PORTFOLIO

NATHALY ANTONIA

GIANT WORD SCULPTURES!

c rea te d b y To ro n to - b a s e d ar t i s t Tre v o r W h ea t l e y an d p h otog r ap h er J ake Sh er man .h t t p : // w w w. jake sh er manm e d ia .co m /h t t p : // w w w. t re v o r w h ea t l e y.co m / w o r k

T h e w o rd “ Sn i tc h ” snake s t hro ug h a f re e z ing r i v er.

I n t h e i r Ur b an D ic t io nar y s er ie s , t h e team p la ce s s c u lp t ure s o f s lang w o rds in t h e

m o s t un l i ke l y en v i ro nm en t s — t h ink fo re s t s , r ush ing s t ream s , b ea c h e s — an d p h otog r ap h s t h em .

T h e s er ie s i s a ju x t ap o s i t io n o f t h e fo rce o f ur b an lang uage w i t h t h e na t ur a l w o r l d ,

m ean t to re - co n te x t ua l i ze h o w w e v ie w lang uage . T h e e l em en t s o f ea c h p h oto a re a l w a y s t h e s am e — t h e l e t te r s in s t a l l e d in a na t ur a l en v i ro nm en t— b u t ea c h e v o ke s i t s ow n sur rea l i sm .

CYCLOID

PORTLAND

DESIGNER

BASEDAND T OY M A K E R

M A C H I N E

JOE FREEDMAN

DRAWING

The Cycloid and PrimoGraf drawing machines.Way before there were plastic drawing toys like the

Spirograph® there were wood and metal drawing ma-chines. Some were elegant harmonographs from the 1880s. Others were simple wooden epicycloid toys like The Marvelous Wondergraph from 1906. While the har-monographs were infinitely adjustable, all the cycloid toys were simple and limited. The resolved to correct this oversight by the long gone inventors. The Cycloid Drawing Machine has infinite adjustments to allow for a fulcrum that rotates and moves. The Cycloid Drawing Machine allows for massively complex artwork. By allowing the fulcrum point to move and having a huge number of in-terchangeable gears thedrawing machine is more like an engine turning lathe.

No motors or electricity require. Just crank it by hand. There are lots and lots of gears. They are held in place by brass screws and brass knurled nuts. You operate the

http://leafpdx.bigcartel.com/product/cycloid-draw-ing-machine

A k ko G o l d enb e l d ha s a v er y p er s o na l w a y o f l o o k ing a t , o r r a t h er l i s ten ing to , t h e c i t y. H e ha s c rea te d a s c a l e m o d e l o f

E in dh o v en an d a s s ig n e d i t t h e ro l e o f s o un d re co rd er ; t h e b u i l d -ing s c rea te t h e s co re . P la ce d o n a re v o l v ing w o o d en c y l in d er t h e b u i l d ing s s e t l i t t l e hamm er s in m ot io n t ha t p la y t h e ke y s o f a p ian o. A n d t ur n ing an d t ur n ing , t h e c i t y make s i t s v o i ce h eard : f ro m l o u d to s o f t , l o ng to sh o r t , h ig h - p i tc h e d to l ow, t r an s la t ing

t h e ur b an d e v e l o p er s ’ t h re e - d im en s io na l rea l i t y in to an aur a l e x p er ien ce .

G o l d enb e l d c rea te d t h e p ie ce , c a l l e d C i t y mus i c , in jus t o n e m o n t h a s p ar t o f h i s g r a dua t io n f ro m t h e D e s ig n A c a d em y o f E in dh o v en . In f a c t , h e o n l y c am e up w i t h t h e co n cep t 4 w e ek s b e fo re g r a dua t io n !

http://akkogoldenbeld.com/Citymusic | https://www.youtube.com/watch?v=XdE_L-cOwM0 | https://www.youtube.com/watch?v=W1J3oZuXJ4A

c rea te d b y A k ko G o l d enb e l d

Studio Akko GoldenbeldCIT YMUSIC

HISTORICAL PERSIAN MONUMENTSM O H A MM A D R E Z A D O MIR I G A N J I

h t t p : //g r a v i t y. i r/

24 y ear s o l d Ph otog r ap h er an d Ph y s i c s s t u d en t f ro m n o r t h er n I r an , in tere s te d in Pan o r amic an d A rc h i te c t ure Ph otog r ap h y. M o s t o f h i s p i c s a re Co v er ing v er y W id e ang l e o f v i e w (sh ow En t i re B u i l d ing in o n e P i c t ure ) an d a l s o t h e y a re H ig h D y namic R ange. fo r h im l i g h t i s a v er y Sp e c ia l e l em en t in Ph otog r ap h y . H e a l w a y s t r y to to i l l us t r a te s t unn ing fea t ure s o f b u i l d ing s a l o ng w i t h t h e d e t a i l s in a rc h i te c t ure p h otog r ap h y t hro ug h ar t i s t i c s t an dp o in t s .

c rea te d b y A k ko G o l d enb e l d

MOSAIC FLOORSPh otog r ap h er S eb a s t ian Er r a s

h t t p s : // w w w. in s t ag r am .co m /p ar i s ian f l o o r s / | h t t p s : // w w w.p i x ar t p r in t ing .co .uk /co n ten t / b arce l o na - f l o o r s /

F ro m ha l l w a y s to re s t aur an t s an d g a l l e r-i e s to c a fe s , Er r a s ha s b e en co l l e c t ing t h e

c i t y ’ s t i l e w o r k w h i l e fe e d ing h i s o b s e s s io n w i t h p a t ter n an d s y mm e t r y.A t f i r s t Er r a s in c lu d e d h i s sh o e s to g i v e t h e image s p er sp e c t i v e an d h ig h l i g h t t h e f a c t t ha t h e w a s c ap t ur ing a f l o o r, b u t s o o n p e o p l e b e g an co mm en t ing o n h ow h i s sh o e s co mp l im en t t h e d e s ig n . N ow Er r a s i s k n o w n to to te o n e o r t w o e x t r a p a i r s o f fo o t w ear in h i s b a c k p a c k , jus t in c a s e t h e f l o o r h e f in ds n e e ds a d i f fe ren t ma te .A l t h o ug h e v er y t h ing s t a r te d in Par i s , E r r a s ha s b e en e x p an d ing h i s w o r k in to n e w c i t-i e s — m o s t re cen t l y c ap t ur ing B arce l o na o n fo ot .

G l o w ing sur rea l l i ke a dream , s cen e a f te r s cen e o f an ima ls da z z l e In -s t ag r am . T h e a cco un t @ har ian d -d e ep t i i s t h e f a r aw a y d e s t ina t io n o f mag ic a l rea l i sm , t hank s to g r ap h ic d e s ig n er Har i Pan i c ker an d p a in ter D e ep t i Na i r, w h o t ake t h e i r t a l en t s to a co l l ab o r a t i v e p inna c l e w i t h in t r i c a te p ap er c r a f t . ( T h e t w o are a l s o mar r ie d . )

Wo r k ing toge t h er w i t h p ap er fo r s i x y ear s w i l l d o t ha t , make y o u a s a -mur a i w i t h t h e p ap er b la d e . T h e y ’ v e a l s o f i g ure d o u t h o w to co n jure up w h im s ic a l an d s t unn ing nar r a t i v e s t hro ug h t h e i r l i g h t b oxe s . B a s e d in D en v er an d Mumb a i , t h e p ap er- c u t a r t i s t co up l e ha s m o re in s to re fo r t h e f u t ure , co n t inuo us l y e x p er i -m en t ing w i t h p ap er an d l i g h t s .

BACKLIT

A R TPAPER

c rea te d b y g r ap h ic d e s ig n er Har i Pan i c ker an d p a in ter D e ep t i Na i r

h t t p s : // w w w. in s t ag r am .co m / har ian d d e ep t i /

C I T Y S C A P E S PA I N T I N G SC r e a t e d b y R u s s i a n a r t i s t A l e x e y B u t y r s k y

A l e x e y ’ s f o c a l a r e a i s c i t y s c a p e s : t r a n q u i l l i t y a n d a s p e c i a l e v e n i n g m o o d i s f e l t i n e a c h h i s p a i n t i n g .

