw and Dom Square are an ideal backdrop for the heritage the Festival stands for. During the Festival, the entrance to the cloists will even get a golden touch thanks to an intervention by visual artists Jan de Jonge and Henk van der Feest, sup-ported by City Marketing Utrecht.

By opening the doors of their Pandhof, Utrecht University, marks the start of a renewed collobartion with the Festival. In the very near future, the relationship will be even closer when the Humanities faculty and the Festival will co-sponsor a yearly fellowship for a promising researcher/performer who will teach and also curate the STIMU sympsium.

Culturesfrance and Maison Descartes are the worldwide keepers of France’s cultural heritage. This year, thanks to the unprecented concentration of French musicians in Utrecht, they have decided to support the Festival as one of their central cultural activities for 2010. Another example how the Festival aims to be anchored: internationally, nationally but also firmly in the province and city of Utrecht.

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Made in Holland: showcase early music (in Dutch)

Utrecht may be the world’s biggest and most internation-ally oriented early music festival, quality doesn’t have to be found far away. Wednesday 1 September, Muziek Centrum Nederland hosts a showcase during the Festival Oude Muziek, aimed at programmers, agents and other music professionals. Five mostly young Dutch early music groups show how early music can fit any concert season. To start the afternoon, attendees can take part in a seminar explain-ing how to best include early music, since it’s all in the art of presentation. The showcases and the seminar are free for professionals, and the Festival invites them to attend the Holland Baroque Society concert later that day in Vreden-burg Leidsche Rijn. To sign up, please visit www.mcn.nl.

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Debate / The enigma of FranceUtrechts Centrum voor de Kunsten


Cuiller & Moaty / Couperin in the magic lanternOttone


Correspondances / Motets for MontmartreVredenburg Leeuwenbergh


Fouchécourt, Malgoire & Baumont / SalonsGeertekerk

Les Agrémens / Pour l’opéraJacobikerk


Les Passions, Les Éléments / GillesDomkerk, entrance Pandhof

S. Rydén c.s. / Ténèbres: Lalande, MannekePieterskerk

Eugène Ferré / The lute’s last songAula, entrance Pandhof

sat 4 sep

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Bertrand Cuiller, harpsichordprojection: Louise MoatyCouperin in the magic lantern

Huygens’ magic latern amazed every court in Europe: an early version of the comic, the projected images tickled everybody’s fantasy. Director Louise Moaty set to drawing with Couperin’s character pieces in mind, like Les Papillons, L’Arlequin and Les Sylvains. Bertrand Cuiller will take care of the performance.

sat 4 sep

13.00 Ottone

concert no. 57

€ 18 / € 17 / € 10

sat 4 sep


concert no. 56

€ 5

in dutch

... such a shame the French live therecoproduced with Tumult Debate CentreDebate: the enigma of France (in Dutch)

Even though almost a million Dutch vacantioners visit la douce France every year, both countries have a hard time understanding eachother. In a serious but lively debate, several guests who should know will try to pinpoint the basic differences. Until the sixties, the Netherlands were enamored with France, so where did it go wrong?

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Jean-Paul Fouchécourt, tenorFlorence Malgoire, violinOlivier Baumont, harpsichord and fortepianoLes salons de Paris

The 18th century saw the rise of the salon as a stage for the most interesting musicians of their time. Their hosts joined in the performances at the highest level, as evidenced by the song and chamber music written for these occasions. Jean-Paul Fouchécourt is the ideal singer for this especially refined and spirited genre.

Ensemble Correspondances with Sébastien DaucéMotets for Montmartre

Montmartre harbored Paris’ most worldly convent. Here, daughters from the city’s wealthy class received their education. Antoine Boësset took care of the musical aspects, and it turns out we should ascribe numerous anonymously pubished pieces to his pen. Charpentier and Moulinié complete the picture.

sat 4 sep

17.00 Geertekerk

concert no. 59

a € 18 / € 17 / € 10b € 16 / € 15 / € 10

sat 4 sep


concert no. 58

€ 18 / € 17 / € 10

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sat 4 sep

19.00 Pandhof

free admission

also on:sat 27 aug 19.00-20.00mon 30 aug 19.30-20.00 tue 31 aug 19.30-20.00wed 1 sep 19.30-20.00thu 2 sep 19.30-20.00fri 3 sep 19.30-20.00

AVRO & NPS Festival BulletinNearly every day, AVRO & NPS present a live broad-cast Festival Bulletin on Radio4 before the evening concert, featuring interviews with musicians and the latest Festival news. The audience is welcome to sit in on the broadcast, presented by Maartje Stokkers and Mark Brouwers.

Les Agrémens with Guy Van Waas

Pierre-Yves Pruvot, baritonePour l’opéra

After some struggle, the complex harmonic structures of Rameau’s operas gave in to lighter Italian melodics toward the end of the Baroque, but what would lie beyond? Les Agrémens plays a varied program of op-era fragments of the new generation including Gossic, Rigel and Gluck, who didn’t only survive this musical revolution, but also the events of 1789.

sat 4 sep

17.00 Jacobikerk

concert no. 60

a € 18 / € 17 / € 10b € 16 / € 15 / € 10

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Les Passions, Les Éléments with Jean-Marc AndrieuSoloists: Anne Magouët, Vincent Lièvre-Picard, Bruno Boterf, Alain BuetGilles: Requiem, Lamentaties

Gilles probably didn’t intend it this way, but his Req-uiem was played at his own funeral, after his death at age 37. Soon, his mass would be one of the most popular settings, but after being used for Rameau’s funeral, the manuscript disappeared. Choir and orchestra, led by Jean-Marc Andrieu, perform the re-constructed Requiem, as well as Gilles’ Lamentations.

sat 4 sep


concert no. 61

a € 30 / € 28 / € 10b € 27 / € 25 / € 10

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sat 4 sep


concert no. 63

€ 10 / € 10 / € 5

sat 4 sep

22.30 Pieterskerk

concert no. 62

a € 18 / € 17 / € 10b € 16 / € 15 / € 10

Eugène FerréluteThe lute’s last song

Before the harpsichord won the hearts and minds of the French, the lute was the foremost instrument for intimate situations. Denis Gaultier and his students François Dufaut and Jacques Gallot were the stars of the Paris salons, where their dance suites and free compositions proved a final flourishing for the instru-ment.

Susanne Rydén, sopranoPaulina van Laarhoven, viola da gambaKarl Nyhlin, luteLeçons de ténèbres: Lalande, Manneke

As Louis XIV moved into the Versailles palace in 1683, Lalande became the head of the royal chapel as his favorite composer. The grand motet was his strong suit, and several dozens can still be enjoyed, but of Leçons de ténèbres he left us only three: delicate music for soprano solo showing a different side from this versatile composer.

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Centre de Musique Baroque de Versailles

Since 1987, France boasts a top-class early music institute: the Centre de Musique Baroque de Versailles (CMBV) defends the immense musical heritage of the 17th and 18th centuries, bringing together researchers and performers in an operation to document, publish, teach and perform French music. From the beginning, individual composers have received the most thorough attention, starting with Jean-Baptiste Lully, resulting in music publications, concerts and opera performances and CD recordings. In over 20 years, the oeuvres of Charpentier, Du Mont, Lalande, Campra, Marais, Rameau, Mondonville, Clérambault, François Couperin, Gossec and many others have thus been unlocked.

The centre has as its base the restored Hôtel des Menus-Plaisirs, formerly the office of the forces behind the spectacles of Ver-sailles. Often, their own ensembles like Les Pages & les Chantres were the first to present new discoveries on stage.

For the 2010 edition, dedicated to Louis XIV and his family, the Festival Oude Muziek Utrecht has entered in a close partnership with the CMBV. In this collaboration, resulting in a number of productions, the two institutions have found strong partners in each other.www.cmbv.fr

77

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Brunch with Jordi / Host: Thea DerksTheater Kikker

Céline Frisch / Couperin & RameauAula, entrance Pandhof


Les Lunaisiens / Chansons révolutionnairesOttone

Ensemble Jacques Moderne / Caurroy, Le JeuneDomkerk, entrance Pandhof


Musica Amphion / The musette at the French courtVredenburg Leeuwenbergh

Les Muffatti / Leclair, Blavet: ConcertsSt. Augustinuskerk

Le Concert des Nations / The French orchestral suiteVredenburg Leidsche Rijn

sun 5 sep

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Céline FrischharpsichordCouperin & Rameau

Jean-Philippe Rameau built a towering reputation as an opera composer and musical thinker, but this didn’t stop his contemporaries as casting him aside as a final straw for the Ancien Régime. Céline Frisch will play a couple of his best pieces, of course in direct confrontation with music by composer in residence François Couperin.

sun 5 sep


concert no. 65

€ 15 / € 14 / € 10

sun 5 sep

11.30-13.00 Theater Kikker

concert no. 64

€ 15 / € 14 / € 10

catering: de bakkerswinkel

Brunch with JordiHost: Thea Derks

Maestro Jordi Savall will close the Festival Oude Muziek with his Concert des Nations. As an update, Thea Derks will quiz him on his unabated love for French Baroque music. All the while, a luxurious brunch will be served.

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Ensemble Jacques Moderne with Joël SuhubietteCaurroy, Le Jeune: Masses

Starting with Henry IV, the French kings were born to the grave under the sounds of Eustache du Caurroy’s Messe des morts (1590). This magnificent opus would, however, be the last example of the ‘old’ polyphonic style in France. Soon, less complicated music would be written, like le Jeune’s Messe ad placitum (1607).

Les Lunaisiens Jean-François Novelli, tenor, Arnaud Marzorati, bassDaniel Isoir, fortepianoChansons révolutionnaires

After the fall of the Bastille in 1789, proponents and detractors of the monarchy adopted song to vent their feelings, such as the Complainte de Louis XVI to the tune of Père Jacob, and on the other side the Hymne pour le 14 juillet by Philidor. Les Lunaisiens pay a moving tribute to the revolutionary chanson.

sun 5 sep

15.00

Domkerk, entrance Pandhof

concert no. 67

a € 18 / € 17 / € 10 b € 16 / € 15 / € 10

sun 5 sep

15.00 Ottone

concert no. 66

€ 18 / € 17 / € 10

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s

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Les Muffatti with Peter Van HeyghenLuis Otavio Santos, violinGeorges Barthel, traversoLeclair, Blavet: Concertos

The violin took its first steps in France as the instru-ment of dance masters like Jean-Marie Leclair. After studying in Italy, he became the founder of the French violin school. Just like his friend, flutist Michel Blavet, he presented a successful string of modern solo concertos. Baroque orchestra Les Muffatti chose two for this afternoon’s concert.

