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J. J. J. J. S. S. S. S. Bach Bach Bach Bach - - - - F. F. F. F. BusoniBusoniBusoniBusoni Chaconne Chaconne Chaconne Chaconne

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3. Chaconne ················································································································································································································11110000
4. J. S. Bach F. Busoni Chaconne ························································································11111111
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AbstractAbstractAbstractAbstract
- 2 -
(((())))
(J.s.Bach ; 1685-1750) < Partita No.2 d
minor BWV 1004> 5 .

.

(sarabande) 3
.

.
,
.
, J. S
.
J. S. - ,
.
J. S.
.
- 3 -
19
,
18 (J.S.Bach 1685-1750)

.
19 (Richard Wagner, 1813-1883)
,
,
, , , 17,18
.
.

.

. 20
(F.Busoni) ,
10
.

.
2. 2. 2. 2.
,
, ,

.
, ,
- 4 -

, , ,
chaconne .
. . . .
(Empoli)

. , 7
Trieste
10 . 12
.
‘’
‘ ’
. 1)1)1)

10 .
(Stabat Mater)(1881) 1
.
1888
(Carl Reinecke, 1824-1910) ,
(J. S. Bach, 1685-1750) Prelude and Fugue in D
Major, S. 532 , . 22
.
, (Pyotrilyich Tchaikovsky, 1840-1893), (Edvard
Grieg, 1843-1907), (Gustav Mahler, 1860-1911), (Frederick
Delius, 1862-1934), (Christian Sinding, 1856-1941)
1) . “ .” ,(:, 2004 10 271
).p.86
- 5 -
.
1890 31
.
1891 1894
2) 1894
.
.
1902 (B. Bartok, 1881-1945), (A. Schonberg,
1874-1951), (C.A. Debussy, 1862-1918)
,
1907 (E. v. Sauer)
.
8 1924 50
. .
,
1911 6 1
, .

.

, , , , ,
.2)

Indianisches Tagebuch fur Klavier, op. 47 191
5, Indianische Fantasie fur
Klavier und Orchester, op. 44, 1914 .
(Die Brautwahl)(opus 45,
1912), (Arlecchino)(1917), (Turandot)(1917),
2) . “ .” . (:, 1004 10 271)
- 6 -
(Doktor Faust)() 4 .
(Ph. Jarnach)
1 1925 .
,
.
Mullhausen (1707-1708), Weimar (1708-1717), Cothen(1717-1723)
, Leipzig (1723-1750)
, 1802 Simrock
, 1839
.

.

.

.

. F. Mendelssohn Chaconne for Vn. p
f, J. Brahms Chaconne, R. Schumann
Sonate No.2 for Vln. pf, F. Busoni Chaconne .
1891 10
,

. .

, ,
.

.
- 7 -

. 20
.
2. 2. 2. 2.
(Arrangement)
.

(Contrafactum)3), (Parod
y)4), (Pasticcio)5), (Cantus firmus)
. “
,
“ .6)

(composition) .

.
3) (Contrafactum): .
, . 13
. 16
.
.Ibid, p.1421.
4) (Parody): ' ‘ .
. 15-16 ,
, . ‘ (Parody Mass)' ,
, .
. Ibid, pp.1513-1514.
5) (Pasticcio): ‘ ’ ‘’ .
.
, , , 18
. , ,
, 2 .
. Ibid, p.1519.
6) Stanley Sade. "The New Grove Dictionary" Vol. 1, p.627.
- 8 -

.
reduction
. .
,
.

. transcription
.7)
10 (polyphony)8)
. 1600 Trope9)
clausula10), Motet11) ,
7) . “ -, -.” , (: , 1990 6
), p. 134
. Ibid, p.1522.
8) (::Polyphony):'‘ 2 .

. 2 ‘
.
9) (Trope): ‘ ’ .
(13-19) .

.
. Ibid, p.1497.
10) (Clausula): 13 (
) (Organum)
, .
16 () .
11) (Motet): (
.) , 13
.
() . 12 2
- 9 -
(lute,laute)12)
(intabulation) .
16 ,

. 16
Monody13) . 16
.
17~18
.