H U M A N S E R I E SC r e a t e d b y M e h y a r S a w a s

h t t p : / / m e h y a r s a w a s . t u m b l r . c o m /

A b o u t “ H u m a n ” :

“ S i n c e l i v i n g i n V i e n n a I h a v e b e e n c r e a t i n g m a n y a r t w o r k s u s i n g m e t a l f o r m i n g . T h e o n l y m a t e r i a l a v a i l a b l e t o m e d u r i n g t h i s t i m e w a s e l e c t r i c w i r e , w h i c h I w r a p p e d t o c r e a t e f i g u r e s t o e x p r e s s m y i d e a s a b o u t h u m a n e m o t i o n s i n d i f f e r e n t s t a g e s o f l i f e . I b u r n e d t h e p l a s t i c l i n i n g t o e x p r e s s t h e s u f f e r i n g o f h u m a n l i f e w h i c h i s r e p r e s e n t e d i n t h e r e s u l t i n g t e x t u r e . T h e e x p o s e d w i r e r e p r e s e n t s t h e s t r e n g t h a n d p o w e r o f t h e h u m a n i n r e s p o n s e t o h a r d s h i p s a n d s u f f e r i n g . I ’ v e c o n t i n u e d u s i n g t h e s e t e c h n i q u e s a n d t o d a y p r e s e n t t h e m t o y o u a s a d e v e l o p i n g s e r i e s I c a l l H u m a n ” .

S M A L L M O D E L S W I T H A BIG IMAGINATIONCrea te d b y M e x i c an p h otog r ap h er F e l i x H er nan d e z Ro dr ig ue z

h t t p : // w w w.b eau t i f u l l i fe . in fo /a r t- w o r k s /p h otog r ap h er- c rea te s - mag ic a l - s cen e s - w i t h - sma l l - to y s /h t t p s : // 5 0 0 px .co m / h er nan d e zdreamp h og r ap h y

M e x ic an p h otog r ap h er F e l i x H er nan -d e z Ro dr ig ue z i s a g ro w n - up w h o ’ s n e v er s to p p e d p la y ing . H e c rea te s h i s ma je s t i c p h otog r ap h s in c lu d ing sma l l to y s . F e l i x s a y s t ha t h i s p h otog r ap h y i s n o t “ w ha t e x i s t s t h ere , b u t p o r t r a y w ha t e x i s t in m e ”. T h e p h otog r ap h er c rea te s mag i c a l s cen e s w i t h t h e h e lp o f mun dan e p ro duc t s , suc h a s f l o ur to im i t a te sn ow o r c ig are t te sm o ke s to a d d s o m e a t m o sp h ere . F e l i x m i xe s rea l an d s c a l e d m o d e ls w i t h t h e h e lp o f h i s v i v id imag ina t io n an d Ph oto sh o p. H e us e s a ma c ro l en s an d t h e te c hn ique c a l l e d “ fo c us s t a c k ing ’ , w h en mul t ip l e p h oto s a re m er ge d to c rea te a w id er fo c us . “ I t ’ s suc h a b ig p l ea sure to c re -a te , a lm o s t l i ke a p o w er f u l d r ug … y o u s o o n are a d d ic te d to i t . ” E v er s in ce I w a s a k id I us e d to sp en d h o ur s a l o n e in m y ro o m p la y ing w i t h m y to y s . N ow t ha t I ’m a “ g ro w nup, ” I ’ v e rea l i ze d t ha t I n e v er s to p p e d p la y ing an d t ha t t h e o n l y d i f fe ren ce i s t ha t n o w I ha v e a c am er a o n m y han ds .

Ph otog r ap h y an d d ig i t a l a r t jus t g a v e m e t h e ab i l i t y to b r ing a l i v e t h o s e s cen e s t ha t I ’ v e ha d in s id e m y min d e v er s in ce I w a s a k id .

Crea te d b y İ sken d er G i r a y

f a ceb o o k @ i sken d er g i r a y – a tö l y e

in s t ag r am @ i sken d er g i r a y

w w w. i sken d er g i r a y.co m

S C U L P T U R E S M A D E F R O M S TA I N L E S S

S T E E L P I P E S

LAGOON C C 5 5 5

c rea te d b y A l e x an dre C H A PEL IN

h t t p : // w w w. la t ab l e .h o us e /h t t p s : // w w w. f a ceb o o k .co m / L A -TA B L E - 8 39 8 8719 939 4 0 07/

T HE CO N C EP T « L A TA B L E » IS TO TA K E A S IMPL E P IEC E O F F UR NI T UR E A ND C R E-

AT I V ELY T R A NSF O R M I T IN TO A UNI Q UE A R T IS T I C S TAT EMEN T T H AT IS A T RUE R EF L EC-T I O N O F I T S OW NER .

WHEN

OVERF R E E Z E S

IRIS VAN LOON

THE LAKEI USE PHOTOGRAPHY AS A JOURNEY, AN EXPLORATION, AND A VISU-AL PERCEPTION. BUT ABOVE ALL, THROUGH THE LENS, I MAKE AN EMOTIONAL CONNECTION WITH NATURE, PEOPLE, MY SURROUND-INGS, AND EVEN INANIMATE ‘THINGS’.

My choice of subject is intuitive and often impulsive. When my mind is open I can see beauty in the mundane, the uncommon in the com-mon, and the extraordinary in the ordinary,

I try to take photographs that call attention to things that other peo-ple overlook; my goal is to share my ‘eye’ and to show how everything we take for granted can actually become exceptional, which elevates the spirit, emotion, and thought.

http://www.iriszphotography.com/

https://www.facebook.com/iriszphotography/?pnref=lhc

Since 2007, Lee JeeYoung shoots the inv is ible. Whereas tradi t ional photography submits ex trac ts of real i t y to our eyes , the ar t is t of fers excerpts f rom her hear t , her memor y, or her dreams. Res trained by the inherent l imi t s of the convent ional photographic medium, she adds plas t ic creat i v i t y and theatr ical per formance to i t , in order to blow l i fe into her immense needs of expression, and interrogat ion.For week s , somet imes months , she creates the fabr ic of a universe born f rom her mind wi thin the conf ines of her 3 x 6 m s tudio. She does so wi th inf ini te minut iae and ex traordinar y pat ience, in order to exclude any ul ter ior photographic al terat ion. Thus mater ial ised,

these wor lds turn real and concret ise : imaginat ion rever ts to the tangible and the photo imager y of such f ic t ion tes t i f y as to their real i t y. In the mids t of each of these sets s tands the ar t is t : those sel f-por trai t s however are never f rontal , s ince i t is never her v isual aspec t she shows, but rather her ques t for an ident i t y, her desires and her f rame of mind. Her creat ions ac t as a catharsis which al lows her to accept social repression and frus trat ions. The moment re-quired to set the s tage g ives her t ime to medi tate about the causes of her inter ior conf l ic t s and hence exorcise them; once exper ienced, they in turn become por tents of hope.

http://www.opiomgallery.com/en/artistes/oeuvresphotographe/17/jeeyoung-lee

c rea te d b y Ko rean ar t i s t J e e y o ung Le e

ALTERNATE U N I V E R S E

THE WORLD WE LIVE INCrea te d b y K a s ia D er w in sk a

h t t p : // w w w.mag ic-a r t- p h otog r ap h y.eu / | h t t p s : // w w w. f a ceb o o k .co m / k a s ia .d er w in sk a . 5

In m y w o r k , I t a l k ab o u t ow n e x p er ien ce s , t h o ug h t s , d o ub t s , fear s an d h o p e s t r y ing to re f l e c t m y o w n l i fe ’ s p a t h . In a d d i t io n to m y e x p er ien ce s , m y c rea t io n s a re in sp i re d b y n ig h t dream s a s s in ce c h i l dh o o d I rem emb er m o s t o f t h em an d I b e l i e v e t ha t dream s are t h e m o s t s imb o l i c l ang uage o f o ur sub co n s c io us , a g u id e to na v ig a te in t h e m o d er n w o r l d . I am au to d ida c t i c an d I d o n ” ² t re cog n i ze m y s e l f a s a p h otog r ap h er. I us e p h otog r ap h y a s a to o l , l i ke a b r ush fo r p a in t ing o r an y in s t r um en t to p la y mus i c . M y w o r k i s an a t temp t to co nn e c t sub s t an t ia l i t y o f t h e w o r l d t ha t sur ro un ds us w i t h e lus i v en e s s o f fe e l ing s an d t h o ug h t s . F o r t ha t rea s o n I d e s c r ib e m y c rea t io n s a s b u i l d ing a b r idge b e t w e en t h e v i s ib l e an d t h e in v i s ib l e .