Musica Amphion with Pieter-Jan BelderJean-Pierre van Hees, musetteMathilde Etienne, sopranoThe musette at the French court

The aristocratic bagpipes with a bellows instead of a blowpipe, and two melodic pipes was a favourite in the French Baroque. It was with this douce et tendre musette in mind that Corrette, Dupuits des Bricettes and Bodin de Boismortier wrote their elegant cham-ber music.

sun 5 sep

17.00 St. Augustinuskerk

concert no. 69

a € 18 / € 17 / € 10b € 16 / € 15 / € 10

sun 5 sep


concert no. 68

€ 18 / € 17 / € 10

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sun 5 sep


concert no. 70

a € 30 / € 28 / € 10b € 27 / € 25 / € 10

Le Concert des Nations with Jordi SavallThe French orchestral suite

Closing the Festival, Le Concert des Nations bring together some highlights from a century of orchestral music at Versailles. Four suites are taken from key works in the French Baroque: Lully’s Alceste (1764), Marais’ Alcione (1706) and Rameau’s Indes galantes (1734) and Boréades (1764).

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Early Music ExhibitionMuseum van Speelklok tot Pierement

Dozens of stallholders will be presenting their wares at the Early Music Market, offering sheet music, instru-ments and recordings. They will be in the Nationaal Museum van Speelklok tot Pierement; admission is free for those who have an admission ticket for the Early Music Market.

fri 3 sep: 13.00-17.00 sat 4 sep: 10.00-17.00 sun 5 sep: 10.00-17.00

€ 5 / free admission voor Vrienden tickets on sale at the museum

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Free fringe concerts

Outside of the official programme, the Festival Oude Muziek Utrecht offers numerous free fringe concerts every day, performed by young musicians, some still in their studies, some starting out their career in early music. These concerts are a welcome addition to the already charged Festival schedule and may be a step towards a concert in the official programme of Festival or Season.The concerts take place in historic venues all over the historic centre and last generally 45 minutes. Due to the often very small venues, free tickets must be obtained at the Festival Box Office (max. 2 per person) on the day of the concert. Afterwards, the musicians will ask for a voluntary contribution. The complete fringe programme will be published on www.oudemuziek.nl, as well as in the August issue of the Magazine and the pocket-sized Festival overview.

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Fabulous Fringe

Fringe concerts that we found especially noteworthy have a place in the series Fabulous Fringe. Everybody at 3.30, Lutherse Kerk, Aula or Museum van Speelklok tot Pierement offer a stage for the most promising ensem-bles and soloists. These concerts are also free, but free tickets must be picked up beforehand at the Festival Box Office. Only available on the day of the concert, maximum 2 tickets per person.

sat 27 aug, 15.30 / Doopsgezinde KerkIrma Niskanen, violin Olga Witthauer, fortepianoMozart, Prach, Berezovsky, Byström

sun 29 aug, 15.30 / Aula, entrance PandhofCapriola di Gioia Amaryllis Dieltens, sopraan Bart Naessens, organ Maddalena ai piedi di Cristo: Carissimi, Rossi en Caldara

mon 30 aug, 15.30 / Museum van Speelklok tot PierementLa Felice ConcordiaEmmanuel Resche, violinRafael Núñez Velázquez, violin/violaCatherine Thinon, cornetto/traversoAlice Coquart, violoncelloGabrielle Resche, harpsichordXavier Soler i Sellarès, theorbe/guitar French Music at the time of Louis XIV: Marais, Dornel, Lully etc.

tue 31 aug, 15.30 / Museum van Speelklok tot PierementEnsemble Diamanté Tomokazu Ujigawa, recorderRie Kimura, violinRobert Smith, viola da gamba/violoncelloAya Fukuma, harpsichord Telemann, Bach

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wed 1 sep, 15.30 / Museum van Speelklok tot PierementEnsemble ActéonMar Codina, sopranoDagmar Saskova, alto Olivier Rault, tenorPierre Boudeville, bassChloé Sévère, organTereza Pavelkova, theorboRoberto Alonso, violoncello Charpentier and Italy: Allegri, Foggia, Lorenzani, Scarlatti, Carissimi

thu 2 sep, 15.30 / Museum van Speelklok tot PierementDimitri Marinkev, traverso Yavor Genov, luteStile francese: Ballard, Hotteterre, Couperin, Vallet, Braun, Blavet

fri 3 sep, 15.30 / Lutherse KerkQuator MathisLouis Creac’h and Matilde Pais, violinLika Lalloum, altoKeiki Gomi, violoncelloGilbert Camí Farràs, natural hornAna Melo, clarinetteStich, Mozart

sat 4 sep, 15.30 / Aula, entrance PandhofMusica FantasiaJulie Ryning, sopranoJi Sun Kim, recorders/percussionKatelyn Clark, organ/hurdy gurdyHoofse liefde: Landini, Von Vogelweide, Machaut etc.

sun 5 sep, 15.30 / Aula, entrance PandhofQuator OdamEmily Worthington, clarinetMorgan Eouza, fluteGilbert Camí Farràs, natural hornFrançois Viault, bassoonRossini, Gambaro, Stamitz

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Carillon

City carillonneur Arie Abbenes climbs the Dom tower every year for his carillon concerts related to the Festival theme. This year, a greater number of guest players than before join him for daily concerts, which can be best enjoyed from the Festival centre Pandhof. Entrance on the Domplein.

fri 27 aug, 19.00-19.45 / Domtorenand on a screen in Vredenburg Leidsche RijnArie Abbenes, city carillonneurLully, Couperin sat 27 aug, 11.00-12.00 / DomtorenArie Abbenes, city carillonneurRameau, Couperin, Forqueray, Lebègue sat 27 aug, 12.00 / Church towers historic centreUtrechts Klokkenluiders GildeBell concert and walkMembers of the Utrechts Klokkenluiders Gilde will shower the city with the sound of bells, starting with the great carillon of the Domtoren, slowly building until all thirteen bells will sound. One by one, the city’s other towers will start playing.At 12:15 two walks along the various towers start:western route: Domplein, Pieterskerk, Janskerk, St. Augustinuskerk, Jacobikerk; southern route: Maartensbrug (crossing Oudegracht/Zadelstraat), Buurtoren, Lutherse Kerk, St. Catharinakathedraal, Nicolaïkerk, Geertekerk and the Bartholomeus Gasthuis. sun 29 aug, 9.45 / DomtorenDemonstration manual bell-ringingMembers of the Utrechts Klokkenluiders Gilde Maximum number of participants is 25. Tickets are free and can be collected on Saturday 28 August at the Festival Box Office.

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mon 30 aug, 11.30-12.15 / DomtorenRien Donkersloot, student HKU - UtrechtFrench organ music of the 18th century tue 31 aug, 11.30-12.15 / DomtorenArie Abbenes, city carillonneur & Saskia Coolen, recorderLebègue, Marais, Couperin, Forqueray, Vallet, Gaultier wed 1 sep, 11.30-12.15 / DomtorenMalgosia Fiebig, assistant city carillonneur of NijmegenRameau: dance suites from operas thu 2 sep, 11.30-12.15 / DomtorenKoen Cosaert, city carillonneur of Kortrijk, Roeselare and Izegem Lully, Louis Couperin, François Couperin, Campra, Corette fri 3 sep, 11.30-12.15 / DomtorenArie Abbenes, city carillonneurDandrieu, Du Mont, French chansons sat 4 sep, 11.00-12.00 / DomtorenArie Abbenes, city carillonneurThe Couperin, Balbastre, Duphly families sun 5 sep, 9.45 / DomtorenDemonstration manual bell-ringingMembers of the Utrechts Klokkenluiders Gilde Maximum number of participants is 25. Tickets are free and can be collected on Saturday 4 September at the Festival Box Office.

Tunes from the Dom carillon On the hour Louis Couperin: Sarabande and canon15 min. past Jacques Hotteterre: Prélude, fragment from

l’Art de Préluder30 min. past Jean-Baptiste Lully: La Gavotte from

Le bourgeois gentilhomme45 min. to Jacques Hotteterre: Prélude, fragment from

l’Art de Préluder

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Symposium French Baroque Gesture 1675-1800Theater Kikker

The three-day STIMU symposium is dedicated this year to the art of gesture in French Baroque theatre, opera and dance. Parallels and differences between the genres will be explored, as well as the conse-quences of the use of gesture on timing, tempo and expression of the performer. A number of lectures and demonstrations will feature an international gather-ing of researchers, musicians, authors and dancers, all specialists in their field.

Among the speakers:• Graham Sadler (University of Hull): Reconstructing

the union of music, movement and gesture in the bal-lets figurés of two Rameau-Cahusac operas

• Jennifer Thorp (New College, Oxford University): Expressive dance in Dubos’ ‘Réflexions critiques’

• Sabine Chaouche (Oxford Brookes University): Pastiche on the French Stage

• Jed Wentz (artistiek leider Musica ad Rhenum): Af-fect, Rubato and Gesture at the Opéra

sat 27 aug: 11.00-17.30 sun 29 aug: 10.00-17.30 mon 30 aug:10.00-12.45

passe-partout 28 t/m 30 aug € 45 / € 45 / € 25dagkaart 28, 29 aug € 20 / € 20 / € 10dagkaart 30 aug € 10 / € 10 / € 5

89

Two lectures are particularly suited to be introduc-tions for interested members of the general public, allowing them to follow the rest of the symposium as well. For these two lectures, separate tickets can be bought. sat 27 aug, 11.00 / Introductory lecture Sharon WellerKicken off the three-day symposium on Baroque gesture in opera, Sharon Weller, director and vocal coach at the Schola Cantorum Basiliensis, will give an overview of the most important sources for this language of gestures. The audience can experience first-hand how the principles apply to the stage. sun 29 aug, 11.00 / Demonstration gestureJed Wentz with Andreanne Paquin, soprano & Musica ad Rhenum Baroque gesture is as integral a part of the French tragédie en musique as it is undervalued. Traverso player and conductor Jed Wentz will shortly defend his PhD on the subject and demonstrate with the help of soprano Andreanne Paquin the remarkable effects of pairing music with gesture.

