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SNORE

SIDE A

EL RANCHO GRANDE CIELITO LINDO CHIAPENECAS MEXICAN HAT DANCE LA GOLONDRINA PERFIDIA

[ ) 52061

TIM E RECORDS

S/2061

TRUMPETS Joe Caiani Ray Crisara Mel Davis Jimmy Maxwell Doc Severinson

TROMBONES AND BASS TROMBONE

Dick Hixon ~ Frank Rehak

lal-Vao)(-M'(-lae(-) Chauncey Welsh

AND HIS ORCHESTRA

52061 S/2062_

SIDE B

EL MOMENTO VERDAD GUADALAJARA PERHAPS, PERHAPS, PERHAPS (ouizas BONGOLINA FIESTA IN ACAPULCO MONTERREY

PERSONNEL AND INSTRUMENTATION

WOODWINDS Phil Bodner Walt Levinsky Romeo Penque Stan Webb

FRENCH HORNS Ray Alonge James Buffington Tony Miranda

GUITARS Don Arnone Al Casamenti Mr. ‘‘Guitar’’ Bucky Pizzarelli Mr. ae de

eo. 52062 T 1M EE RECORDS *

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MONTENEGRO AND HIS ORCHESTRA

PROCESS

52062 S/20

ACCORDION

Dominic Cortese

BASS Frank Carroll

HARP

Gloria Agostini

BONGOS

Bob Rosengarden

PERCUSSION

Steve Berrios Phil Kraus Joe Venuto

@ baces TToTIM1 FE RECORDS os PROCESS

AND HIS ORCH 5 RO ae *

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. TIME RECORDS, INC. 2 WEST 45th ST.,N.Y. 36

£ vy

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LIME RECORDS

52063

the exclusive sound extra

Series 2000 (

TIME RECORDS is proud to present PROCESS 70, which rep- resents a major break-through in the field of recording. Although PROCESS 70 has been in its experimental stage on TIME RECORDS’ SERIES 2000 for the past two years, it has now reached its ultimate stage of perfection.

PROCESS

PROCESS 70 can only be found on TIME RECORDS. Unlike 35mm which was first used in 1957 and dropped by most recording companies, this is the first time PROCESS 70 is being brought to the attention of the public

PROCESS 70 is the development of a pre-emphasis character- istic which is less than that normally used. We can effec- tively increase the overload handling capacity of the elec- tronics, as well as the tape itself while still maintaining an even wider band width of reproduction. As the tape moves by the head faster an inherent increase in high frequency response results in its use. PROCESS 70 takes advantage of the gain in the high frequency response to improve the transient characteristics of the reproduced tape and also results in a lower distortion level. This is accomplished by reducing the amount of high frequency boost and compen- sating for it by reducing the amount of the high frequency de-emphasis.

PROCESS 70 has its own unique way of mastering, different from that used by recording companies. The net result is apparent enough that you will hear a difference. The im- provement is most apparent in respect to the improved transient response and the cleanness in the high frequency range which is attendant on the operation of the system on a bias that leaves better overload reserve.

Perforated film ‘35mm’ is known to shrink so that sprocket drive tearing mutilates the medium beyond usefulness. 35mm is guided and never pulled past the recording head. This is a tremendous disadvantage since continuous head contact is not obtained except at relatively higher contact pressure. PROCESS 70 does not have this liability because it is pulled past the recording heads and never loses peak fidelity of highs, lows or mid-range. Therefore, dimensional Stability of PROCESS 70 is excellent compared to that of film recording methods now in use.

PROCESS 70 signal to noise ratio is superior by up to 4db. Comparative listening tests using original studio recordings confirm this superiority. PROCESS 70 masters at a lower distortion rate than any other method in existence today. PROCESS 70 combines a clearer separation without any gim- mick of closed channels to fool the listener with false attitudes. At no time is there any elimination of circuits or iba of channels cross-wise to confuse or fool the istener.

PROCESS 70 is the ultimate in fidelity reproduction. It rep- resents the best signal to noise ratio possible. PROCESS 70 means greater distortion-free range and a brcader sound.

ArtISt & Repertoire nj ee Bob Shad Original Recording Engineer .............0..00.0........ John Cue Re-Recording Engineer .........0.000.cccc. Frank Abbey PaGe NOIOS. ee John Astor Prequcvion Goordingtor 2... Harry Ringler Mibumy Coordination oe. Sandi Greene TVUCRIMV i iskccclcsec. The Composing Room, Inc. AIOU PeSlONn.3 Se ee on Murray Stein

Printed in U.S.A.