BEAD ARCHITECTURECrea te d b y N ATA LYA B UL B A

h t t p s : // w w w.y o u t ub e.co m / w a tc h? v = RoToYa5 a1Q E | h t t p : // w w w. lu x ur y - b ea ds .co m /en /arc h i te c t ure /

JELLYFISH

S E R I E SPHOTOGRAPHY

c rea te d b y D i r k We y er b a s e d in Hamb ur g + B er l in

h t t p : // w w w.d i r k w e y er.co m /

O L D W AT C H E S R E C Y C L I N GC r e a t e d b y E p s i l o n V e g a

h t t p s : / / w w w . a l i t t l e m a r k e t . c o m / b o u t i q u e / e p s i l o n _ v e g a - 2 0 7 3 2 8 . h t m lh t t p s : / / w w w . i n s t a g r a m . c o m / e p s i l o n v e g a /

E P S I L O N V E G A I S A F R E N C H C R A F T S W O M A N W H O W O R K S W I T H W A T C H P A R T S . I N H E R L Y O N W O R K S H O P , S H E T A K E S T O P I E C E S A L A R M C L O C K S , O L D B R O K E N W A T C H E S , A N D S H E C R E A T E S A R T J E W E L R Y .

S h e h a s d e v e l o p e d h e r o w n t e c h n i q u e a n d m a k e s n o t o n l y n e c k l a c e s , b a n g l e s a n d r i n g s b u t a l s o c u f f l i n k s o r h a i r a c c e s s o r i e s .

S h e i s i n s p i r e d b y h e r r e a d i n g s a n d e s p e c i a l l y t h e w r i t -i n g s o f J u l e s V e r n e .L o t s o f p i e c e s a r e u n i q u e a n d E p s i l o n V e g a ’ s s i g n a t u r e i s i n e a c h o n e o f t h e s e .

A Q U A V I VA S E R I E S , a v i s i o n o f l i f e ’ s e n e r g y r e v e a l e dC r e a t e d b y P i e r r e C a r r e a u

h t t p : / / m e h y a r s a w a s . t u m b l r . c o m /

W h e n c o n s i d e r e d a l o n g s i d e t h e m u l t i t u d e o f m o t i v e s t h a t a r t i s t s b r i n g t o t h e i r w o r k , t h e A q u a V i v a s e r i e s b y P i e r r e C a r r e a u a c h i e v e s a r e n d e r i n g o f e m o t i o n i n i t s p u r e s t f o r m . T h o u g h s e e m i n g l y m o n o m o r p h i c , t h e s e i m a g e s c a r r y i n s i d e t h e m t h e r a n g e o f h u m a n e m o t i o n .

A s C a r r e a u ’ s d e s c r i b e s t h e g o a l o f h i s w o r k , i t i s t o “ t r a n s f e r t h e w a v e s ’ e n e r g y t o t h o s e w h o v i e w t h e m . ” T h e i m a g e s o f t e n e v o k e a r a n g e a e m o t i o n s d e p e n d i n g o n t h e s t a t e o f m i n d a n d p e r s p e c t i v e o f t h e v i e w e r , f r o m t h e e x h i l a r a t i o n f a m i l i a r t o s u r f e r s t o t h e m e d i t a t i v e c a l m w e f e e l i n m o m e n t s o f p e a c e f u l i n t r o s p e c t i o n .

T h e r e a l i t y o f t h e s e m o m e n t s o f e x q u i s i t e b e a u t y a n d e m o t i o n e x i s t i n g b e f o r e o u r e y e s , n o t i n v i s i b l e y e t u n p e r c e i v a b l e t o u s , l i e s a t t h e h e a r t o f C a r r e a u ’ s a r t i s t i c i n t e n t i o n . I n t h i s r e l a t i o n s h i p , t h e p h o t o g r a p h e r a n d c a m e r a a c t a s a c o n d u i t c a r -r y i n g t h e e m o t i o n a l i m p a c t f r o m t h e e l e m e n t o f w a t e r i t s e l f t o t h e e v o l v e d p e r c e p t i o n o f t h e v i e w e r , w h o s e v e r y e x i s t e n c e i s a n e x t e n s i o n o f t h e s u b j e c t .

B A D D R E A M SCrea te d b y G ius ep p e Puo cc i

“ I F W E A D D UP T HE H O UR S OV ER A L IF E T IME D ED I C AT ED TO SL EEP, I T IN -D I C AT E S T H AT OV ER A L L W E SPEND 2 3 Y E A R S SL EEPING A ND D R E A MING T HE Y EMPLOY W EL L- 4 . W E SPEND A T H IR D O F O UR L I V E S SL EEPING .

B u t fo r a l l t h i s t im e w e ha v e n o co n -s c io usn e s s , m o re o f ten t han n ot w e re t a in n o m em o r y o f o ur n o c t ur na l e x p er ien ce s . S l e ep i s n ot a w a s te o f t im e b u t a p ro ce s s , b io l og i c a l an d p s y -c h o l og i c a l toge t h er, us e f u l fo r o ur w e l l b e ing an d h ea l t h . A l l mammals n e e d to dream an d t h e man ge t s s i c k o r i f i t un d er go e s s er io us imb a lan ce s c an n ot s l e ep s a t i s f a c to r i l y an d dreaming re g u la r l y ”

I ma in l y dr aw in sp i r a t io n f ro m dream s . S o m e t im e s I ge t up in t h e m o r n ing an d p re c i s e l y w ha t t h e n ig h t I d ream e d . M o re o f ten , t h o ug h , I p re fer to p o r-t r a y m o m en t s o f an x ie t y, c l aus t ro p h o -b i c , in sh o r t , t h o s e w h o rema in m o s t imp re s s e d , an d l ea v e y o u t ha t t a s te o f fear an d ha l f - s c are d jus t w o ken up . I k n ow a s a co n cep t i s s t r ange , b u t I c an , a t t h i s p er io d o f m y l i fe , to d ep ic t to t a l l y un co nn e c te d co n cep t s to ea c h o t h er, b u t w i t h t h e s am e f l a v o r.

Crea te d b y J enn i fe r D ow d

h t t p : // w w w. jenn i fe rdp h otog r ap h y.co m /# ! l i g h t-a r t /c1us 4

“ I ab s o lu te l y l o v e ab s t r a c t b ur s t s o f co l o ur. W h en I s e e a f in i sh e d p h oto , I fe e l a s i f m y inn er v o i ce ha s b e en e x p re s s e d t hro ug h l i g h t an d I am ab l e to sh o w t h e v ie w er w ha t I ’m fe e l ing o n t h e in s id e . I a l s o l i ke t ha t ea c h v ie w er s e e s an d fe e l s s o m e -t h ing d i f fe ren t fo r ea c h p ie ce o f l i g h t a r t . L ig h t Pa in t ing a r t i s t r u l y an ama z ing o u t l e t o f un l im i t-e d c rea t i v i t y. ”

B U R S T S O F C O L O R

PARIS, THE GAME OF LIGHT AND SHADE.

c rea te d b y a rc h i te c t ur a l p h otog r ap h er Ek a ter ina B us y g ina

h t t p s : // w w w.b ehan ce .n e t / Ek a ter inaB us y g ina

I A M INSPIR ED B Y T HE A RC HI T EC T UR E A ND D E S I GN IN A L L I T S F O R MS A ND M A NIF E S -

TAT I O NS . F O R ME , A N A RC HI T EC T UR E IS A R EF L EC T I O N O F C H A R AC T ER A ND A SPIR A -T I O NS O F PER S O N , A ND T H AT ’ S W H Y I T IS S O AT T R AC T I V E .