Complete programme:www.oudemuziek.nl/symposium

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John Eliot Gardiner & The Monteverdi ChoirEuropa Galante & Ian BostridgeGiovanni Antonini & Il Giardino ArmonicoPhilippe Herreweghe & Collegium Vocale GentL’Arpeggiata, Nuria Rial & Philippe JarousskyAkademie für Alte Musik BerlinJordi Savall ...

Philippe Herreweghe © Paul Willaert

OUdE MUzIEK IN HET NIEUWE SEIzOEN 10-11

FOM.indd 1 20/04/10 19:33

SKIP SEMPE CAPRICCIO STRAVAGANTE

PARADIZO ESSENTIAL LISTENING

ANTICO / MODERNO Renaissance Madrigals Embellished

Doron Sherwin, Julien Martin, Josh Cheatham, Skip Sempé

PARADIZO Consort Music & Airs for the FluteJulien Martin / Capriccio Stravagante

LA PELLEGRINA - Intermedii 1589Leclair, Mauch, Bertin, van Dyck, Novelli, Fajardo

Capriccio Stravagante Renaissance OrchestraCollegium Vocale Gent / Skip Sempé

TELEMANNOuverture for Recorder / Fantasias

Concerto for Recorder & Viola da gambaJulien Martin, Josh Cheatham

Capriccio Stravagante

RAMEAULa Pantomime - Pièces de clavecin

Skip Sempé / Olivier Fortin

MARAIS / SAINTE-COLOMBEPièces de viole

Josh Cheatham, Julien Léonard, Skip Sempé

A FRENCH COLLECTION Pièces de clavecin

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SCARLATTI Duende - Harpsichord Sonatas

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Skip Sempé Julien Martin Josh Cheatham

Paradizo148x210_2:Paradizo_utrech 16/04/10 11:12 Page 1

seizoen oudemuziek

Oct 2010 throughMay 2011

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Early Music from October through May Can you not wait until the start of a new Festival Oude Muziek? Well, you don’t have to, because our concert season 10/11, starting in October, offers a wide range of repertoires and artists until May 2011. 19 tours will visit some 40 concert venues throughout the Netherlands and Flanders, making a season of 114 early music concerts from Machaut to Schu-mann. The performers can be making their debut, or be world-famous, but al-ways fascinating and of the highest level. We offer, among others, Philippe Her-reweghe’s Collegium Vocale Gent, the Gesualdo Consort Amsterdam and Trio Hantaï. In connection with the Festival, the season has taken on a French Ba-roque accent with performances by harp-sichordist Aurélien Delage, ensemble Au-sonia and Frédérick Haas, Les Musiciens de Saint-Julien and gamba duo Les Voix humaines. For Amsterdam and Utrecht, we’ve put together a day entirely devoted to the music of Johann Sebastian Bach, as well as a special series of concerts in five picturesque castles combines a guided tour and a concert.

OctNovDec 2010

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Oct 2010

UTRECHT

RHENEN

WESTZAAN

DEVENTER

MAASTRICHT

AMSTERDAM

J.P. SweelinckPsalms and madrigals

Hard to believe, but true: only recently, all of Swee-linck’s vocal works have been completely recorded. Gesualdo Consort Amsterdam was praised for the three editions that have so far seen the light. This concert is a colorful selection from the oeuvre of the Orpheus of Amsterdam, ranging from devout psalms and motets to passionate madrigals.

Gesualdo Consort Amsterdam / Harry van der KampNele Gramß: soprano / Marnix De Cat: altus / Marcel Beekman: tenor / Harry van Berne: tenor / Harry van der Kamp: bass / Pieter Dirksen: harpsichord

Tue 19 Oct, 20.15 Utrecht, Geertekerk

Wed 20 Oct, 20.15 Rhenen, Cunerakerk

Thu 21 Oct, 20.15 Westzaan, Zuidervermaning

Fri 22 Oct, 20.15 Deventer, Penninckshuis

Sat 23 Oct, 20.15 Maastricht, St. Janskerk (larger ensemble)

Sun 24 Oct, 20.15 Amsterdam, Muziekgebouw aan ’t IJ

(larger ensemble)

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Oct 2010

ENSCHEDE

HASSELT (B)

UTRECHT

BRUSSELS (B)

LIMBRICHT

Marc Mauillon & Pierre HamonMarc Mauillon: voice / Vivabiancaluna Biffi: vièlle, voice / Pierre Hamon: flute / Angélique Mauillon: harp

Sun 24 Oct, 16.00 Enschede, Grote Kerk

Tue 26 Oct, 20.00 Hasselt (B), St. Quintinuskathedraal

Wed 27 Oct, 20.00 Utrecht, Vredenburg Leeuwenbergh

Fri 29 Oct, 20.00 Brussels (B), BOZAR

Sun 31 Oct, 14.30 Limbricht, St. Salviuskerkje

Guillaume de MachautLe Remède de Fortune

Without doubt, Guillaume de Machaut was the most famour composer-poet of the 14th century. Hij wrote his Remède de Fortune to remember a Bohemian princess who had died of the plague. The recording of this piece by these medievalist, a hypnotising perfor-mance, was recently awarded a prestitgious Diapason d’Or.

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Ausonia / Frédérick HaasMira Glodeanu: violin / James Munro: violone / Frédérick Haas: harpsichord

Tue 9 Nov, 20.30 Zwolle, Lutherse Kerk

Wed 10 Nov, 20.15 Delft, St. Hippolytuskapel

Thu 11 Nov, 20.15 Ammerzoden, Ammersoyen Castle

Fri 12 Nov, 20.15 Venlo, St. Joriskerk

Sat 13 Nov, 14.00 Amsterdam, Noorderkerk

Sun 14 Nov, 16.00 Haarlem, Waalse Kerk

Les Ombres Errantes Francoeur & Couperin

Playing with light and shadow, Ausonia and French harpsichordist Frédérick Haas will highlight music by two François: Francoeur composed next to his theatre music two collections of the finest violin sonatas that form a delicious contrast with the characteristic pièces de clavecin by Couperin.

Nov 2010

ZWOLLE

DELFT

AMMERZODEN

VENLO

AMSTERDAM

HAARLEM

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OsmosisKate Clark: flute / Ofer Frenkel: oboe / Nicole van Bruggen: clarinet / Helen MacDougall: horn / Benny Aghassi: bassoon

Tue 30 Nov, 20.00 Utrecht, Vredenburg Leeuwenbergh

Wed 1 Dec, 20.15 Muiden, Muiderslot

Thu 2 Dec, 20.15 Westzaan, Zuidervermaning

Fri 3 Dec, 20.15 Deventer, Penninckshuis

Sat 4 Dec, 20.15 Vries, Dorpskerk

Romantic music for windsReicha, Danzi, Onslow, Crusell

Anton Reicha is the godfather of the wind quintet, after he introduced the genre in Paris in 1820. His expressive style was a clear inspiration for his students: Berlioz, Liszt and Gounod would grow to be the avant-garde of the romantic period. Osmosis places this Czech innova-tor among his contemporaries.

Dec 2010

UTRECHT

MUIDEN

WESTZAAN

DEVENTER

VRIES

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Dec 2010

ZEIST

’S-HEERENBERG

BLOEMENDAAL

POEDEROIJEN

WOERDEN

AMSTERDAM

LEEUWARDEN

AMERONGEN

Xenia Meijer, soprano

Michael Leopold, lute/vihuela

Fri 10 Dec, 20.00 Zeist, Evangelische Broederkerk

Sat 11 Dec, 20.00 ’s-Heerenberg, Huis Bergh

Sun 12 Dec, 16.00 Bloemendaal, Dorpskerk

Wed 15 Dec, 20.15 Poederoijen, Slot Loevestein

Thu 16 Dec, 20.15 Woerden, Lutherse Kerk

Fri 17 Dec, 20.15 Amsterdam, Waalse Kerk

Sat 18 Dec, 20.15 Leeuwarden, Waalse Kerk

Sun 19 Dec, 14.30 Amerongen, Kasteel Amerongen

Airs de cour en tonos humanos Lambert, D’Affilard, Marín, Hidalgo etc.

Central to this program is the court culture in France and Spain. Xenia Meijer sings delicately carved airs de cour and poetic tonos humanos accompanied by lutist Michael Leopold. Hi will also play works from the final period of his instrument in France, as well as craftful polyphonic music for vihuela, Spain’s answer to the lute.

JanFeb 2011

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Jan 2011

UTRECHT

AMSTERDAM

Sat 15 Jan, 10.00-17.00 Utrecht, Lutherse Kerk and Geertekerk

10.00, Lutherse Kerk welcome with coffee

10.30, Lutherse Kerk lecture by Jan Nuchelmans

11.30, Lutherse Kerk Gustav Leonhardt, harpsichord

12.30, Rest. De Rechtbank lunch

13.30, Lutherse Kerk choral workshop with Erik Van Nevel

15.30, Geertekerk Le Chant de Balles

Sun 16 Jan, 10.00- 17.00 Amsterdam, Muziekgebouw aan ’t IJ

10.00, Entreehal welcome with coffee

10.30, Bamzaal lecture by Jan Nuchelmans

11.30, Grote Zaal Gustav Leonhardt, harpsichord

12.30, Star Ferry lunch

13.30, Studio 1 choral workshop with Erik Van Nevel

15.00, Entreehal tea break

15.30, Grote Zaal Le Chant de Balles

BachDag: A day of Bach Utrecht and Amsterdam

A whole day of Bach, for many the nec plus ultra of music. The program includes a lecture by Jan Nu-chelmans on Bach’s audience (in Dutch), a choral workshop led by Erik Van Nevel around the motet ‘Der Geist hilft unser Schwachheit auf’ (in Dutch), and harpsichord recital by Gustav Leonhardt and the original and playful theatre production Bach en balles by French duo Le Chant de Balles with lute player Eric Bellocq and juggling artist Vincent de Lavenère. Lunch and snacks are included in the ticket price.