,
.
(ricercare) (canzona)
. (fuga) (sonata)
.
17 concerto 18
.
19 ,

,
.
,
, 13 .
. Ibid, p.497.
12) (lute(), Laute()): 16-17 ‘
( )’ .
, .
‘ ( )’.
. Ibid, p.363.
13) (monody(), Monodie(), monodia()): monos() Ode() .
, .
. 1600 (Camerrata fiorentina)
() 16 ,
, .
. Ibid, p.463.
- 10 -

.
3. 3. 3. 3. ChaconneChaconneChaconneChaconne

. 3
4, 8
( ---)
, (basso ostinato, ground bass)
.14)
(Chaconne) (dance song)
. 1598 mateo Rosasde Oquendo
'Chacona' . Chacona 1599
Phillip 3 17
. Chaconne ,
17
.
Chaconne 20
. Chaconne 3
() 2 1 2
. .15)
17
. Chaconne .
,
.
, ,
.
14) Stanley Sadie. "The New Grove Dictionary." Vol. 4, pp. 100-102.
15) . “J. S. Bach Violin Partita 2, D 5 ‘Chaconne' ”
, 1991, p.10.
- 11 -
, Chaconne
.
4. 4. 4. 4. J. J. J. J. S. S. S. S. BachBachBachBach F. F. F. F. BusoniBusoniBusoniBusoni Chaconne Chaconne Chaconne Chaconne
(1) 1(Theme and Var. 1 ~ Var. 17): d minor
Theme(1-8)
Tempo ,
Andante maestoso, ma non troppo lento Tempo .
BachBachBachBach : 4
Bass D-C#-B-A ------
- .
()
1 . .
BusoniBusoniBusoniBusoni :
1 .
D-C#-B-A , -
------
().
(Authentic Cadence) .
< 1>Bach Chaconne
Var. Var. Var. Var. 1(9-161(9-161(9-161(9-16))))
BachBachBachBach :
. ()
. .
BusonBusonBusonBusoni : () ()
. (13-16
) .
, .

.
1111
5555
- 13 -
Var. Var. Var. Var. 2(17-242(17-242(17-242(17-24))))
Bach Bach Bach Bach : Var. 1 ,
. Bass D-C#-C-B-B-A
(Chromatic Scale) .
BusoniBusoniBusoniBusoni : Var. 1
(Subito Piano) Var. 1 . Bass
9999
13131313
13131313
9999
- 14 -

(. Ped.) . , 18
(F#-A-C-E) 19(C#-E-G-B) 7
Var. 10 7 .
< 5>Bach Chaconne
< 6>Busoni Chaconne
BachBachBachBach : 8
, Bass . 4 8
16 , .
BusoniBusoniBusoniBusoni :
. 25 Bass D
Pedal Point .
.
< 7>Bach Chaconne
< 8>Busoni Chaconne
BachBachBachBach : 8 16
. 56
(D-C#-C-B-B-A).
.
BusoniBusoniBusoniBusoni : (Articulation)
. (33-36) 2
, 2
. (37-40) Var. 3 8 16
39 . a b
(Chromatic scale) .

.
< 9>Bach Chaconne
BachBachBachBach : Var. 4 5 . (
) .
BusoniBusoniBusoniBusoni : Var. 5 Var. 4 16
.
(Cresc) (dim) .

D-E-F#-G-A-B B-A-G-F
.
Var. Var. Var. Var. 6 6 6 6 (49-56(49-56(49-56(49-56))))
BachBachBachBach : 2:1
2:1 .(10) D-C-B-A Bass
.
BusoniBusoniBusoniBusoni : Var. 5 16 . 2
2 . 49 51
(stacato) D-C-B
(53-56)
. 1 D-C-B 53 55