CHAIRSMADEFROM

P A R T S

O L D

SPANISH STUDIO BEL & BEL

VESPAThey’ve taken the front of 1980s vintage scooters, chopped them off, refurbished them with new paint and transformed them into rolling chairs that scoot around the office with style.

The chair incorporates design elements similar to the fantastic Eames designed Aluminum group chairs. Functional fea-tures abound—like rolling caster wheels, a hydraulic height adjustment, ergonomic seat and even the ability to recline.

The limited edition series of chairs features a wide range of colors, with a variety of trim options for everything a racing stripe to a minimalist finish.

http://belybel.com/bel-bel-scooter-chair/

T h e c l o t h ing b l en ds f a sh io n an d te c hn o l og y in sur p r i s ing w a y s , us ing a 3D s c an o f t h e w earer ’ s b o d y an d an ap p fo r c us to m -

i ze d d e s ig n s t ha t v a r y in d i re c t io n , l eng t h , an d shap e.

O n ce t h e p ie ce i s rea d y fo r p r in t ing , t h e team ha s an inn o v a -t i v e m e t h o d fo r f i t t ing i t in to t h e p r in ter ’ s sma l l p r in t a rea .

Mu l t ip l e dre s s p ie ce s a re p r in te d in a ro l l e d fo r m ( l i ke a c ar p e t ) ,

t h en unro l l e d a f te r p r in t ing an d co nn e c te d toge t h er.

T h e dre s s w a s co mmis s io n e d b y T h e Mus eum of F in e A r t s , B o s -to n , fo r t h e i r e x h ib i t io n # te c h s t y l e , w h i c h r un s f ro m Marc h 6

t hro ug h J u l y 10 , 2016 .

http://n-e-r-v-o-u-s.com/index.php

c rea te d b y N er v o us Sy s tem – t h e gen er a t i v e d e s ig n s t u d io

3D PRINTED DRE SS COVERED IN KINEMATIC

PETALS

WORLD’S LARGEST 3D PRINTED STRUCTURECrea te d b y LC D ( L ab o r a to r y fo r Crea t i v e D e s ig n)

h t t p : // w w w.b jd w.o r g /en /

T h e w o r l d ’ s l a r ge s t 3D p r in te d a rc h i te c t ur a l p a v i l i o n w a s re v ea l e d a t t h i s y ear ’ s B e i j ing D e s ig n We ek . T h e s t r uc t ure – c a l l e d V ULC A N a f te r t h e L a t in w o rd fo r v o l c an o – f i l l e d t h e cen t r a l a t r ium o f t h e h ig h - te c h co m -m erc ia l /o f f i ce co mp l e x o f Par k v ie w G re en , an d to o k h o m e a G u inn e s s Re co rd .T h e a rc h ing p a v i l i o n w a s c rea te d b y LC D ( L ab o r a to r y fo r Crea t i v e D e -s ig n) an d d i f fe r s f ro m man y o t h er a rc h i te c t ur a l 3D p r in t ing p ro je c t s w h ic h a t temp t to p r in t b u i l d ing s in o n e - p ie ce . In s tea d t h i s p ro je c t s fo -

c us e s o n s t r uc t ur a l fo r m , co mp l e x i t y an d ab i l i t i e s imp o s s ib l e w i t h o t h er te c hn o l og ie s .

Co n s t r uc t io n to o k 3 0 da y s an d 20 la r ge - s c a l e 3D p r in ter s to co mp l e te ea c h o f t h e m o du lar un i t s t ha t co mp l e te t h e s t r uc t ure . T h en 15 p e o p l e a s s emb l e d t h e p a v i l i o n o v er 12 da y s . T h e b eau t i f u l l y co mp l e x m o du l e s r ange f ro m n ear l y s o l id co n s t r uc t io n , to d e l i c a te ge o m e t r i c t r i ang l e s b i s e c te d b y w eb s o f f i l am en t .

SELFPORTRAITS (the story about thoughts)

Crea te d b y Ed y t a Pek a la

h t t p s : // w w w. f a ceb o o k .co m / Ed y t aPek a laPh otog r ap h y | h t t p : //e d y t ap ek a lap h otog r ap h y. t k

T HE S TO R Y B EHIND M Y SEL F - P O R T R A I T S IS S IMPLY M Y EM OT I O NS A ND D E S IR E TO

C R E AT E A NE W RO L E .

F o r e x amp l e m y p h oto s er ie s : “ F ro m t h o ug h t s …” i s ab o u t m y inn er w o r l d . Ph o -

to s f ro m t h i s s er ie s t a l k ab o u t m e lan c h o l y, s a dn e s s , w h ic h a re in s ep ar ab l e p ar t o f o ur l i fe . T h e id ea w a s b o r n a f te r l i s ten to t h e mu -s i c … I ha d s o man y fe e l ing s t ha t I mus t re v ea l t h em a s s o o n a s p o s s ib l e .

h t t p s : // w w w. f a ceb o o k .co m / Ed y t aPek a laPh otog r ap h y | h t t p : //e d y t ap ek a lap h otog r ap h y. t k

A F E W Y E A R S AGO, I L EF T Q UEB EC F O R PA R IS , W HI C H G AV E ME T HE C H A N C E TO TA K E P I C T UR E S O F T H IS B E AU T IF UL C I T Y, B U T A L S O F R A N C E A ND M A N Y EURO PE A N CO UN T R IE S .

W h y t r an s fo r m m y p h oto s in to C ar to o n?I w an te d to f ur t h er c us to mize m y p h oto s an d b r ing t h em in to an ot h er w o r l d t ha t I a l s o l o v e , t h e w o r l d o f c a r to o n s . I t ’ s a l s o n i ce to ha v e t ha t fe e l ing o f “d r aw ing ” w h i l e I am f a r f ro m ha v ing t h i s t a l en t ! A l s o , i t ’ s f un to imag in e a s cen e t ha t in v i te s i t s e l f in to t h e p i c t ure (o r dr aw ing ) .

“ Yo u d o n ’ t make a p h otog r ap h jus t w i t h a c am er a . Yo u b r ing to t h e a c t o f p h otog r ap h y a l l t h e p i c t ure s y o u ha v e s e en , t h e b o o k s y o u ha v e rea d , t h e mus i c y o u ha v e h eard , t h e p e o p l e y o u ha v e l o v e d . ” – A n s e l A dam s

CARTOONPHOTOGRAPHY

c rea te d b y J o ce l y n Ma t h ieu

h t t p : // w w w. jmp h oto c ar to o n .co mh t t p: // w w w. f a ceb o o k .co m / J MPh oto C ar to o n