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Jan 2011

UTRECHT

AMSTERDAM

’S-HEERENBERG

ZWOLLE

AMMERZODEN

MAASTRICHT

BRUGES (B)

NO INTERVAL

Le Chant de BallesEric Bellocq: plucked instruments Vincent de Lavenère: juggling artist

Sat 15 Jan, 15.30 Utrecht, Geertekerk, see p.104

Sun 16 Jan, 15.30 Amsterdam, Muziekgebouw aan ’t IJ, see p.104

Tue 18 Jan, 20.00 ’s-Heerenberg, Huis Bergh

Wed 19 Jan, 20.30 Zwolle, Theater Odeon

Thu 20 Jan, 20.15 Ammerzoden, Ammersoyen Castle

Sat 22 Jan, 20.15 Maastricht, Cellebroederskapel

Sun 23 Jan, 15.30 Bruges (B), Concertgebouw

Bach en ballesLute music with balls

Bach’s lute oeuvre is just two hours long, but size says nothing. The music is incredibly complicated, and playing these arrangements of music for different instruments asks everything from tis performer. This unlikely duo of a musician and a juggling artist repre-sents the highest level of virtuosity in both fields.

106

Jan 2011

BRUSSELS (B)

BRUGES (B)

ENSCHEDE

AMERONGEN

UTRECHT

VENLO

AMSTERDAM

Il suonar parlante / Vittorio GhielmiVittorio Ghielmi: discant viol and bass / Rodney Prada: tenor viol / Fahmi Alqhai: bass viol / Cristino Contadin: double bass viol / Lorenzo Ghielmi: Silbermann fortepiano

Sat 22 Jan, 20.00 Brussels (B), BOZAR

Sun 23 Jan, 14.00 Bruges (B), Concertgebouw

Tue 25 Jan, 20.00 Enschede, Grote Kerk

Wed 26 Jan, 20.15 Amerongen, Kasteel Amerongen

Thu 27 Jan, 20.15 Utrecht, Geertekerk

Fri 28 Jan, 20.15 Venlo, Domani

Sat 29 Jan, 20.15 Amsterdam, Waalse Kerk

J.S. Bach: Art of the Fugue

In his Art of the Fugue Bach struck a delightful balance between creative erudition and musical pleasure. He just left us the notes: of the instrument supposed to play them he said nothing. Il suonar parlante took up the challenge and performs Bach’s final large work with a quartet of viols and a Silbermann piano – an innovation that pleased Bach at the end of his life.

107

Feb 2011

DELFT

WESTZAAN

ANTWERP (B)

AMSTERDAM

LIMBRICHT

Trio LusciniaStefanie True: soprano / Michaela Riener: mezzo-soprano / Constance Lee: fortepiano (Érard 1849)

Wed 2 Feb, 20.15 Delft, Oud-Katholieke Kerk

Thu 3 Feb, 20.15 Westzaan, Zuidervermaning

Fri 4 Feb, 21.00 Antwerp (B), AMUZ

Sat 5 Feb, 14.00 Amsterdam, Noorderkerk

Sun 6 Feb, 14.30 Limbricht, St. Salviuskerkje

The Schumanns at the Dutch court Songs and duets

When the Schumanns visited the Netherlands in 1853, they found an enthousiastic and lively audience. In The Hague they tied a friendship with the gifted Madeleine Gräver, a court musician to queen Sophie. The young ladies of Trio Luscinia couldn’t resist and play some of her music, as well as works by Clara and Robert Schumann themselves.

108

Feb 2011

HASSELT (B)

MUIDEN

DEVENTER

VRIES

UTRECHT

The Queen’s Consort / Sophie GentSophie Gent, Matthew Truscott: violin / Nick Milne, Romina Lischka: viola da gamba / Richard Sweeney, Sofie Van den Eynde: theorbo

Wed 9 Feb, 20.00 Hasselt (B), Stadhuis

Thu 10 Feb, 20.15 Muiden, Muiderslot

Fri 11 Feb, 20.15 Deventer, Penninckshuis

Sat 12 Feb, 20.15 Vries, Dorpskerk

Sun 13 Feb, 16.00 Utrecht, Lutherse Kerk

Royal ConsortsLawes and Jenkins

This season, we’re proud to present the new ensem-ble around violin star Sophie Gent. They make their debut with 17th-century English court music by Lawes and Jenkins. The first wrote music as capricious as his short life – he died outside of battle during the Civil War – while the latter reached a very high age, bridging the gap between the Renaissance consort and the Baroque sonata.

109

Feb 2011

ZEIST

AMMERZODEN

WOERDEN

VENLO

BLOEMENDAAL

Coolen & CoSaskia Coolen: recorders / Rainer Zipperling: viola da gamba / Patrick Ayrton: harpsichord

Tue 15 Feb, 20.00 Zeist, Evangelische Broederkerk

Wed 16 Feb, 20.15 Ammerzoden, Ammersoyen Castle

Thu 17 Feb, 20.15 Woerden, Lutherse Kerk

Fri 18 Feb, 20.15 Venlo, Domani

Sat 19 Feb, 16.00 Bloemendaal, Dorpskerk

Diminuties & ostinati Bassano, Ortiz, Virgiliano etc.

Ornaments come in all sorts and shapes, and es-pecially during the Renaissance, musicians enjoyed making them ever smaller, ever more complicated. Saskia Coolen and her colleagues continue this tradition of improvising on a repeated bass line, while presenting a few inventions of her own.

110

Feb 2011

’S-HEERENBERG

UTRECHT

MAASTRICHT

AMSTERDAM

Aurélien Delage, harpsichord

Thu 24 Feb, 20.00 ’s-Heerenberg, Huis Bergh

Fri 25 Feb, 20.00 Utrecht, Vredenburg Leeuwenbergh

Sat 26 Feb, 20.15 Maastricht, Cellebroederskapel

Sun 27 Feb, 20.15 Amsterdam, Waalse Kerk

The harpsichord players of Louis XIVCouperin, Champion de Chambonnières etc.

Aurélien Delage is one the young harpsichord poets coming from France, be it in the music of Champion de Chambonnières, founder of the French keyboard school, d’Anglebert who arranged music from Lully’s operas, or François Couperin and his character pieces. No matter the repertoire, Delage lends his performance a unique colour.

Mar 2011

112

Mar 2011

UTRECHT

RHENEN

WESTZAAN

MIDDELBURG

AMSTERDAM

HAARLEM

Capilla FlamencaMarnix De Cat: altus / Tore Denys: tenor / Lieven Termont: baritonans / Dirk Snellings: bassus / Philippe Thuriot: accordeon

Tue 1 Mar, 20.15 Utrecht, Pieterskerk

Wed 2 Mar, 20.15 Rhenen, Cunerakerk

Thu 3 Mar, 20.15 Westzaan, Zuidervermaning

Fri 4 Mar, 20.00 Middelburg, Zeeuwse Concertzaal

Sat 5 Mar, 14.00 Amsterdam, Noorderkerk

Sun 6 Mar, 16.00 Haarlem, Waalse Kerk

In mynen zyn Polyfonie by Alexander Agricola

15ht-century polyphonist Alexander Agricola based his Missa In mynen zyn on one of his own love songs: a craftful work that is a strong match for his inge-nious Marian motets. Capilla Flamenca invited an accordeonist to incarnate Agricola and show how a chanson can grow into a four-part mass through invention, improvisation and composition.

113

Mar 2011

HASSELT (B)

DELFT

DEVENTER

ZEIST

LIMBRICHT

Trio HantaïMarc Hantaï: traverso / Jérôme Hantaï: viola da gamba / Pierre Hantaï: harpsichord

Tue 8 Mar, 20.00 Hasselt (B), Stadhuis

Wed 9 Mar, 20.15 Delft, Lutherse Kerk

Fri 11 Mar, 20.15 Deventer, Penninckshuis

Sat 12 Mar, 20.00 Zeist, Evangelische Broederkerk

Sun 13 Mar, 14.30 Limbricht, St. Salviuskerkje

Virtuoso Baroque musicLeclair, Marais, Telemann etc.

Every one of the three Hantaï brothers is an undispu-ted specialist on his instrument. A coming together has to result in a concert of masterpieces highlighting everyone’s best. We hear flute music by Leclair, some of Marais’ music for viola da gamba and keyboard works by Couperin, plus virtuoso ensemble pieces by Bach, Telemann and Rameau.

114

Mar 2011

BRUSSELS (B)

ZWOLLE

AMSTERDAM

MIDDELBURG

LEEUWARDEN

AMERONGEN

Per Flauto / Bart CoenBart Coen, recorder / Ryo Terakado, violin / An Van Laethem, violin / Annelies Decock, viola / Ronan Kernoa, violoncello / Herman Stinders, organ and harpsichord

Tue 15 Mar, 20.00 Brussels (B), BOZAR

Wed 16 Mar, 20.30 Zwolle, Lutherse Kerk

Thu 17 Mar, 20.15 Amsterdam, Waalse Kerk

Fri 18 Mar, 20.00 Middelburg, Zeeuwse Concertzaal

Sat 19 Mar, 20.15 Leeuwarden, Waalse Kerk

Sun 20 Mar, 14.30 Amerongen, Kasteel Amerongen

Il Manoscritto Tue Napoli 1725Alessandro Scarlatti and his contemporaries

1725, Napels: after the death of the great Alessandro Scarlatti, his final instrumental pieces were carefully collected in a manuscript, which also contained music by two other composers. Who were his forgot-ten peers? Per Flauto battles as much for Scarlatti as for his colleagues at court Francesco Mancini and Domenico Sarri.

115

Mar 2011

ENSCHEDE

MAASTRICHT

AMSTERDAM

UTRECHT

ROTTERDAM

Collegium Vocale Gent / Philippe Herreweghe

Fri 18 Mar, 20.00 Enschede, Grote Kerk

Sat 19 Mar, 20.15 Maastricht, OLV Basiliek

Sun 20 Mar, 20.15 Amsterdam, Muziekgebouw aan ’t IJ

ma 21 Mar, 20.15 Utrecht, Domkerk

Tue 22 Mar, 20.15 Rotterdam, Laurenskerk

Que vous ma dameJosquins Missa Ave maris stella

Josquin was without doubt the greatest musical wizard of the Renaissance, and Missa Ave maris stella the most exceptional of his masses. The motets sur-rounding it are also devoted to Mary and show some of the tricks Josquin had up his sleave to surprise his colleagues. This music is in the best of hands with maestro Herreweghe.