.
41414141
44444444
- 19 -
BachBachBachBach : (double-stop) 2
. ,
.
BusoniBusoniBusoniBusoni : .
49494949
50505050
- 20 -
.
8 16 16
. (accent) 57-59
8 A-D, G-C, F-B .
< 15>Bach Chaconne
< 16>Busoni Chaconne
BachBachBachBach : (65-68) 2
32
.
BusoniBusoniBusoniBusoni : Var. 8 Var. 7
. (65-68) ,
(69-72) 3
. 3 fz(
) B-A-G .
< 17>Bach Chaconne
16) Var. 8 . .
65656565
68686868
65656565
67676767
- 22 -
Bach(73-80Bach(73-80Bach(73-80Bach(73-80)))) : 2 32
16
. 76 A
B 1 (scale)
.(20)
. 77 80
78 81.
Busoni(73-81Busoni(73-81Busoni(73-81Busoni(73-81)))) : 1 (climax)
. 76
1 .
(73-77) .
4 5 Var. 9 9
. 77 74
A .
(ffp)
. D Pedal Point
Bass .
< 19>Bach Chaconne
Bach(81-84Bach(81-84Bach(81-84Bach(81-84)))) : 4
. D, C#, B, A
(13) . 3
84 .
73737373
77777777
- 24 -
. Var. 2 7
. 7 Var. 2 (82-84
) , (86-88)
. (slur) 4
8 .
< 21>Bach Chaconne
Bach(85-88)Bach(85-88)Bach(85-88)Bach(85-88) : 32
(arpeggio) .
Busoni(90-93)Busoni(90-93)Busoni(90-93)Busoni(90-93) : Var. 10 8 4
accent cresc(
) ff() .
stacato . 92
(contray motion) .
< 23>Bach Chaconne
Bach(89-96)Bach(89-96)Bach(89-96)Bach(89-96) : 32 arpeggio .
, (93-96)
Bass D,C,B,A .
Busoni(94-101)Busoni(94-101)Busoni(94-101)Busoni(94-101) : subito p 32
D . 32
Var. 15 125 . Var. 12
. (98-101)
D, C, B, A (tenuto) .
< 25>Bach Chaconne
Bach(97-104)Bach(97-104)Bach(97-104)Bach(97-104) : (D, C, B, A)
. 97
101 . 6
.
13 Var. 12 arpeggio
. 106 bass D .
1
.
.
.
Busoni(110-117)Busoni(110-117)Busoni(110-117)Busoni(110-117) : 3 4 2 arpeggio
. Var. 13 D 1
. .
D-A-G-F .
< 29>Bach Chaconne
6 .
arpeggio . (118-121)
.
tenuto . 4
. rit() (ff) (fff)
.
< 31>Bach Chaconne
Bach(121-125)Bach(121-125)Bach(121-125)Bach(121-125) : 5 1 Coda
. arpeggio 5
.
. 126 2 128
. b
(D, C, B, A) .
< 33>Bach Chaconne
Bach(126-132)Bach(126-132)Bach(126-132)Bach(126-132) :
. 1 2
.
Busoni(131-137)Busoni(131-137)Busoni(131-137)Busoni(131-137) : marcato 16
137
. 137 2
1 coda .
< 35>Bach Chaconne
125125125125
130130130130
- 32 -
(2)(2)(2)(2) 2222(Var. (Var. (Var. (Var. 18 18 18 18 ~ ~ ~ ~ Var. Var. Var. Var. 27) 27) 27) 27) : : : : D D D D MajorMajorMajorMajor
Var. Var. Var. Var. 18181818
Bach(133-140)Bach(133-140)Bach(133-140)Bach(133-140) : 2 1
. (D, C#,
B, A) .
bass 2
.
Busoni(138-145)Busoni(138-145)Busoni(138-145)Busoni(138-145) : 2 .
D, C#, B, A . 1

.
(138~141) .
< 37>Bach Chaconne
Bach(141-148)Bach(141-148)Bach(141-148)Bach(141-148) : 8 Var. 19
(141-144) (D, C#, B, A) bass
. (145-148) D, E, F#, G
.
Busoni(146-153)Busoni(146-153)Busoni(146-153)Busoni(146-153) : (4 )
. (D-C#
-B-A-G) Var. 18 .
.
, 2:1 7
.
. (f) (ff)
16 stacato
.
Bach(153-160)Bach(153-160)Bach(153-160)Bach(153-160) : 2:1 Var.
20 4 . (157-160) 4
arpeggio Var.
22 .
stacato .
Var. 18
A .
< 43>Bach Chaconne
Bach(161-168)Bach(161-168)Bach(161-168)Bach(161-168) : 161 Var. 23 172 A
, 3 . (161-164)
(165-168) A 1 .
Busoni(166-173)Busoni(166-173)Busoni(166-173)Busoni(166-173) :
.
, A .
A D, C#,
B, A .
< 45>Bach Chaconne
Bach(169-176)Bach(169-176)Bach(169-176)Bach(169-176) : (169-172) A
2 . A D Bass ,
.
. Var. 22 16
A . ,
accent .
< 47>Bach Chaconne
.
< 49>Bach Chaconne
Bach(185-192)Bach(185-192)Bach(185-192)Bach(185-192) : .
() (185-188) 3, (189-192)
4 . (D, C#, B, A) bass
.
(194-197) .
(), . 195
code
. 1 , accent
.
< 51>Bach Chaconne
, Bass 10 . (197-200) 15
D 2
.
. (
), .(D-E-F#
-G-G#-A) 16 unison ,
.
arpeggio
.
Busoni(206-213)Busoni(206-213)Busoni(206-213)Busoni(206-213) : 16 code (martellat
o)17) .
. (206-208) code
(D, C#, B, A) . (212-213)
2 .
< 55>Bach Chaconne
17) martellato : , ,
.
.
201201201201
206206206206
- 43 -
Var. Var. Var. Var. 28282828
. (209-212) bass D, C, B, A
. bass (
, ) 2 .
(213-216) .
214 N 18)(G, B, E) , N
.
Busoni(214-221)Busoni(214-221)Busoni(214-221)Busoni(214-221) : 3 Var. 28 1
. ( ) 16
.
. 219 N (G, B, E)
, N .
< 57>Bach Chaconne
18) 5 3 1 ,
ii 3 1 .
. Ibid, p.161.
(217-220) D, E, F, G ,
(221-223) F, E, D, .
. (222-225) D, E, F, G
, (226-229) F, E, D .
16 .
< 59>Bach Chaconne
2 .
Busoni(230-237)Busoni(230-237)Busoni(230-237)Busoni(230-237) : 16 32
. (230-233) D, C, B
, (234-237) A
.
Bach(233-240)Bach(233-240)Bach(233-240)Bach(233-240) : A ( )
. (233-236) .
2(233-234) , 2(235-236)
. (237-240)
. .
Busoni(238-245)Busoni(238-245)Busoni(238-245)Busoni(238-245) : Var. 30 (234-237) A
. (238-241)
.
- 47 -
. (241-244)
, .
(245-248) Bass .
Busoni(246-253)Busoni(246-253)Busoni(246-253)Busoni(246-253) : marcato
. arpeggio
(polyphony) ,
233233233233
- 48 -
. 16 arpeggio
. 253
(cadenza) .
< 65>Bach Chaconne
(249-252) . (253-256
) 4 1 ,
.
Busoni(254-262)Busoni(254-262)Busoni(254-262)Busoni(254-262) : coda chaconne . ff