S T R E E T P H O T O G R A P H YC r e a t e d b y M A R I U S V I E T H

h t t p : / / w w w . m a r i u s v i e t h . c o m / m a r i u s - v i e t h /

A f t e r a c o u p l e o f w e e k s s t r e e t p h o t o g r a p h y m o r e a n d m o r e b e c a m e a n i n t e r e s t o f m i n e . W h a t m a d e m e f e e l r e a l l y i n -s e c u r e i n t h e f i r s t 1 - 2 m o n t h s w a s t h e f a c t , t h a t m y s t r e e t p h o t o g r a p h y w a s i n a w a y d i f f e r e n t c o m p a r e d t o t h e r e s t o f t h e s t r e e t p h o t o g r a p h y c o m m u n i t y . I j u s t h a d t h e s e t y p i c a l s t r e e t s h o t s i n b l a c k a n d w h i t e w i t h l o t s o f t h i n g s g o i n g o n i n t h e m i n m i n d a n d I j u s t c o u l d n ’ t d o i t . I t r i e d a n d t r i e d a n d t h o u g h t t h a t a f t e r I w a s l o u s y a t p o r t r a i t p h o t o g r a p h y , t h i s w h o l e p h o t o g r a p h y t h i n g w a s n ’ t m e a n t f o r m e . I k n e w I h a d s o m e t h i n g i n m e , b u t I j u s t c o u l d n ’ t r e a l l y s e t i f f r e e . A f t e r a w h i l e I s a i d t o m y s e l f “ Y o u k n o w w h a t M a r i u s , t h i s i s y o u r p r o j e c t a n d l i f e a n d y o u c a n d o w h a t e v e r y o u t h i n k i s r i g h t ! M o s t p e o p l e d o n ’ t c a r e f o r y o u r p r o j e c t a n y w a y s . . . ” . W i t h t h i s a t t i t u d e i n m i n d I j u s t k e p t g o i n g t o g i v e s t r e e t p h o t o g r a p h y m y s i g n t u r e . I t f e l t a m a z i n g t o t a k e p h o t o s t h e w a y I f e l t ‘ e m w i t h o u t t h i n k i n g i n t e r m s o f g e n r e s a n d r u l e s . I f e l t a s t h o u g h I b r o k e m y c h a i n s f o r t h e f i r s t t i m e .

W O V E N PA I R O F L U N G SC r e a t e d A n a s t a s s i a E l i a s

h t t p s : / / w w w . b e h a n c e . n e t / g a l l e r y / 7 2 6 6 4 8 / D e e p - b r e a t h

T h e i n s t a l l a t i o n “ D e e p b r e a t h ” c r e a t e d f o r a n e x h i b i t i o n “ G é n i e d e s j a r d i n s ” i n t h e o p e n a i ri n a s q u a r e i n P a r i s . ( s e p t e m b e r - o c t o b e r 2 0 1 0 )

C R E A T I V E M U L T I P L E E X P O S U R E

Crea te d b y sur rea l p o r t r a i t p h otog r ap h er P io t r Sko c z y la s

h t t p s : // w w w. f a ceb o o k .co m /m e d ia /s e t / ? s e t=a . 89 4165 49 0703 693 .107 37418 4 0 . 374979 81928 8932&t y p e =3

T h i s s er ie s i s a s to r y o f b e ing em o -t io na l l y l o s t , d i s co nn e c te d b u t in t h e s am e t im e f re e an d a d v en t uro us . I t w a s a rea l l y d i f f i c u l t t im e fo r m e an d I t h ink t h o us p h oto s re f l e c t m y fe e l ing s . I t fe l t l i ke l i v ing in a b a d dream . S o m e -t im e s te r r i f y ing n ig h t mare y o u jus t w an t to en d . A t t h e s am e t im e I w a s t r y ing to s a y to m y s e l f t ha t i t ’ s n o t s o b a d s o I e s c ap e d in to m y s t i c w o r l d o f co n f us e d sur rea l i sm .

We a l l go t hro ug h s o m e d i f f i c u l t t im e s in o ur l i v e s . I am s o g la d I fo un d p h o -tog r ap h y a s t h e w a y to e x p re s s m y s e l f s o I c an share m y s to r y w i t h y o u . T h e g rea t t h ing ab o u t i t , i s t ha t s o m e -t im e s o n e p i c t ure c an s a y m o re t han a t h o us an d w o rds . Lo o k s l i ke fo r m e t h e s to r y jus t b e g an …

Crea te d b y N e w Yo r k A d A gen c y H UM A N

“ D i v id e an d co n quer ” ha s a l w a y s b e en t h e man t r a o f t h o s e s e ek ing to co n t ro l o r o v er p o w er, b u t H UM A N ’s # Toge t h er c am -p a ig n c ha l l enge s A m er i c an s to f i g h t t h e ur ge to p o in t t h e f inger, an d in s tea d rea l i ze w e ’ re a l l i n t h i s toge t h er… an d toge t h er w e c an make A m er i c a w o r k fo r a l l o f us .

B er n ie S an d er s ha s a v i r a l n e w a d , b u t h e d idn ’ t e v en c rea te i t . H UM A N , a N e w Yo r k a d agen c y t ha t ’ s c l ear l y “ fe e l ing t h e B er n ” p ro duce d t h e p ie ce , w h ic h s en ds a p o w er f u l m e s s age — n o ma t-te r w h o y o u c h o o s e to sup p o r t in t h e up co ming e l e c t io n s . Us ing au d io f ro m a S an d er s r a l l y

h t t p : // t h ehuman s to r y.co m /

B E R N I E S A N D E R S A D

3D - PR INTED MAP OF MANHAT TANDE SKc rea te d b y N e w Yo r k- b a s e d d e s ig n er Tro y Huang

h t t p : // w w w. t ro y huang .co m / | h t t p : // img ur.co m /a / 3 A J gT

N e w Yo r k- b a s e d d e s ig n er Tro y Huang ha s b e en hard a t w o r k c rea t ing a han d c r a f t-

e d map o f Manha t t an t ha t f un c t io n s a s an in c re d ib l y un ique d e sk . A n en o r m o us am o un t o f t im e w en t in to 3D p r in t ing an d la s er- c u t-t ing ea c h b u i l d ing s t a r t ing a t t h e Wo r l d Tr a d e Cen ter an d f in i sh ing p ar t w a y t hro ug h Cen -t r a l Par k .

T h e i s lan d i t s e l f i s sur ro un d e d b y a re l i e f map o f t h e Hu ds o n an d E a s t R i v er, co v -

ere d in c l ear a c r y l i c to c rea te w a ter y re -f l e c t io n s . B en ea t h t h e min i m e t ro p o l i s a re mu l t i - co l o r L ED l i g h t s to i l l umina te t h e b u i l d -ing s an d t h e ro o m b e y o n d .

3D PRINTED

S U N D I A L

FRENCH MAKER MOJOPTIX

DIGITALUsing the latest 3D printing technology and a computer model, French maker Mojoptix has designed a deceptively simple digital sundial which lets light through perfectly angled holes to write out the time from 10:00 to 16:00 in 20 minute increments on the surface below.

http://www.mojoptix.com/

Disney Research has been developing an augmented real i t y color ing book and app that let k ids br ing their on-page creat ions to l i fe. Un-l ike simi lar apps ( l ike Quiver) that came before i t , Disney ’s creat ion let s you see the charac ter in 3D as you ’re color ing.

Another innovat i ve feature is the app ’s abi l i t y to generate simulated

tex tures for the back of objec ts . I t does this by apply ing pixels f rom the drawing to ever y piece of a lookup map. I t then appl ies a rough guess of the tex ture to the objec t and then ‘ relaxes ’ i t using a v ir tual spr ing s ys tem.The app is current ly in i t s developmental s tages

https://www.disneyresearch.com/publication/live-texturing-of-augmented-reality-characters/

c rea te d b y D i sn e y Re s earc h

AUGMENTED RE ALIT Y 3D COLORING BOOK

HAND-MADE GLOBECrea te d b y B e l l e r b y & Co

h t t p : // w w w.b e l l e r b y an d co.co m / in d e x .p hp/

O n e o f t h e fe w han d - ma d e g l o b e maker s l e f t in t h e w o r l d , B e l l e r b y & Co. ha v e g a in e d in ter na t io n -a l a cc la im fo r t h e i r a t ten t io n to d e t a i l an d a e s -t h e t i c a l l y p l ea s ing d e s ig n s .T h e a r t i s an sh o p b e g an in 20 0 8 w h en fo un d er Pe -ter B e l l e r b y w en t s earc h ing fo r a qua l i t y g l o b e fo r h i s f a t h er ’ s 8 0 t h b i r t h da y p re s en t . W ha t h e fo un d w ere p o o r e x amp l e s an d t h e in sp i r a t io n to b u i l d h i s o w n . B e l l e r b y d e d ic a te d t h e n e x t fe w m o n t h s an d t h o us an ds o f p o un ds to t ha t f i r s t g l o b e . T h e p ro je c t u l t ima te l y l ea d to t h e c rea t io n o f h i s o w n s t u d io .