116

Mar 2011

POEDEROIJEN

WOERDEN

MUIDEN

AMSTERDAM

ANTWERP (B)

Les Voix humaines Susie Napper & Margaret Little: viola da gamba

Wed 23 Mar, 20.15 Poederoijen, Slot Loevestein

Thu 24 Mar, 20.15 Woerden, Lutherse Kerk

Fri 25 Mar, 20.15 Muiden, Muiderslot

Sat 26 Mar, 20.15 Amsterdam, Waalse Kerk

Sun 27 Mar, 15.00 Antwerp (B), AMUZ

La Reine Soleil Sainte-Colombe, Marais, Rameau etc.

Les Voix humaines have a reputation for being true musical acrobats and were ven compared to jazz saxophonists. In La Reine Soleil, however, they stay firmly with the Baroque with an ode to one of the gre-atest eras for the viola da gamba. Masterful music by Sainte-Colombe and Marin Marais, his best student, are paired with works by famous contemporaries.

AprMay 2011

118

Apr 2011

BRUSSELS (B)

BLOEMENDAAL

ENSCHEDE

WESTZAAN

VENLO

LEEUWARDEN

Les Musiciens de Saint-Julien / François LazarevitchAnnie Dufresne: soprano / François Lazarevitch: flute, musette / Basile Brémaud: violin / Stéphanie Paulet: viola / Julien Léonard: viola da gamba / André Henrich: lute, guitar

Sat 2 Apr, 20.00 Brussels (B), BOZAR

Sun 3 Apr, 16.00 Bloemendaal, Dorpskerk

Tue 5 Apr, 20.00 Enschede, Grote Kerk

Wed 6 Apr, 20.15 Utrecht, Pieterskerk

Thu 7 Apr, 20.15 Westzaan, Zuidervermaning

Fri 8 Apr, 20.15 Venlo, Domani

Sat 9 Apr, 20.15 Leeuwarden, Waalse Kerk

Et la fleur vole17th-century dance tunes by Ballard, Guédron etc.

Dance tunes are timeless: their contagious melodies, texts and dance patterns have always brought together all layers of society. In the early 1600s, they were a huge influence on the more refined airs de cour, so it is fitting to put the two traditi-ons side by side. The young Musicians de Saint-Julien mix up country and court.

119

Apr 2011

UTRECHT

AMSTERDAM

ANTWERP (B)

DELFT

DEVENTER

HAARLEM

LIMBRICHT

ZEIST

LEEUWARDEN

VEERE

Gustav Leonhardt: harpsichord

Sun 3 Apr, 15.00 Antwerp (B), AMUZ (French)

Wed 6 Apr, 20.15 Delft, Waalse Kerk (German)

Fri 15 Apr, 20.15 Deventer, Penninckshuis (German)

Sat 16 Apr, 16.00 Haarlem, Waalse Kerk (French)

Sun 17 Apr, 14.30 Limbricht, St. Salviuskerkje (German)

Fri 6 May, 20.00 Zeist, Evangelische Broederkerk (French)

Sat 7 May, 20.15 Leeuwarden, Waalse Kerk (German)

Sun 8 May, 15.30 Veere, Grote Kerk (French)

Concerten als onderdeel van de BachDag (zie p.104):

Sat 15 Jan, 11.30 Utrecht, Lutherse Kerk (geen losse kaarten verkrijgbaar)

Sun 16 Jan, 11.30 Amsterdam, Muziekgebouw aan ’t IJ

(ook losse kaarten verkrijgbaar)

Au choix du maîtreFrench or German Baroque music

Early music nestor Gustav Leonhardt asked to play two different programmes: one with French music by Forqueray, Louis Couperin, Duphly and Balbastre; the other in the German style with Bach, Böhm, Pachel-bel and Fischer. Of course, we couldn’t deny such a request. Get ready to be surprised by the choice of the master.

120

May 2011

ROTTERDAM

VRIES

UTRECHT

POEDEROIJEN

RHENEN

AMSTERDAM

MAASTRICHT

VEERE

Scorpio Collectief / Simen Van MechelenMonika Mauch: soprano / Veronika Skuplik: violin / Josue Melendez: cornetto / Simen Van Mechelen: trombone / Paulina van Laarhoven: viola da gamba / Thomas Boysen: theorbo / Kris Verhelst: harpsichord and organ

Sat 7 May, 20.15 Rotterdam, Laurenskerk

Sun 8 May, 15.00 Vries, Dorpskerk

Tue 10 May, 20.00 Utrecht, Vredenburg Leeuwenbergh

Wed 11 May, 20.15 Poederoijen, Slot Loevestein

Thu 12 May, 20.15 Rhenen, Cunerakerk

Fri 13 May, 20.15 Amsterdam, Waalse Kerk

Sat 14 May, 20.15 Maastricht, Cellebroederskapel

Sun 15 May, 15.30 Veere, Grote Kerk

From Venice to ViennaMarian motets and sonatas by Monteverdi, Schmelzer etc.

Scorpio Collectief chose the early Baroque as its playing field, boasting cornetto and trombone among its key ingredients. With soprano Monika Mauch, they’ll play virtuoso sonatas and original arrange-ments of sacred vocal music from Italy and Germany that shed a new light on the cooperative forces of voice, strings and loud winds in imperial Vienna.

121

Dec 2010- May 2011 MUIDEN

’S-HEERENBERG

AMMERZODEN

AMERONGEN

POEDEROIJEN

NB: Deze serie is alleen als geheel te bestellen; ter plaatse zijn geen kaarten

verkrijgbaar. Niet geschikt voor rolstoelgebruikers.

wo 1 dec, 19.00 , Muiderslot / Osmosis

di 18 jan, 19.00 , Huis Bergh / Le Chant de Balles

wo 16 feb, 19.00 , Ammersoyen Castle / Coolen & Co

zo 20 mrt, 13.00 , Kasteel Amerongen / Per Flauto

wo 11 mei, 19.00 , Slot Loevestein / Scorpio Collectief

Prijzen € 100 / € 90

Kastelenserie5 concerten, 5 rondleidingen

Wegens succes geprolongeerd; de kastelenserie met rondleiding. Een eigen gids geeft een op de bouw-archeologie van verschillende kastelentypes gerichte presentatie, voorafgaand aan een concert in dezelfde locatie. Uw programmaboekje voor dit concert is uitgebreid met een korte geschiedenis van het betref-fende kasteel en aanvullende informatie zoals platte-gronden en reconstructietekeningen.

KIJK VOOR HET COMPLETE PROGRAMMAOP WWW.VREDENBURG.NL

Vredenburg

DIT SEIZOEN IN VREDENBURG:

POPPOPULAIR

JAZZKLASSIEK

KAMERMUZIEKFESTIVALS

FAMILIE

WAyLONARTHUR & LUCAS JUSSENGUUS MEEUWISJANINE JANSENOLETA ADAMSKANENACHT VAN DE POëZIEORKEST VAN DE ACHTTIENDE EEUWMIKE & THOMASEN NOG VEEL MEER!

KIJK VOOR HET COMPLETE PROGRAMMAOP WWW.VREDENBURG.NL

Vredenburg

DIT SEIZOEN IN VREDENBURG:

POPPOPULAIR

JAZZKLASSIEK

KAMERMUZIEKFESTIVALS

FAMILIE

WAyLONARTHUR & LUCAS JUSSENGUUS MEEUWISJANINE JANSENOLETA ADAMSKANENACHT VAN DE POëZIEORKEST VAN DE ACHTTIENDE EEUWMIKE & THOMASEN NOG VEEL MEER!

123

Partnerships

Over the years, our concert season has developed into strong partnerships all over the Netherlands and Flanders. This year, two further partners have been added to the list. The Palais des Beaux-Arts BOZAR in Brussels, as Belgium’s largest concert hall, has been working for years on their early music programming. Offering residencies to Philippe Herreweghe, Paul Van Nevel, Philippe Pierlot and Jos van Immerseel, BOZAR has taken a central position on the Eu-ropean early music stage. Their association with the Festival Oude Muziek and concert season is a token of appreciation and a sign of international engagement. Another partnership has been concluded with the Amster-dam Muziekgebouw aan ’t IJ. This concert hall promotes a rich musical offering with a keen eye for the current devel-opments. Early music stands proudly next to music from today, a deep relationship that will be confirmed in a lang-lasting collaboration between both institutions.

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109

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1 Amerongen

2 Ammerzoden

3 Amsterdam

4 Antwerp (B)

5 Bloemendaal

6 Bruges (B)

7 Brussels (B)

8 Delft

9 Deventer

10 Enschede

11 Haarlem

12 Hasselt (B)

13 ’s-Heerenberg

14 Leeuwarden

15 Limbricht

16 Maastricht

17 Middelburg

18 Muiden

19 Poederoijen

20 Rhenen

21 Rotterdam

22 Utrecht

23 Veere

24 Venlo

25 Vries

26 Westzaan

27 Woerden

28 Zeist

29 Zwolle

All season venues (in Dutch)

zie voor alle route- en locatiebeschrijvingen www.oudemuziek.nl/locaties

125

Amerongen zo 19 dec, 14.30 Xenia Meijer & Michael Leopold

wo 26 jan, 20.15 Il suonar parlante

zo 20 mrt, 14.30 Per Flauto

Kasteel Amerongen, Drostestraat 20, 3958 BK Amerongen

i.s.m. Stichting Kasteel Amerongen

Kaarten € 18; Vriend € 16; CJP/studentenkaart € 10

Combi-abonnement Amerongen-Rhenen 6 concerten € 91,80; Vriend € 81,60

Ammerzoden do 11 nov, 20.15 Ausonia

do 20 jan, 20.15 Le Chant de Balles

wo 16 feb, 20.15 Coolen & Co

Ammersoyen Castle, Kasteellaan 1, 5324 JR Ammerzoden

i.s.m. Ammersoyen Castle


Combi-abonnement Ammersoyen-Loevestein 6 concerten € 91,80; Vriend € 81,60

Amsterdam zo 24 okt, 20.15 Gesualdo Consort Amsterdam (Muziekgebouw aan ’t IJ)

za 13 nov, 14.00 Ausonia (Noorderkerk)

vr 17 dec, 20.15 Xenia Meijer & Michael Leopold (Waalse Kerk)

zo 16 jan, 10-17 BachDag (Muziekgebouw aan ’t IJ) NB € 35; € 45 incl. lunch

za 29 jan, 20.15 Il suonar parlante (Waalse Kerk)

za 5 feb, 14.00 Trio Luscinia (Noorderkerk)

zo 27 feb, 20.15 Aurélien Delage (Waalse Kerk)

za 5 mrt, 14.00 Capilla Flamenca (Noorderkerk)

do 17 mrt, 20.15 Per Flauto (Waalse Kerk)

zo 20 mrt, 20.15 Collegium Vocale Gent (Muziekgebouw aan ’t IJ)

za 26 mrt, 20.15 Les Voix humaines (Waalse Kerk)

vr 13 mei, 20.15 Scorpio Collectief (Waalse Kerk)