. (254-257) (D, C#, B,
A) 258 259
A . 2(261-262) 3(picardy
third)19) (perfect authentic cadence) chaconne
.
< 67>Bach Chaconne
19) picardy third : 3 ().
16 18 .
. Ibid, pp.1640-1641
. . . .
‘(Neo-classicisme)’

.
.
, ,
,
. , , ,
,
.
, , 10 ,
,
. 3
, d minor, D major, d minor 1
17 , 2 18-27, 3 28-32 coda .
,
pp-ff, fz, ffz
.
,
. ,
.
.

2 .
,
,
.
, , 7
,
.
- 52 -

, , , 3
7 ,

.

.
.

.
, .
- 53 -

1. D. M. Green ( ), (Form in Tonal Music),
(: , 1990).
(: , 1996).
(Formenleher der Musik), (: , 1985).
4. J. Machlis ( ), ()
(Introduction to Conthmporary Music), ( : , 1988).
5. A. Schoenberg / L. Stein ( ),
(Preliminary Exercise in Counterpoint), (: , 1979).
6. L. Stein (, ), (Structure and Style),
(: , 1978).
8. / , , (: , 1988).
9. , , (: , 1993).
10. , , (: , 1976).
11. , (: , 1982).
12. , (: , 1986).

Stanley Sadie. The New Grove Dictionary of Music and Musicians.
Macmillan Publishers Ltd London, 1980.

( 1994, 12)
- 54 -
3. , “- ” , ,
, (, 1994, 12)
4. , “ -, ” , ,
, (, 1990, 6)
, (, 2004, 10)
6. , “ ” , ,
, (, 1994, 12)
7. , “ ” , ,
, (, 1994, 12)

(: , 2000).
2. , “J. S. Bach-F. Busoni Chaconne in d minor .”
(: , 1995).
J. S. Bach < Partita No.2 d minor
BWV 1004> 5 chaconne .”
(: , 1999).
4. , “J. S. Bach-F. Busoni Chaconne .”
(: , 2001).
5. , “J. S. Bach Violin Partita 2, D
5 ‘Chaconne’ .”
- 55 -
ABSTRACTABSTRACTABSTRACTABSTRACT
A A A A Study Study Study Study on on on on the the the the Chaconne Chaconne Chaconne Chaconne in in in in D D D D minor minor minor minor by by by by Bach Bach Bach Bach - - - - BusoniBusoniBusoniBusoni
Back Young Lee
Major in Music Education
Graduate school of Education, Chosun University
This thesis is written to analyze and study J. S. Bach-F. Busoni's Chaconne
in D Minor, which is the work among the repertoire performed in graduation
concert for the completion of the master's course of author. The Chaconne
has its origin from the Baroque dance-song and has shaped its from as it is
propagated to other countries. Although Bosoni worked as a composer in the
latter period of Romanticism, he prevented emotion of that period from
fusing into his works and showed a tendency of classicism that is eager for
the absoluteness.
F. Busoni is a representative Neo-classicism who was born in Italy and
worked in Germany from the late 19th century to the early 20th century. He
joyfully used techniques to enlarge the possibility of the instrumental
representation with old master's works and his ability as a composer was
widly recognized owing to the arrangement of Bach's original works among
them. Chaconne in D Minor, one of his piano pieces, is an arrangement of
5th movement chaconne of J. S. Bach's partita No. 2 for solo violin. It is
- 56 -
composed of theme, 32 variations and coda and divided into three parts(d
minor → D Major → d minor) by tonality. Busoni could make the various
possibility of musical expression with piano by using very wide range, full
harmony, large leap, arpeggio, pedal point, variating tempo and detailed
direction of musical symbol, while didn't damage the conception of original
piece of J. S. Bach. Technically speaking, it also demands highest level of
proficiency and stammina.
4. J. S. Bach F. Busoni Chaconne
.

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