To da y t h e t im e l e s s c rea t io n s o f B e l l e r b y & Co. ha v e a w id e fo l l ow ing . T h e y ha v e fea t ure d in H o l l y w o o d f i lm s l i ke Mar t in S co r s e s e ’ s Hugo , b e en us e d in B B C f i lm w o r k an d e v en in a r t i s t in s t a l l a t io n s . T h e y make a r ange f ro m sma l l 2 2 c m d e sk g l o b e s , to a l a r ge an d v er y l im i te d e d i t io n ‘ C hurc h i l l ’ g l o b e a t 5 0 in c h e s in d iam e ter. A l l a re m o un te d o n a ro l l e r b ear ing s y s tem fo r v i e w ing f ro m a l l ang l e s .

SURREAL PHOTOGRAPHSCrea te d b y D ig g ie V i t t

H e c rea te d an imp re s s i v e Ph oto sh o p p e d image ea c h da y fo r a y ear.O n e co u l d l ab e l m e a s a ‘ n o ma d ic co n cep t ua l p h otog r a -p h er. ’ I m o s t l y l i v e o u t o f a b a c k p a c k an d w o r k in c i t i e s I en jo y, un t i l I ea r n en o ug h to b e g in t h e n e x t c hap ter o f m y jo ur n e y. A b ro ken h ear t l ea d to t h e b e g inn ing o f m y p h otog r ap h y, a s an o u t l e t o f co mmunic a t ing m y fe e l ing s b a c k to h er.

I am c ur ren t l y w o r k ing o n a b o o k en t i t l e d , ‘ S au da d e. ’ I t i s a b eau t i f u l Po r t ug ue s e w o rd m ean ing , ‘ t h e l o v e t ha t rema in s . ’ T h e b o o k ha s an un d er l y ing t h em e p o r t r a y ing t h e l i g h t e x i s t ing in a l l dar k n e s s , an d co n s i s t s o f p h o -to s t ha t ha v e a f fe c te d m e p er s o na l l y t h ro ug h o u t t h e y ear s .

A b o u t t hre e y ear s ago , I l e f t J a c k s o n v i l l e an d I b e g an in v e s t ing a l o t o f m y t im e t r a v e l ing t hro ug h o u t t h e co un t r y, co l l e c t ing s e l f p o r t r a i t s to p o r t r a y fe e l ing s o f l o ng ing an d m y jo ur n e y t hro ug h re l i g io n . I f in i sh e d a y ear l o ng 3 65 p ro je c t a c ro s s A m er i c a an d I am ge t t ing rea d y to emb ar k o n a jo ur n e y to I ce lan d an d Euro p e to f in i sh m y b o o k .

Day 2 4 6 / 3 6 5

“ B e awa r e o f w h o yo u a r e . W h at yo u r c a p a b i l i t i e s a r e . T h e p o t e nt i a l i m p a c t yo u c a n m a ke . S o m e o f u s k n ow exa c t l y w h at we wa nt t o d o w i t h o u r f u t u r e . M ay b e we ’ r e go i n g t o go ge t t h at d o c t o r -at e o r m ay b e we ’ r e go i n g t o t a ke ove r t h e fa m i l y b u s i n e s s . S o m e o f u s a r e b e i n g t u g ge d by m u l t i -p l e s t r i n g s t h at w i l l e i t h e r p l e a s e o r d i s c o u rage t h e c o nt ra s t i n g s i d e . T h i n g s wo n ’ t a l ways b e p e r -f e c t , a n d yo u s h o u l d b e t h a n k f u l f o r t h at . I m ag -i n e i f yo u gave u p a f t e r t h at f i r s t u n s u c c e s s f u l a u d i t i o n . I m ag i n e i f yo u we r e s t i l l w i t h yo u r h i g h s c h o o l s we e t h e a r t (u n l e s s yo u s t i l l a r e) , h ow d i f -f e r e nt wo u l d yo u r l i f e b e? Ye a h , we we r e u p s e t t h e n , b u t t h os e m o m e nt s a r e n e c e s s a r y f o r w h o yo u a r e t o d ay. B e t h a n k f u l .”

h t t p : //d ig g ie v i t t . t umb l r.co m /ab o u t

365

C R A N E SPAPER

T h is o r ig ami en t hus ia s t i s mak ing a d i f fe ren t p ap er c r an e e v er y da y.c rea te d b y Cr i s t i an Mar ian c iuc

h t t p s : // w w w. f a ceb o o k .co m / I c ar usMid A i r/ in fo / ? t ab = p age _ in foh t t p s : // w w w. in s t ag r am .co m / i c ar us .mid . a i r/

K I D ’ S CR A Z Y I N V E NTION S TU R N E D I NTO R E A L - LI F E OBJ E C T SC r e a t e d b y E n g l i s h a r t i s t , d e s i g n e r a n d i n v e n t o r D o m i n i c W i l c o x

h t t p : / / d o m i n i c w i l c o x . c o m /h t t p : / / i n v e n t o r s p r o j e c t . c o . u k /

H e s e t u p a n I n v e n t o r s P r o j e c t s h o p i n S u n d e r l a n d a n d S o u t h T y n e s i d e , t h e n a s k e d o v e r 4 5 0 c h i l d r e n t o d r a w t h e i r i d e a s f o r i n v e n t i o n s . W i l c o x t h e n e n l i s t e d l o c a l m a k -e r s a n d m a n u f a c t u r e r s t o b r i n g t h o s e o b j e c t s t o l i f e .

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h t t p : / / w w w . b e c c a c l a s o n . c o m / D E N N Y - Sh t t p s : / / w w w . i n s t a g r a m . c o m / b e c c a c l a s o n /

I w a s i n v i t e d t o d e s i g n t h r e e f o o d l e t t e r i n g p i e c e s f o r D e n n y ’ s D i n e r f o r t h e 2 0 1 5 h o l i d a y s e a s o n : o n e f o r T h a n k s g i v i n g , C h r i s t m a s , a n d t h e n e w y e a r t o r u n o n s o c i a l n e t w o r k s . I w a s a l s o h i r e d t o d o a t i m e l a p s e o f t h e C h r i s t m a s d e s i g n s h o w i n g t h e p r o g r e s s o f t h e l e t t e r i n g a n d s t y l i n g .T h e C h r i s t m a s h o l i d a y i m a g e f e a t u r e s a p o t r o a s t f r o m D e n n y ’ s — c l a s s i c c o m f o r t f o o d . F o r t h e d e s i g n , I u s e d s o m e o f t h e i n g r e d i e n t s o f t h e p o t r o a s t m e a l t o c r e a t e t h e l e t t e r i n g : s a l t , c a r r o t s , a n d m a s h e d p o t a t o e s w i t h g r a v y .

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Fa sh io n i l l us t r a to r Sham ek h ha s b e en a d d ing p a t ter n s to h i s c l o t h ing d e s ig n s w i t h o u t p en s , p a in t o r p en -c i l s . In s tea d h e c u t s h o l e s w h ere t h e c l o t h e s sh o u l d b e an d l e t s t h e w o r l d b eh in d d o t h e p a in t ing .