Waalse Kerk, Walenpleintje (Oudezijds Achterburgwal) 159, 1012 JZ Amsterdam

Noorderkerk, Noordermarkt 44, 1015 NA Amsterdam

Muziekgebouw aan ’t IJ, Piet Heinkade 1, 1019 BR Amsterdam

i.s.m. Stichting Oude Muziek Amsterdam, Stichting Noorderkerkconcerten,

Muziekgebouw aan ‘t IJ

126

Kaarten Waalse Kerk € 18; Vriend € 16; CJP/studentenkaart € 10

Kaarten Noorderkerk € 15; Vriend, Vriend NKC en CJP/65+ € 13;

kinderen tot 12 jaar € 5 / www.noorderkerkconcerten.nl / Concerten duren

70 minuten en zijn zonder pauze.

Kaarten Muziekgebouw aan ’t IJ € 23; Vriend € 21; CJP/studentenkaart € 18,50

Kaartverkoop ook bij AUB Ticketshop, Leidseplein/hoek Marnixstraat

Abonnement Waalse Kerk 6 concerten € 91,80; Vriend € 81,60

Antwerp (B) vr 4 feb, 21.00 Trio Luscinia

zo 27 mrt, 15.00 Les Voix humaines

zo 3 apr, 15.00 Gustav Leonhardt

Concerten duren 70 minuten en zijn zonder pauze.

AMUZ – Augustinus Muziekcentrum, Kammenstraat 81, Antwerp (B)

i.s.m. AMUZ – Augustinus Muziekcentrum / met dank aan het Ministerie van de

Vlaamse Gemeenschap, Stad Antwerp en Provincie Antwerp

Kaartverkoop alleen in Antwerp: www.amuz.be;

t. 0032 3229 1880; [email protected]

Bloemendaal zo 12 dec, 16.00 Xenia Meijer & Michael Leopold

za 19 feb, 16.00 Coolen & Co

zo 3 apr, 16.00 Les Musiciens de Saint-Julien

Dorpskerk, Kerkplein 1, 2061 JC Bloemendaal

i.s.m. Vriend Dorpskerk Bloemendaal / met dank aan NFPK+


Combi-abonnement Bloemendaal-Haarlem 6 concerten € 91,80; Vriend € 81,60

Bruges (B) zo 23 jan, 14.00 Il suonar parlante

zo 23 jan, 15.30 Le Chant de Balles

Concertgebouw Bruges, ’t Zand 34, Bruges (B)

i.s.m. Concertgebouw Bruges / met dank aan het Ministerie van de Vlaamse

Gemeenschap, Stad Bruges en Provincie West-Vlaanderen

Kaartverkoop alleen in Bruges: www.concertgebouw.be; t. 0032 70 22 33 02

127

Brussels (B)vr 29 okt, 20.00 Marc Mauillon & Pierre Hamon

za 22 jan, 20.00 Il suonar parlante

di 15 mrt, 20.00 Per Flauto

za 2 apr, 20.00 Les Musiciens de Saint-Julien

BOZAR, Ravensteinstraat 23, 1000 Brussels (B)

i.s.m. Paleis voor Schone Kunsten - BOZAR

Kaartverkoop alleen in Brussels: www.bozar.be; t. 0032 2 507 82 00

Delft wo 10 nov, 20.15 Ausonia (St. Hippolytuskapel)

wo 2 feb, 20.15 Trio Luscinia (Oud-Katholieke Kerk)

wo 9 mrt, 20.15 Trio Hantaï (Lutherse Kerk)

wo 6 apr, 20.15 Gustav Leonhardt (Waalse Kerk)

St. Hippolytuskapel, Oude Delft 118, 2611 CG Delft

Oud-Katholieke Kerk, Bagijnhof 21, 2611 AN Delft

Lutherse Kerk, Noordeinde 4, 2611 KH Delft

Waalse Kerk, Oude Delft 181, 2611 HC Delft

i.s.m. Stichting voor Authentieke Muziek (Schuilkerkconcerten)

met dank aan Gemeente Delft


Abonnement / 4 concerten € 61,20; Vriend € 54,40

Kaartverkoop ook bij Muziekhandel Van Buytene, Binnenwatersloot 16, t. 015 212 3853

(vanaf 3 weken voor elk concert; geen abonnementenverkoop)

Deventer vr 22 okt, 20.15 Gesualdo Consort Amsterdam

vr 3 dec, 20.15 Osmosis

vr 11 feb, 20.15 The Queen’s Consort

vr 11 mrt, 20.15 Trio Hantaï

vr 15 apr, 20.15 Gustav Leonhardt

Penninckshuis, Brink 89, 7411 BX Deventer

i.s.m. Stichting Musora Deventer / met dank aan Gemeente Deventer


Abonnement / 5 concerten € 76,50; Vriend € 68

Kaartverkoop ook bij VVV, Brink 58, t. 0900 353 5355 (vanaf 3 weken voor elk concert;

geen abonnementenverkoop)

128

Enschede zo 24 okt, 16.00 Marc Mauillon & Pierre Hamon

di 25 jan, 20.00 Il suonar parlante

vr 18 mrt, 20.00 Collegium Vocale Gent (NB € 25 / € 23 / € 10)

di 5 apr, 20.00 Les Musiciens de Saint-Julien

Grote Kerk, Oude Markt 32, 7511 GB Enschede

i.s.m. Nationaal Muziekkwartier



Kaartverkoop ook bij Nationaal Muziekkwartier, Wenninkgaarde 40-42, 053 4858500,

www.muziekkwartier.nl

Haarlem zo 14 nov, 16.00 Ausonia

zo 6 mrt, 16.00 Capilla Flamenca

za 16 apr, 16.00 Gustav Leonhardt

Waalse Kerk, Begijnhof 30, 2011 HE Haarlem

i.s.m. Stichting Waalse Kerk


Combi-abonnement Bloemendaal-Haarlem / 6 concerten € 91,80; Vriend € 81,60

Hasselt (B)di 26 okt, 20.00 Marc Mauillon & Pierre Hamon (Kathedraal)

wo 9 feb, 20.00 The Queen’s Consort (Stadhuis)

di 8 mrt, 20.00 Trio Hantaï (Stadhuis)

St. Quintinuskathedraal, Vismarkt, 3500 Hasselt (B)

Stadhuis, Groenplein 1, 3500 Hasselt (B)

i.s.m. cultuurcentrum Hasselt

Kaartverkoop alleen in Hasselt: www.ccha.be; t. 0032 1122 9933

’s-Heerenberg za 11 dec, 20.00 Xenia Meijer & Michael Leopold

di 18 jan, 20.00 Le Chant de Balles

do 24 feb, 20.00 Aurélien Delage

Huis Bergh, Hof van Bergh 8, 7041 AC ’s-Heerenberg

i.s.m. Stichting Huis Bergh

Kaarten € 18; Vriend, Vriend Huis Bergh € 16; CJP/studentenkaart € 10

129

Leeuwarden za 18 dec, 20.15 Xenia Meijer & Michael Leopold

za 19 mrt, 20.15 Per Flauto

za 9 apr, 20.15 Les Musiciens de Saint-Julien

za 7 mei, 20.15 Gustav Leonhardt

Waalse Kerk, Grote Kerkstraat 222, 8911 EG Leeuwarden

i.s.m. Stichting Appassionata



Kaartverkoop ook bij Poort Music, Voorstreek 6, www.poortmusic.nl

(vanaf 3 weken voor elk concert, geen abonnementenverkoop)

Limbricht zo 31 okt, 14.30 Marc Mauillon & Pierre Hamon

zo 6 feb, 14.30 Trio Luscinia

zo 13 mrt, 14.30 Trio Hantaï

zo 17 apr, 14.30 Gustav Leonhardt / NB € 18 / € 16 / € 10

St. Salviuskerkje, Allee 1, 6141 AV Limbricht

i.s.m. Stichting Oude Muziek Limburg en Schouwburg Sittard-Geleen

met dank aan Provincie Limburg



Kaartverkoop ook bij Stadsschouwburg Sittard-Geleen, t. 046 452 4400,

www.uitbalie.nl

Maastricht za 23 okt, 20.15 Gesualdo Consort Amsterdam (St. Janskerk)

za 22 jan, 20.15 Le Chant de Balles (Cellebroederskapel)

za 26 feb, 20.15 Aurélien Delage (Cellebroederskapel)

za 19 mrt, 20.15 Collegium Vocale Gent / NB € 25 / € 23 / € 8 (OLV Basiliek)

za 14 mei, 20.15 Scorpio Collectief (Cellebroederskapel)

St. Janskerk, Henric van Veldekeplein 1, 6211 TG Maastricht

Cellebroederskapel, Cellebroederstraat 4, 6211 PK Maastricht

Onze Lieve Vrouwebasiliek, Onze Lieve Vrouweplein 7, 6211 HD Maastricht

i.s.m. Stichting Oude Muziek Limburg en Theater aan het Vrijthof

met dank aan Provincie Limburg en Gemeente Maastricht



Kaartverkoop ook bij Theater aan het Vrijthof, t. 043 350 5555

www.theateraanhetvrijthof.nl (geen abonnementenverkoop)