O n h i s In s t ag r am Sham ek h t r a v e l s a ro un d f in d ing un ique l o c a t io n s t ha t w o r k w i t h h i s d e s ig n s . H e p er fe c t l y p la ce s t h em o v er t h e w o r l d b e y o n d , o f ten us ing t h e b o un dar y b e t w e en lan d an d sk y to d i f fe ren t ia te b e t w e en p ie ce s o f c l o t h ing .

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h t t p s : // w w w.b ehan ce .n e t /g a l l e r y/ 31516 653 / F la y e d -Ske tc h e s | h t t p : // i s o . 5 0 0 px .co m /s e l f p o r t r a i t- ske tc h - p h oto - t u to r ia l / | h t t p s : // w w w. f a ceb o o k .co m / S dg-Ph otog r ap h ie

A t a l en te d ske tc h a r t i s t , D e l G ro s s o te s t s t h e l im i t s o f p h otog r ap h y, ske tc h , an d Ph oto sh o p w i t h h i s un ique co mp o s i t io n s . T h i s s er ie s w a s b o r n w h en D e l G ro s s o d e c id e d to s t u d y ana to m y — an d to te s t h im s e l f us ing h i s o w n b o d y.

In h i s s er ie s o f unusua l s e l f - p o r t r a i t s , h e o v er la y s h i s ana to mic a l l y a cc ur a te ske tc h e s o v er p h otog r ap h s , b l en d ing t h e o u ter an d inn er w o r l ds in a c rea t i v e w a y w e ’ re un l i ke l y to s e e in a te x t b o o k , a l t h o ug h y o u c an imag in e h o w muc h m o re eng ag ing t h o s e s t u d ie s w o u l d b e w i t h t h i s t y p e o f p re s en t a t io n .

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SELF-PORTRAITS

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Photographer Katie Joy Crawford has battled anxiety her entire life, and she is well aware of the way it manipulates her, and how she can manipulate it. This constant struggle, between her mind and body, inner world and outer world, is her biggest frustration—but one that she turned into inspiration. In her My Anxious Heart photo series, Crawford explores her relationship with anxiety through a series of self-portraits.

hrough this body of work, I am visually interpreting my own emotional and physical journey so that others may be able to understand this weight that so many bear in our society. The physical ramifications of the disorder, such as a racing heart, dizziness, shortness of breath and lightheadedness, frequently go unnoticed or are misinterpreted by those who have never suffered from anxiety.

Although the physical symptoms make up a great deal of the disorder, the emo-tional outcome is exceedingly difficult to encapsulate as well. Anxiety bars the suf-ferer from the risk of discovery, the desire to explore new ideas, and the possibility of exiting a comfort zone. It makes sure that it will never be alone. It finds you when you’re in the midst of joy, or alone in your own mind. It is quiet and steady, remind-ing you of your past failures, and fabricating your future outcomes.

http://www.katiejoycrawford.com/myanxiousheart

Created by Photographer Katie Joy Crawford

I n h o n o r o f t h e up co ming e x h ib i t “ Edg ar D e g a s : A S t r ange N e w B eau t y ” a t N e w Yo r k ’ s Mus eum of M o d er n A r t , t h e mag a z in e d e -

c id e d to ha v e Co p e lan d re c rea te t h e a r t i s t ’ s m o s t f am o us p a in t-ing s . D e g a s w a s in f a t ua te d w i t h b a l l e t dan cer s — b ot h t h e i r fo r m an d co s t um e s — mak ing t h em t h e an c h o r o f h i s l i f e l o ng w o r k .

T h e image s fea t ure h er in co u t ure c l o t h ing , a r t f u l l y (an d c ha l -l eng ing l y, a s sh e a dmi t s) p o s ing to p er fe c t l y ma tc h t h e sub -

je c t s in ea c h p a in t ing .

http://www.harpersbazaar.com/culture/art-books-music/a14055/misty-copeland-degas-0316/

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A r t i s t J . F re d e c rea te s h i s F i c t io n L an ds c ap e s f ro m p h otog r ap h s fo un d a t t h e f l ea mar ke t . H e a r r ang-e s ea c h image , a l i g n ing t h e i r s im i la r h o r i zo n s in to a s cen e w h ic h f l ow s f ro m o n e image to t h e n e x t , sp an -n ing b ot h ge og r ap h ic l o c a t io n s an d d e c a d e s .F re d e c h o o s e s p h otog r ap h s w i t h o u t an y c l ear fo c a l p o in t an d v ie w s t h e image s a s p la ceh o l d er s in t h e unk n o w n p h otog r ap h er ’ s l i f e – l i ke t h e en d o f a t r ip o r a w a y p o in t a l o ng t h e w a y. Ha v ing l o s t t h e i r o r ig ina l m ean ing , an d t h e m em o r ie s t ha t w en t w i t h t h em , F re -d e c rea te s s o m e t h ing n e w :

A r r ang ing t h e s e in to n e w lan ds c ap e s t ha t n e v er e x i s te d sp eak s to t h e s t i tc h ing toge t h er o f human b eha v io r an d h ow w e re la te to t im e an d t h e p a s t : H ow man y p e o p l e ha v e s to p p e d a t t ha t re s t s to p an d t aken n ear l y t h e s am e p h oto o f t h e p la in h i l l s id e? A l l l o c k ing t h e i r ow n a s s o c ia t io n s in to t h e v ie w, f i r s t ro a d t r ip w i t h a n e w l o v e ; l a s t ro a d t r ip to s e e g r an dma; o n e o f man y ro a d t r ip s a l o n e .T h e un ique f r aming o f t h e image s t i e s t h e s e l o s t m em o r ie s toge t h er in to o n e un i f i e d human e x p er i -en ce . B eau t i f u l .

A POTATO SOLD FOR MORE THAN $1 MILLIONCrea te d b y f am e d p h otog r ap h er Ke v in A b o s c h

h t t p : // w w w.ke v inab o s c h .co m /

T his i s n o t jus t an y p h oto o f a p ot a to . T h i s image , c a l l e d Pot a to #3 45 , w a s t aken b y

f am e d p h otog r ap h er Ke v in A b o s c h in 2010 an d s o l d to a Euro p ean b us in e s sman fo r an imp re s s i v e mi l l i o n euro s ( t ha t ’ s $1, 0 91, 20 0 in d o l l a r s) , A b o s c h to l d T h e Sun da y T im e s la s t w e ek .

I t ’ s a s imp l e p h oto t ha t re f l e c t s A b o s c h ’ s s t y l e : a s t a r k b la c k b a c k g ro un d an d a

s t r a ig h t- o n sh ot in h ig h re s o lu t io n . A s fo r t h e p ot a to i t s e l f , i t w a s o n e o f t h re e p ot a to e s p h otog r ap h e d fo r t h e s er ie s , b u t t h e f a te o f t h e sp e c ia l s t a r i s unk n ow n .

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s t an t l y enam o re d o f i t . A fe w g la s s e s o f w in e la te r t h e y ag re e d o n t h e sum . T h e p r i ce t ag i s sh o c k ing , b u t i t i sn ’ t co mp l e te l y sur-p r i s ing co n s id er ing t ha t A b o s c h i s a h ig h l y s o ug h t-a f te r p h otog r ap h er w h o s e p o r t r a i t s s t a r t a t m o re t han $20 0 , 0 0 0 .

H o w d o y o u s e e y o ur s e l f ? Yo ur p ercep t io n i s cer t a in l y ske w e d — e sp e c ia l l y w h en i t co m e s to y o ur p h y s i c a l b o d y. N ot o n l y d o o ur em o -t io n s a f fe c t o ur s e l f - p ercep t io n , t h ere a re p ar t s o f o ur s e l v e s w e c an ’ t p h y s i c a l l y s e e o r c an ’ t s e e up c l o s e . In h er Tw ice In to t h e S t ream s er ie s , Tur k i sh p h otog r ap h er M e l tem I ş ı k e x p l o re d t h i s co nun dr um , p h otog r ap h -ing m o d e ls a l o ng w i t h mag n i f i e d p o r t io n s o f t h e i r b o d ie s to c rea te n e w p er sp e c t i v e s o f t h e human b o d y.