130

Middelburg vr 4 mrt, 20.00 Capilla Flamenca

vr 18 mrt, 20.00 Per Flauto

Zeeuwse Concertzaal, Verwerijstraat 14, 4331 TC Middelburg

i.s.m. MuziekPodium Zeeland

Kaarten € 15; Vriend, CJP/studentenkaart € 12

Combi-abonnement Middelburg-Veere / 4 concerten € 51; Vriend € 40,80

Kaartverkoop ook bij TEZ, t. 0900 33 000 33, www.theaterverkoopzeeland.nl

Muiden wo 1 dec, 20.15 Osmosis

do 10 feb, 20.15 The Queen’s Consort

vr 25 mrt, 20.15 Les Voix humaines

Muiderslot, Herengracht 1, 1398 AA Muiden

i.s.m. Stichting Oude Muziek Amsterdam en Stichting Rijksmuseum Muiderslot

met dank aan het NFPK+


Poederoijen wo 15 dec, 20.15 Xenia Meijer & Michael Leopold

wo 23 mrt, 20.15 Les Voix humaines

wo 11 mei, 20.15 Scorpio Collectief

Slot Loevestein, Loevestein 1, 5307 TG Poederoijen

i.s.m. Slot Loevestein


Combi-abonnement Ammersoyen-Loevestein / 6 concerten € 91,80; Vriend € 81,60

Rhenen wo 20 okt, 20.15 Gesualdo Consort Amsterdam

wo 2 mrt, 20.15 Capilla Flamenca

do 12 mei, 20.15 Scorpio Collectief

Cunerakerk, Kerkplein 1, 3911 LE Rhenen

i.s.m. Commissie Oude Muziek Rhenen

met dank aan Provincie Utrecht en gemeente Rhenen


Combi-abonnement Amerongen-Rhenen 6 concerten € 91,80; Vriend € 81,60

131

Kaartverkoop ook bij VVV, Markt 20, t. 0900 835 893


Rotterdam di 22 mrt, 20.15 Collegium Vocale Gent / NB € 25 / € 23 / € 10

za 7 mei, 20.15 Scorpio Collectief

Laurenskerk, Grotekerkplein 15, 3011 GC Rotterdam

i.s.m. Laurenskerk Rotterdam


Kaartverkoop vanaf september 2010 ook bij www.laurenskerkrotterdam.nl

Utrecht di 19 okt, 20.15 Gesualdo Consort Amsterdam (Geertekerk)

za 15 jan, 10-17 BachDag (Lutherse Kerk & Geertekerk) NB € 35; € 45 incl. lunch

za 15 jan 15.30 Le Chant de Balles (Geertekerk)

do 27 jan, 20.15 Il suonar parlante (Geertekerk)

zo 13 feb, 16.00 The Queen’s Consort (Lutherse Kerk)

di 1 mrt, 20.15 Capilla Flamenca (Pieterskerk)

ma 21 mrt, 20.15 Collegium Vocale Gent (Domkerk, NB € 25 / € 23 / € 10)

wo 6 apr, 20.15 Les Musiciens de Saint-Julien (Pieterskerk)

Geertekerk, Geertekerkhof 23, 3511 XC Utrecht

Lutherse Kerk, Hamburgerstraat 9, 3512 NN Utrecht

Pieterskerk, Pieterskerkhof 3, 3512 JR Utrecht

Domkerk, Domplein, 3512 JC Utrecht

met dank aan Provincie en Gemeente Utrecht


Abonnement (exclusief BachDag): 7 concerten € 113,05; Vriend € 101,15

Utrecht / Vredenburgwo 27 okt, 20.00 Marc Mauillon & Pierre Hamon

di 30 nov, 20.00 Osmosis

vr 25 feb, 20.00 Aurélien Delage

di 10 mei, 20.00 Scorpio Collectief

Vredenburg Leeuwenbergh, Servaasbolwerk 1a, 3512 NK Utrecht

i.s.m. Vredenburg Utrecht

Kaarten € 27; Vriend € 24; CJP/studentenkaart/Upas € 21,50

(consumptie tijdens de pauze free admission)

Abonnement 4 concerten € 91,80; Vriend € 81,60

Kaartverkoop ook bij www.vredenburg.nl, t. 030 231 4544

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Veere zo 8 mei, 15.30 Gustav Leonhardt

zo 15 mei, 15.30 Scorpio Collectief

Grote Kerk, Oudestraat 26, 4351 AV Veere

i.s.m. MuziekPodium Zeeland

Kaarten € 15; Vriend, CJP/studentenkaart € 12

Combi-abonnement Middelburg-Veere / 4 concerten € 51; Vriend € 40,80

Kaartverkoop ook bij TEZ, t. 0900 33 000 33, www.theaterverkoopzeeland.nl

Venlo vr 12 nov, 20.15 Ausonia (St. Joriskerk)

vr 28 jan, 20.15 Il suonar parlante (Domani)

vr 18 feb, 20.15 Coolen & Co (Domani)

vr 8 apr, 20.15 Les Musiciens de Saint-Julien (Domani)

Domani, Dominicanenplein 15, 5911 JS Venlo

St. Joriskerk, St. Jorisstraat 16, 5911 HC Venlo

i.s.m. Stichting Oude Muziek Limburg en Concertpodium Dominicanenkapel

met dank aan Provincie Limburg en Gemeente Venlo

Kaarten € 18; Vriend € 16; CJP/studentenkaart € 10 (consumptie tijdens de pauze free

admission)

Abonnement 4 concerten € 61,20; Vriend € 54,40

Kaartverkoop ook bij www.domani-venlo.nl en VVV Venlo, Baarlo, Helden en Venray

(geen abonnementenverkoop)

Vries za 4 dec, 20.15 Osmosis

za 12 feb, 20.15 The Queen’s Consort

zo 8 mei, 15.00 Scorpio Collectief

Dorpskerk, Brink 3, 9481 BE Vries

i.s.m. Stichting Kerkconcerten Vries

met dank aan Gemeente Tynaarlo


Kaartverkoop ook bij www.kerkconcertenvries.nl, t. 0592-541273


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Westzaan do 21 okt, 20.15 Gesualdo Consort Amsterdam

do 2 dec, 20.15 Osmosis

do 3 feb, 20.15 Trio Luscinia

do 3 mrt, 20.15 Capilla Flamenca

do 7 apr, 20.15 Les Musiciens de Saint-Julien

Zuidervermaning, Zuideinde 233, 1551 EG Westzaan

i.s.m. Stichting Oude Hollandse Kerken

met dank aan Gemeente Zaanstad en het NFPK+


Abonnement / 5 concerten € 76,50; Vriend € 68

Woerden do 16 dec, 20.15 Xenia Meijer & Michael Leopold

do 17 feb, 20.15 Coolen & Co

do 24 mrt, 20.15 Les Voix humaines

Lutherse Kerk, Jan de Bakkerstraat 11, 3441 ED Woerden

i.s.m. Maatschappij tot Nut van ’t Algemeen


Zeist vr 10 dec, 20.00 Xenia Meijer & Michael Leopold

di 15 feb, 20.00 Coolen & Co

za 12 mrt, 20.00 Trio Hantaï

vr 6 mei, 20.00 Gustav Leonhardt

Kerk van de Evangelische Broedergemeente, Zusterplein 12, 3703 CB Zeist

met dank aan Provincie Utrecht



Kaartverkoop ook bij Theater Figi, Het Rond 2, t. 0900 344 4934, www.figi.nl

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Zwolle di 9 nov, 20.30 Ausonia (Lutherse Kerk)

wo 19 jan, 20.30 Le Chant de Balles (Theater Odeon)

wo 16 mrt, 20.30 Per Flauto (Lutherse Kerk)

Lutherse Kerk, Koestraat 4, 8011 NK Zwolle

Theater Odeon, Blijmarkt 25, 8011 ND Zwolle

i.s.m. Odeon De Spiegel theaters / met dank aan Gemeente Zwolle

Kaarten € 20; Vriend € 18; CJP/studentenkaart € 12,50

(consumptie tijdens de pauze free admission)

Kaartverkoop ook bij Odeon De Spiegel, t. 038 428 8288, www.odeondespiegel.nl

Seizoen Oude Muziek 10/11In collaboration with: Stichting Kasteel Amerongen, Ammersoyen Castle,

Stichting Oude Muziek Amsterdam, Stichting Noorderkerkconcerten,

Muziekgebouw aan ’t IJ, AMUZ – Augustinus Muziekcentrum, Vrienden Dorpskerk

Bloemendaal, Concertgebouw Bruges, BOZAR, Stichting voor Authentieke Muziek

(Schuilkerkconcerten), Stichting Musora Deventer, Nationaal Muziekkwartier, Stichting

Waalse Kerk (Haarlem), cultuurcentrum Hasselt, Stichting Huis Bergh, Stichting

Appassionata, Stichting Oude Muziek Limburg, Schouwburg Sittard-Geleen, Theater

aan het Vrijthof, MuziekPodium Zeeland, Stichting Rijksmuseum Muiderslot, Slot

Loevestein, Commissie Oude Muziek Rhenen, Laurenskerk Rotterdam, Vredenburg

Utrecht, Concertpodium Dominicanenkapel, Stichting Kerkconcerten Vries, Stichting

Oude Hollandse Kerken, Maatschappij tot Nut van ’t Algemeen and Odeon De Spiegel

theaters

With thanks to: the municipalities of Utrecht, Delft, Deventer, Maastricht, Rhenen,

Venlo, Tynaarlo, Zaanstad and Zwolle, the cities Antwerp and Bruges, the provinces

Utrecht, Limburg, West-Vlaanderen, Antwerp, the Ministerie van de Vlaamse

Gemeenschap, NFPK+, Ministerie van Onderwijs, Cultuur en Wetenschap, Stichting

Dioraphte, Stichting Vrienden Oude Muziek, local organizers, wardens and all

volunteers.