“ T h e w o r k s t a r te d fo r ming a ro un d t h e im -p o s s ib i l i t y o f s e e ing o n e s e l f a s a co mp l e te f i g ure w i t h o u t t h e h e lp o f e x ter na l d e v i c-e s . W ha t w e c an s e e w i t h o ur b are e y e s i s a h ea d l e s s b o d y, a re s t r i c te d v ie w o f w ha t i s b e l o w t h e n e c k , w i t h t h e e x ten d e d d i f f i c u l -t y o f s e e ing o ur b a c k . O b s er v ing t h e b o d ie s o f o t h er p e o p l e o f fe r s m e a p o s s ib i l i t y to re f l e c t o n t h e w a y I s e e an d re la te to m y o w n b o d y, w h ic h I c an n e v er s e e a s a w h o l e , ” I ş ı k s a y s .

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C r e a t e d b y p h o t o j o u r n a l i s t A m o s C h a p p l e

h t t p : / / w w w . a m o s c h a p p l e p h o t o . c o m / a i r /h t t p s : / / w w w . f a c e b o o k . c o m / v i d e o . p h p ? v = 7 0 8 6 5 9 6 1 2 5 5 9 5 0 3 & s e t = v b . 4 2 5 4 3 4 3 5 4 2 1 5 3 6 5 & t y p e = 2 & t h e a t e r

B u t p h o t o j o u r n a l i s t A m o s C h a p p l e c a p t u r e s s o m e v i e w s t h a t a n a i r p l a n e p a s s e n g e r c a n ’ t . I n h i s s t u n n i n g s e r i e s “ A i r ” , t h e N e w Z e a l a n d - b a s e d a r t i s t u s e d a d r o n e t o c a t c h b i r d ’ s e y e v i e w s o f a r c h i t e c t u r a l l a n d m a r k s . H e w a s o n t h e f o r e f r o n t o f d r o n e s c o u t i n g b e f o r e i t w a s b a n n e d a n d c a p t u r e d q u i t e a l o v e l y c o l l e c t i o n o f f a m o u s b u i l d i n g f r o m t h i s u n i q u e p e r s p e c t i v e .

C h a p p l e e x p l a i n s , “ T h e r e w a s a w i n d o w o f a b o u t 1 8 m o n t h s w h e r e i t w a s l i k e l y t o f l y t h e s e t h i n g s a n y w h e r e , a n d p e o p l e w e r e d e l i g h t e d t o s e e i t . I ’ m g l a d I m a d e u s e o f t h a t t i m e . ”

PA P E R C Y L I N D E R SC r e a t e d b y J a p a n e s e a r t s t u d e n t S h o k o K o n i s h i

h t t p : / / w w w . t a m a b i . a c . j p / p r o / g _ w o r k s / 2 0 1 4 / e d / s 7 /

S o m e t i m e s t h e s i m p l e s t o f m a t e r i a l s c a n c r e a t e s o m e t h i n g o f i m p r e s s i v e b e a u t y . F o r h e r g r a d u a t i n g t h e s i s p r o j e c t , J a p a n e s e a r t s t u d e n t S h o k o K o n i s h i c r e a t e d a s t r u c t u r e m a d e c o m p l e t e l y o u t o f t h i c k p i e c e s o f p a -p e r . F r o m t h e o u t s i d e i t l o o k s j u s t f i n e , b u t c l i m b i n g t h r o u g h t h e t i n y d o o r p e o p l e a r e t r e a t e d t o a n u n u s u a l -l y s p e c t a c u l a r v i e w o f t h e s k y .

M a d e f r o m t e a r d r o p - s h a p e d t u b e s o f p a p e r , g l u e d t o o n e a n o t h e r , h e r p i e c e “ T r a n s i t i o n ” g i v e s a n a l t o g e t h e r u n i q u e p e r s p e c t i v e o f t h e c h a n g i n g l i g h t a b o v e . E a c h s e c t i o n r e f l e c t s t h e s k y a s i t t r a n s i t i o n s t h r o u g h t h e d a y .

‘ N O T H I N G T O H O L D O N T O ’Crea te d b y p h otog r ap h er GMB A k a sh

h t t p : // w w w.g mb -ak a sh .co m /s to r ie s1.p hp

T h e da i l y e x p er ien ce fo r man y co m -mu ter s an d t r a v e l l e r s in B ang la d e sh . S o m e t im e s p e o p l e r id e o n t r a in ro of s o r b e t w e en c ar s b e c aus e t h e co mp ar t-m en t s b e l ow are f u l l , b u t m o s t o f ten i t ’ s to a v o id p a y ing t h e f a re .

S in ce 20 0 6 p h otog r ap h er GMB A k a sh ha s b e en c ap t ur ing t h e s e p e o p l e in a s er ie s c a l l e d “ N ot h ing to H o l d O n To . ” H e fo un d t ha t m o s t a re l ow in co m e w o r ker s , an d d ep en d ing o n h ow f a r t h e y l i v e f ro m t h e c i t y , s o m e sp en d h o ur s ea c h da y r id ing hun dre ds o f m i l e s jus t to ge t to w o r k

I w an te d to dr aw a t ten t io n to t h e dan -ger t h e s to w aw a y s e x p o s e t h em s e l v e s to ; g r ue s o m e a cc id en t s a re ro u t in e fo r f re e r id er s , ” s a y s A k a sh . “ T h ere i s n o t h ing to h o l d o n to an d i t i s v er y d i f f i c u l t to ke ep y o ur fo ot ing . O n a re cen t r id e , I sp o ke to Ma je d Mi y a , a c a r p en ter w h o ha s t r a v e l e d o n t h e ro of fo r t w o d e c a d e s . M i y a s a id h e en -jo y s r id ing o n t h e ro of : ‘ n o o n e rea l l y d i s t ur b s m e t h ere , e xcep t t h e fear o f d ea t h . ’ .

Crea te d b y Ph otog r ap h er Er i c P i c ker sg i l l

h t t p : // w w w.er i c p i c ker sg i l l . co m / Rem o v e d

Yo u s e e i t e v er y w h ere to da y. Pe o p l e w a i t ing to c ro s s t h e s t re e t a ren ’ t l o o k ing a t t h e t r a f f i c , t h e y ’ re g lue d to t h e s c re en in t h e i r han d . Fami l i e s o n a ro a d t r ip a ren ’ t l o o k ing o u t t h e w in d o w, t h e y ’ re p la y ing t h e s am e g am e s t h e y p la y a t h o m e. D o n ’ t ge t us w ro ng , w e l o v e o ur p h o n e s … b u t s o m e t im e s w e l o v e t h em jus t a l i t t l e to o muc h .

Ph otog r ap h er Er i c P i c ker sg i l l ha s c rea te d a s t r i k ing s er ie s o n t h e sub je c t o f p h o n e a d d ic t io n c a l l e d “ Rem o v e d ”. In ea c h c an d id image h e rem o v e s t h e s c re en f ro m p e o p l e s han ds , h ig h l i g h t ing o ur o b s e s s io n w i t h te c hn o l og y w h i l e s o m e w ha t hu -m o ro us l y sh o w ing h o w o f ten w e ’ re s t a r ing a t o ur han d .

P i c ker sg i l l ’ s s er ie s i s an in c re d i -b l e remin d er to l o o k up f ro m o ur p h o n e s , t ake a b reak an d o b s er v e t h e w o r l d a ro un d us . A s W IR ED fo un d er Ke v in Ke l l y o b s er v e s : “ Yo u d o t ha t n ot b e c aus e i t ’ s te r r ib l e o r p o i s o n , b u t b e c aus e i t ’ s s o go o d . ”

T H I S I S W H AT P H O N E A D D I C T I O N L O O K S L I K E … W I T H O U T T H E P H O N E S