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Friends enjoy benefits Every year, more than 60,000 early music enthusiasts visit the 200 concerts of the Festival Oude Muziek Utrecht and our con-cert season. Do you agree that it’s important to support talent? Is you heart in early music? Sounds good to visit our concerts for less? Become a Friend (Vriend) of early music, for just € 30 per year. But you can do more, as outlined on the next page. www.oudemuziek.nl/vrienden

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Vrienden Oude MuziekThe benefits for our supporters Vriend Basic: € 30• reduced-priced tickets for Festival and

season (2 persons)• reductions on CDs, DVDs etc. • 4 editions of the Dutch-language

Tijdschrift Oude Muziek• 1 week head-start when ordering tickets• free admission to the Early Music

Exhibition• special rate for the Friends’ concert Vriend Extra: € 60• all benefits of Vriend Basic• 2 weeks head-start when ordering tickets • 2 for the price of 1 at one Season concert

Vip Vriend: € 120 or more• all benefits of Vriend Extra• free admission to the Friends’ concert

(2 persons)

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Tickets

Tickets for the Festival Oude Muziek Utrecht and con-cert season are available with the Organisatie Oude Muziek. In certain cases, tickets can also be obtained locally, details can be found per venue. Concert tickets for Belgium are available only with the local organ-izers, often through their website. Order onlineTickets can be bought online through www.oude-muziek.nl. You can use your log-in details or create a new personal account. Accepted methods of pay-ment are credit cards for international guests and iDEAL for Dutch bank account holders. When the concert is within 4 days of ordering, the tickets will no longer be sent: during the Festival, they can be picked up at the relevant concert, while during the Season your confirmation e-mail counts as your ticket. Ordering per formOrdering per form is only available for holders of a Dutch bank account, through our website.

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Festival Box Office and reservation line 2010The Festival Box Office is in the Pandhof on the Domplein, opening Friday 27 August from 10-18 daily (except Saturday 28 August: 10-17). To reserve by phone, please call +31 30 2329010, Monday 23 though Thursday 26 August 10-15 daily; during the Festival 10-18 daily. Attention: when reserving by tel-ephone, you can pick up your tickets at the Pandhof until 2 hours before the start of the concert. After this time, you can only pick up and pay your tickets at the concert venue, usually opening 30 minutes before the start of the concert. Tickets not picked up 15 minutes before the start of the concert may be sold. Reserve for the 2010/2011 season Starting Monday 4 October 2010, you can reserve your tickets for the concert season at +31 30 2329010, Monday to Friday 10-16 daily. While guests with Dutch addresses will receive their tickets at home until two weeks before the concert, your reservation can be picked up and paid at the concert venue. Tickets not picked up 15 minutes before the start of the concert may be sold.

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ReductionsThe reduced rates for Vrienden is available for two tickets per concert. If you have a CJP/youth card, a student card of a U-pas (Utrecht only), you can ben-efit from even cheaper tickets. Subscriptions and seriesIn the Festival, several series are available, as well as a large number of subscriptions per (combined) venue in the season. During the season, it is especially inter-esting to visit concerts in different venues: if you order tickets for at least 4 concerts in the season, we’ll give you a 15% discount (valid for every person ordering 4 or more concerts). When you order online, please use the reduction code to activate this discount. Zones and placingA number of venues has different zones, where ‘Rang A’ offers the best view of the musicians, while ‘Rang B’ are usually the somewhat less attractive seats. In the Festival, most concerts are sold per zone, area and seat, however lectures, workshops, several concerts and almost all concerts in the season are sold without placing. Your ticket will always reflect this.

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WheelchairsNot every venue is easily accessible for wheelchair users. Please let us know your need, as experience has learned us we can help. Don’t forget to select wheelchair seats where possible online, or tick the ‘wheelchair’ box on the order form. Concert lengthMost Festival concerts are 60 minutes long, with no interval. The concerts at 20h00 usually end before 22h00, exceptions are mentioned per concert. Con-certs in the season are 2 hours maximum, including an interval, unless mentioned otherwise. Vredenburg Leidsche Rijn is always close!Visitors of the Festival Oude Muziek Utrecht can use the free GVU buses to Vredenburg Leidsche Rijn: your ticket with GVU logo is valid for the bus from two hours before until two hours after the concert. Parking is free, and regardless of the mode of trans-port you choose, there’s always a free (interval) drink waiting for you. ConditionsPlease take good care of your tickets and contact us immediately if you think you lost them. Once issued, tickets cannot be returned.

stelt voor:Artiesten te gast

op het Festival Oude Muziek 2010

An quellen des jungen BachBach, Buxtehude, Froberger,Reincken, KerllCÉLINE FRISCHALPHA 149

M.-A. Charpentier, Motetspour le Grand DauphinENSEMBLE PIERRE ROBERTFrédéric DesenclosALPHA 148

F.Couperin, Pièces de clavecin,Livres I & IIFRÉDÉRICK HAASALPHA 136

J.-B. Stuck, Tirannique Empire…LES LUNAISIENSJean-François Novelli,Arnaud MarzoratiALPHA 111

A. de Cabézon, La tecla de l’AlmaPAOLA ERDASA 357

D.Scarlatti, Essercizi per gravicembaloBERTRAND CUILLERALPHA 165

Haydn à ParisLES AGRÉMENSGuy Van WaasRIC 277

Ontdek onze recente uitgaven via www.outhere-music.com

Distributie:

Outhere148x210:Paradizo_utrech 21/04/10 23:13 Page 1

143

Colofon Organisatie Oude Muziekdirector: Xavier Vandammeartistic assistant: Albert Edelmanproduction: Tamar Brüggemannproduction assistants: Cato Ootes, Ingeborg Felperlaan, Go Bruêns and Brigitte Nuchelmanseditor in chief: Jolande van der KlisDTP: Hilde Woltersfinances: Frank Rijndersbox office: Wilmer de Jongbox office assistance: Marijse Poutsma-van Dijken, Germaine Anema, Monique van der Woude, Krista de Jong, Julia Zoet, Floor Groeneveld and Anne Boeschotenoffice manager: Marijse Poutsma-van Dijken festival tuners: Eduard Bos en Edwin Beunk

board Organisatie Oude Muziekchair: Mrs. P.C. Lodders-Elfferichtreasurer: J.H. van der Tol RAmembers: J. Hillmann, Mrs. P.L. Meurs, Mrs.. B.E. van Vucht Tijssen

board Vrienden Oude Muziekchair: D. Hoektreasurer: J.H. van der Tol RAmember: J.H.A. Tromp

The Festival Oude Muziek Utrecht 2010 (29th edi-tion) is an Organisatie Oude Muziek production.

In collaboration with Vredenburg Utrecht, Universi t eit Utrecht, Nationaal Museum van Speelklok tot Pierement, Stichting Vrienden Oude Muziek en Stichting Muziekhistorische Uitvoeringspraktijk.

Trouw, AVRO and Radio4 are media partners of the Festival Oude Muziek Utrecht

With thanks to: Ministerie van Onderwijs, Cultuur en Wetenschap, Gemeente Utrecht Culturele Zaken & Stadspromotie, Provincie Utrecht, Culturesfrance, Maison Descartes, Centre de Musique Baroque de Versailles, Institut néerlandais, Muziek Centrum Neder land, Vrede van Utrecht, K.F. Hein Fonds, Kees Eijrond Fonds, RASA Wereldculturen centrum, Utrechts Centrum voor de Kunsten, Utrechts Klokkenluiders Gilde, Utrechtse Klokkenspel Vereni ging, Museum Catharijneconvent, Het Utrechts Archief, Oud London en Utrechts Debatcentrum Tumult; Jed Wentz, Valérie Lafont, Henk van der Feest, Jan de Jonge, Stichting Alle Hoeken van de Kamer muziek, Henk Klop klavecimbels & orgels en Jan Kalsbeek Klavecimbels; all employees of the institutions mentioned, as well as all Festival venues.With special thanks to the dozens of volunteers who make the Festival Oude Muziek Utrecht happen.

Latest details at: www.oudemuziek.nl

Brochure Festival Oude Muziek 2010 & Seizoen Oude Muziek 10/11© 2010 Utrecht

editor: Jolande van der Klislay-out: Hilde Woltersphotos cover and title pages: Marco Borggreveartists’ photos: Jean Jacques Ader, Regis d’Audeville, Jean-Philippe Batel/CMBV, Nicole Bergé, Marco Borggreve, Toni Catany, Vincent Curdy, Fintam Damgaard, Mirjam Devriendt, Albert Edelman, Sandrine Expilly, Riita Ince, Jacques Studios The Hague, Wouter Jansen, Leon Garcia Jordan, Jørgen Koopmanschap, Michael Kooren, Marcel Köppen, Eric Larrayadieu, Tim Mintiens, Philippe Parent, Jean-Luc Petit, Gérard Proust, Stéphane Puopolo, Sjaak Ramakers, Yannis Roger, Petr Skalka, Remke Spijkers, Amélie Tcherniak, Francesco Vitali, Guy Viviens, Jan Willem van Vliet.print: VOB Hardenberg

Changes possible

Organisatie Oude MuziekPostbus 19267 NL-3501 DG Utrechtt. +31 30 232 9000 f. +31 30 232 [email protected] www.oudemuziek.nl

Trouwd e Ve r d i e p i n g

Nu 6 weken Trouwvoor maar € 10,-Een betere wereld vraagt om men-sen die zich ervoor willen inzetten,erover willen schrijven en erover wil-len lezen.

Interesse in een proefabonnement?

Ga dan naarwww.trouw.nl/oudemuziekof vul onderstaande bon in.Na 6 weken stopt het proefabonnementautomatisch. Deze actie loopt tot en met30 september 2010.

Ja, ik wil graag kennismaken met Trouw en ontvang Trouw 6 weken voor € 10,-

Naam: Voorletters: m/v

Adres:

Postcode/Plaats:

Telefoonnummer: E-mail:

Stuur deze bon in een ongefrankeerde envelop naar Trouw, Antwoordnummer 2792, 1000PA Amsterdam.Deze aanbieding is geldig tot en met 30 september 2010 en geldt alleen indien u de afgelopen 3maanden geen proefabonnement heeft gehad.

✁

Trouw signaleert problemen maarschrijft ook over oplossingen.

Trouw is een krant met idealen, voormensen met idealen.

j 442 10 f

klassiek.avro.nl

Het Festival Oude Muziek 2010 wordt opgenomen en uitgezonden door AVRO Radio 4

Wit u op de hoogte blijven op het gebied van Kunst & Cultuur, word dan voor € 10,- per jaar lid van AVRO Cultuur en ontvang een klassieke cd naar keuze.

Kijk voor meer informatie op klassiek.avro.nl

Wit u op de hoogte

Word nu lid voor slechts

€ 10,-

0070 Adv Jaarbrochure FOM.indd 1 21-04-10 14:48

Year programme Oude Muziek 2010/2011

Documents

Transcript of Year programme Oude Muziek 2010/2011